09/27/21 Early Modern Body Politics | Prifysgol Bangor University
Early Modern Body Politics View Online
Reading List for third year English module QXE3058 Early Modern Body Politics
1.
Sharpham, E. & Munro, L. The fleer. vol. Globe quartos (Nick Hern, 2006).
2.
Shakespeare, William & Gibbons, Brian. Measure for measure. vol. New Cambridge Shakespeare (Cambridge University Press, 2007).
3.
Korda, N. Shakespeare’s domestic economies: gender and property in early modern England. (University of Pennsylvania Press, 2002).
4.
Munro, L. Children of the Queen’s Revels: a Jacobean theatre repertory. (Cambridge University Press, 2011).
5.
Hyland, P. Disguise on the early modern English stage. vol. Studies in performance and early modern drama (Ashgate Pub. Co, 2011).
6.
Will Fisher. The Renaissance Beard: Masculinity in Early Modern England. Renaissance Quarterly 54, 155–187 (2001).
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7.
Quarmby, K. A. The disguised ruler in Shakespeare and his contemporaries. vol. Studies in performance and early modern drama (Ashgate, 2012).
8.
Munro, L. ‘Reading Printed Comedy: Edward Sharpham’s The Fleer. in The Book of the Play: Playwrights, Stationers and Readers in Early Mondern England vol. Massachusetts studies in early modern culture (University of Massachusetts Press, 2006).
9.
Rutter, T. Issues in review: Dramatists, playing companies, and repertories: Introduction. Early Theatre 13, (2010).
10.
Orgel, S. Impersonations: the performance of gender in Shakespeare’s England. (Cambridge University Press, 1996).
11.
Jean E. Howard. Crossdressing, The Theatre, and Gender Struggle in Early Modern England. Shakespeare Quarterly 39, 418–440 (1988).
12.
Redmond, M. J. Shakespeare, politics, and Italy: intertextuality on the Jacobean stage. vol. Anglo-Italian Renaissance studies series (Ashgate, 2009).
13.
Charles R. Lyons. Silent Women and Shrews: Eroticism and Convention in ‘Epicoene’ and ‘Measure for Measure’. Comparative Drama 23, 123–140 (1989).
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14.
Lumley, J. L., Child, H. H. & Euripides. Iphigenia at Aulis. vol. Malone society reprints (Printed for the Malone society by C. Whittingham & co. st the Chiswick press], 1909).
15.
Brown, P. A. & Parolin, P. Women players in England, 1500-1660: beyond the all-male stage. vol. Studies in performance and early modern drama (Ashgate, 2005).
16.
Findlay, A. Playing spaces in early women’s drama. (Cambridge University Press, 2006).
17.
McManus, C. Women on the Renaissance stage: Anna of Denmark and female masquing in the Stuart court (1590-1619). (Manchester University Press, 2002).
18.
McManus, C. Women and culture at the courts of the Stuart Queens. (Palgrave Macmillan, 2003).
19.
Britland, K. Drama at the courts of Queen Henrietta Maria. (Cambridge University Press, 2006).
20.
Ravelhofer, B. The early Stuart masque: dance, costume, and music. (Oxford University Press, 2006).
21.
Wall, W. The imprint of gender: authorship and publication in the English Renaissance.
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(Cornell University Press, 1993).
22.
Straznicky, M. Privacy, playreading, and women’s closet drama, 1550-1700. (Cambridge University Press, 2004).
23.
Smith, H. ‘Grossly material things’: women and book production in early modern England. (Oxford University Press, 2012).
24.
Lewcock, D. Sir William Davenant, the court masque and the English seventeenth-century scenic stage c1605-c1700.
25.
Smuts, R. M. The Stuart court and Europe: essays in politics and political culture. (Cambridge University Press, 1996).
26.
Bevington, D. M. & Holbrook, P. The politics of the Stuart court masque. (Cambridge University Press, 1998).
27.
Lindley, D. The Court masque. vol. Revels plays companion library (Manchester University Press, 1984).
28.
Middleton, T., Rowley, W. & Bawcutt, N. W. The changeling. vol. Revels student editions (Manchester University Press, 1998).
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29.
Bacon, F. & Pitcher, J. ‘Of Beauty’ and ‘Of Deformity’. The Essays vol. Penguin classics (Penguin Books, 1985).
30.
Chapman, G. & Brooke, N. Bussy d’Ambois. vol. Revels plays (Manchester University Press, 1979).
31.
Burnett, M. T. Constructing ‘monsters’ in Shakespearean drama and early modern culture. vol. Early modern literature in history (Palgrave Macmillan, 2002).
32.
Baker, N. Plain ugly: the unattractive body in early modern culture. (Manchester University Press, 2010).
33.
Haber, J. D. Desire and dramatic form in early modern England. (Cambridge University Press, 2012).
34.
Salkeld, D. Madness and drama in the age of Shakespeare. (Manchester University Press, 1993).
35.
Rosslyn, F. Villainy, Virtue and Projection. The Cambridge Quarterly 30, 1–17 (2001).
36.
Changelings and The Changeling. Essays in Criticism 56, 241–263 (2006).
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37.
Catty, J. Writing rape, writing women in early modern England: unbridled speech. vol. Early modern literature in history (Palgrave Macmillan, 2011).
38.
Thompson, S. Bound to a Corpse: A Macabre Emblem in Early Modern Drama. Notes and Queries 59, 82–86 (2012).
39.
Peter Stallybrass and Ann Rosalind Jones. Fetishizing the Glove in Renaissance Europe. Critical Inquiry 28, 114–132 (2001).
40.
Rowe, K. Memory and Revision in Chapman’s Bussy Plays. Renaissance Drama 31, 125–152 (2002).
41.
Gossett, S. Thomas Middleton in context. (Cambridge University Press, 2011).
42.
Re-reading Rape in The Changeling. Journal for Early Modern Cultural Studies 11, 4–29.
43.
Burks, D. G. ‘I’ll Want My Will Else’: The Changeling and Women’s Complicity With Their Rapists. ELH 62, 759–790 (1995).
44.
Luttfring, S. D. Bodily Narratives and the Politics of Virginity in The Changeling and the
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Essex Divorce. Renaissance Drama 39, 97–128 (2011).
45.
Smith, E. & Sullivan, Jr, G. A. The Cambridge Companion to English Renaissance Tragedy. vol. Cambridge Companions to Literature (Cambridge University Press, 2010).
46.
Sara Eaton. Beatrice-Joanna and the Rhetoric of Love in ‘The Changeling’. Theatre Journal 36, 371–382 (1984).
47.
Sara Eaton. Beatrice-Joanna and the Rhetoric of Love in ‘The Changeling’. Theatre Journal 36, 371–382 (1984).
48.
Jonson, B. & Dutton, R. Epicene, or, The silent woman. vol. The Revels plays (Manchester University Press, 2003).
49.
Middleton, T. & Parker, R. B. A chaste maid in Cheapside. (Methuen, 1969).
50.
Jones, A. R. & Stallybrass, P. Renaissance clothing and the materials of memory. vol. Cambridge studies in Renaissance literature and culture (Cambridge University Press, 2000).
51.
Karim-Cooper, F. Cosmetics in Shakespearean and Renaissance drama. (Edinburgh University Press, 2006).
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52.
Brown, P. A. Better a shrew than a sheep: women, drama, and the culture of jest in early modern England. (Cornell University Press, 2003).
53.
Capp, B. S. When gossips meet: women, family, and neighbourhood in early modern England. vol. Oxford studies in social history (Oxford University Press, 2003).
54.
Habermann, I. Staging slander and gender in early modern England. vol. Women and gender in the early modern world (Ashgate, 2003).
55.
Richmond Barbour. ‘When I Acted Young Antinous’: Boy Actors and the Erotics of Jonsonian Theater. PMLA 110, 1006–1022 (1995).
56.
Boehrer, B. T. Epicoene, Charivari, Skimmington. English Studies 75, (1994).
57.
Dillon, J. Theatre, court and city, 1595-1610: drama and social space in London. (Cambridge University Press, 2006).
58.
DiGangi, M. Asses and Wits: The Homoerotics of Mastery in Satiric Comedy. English literary renaissance 25, 179–208 (1995).
59.
Fisher, W. Materializing gender in early modern English literature and culture. vol. Cambridge studies in Renaissance literature and culture (Cambridge University Press,
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2006).
60.
Hentschell, R. Treasonous Textiles: Foreign Cloth and the Construction of Englishness. Journal of Medieval and Early Modern Studies 32, 543–570 (2002).
61.
johnston, mark albert. Prosthetic Absence in Ben Jonson’s Epicoene, The Alchemist, and Bartholmew Fair. English Literary Renaissance 37, 401–428 (2007).
62.
Levine, L. Men in women’s clothing: anti-theatricality and effeminization, 1579-1642. vol. Cambridge studies in Renaissance literature and culture (Cambridge University Press, 1994).
63.
Lyons, Charles R. Silent Women and Shrews: Eroticism and Convention in ‘Epicoene’ and ‘Measure for Measure’. Comparative DramaComparative Drama 23,.
64.
Newman, K. Fashioning femininity and English Renaissance drama. vol. Women in culture and society (University of Chicago Press, 1991).
65.
Phyllis Rackin. Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage. PMLA 102, 29–41 (1987).
66.
Richardson, C. Clothing culture, 1350-1650. vol. The history of retailing and consumption (Ashgate, 2004).
9/25 09/27/21 Early Modern Body Politics | Prifysgol Bangor University
67.
Maus, K. E. Inwardness and theater in the English Renaissance. (University of Chicago Press, 1995).
68.
Ford, J. ‘Tis pity she’s a whore : edited by Sonia Massai. vol. Arden early modern drama.
69.
Webster, J. & Brown, J. R. The white devil. vol. Revels student editions (Manchester University Press, 1996).
70.
Hutson, L. The usurer’s daughter: male friendship and fictions of women in sixteenth-century England. (Routledge, 1994).
71.
Gowing, L. Domestic dangers: women, words, and sex in early modern London. vol. Oxford studies in social history (Clarendon Press, 1996).
72.
Haber, J. D. Desire and dramatic form in early modern England. (Cambridge University Press, 2012).
73.
Bovilsky, L. Black Beauties, White Devils: The English Italian in Milton and Webster. ELH 70, 625–651 (2003).
74.
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Finin-Farber, K. R. Framing (the) Woman: The White Devil and the Deployment of Law. Renaissance Drama 25, (1994).
75.
Barnes, E. Incest and the literary imagination. (University Press of Florida, 2002).
76.
McCabe, R. A. Incest, drama, and nature’s law, 1550-1700. (Cambridge University Press, 1993).
77.
Clerico, T. The Politics of Blood: John Ford’s ’Tis Pity She’s a Whore. English Literary Renaissance 22, 405–434 (1992).
78.
Low, J. A. ‘Bodied Forth’: Spectator, Stage, and Actor in the Early Modern Theater. Comparative Drama 39, 1–29 (2005).
79.
Smith, E. & Sullivan, Jr, G. A. The Cambridge Companion to English Renaissance Tragedy. vol. Cambridge Companions to Literature (Cambridge University Press, 2010).
80.
Brome, R. A Jovial Crew. (Bloomsbury Arden Shakespeare, 2014).
81.
Julie Sanders. Beggars’ Commonwealths and the Pre-Civil War Stage: Suckling's ‘The Goblins,’ Brome’s ‘A Jovial Crew,’ and Shirley’s ‘The Sisters’. The Modern Language Review 97, 1–14 (2002).
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82.
Sanders, J. Caroline drama: the plays of Massinger, Ford, Shirley, and Brome. vol. Writers and their work (Northcote House, in association with the British Council, 1999).
83.
Butler, M. Theatre and crisis 1632-1642. (Cambridge University Press, 1984).
84.
Rosemary Gaby. Of Vagabonds and Commonwealths: Beggars’ Bush, a Jovial Crew, and the Sisters. Studies in English Literature, 1500-1900 34, 401–424 (1994).
85.
Steggle, M. Laughing and weeping in early modern theatres. vol. [Studies in performance and early modern drama] (Ashgate, 2007).
86.
Steggle, M. Richard Brome: place and politics on the Caroline stage. vol. The Revels plays companion library (Manchester University Press, 2004).
87.
Dyson, J. Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625-1642. vol. Studies in Performance and Early Modern Drama (Ashgate Publishing Ltd, 2013).
88.
Richard Brome Online. http://www.hrionline.ac.uk/brome/.
89.
Denys Van Renen. A ‘Birthright into a New World’: Representing the Town on Brome’s Stage. Comparative Drama 45, 35–63 (2011).
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90.
Clare, J. Drama of the English republic, 1649-60. vol. Revels plays companion library (Manchester University Press, 2002).
91.
Wiseman, S. Drama and politics in the English Civil War. (Cambridge University Press, 1998).
92.
Potter, L. Secret rites and secret writing: royalist literature, 1641- 1660. (Cambridge University Press, 1990).
93.
Smith, N. Literature and revolution in England, 1640-1660. (Yale University Press, 1994).
94.
Sharpe, K. & Zwicker, S. N. Reading, society and politics in early modern England. (Cambridge University Press, 2003).
95.
Garganigo, A. The Heroic Drama’s Legend of Good Women. Criticism 45, 483–505 (2004).
96.
Maguire, N. K. Regicide and restoration: English tragicomedy, 1660-1671. (Cambridge University Press, 1992).
97.
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Canfield, D. The Significance of the Restoration Rhymed Heroic Play. Eighteenth-Century Studies 12, 49–62 (1979).
98.
Derek Attridge. Dryden’s Dilemma, or, Racine Refashioned: The Problem of the English Dramatic Couplet. The Yearbook of English Studies 9, 55–77 (1979).
99.
Laura Brown. The Ideology of Restoration Poetic Form: John Dryden. PMLA 97, 395–407 (1982).
100.
Bridget Orr. Poetic Plate-Fleets and Universal Monarchy: The Heroic Plays and Empire in the Restoration. Huntington Library Quarterly 63, 71–97 (2000).
101.
Howe, E. The first English actresses: women and drama, 1660-1700. (Cambridge University Press, 1992).
102.
Braverman, R. L. Plots and counterplots: sexual politics and the body politic in English literature, 1660-1730. vol. Cambridge studies in eighteenth-century English literature and thought (Cambridge University Press, 2005).
103.
Randall, D. B. J. Winter fruit: English drama, 1642-1660. (University Press of Kentucky, 1995).
104.
Dryden, J. The Tempest or the Enchanted Island. in The works of John Dryden (eds. Hooker, E. N., Swedenberg, H. T. & Dearing, V. A.) vol. 10 (University of California Press, 1956).
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105.
Davenant, W. & Dryden, J. The Tempest or The Enchanted Isle. in Shakespeare Made Fit: Restoration Adaptations Of Shakespeare (ed. Clark, S.) 79–185 (1997).
106.
Dryden, J. Marriage a la Mode. (A & C Black, 1991).
107.
Gavin Foster. Ignoring ‘The Tempest’: Pepys, Dryden, and the Politics of Spectating in 1667. Huntington Library Quarterly 63, 5–22 (2000).
108.
Calvi, L. ‘Suppos’d to be raised by magic’, or The Tempest ‘made fit’. in Revisiting the tempest: the capacity to signify 151–170 (Palgrave Macmillan, 2014).
109.
Dobson, M. The making of the national poet: Shakespeare, adaptation and authorship, 1660-1769. (Clarendon Press, 1992).
110.
Marsden, J. I. The re-imagined text: Shakespeare, adaptation, & eighteenth-century literary theory. (University Press of Kentucky, 1995).
111.
Kewes, P. Authorship and appropriation: writing for the stage in England, 1660-1710. vol. Oxford English monographs (Clarendon Press, 1998).
112.
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Murray, B. A. Restoration Shakespeare: viewing the voice. (Fairleigh Dickinson University Press, 2001).
113.
Quinsey, K. M. Broken boundaries: women & feminism in Restoration drama. (The University Press of Kentucky, 1996).
114.
Rosenthal, L. J. (Laura J. ‘All injury’s forgot’: Restoration Sex Comedy and National Amnesia. Comparative Drama 42, 7–28 (2008).
115.
Frank, M. Gender, theatre, and the origins of criticism: from Dryden to Manley. (Cambridge University Press, 2003).
116.
Brady, J. & Miner, E. R. Literary transmission and authority: Dryden and other writers. vol. Cambridge studies in eighteenth-century English literature and thought (Cambridge University Press, 1993).
117.
"Too hasty to stay”: Erotic and Political Timing in Marriage à la Mode. Restoration: Studies in English Literary Culture, 1660-1700 32, 1–23 (2008).
118.
Goldberg, J. Queering the Renaissance. vol. Series Q. (Duke University Press, 1994).
119.
Shanahan, J. The Dryden-Davenant Tempest, Wonder Production, and the State of Natural Philosophy in 1667. The Eighteenth Century 54, 91–118 (2013).
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120.
Rosenthal, L. J. ‘Reading Masks: The Actress and the Specatrix in Restoration Shakespeare’. in Broken boundaries: women & feminism in Restoration drama (The University Press of Kentucky, 1996).
121.
Maguire, N. K. Regicide and restoration: English tragicomedy, 1660-1671. (Cambridge University Press, 1992).
122.
Behn, A. The rover.
123.
Wycherley, W. The Country Wife. (Methuen, 2014).
124.
Hughes, D. English drama, 1660-1700. (Clarendon Press, 1996).
125.
Quinsey, K. M. Broken boundaries: women & feminism in Restoration drama. (The University Press of Kentucky, 1996).
126.
Gill, C. Theatre and culture in early modern England, 1650-1737: from Leviathan to Licensing Act. (Ashgate, 2010).
127.
Cuder Domínguez, P. Stuart women playwrights, 1613-1713. vol. Studies in performance
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and early modern drama (Ashgate Pub, 2011).
128.
Chalmers, H. Royalist women writers, 1650-1689. vol. Oxford English monographs (Clarendon Press, 2004).
129.
Anita Pacheco. Rape and the Female Subject in Aphra Behn’s ‘The Rover’. ELH 65, 323–345 (1998).
130.
Stephen Szilagyi. The Sexual Politics of Behn’s ‘Rover’: After Patriarchy. Studies in Philology 95, 435–455 (1998).
131.
Webster, J. W. Performing libertinism in Charles II’s court: politics, drama, sexuality. (Palgrave Macmillan, 2005).
132.
Eve Kosofsky Sedgwick. Sexualism and the Citizen of the World: Wycherley, Sterne, and Male Homosocial Desire. Critical Inquiry 11, 226–245 (1984).
133.
Shepherd, S. ¤ The body’, performance studies, Horner and a dinner party. Textual Practice 14, 285–303 (2000).
134.
Peggy A. Knapp. The ‘Plyant’ Discourse of Wycherley’s ‘The Country Wife’. Studies in English Literature, 1500-1900 40, 451–472 (2000).
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135.
Thomas A. King. ‘As If (She) Were Made on Purpose to Put the Whole World into Good Humour’: Reconstructing the First English Actresses. TDR (1988-) 36, 78–102 (1992).
136.
Ballaster, R. Taking Liberties: Revisiting Behn’s Libertinism. Women’s Writing 19, 165–176 (2012).
137.
Pritchard, W. Outward appearances: the female exterior in Restoration London. vol. The Bucknell studies in eighteenth-century literature and culture (Bucknell University Press, 2008).
138.
Beach, A. R. ‘Carnival Politics, Generous Satire, and Nationalist Spectacle in Behn’s ‘The Rover’’. Eighteenth-Century Life 28, (2004).
139.
Derek Hughes. Rape on the Restoration Stage. The Eighteenth Century 46, 225–236 (2005).
140.
Southerne, T., Novak, M. E. & Rodes, D. S. Oroonoko. vol. Regents restoration drama series (Edward Arnold, 1977).
141.
Owen, S. J. Restoration theatre and crisis. (Clarendon Press, 1996).
142.
Loyola University of Chicago & Owen, S. ’‘He that Should Guard My Virtue Has Betrayed
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It’: The Dramatization of Rape in the Exclusion Crisis". Restoration and Eighteenth-Century Theatre Research 9, 59–68 (1994).
143.
Jaher, D. The Paradoxes of Slavery in Thomas Southerne’s Oroonoko. Comparative Drama 42, 51–71 (2008).
144.
MacDonald, Joyce Green. Race, Women, and the Sentimental in Thomas Southerne’s ‘Oroonoko’. Criticism : a Quarterly for Literature and the ArtsCriticism : a Quarterly for Literature and the Arts 40,.
145.
Nussbaum, F. The limits of the human: fictions of anomaly, race, and gender in the long eighteenth century. (Cambridge University Press, 2003).
146.
Hughes, D. ’Human Sacrifice on the Restoration Stage: the Case of ‘Venice Preserv’d’’. Philological Quarterly 88, (2009).
147.
Marsden, J. ‘Rape, Voyeurism and the Restoration Stage’. in Broken boundaries: women & feminism in Restoration drama (The University Press of Kentucky, 1996).
148.
Leissner, Debra. Divided Nation, Divided Self: The Language of Capitalism and Madness in Otway’s ‘Venice Preserv’d’. Studies in the Literary ImaginationStudies in the Literary Imagination 32,.
149.
Catty, J. Writing rape, writing women in early modern England: unbridled speech. vol. Early
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modern literature in history (Palgrave Macmillan, 2011).
150.
Gruber, E. ’‘Betray’d to Shame’: ‘Venice Preserved" and the Paradox of She-Tragedy’. Connotations 16, (2006).
151.
Rogers, K. M. Female Agency and Feminine Values in ‘Venice Preserved’: A Response to Elizabeth Gruber. Connotations 17, (2007).
152.
Weidle, R. ‘Unmmaning the Self: The Troublesome Effects of Sympathy in Thomas Otway’s ‘Venice Preserv’d’. A Response to Elizabeth Gruber’. Connotations 17, (2007).
153.
Brown, L. The Defenseless Woman and the Development of English Tragedy. Studies in English Literature 22, (1982).
154.
Luis-Martínez, Z. ‘“Seated in the Heart”: Venice Preserv’d Between Pathos and Politics. Restoration and 18th Century Theatre Research 23, (2008).
155.
Eriksson, Å. ‘“The Most Valued Things Have Most Alloys”: Thomas Otway’s ‘Venice Preserv’d’’. Restoration and 18th Century Theatre Research 22, (2007).
156.
Munns, J. Restoration politics and drama: the plays of Thomas Otway, 1675-1683. (University of Delaware Press, 1995).
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157.
Dutton, R. Oxford handbook of early modern theatre. (Oxford University Press, 2011).
158.
Wiles, D. & Dymkowski, C. The Cambridge Companion to Theatre History. vol. Cambridge Companions to Literature (Cambridge University Press, 2012).
159.
Dawson, A. B. & Yachnin, P. E. The culture of playgoing in Shakespeare’s England: a collaborative debate. (Cambridge University Press, 2001).
160.
Dillon, J. The Cambridge introduction to early English theatre. vol. Cambridge introductions to literature (Cambridge University Press, 2006).
161.
Leech, C. & Craik, T. W. The Revels history of drama in English. (Methuen, 1975).
162.
Straznicky, M. Shakespeare’s stationers: studies in cultural bibliography. vol. Material texts (University of Pennsylvania Press, 2013).
163.
Fitzpatrick, T. Playwright, space, and place in early modern performance: Shakespeare and company. vol. [Studies in performance and early modern drama] (Ashgate, 2011).
164.
Wiggins, M. British Drama, 1533-1642: A catalogue Volumes 1-3.
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165.
Knoppers, L. L. & Landes, J. B. Monstrous bodies/political monstrosities: in early modern Europe. (Cornell University Press, 2004).
166.
Harris, T. Restoration: Charles II and his kingdoms, 1660-1685. (Allen Lane, 2005).
167.
Harris, T. Revolution: the great crisis of the British monarchy, 1685-1720. (Allen Lane, 2006).
168.
Sharpe, K. Image wars: promoting kings and commonwealths in England, 1603-1660. (Yale University Press, 2010).
169.
Sharpe, K. & Zwicker, S. N. Reading, society and politics in early modern England. (Cambridge University Press, 2003).
170.
Lake, P. & Pincus, S. C. A. The politics of the public sphere in early modern England. vols Politics, culture, and society in early modern Britain (Manchester University Press, 2007).
171.
Jenner, M. S. R. & Griffiths, P. Londinopolis: a essays in the cultural and social history of early modern London. (Manchester University Press, 2000).
172.
Butler, J. Gender trouble: feminism and the subversion of identity. vol. Routledge classics
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(Routledge, 2006).
173.
Morgan, S. The feminist history reader. (Routledge, 2006).
174.
Edwards, T. Cultures of masculinity. (Routledge, 2006).
175.
Vaught, J. C. Masculinity and emotion in early modern English literature. vol. Women and gender in the early modern world (Ashgate, 2008).
176.
Orr, C. M., Braithwaite, A. & Lichtenstein, D. M. Rethinking women’s and gender studies. (Routledge, 2012).
177.
Bloom, G. Voice in motion: staging gender, shaping sound in early modern England. vol. Material texts (University of Pennsylvania Press, 2007).
178.
Bly, M. Queer virgins and virgin queans on the early modern stage. (Oxford University Press, 2000).
179.
Harris, J. G. & Korda, N. Staged properties in early modern English drama. (Cambridge University Press, 2002).
180.
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Bill Brown. Thing Theory. Critical Inquiry 28, 1–22 (2001).
181.
Bill Brown. Objects, Others, and Us (The Refabrication of Things). Critical Inquiry 36, 183–217 (2010).
182.
Ingold, T. Lines: a brief history. (Routledge, 2007).
183.
Graves-Brown, P. Matter, materiality, and modern culture. (Routledge, 2000).
184.
Hicks, D. & Beaudry, M. C. The Oxford handbook of material culture studies. vol. Oxford handbooks in archaeology (Oxford University Press, 2010).
185.
Orlin, L. C. Material London, ca. 1600. vol. New cultural studies (University of Pennsylvania Press, 2000).
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