09/28/21 Early Modern Body Politics | Prifysgol Bangor University
Early Modern Body Politics View Online
Reading List for third year English module QXE3058 Early Modern Body Politics
1.
Sharpham, E., Munro, L.: The fleer. Nick Hern, London (2006).
2.
Shakespeare, William, Gibbons, Brian: Measure for measure. Cambridge University Press, Cambridge [England] (2007).
3.
Korda, N.: Shakespeare’s domestic economies: gender and property in early modern England. University of Pennsylvania Press, Philadelphia (2002).
4.
Munro, L.: Children of the Queen’s Revels: a Jacobean theatre repertory. Cambridge University Press, Cambridge (2011).
5.
Hyland, P.: Disguise on the early modern English stage. Ashgate Pub. Co, Farnham, Surrey, England (2011).
6.
Will Fisher: The Renaissance Beard: Masculinity in Early Modern England. Renaissance Quarterly. 54, 155–187 (2001).
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7.
Quarmby, K.A.: The disguised ruler in Shakespeare and his contemporaries. Ashgate, Farnham, Surrey (2012).
8.
Munro, L.: ‘Reading Printed Comedy: Edward Sharpham’s The Fleer. In: The Book of the Play: Playwrights, Stationers and Readers in Early Mondern England. University of Massachusetts Press, Amherst (2006).
9.
Rutter, T.: Issues in review: Dramatists, playing companies, and repertories: Introduction. Early Theatre. 13, (2010).
10.
Orgel, S.: Impersonations: the performance of gender in Shakespeare’s England. Cambridge University Press, Cambridge [England] (1996).
11.
Jean E. Howard: Crossdressing, The Theatre, and Gender Struggle in Early Modern England. Shakespeare Quarterly. 39, 418–440 (1988).
12.
Redmond, M.J.: Shakespeare, politics, and Italy: intertextuality on the Jacobean stage. Ashgate, Farnham, England (2009).
13.
Charles R. Lyons: Silent Women and Shrews: Eroticism and Convention in ‘Epicoene’ and ‘Measure for Measure’. Comparative Drama. 23, 123–140 (1989).
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14.
Lumley, J.L., Child, H.H., Euripides: Iphigenia at Aulis. Printed for the Malone society by C. Whittingham & co. st the Chiswick press], [London (1909).
15.
Brown, P.A., Parolin, P.: Women players in England, 1500-1660: beyond the all-male stage. Ashgate, Aldershot, Hampshire, England : Burlington, VT (2005).
16.
Findlay, A.: Playing spaces in early women’s drama. Cambridge University Press, Cambridge (2006).
17.
McManus, C.: Women on the Renaissance stage: Anna of Denmark and female masquing in the Stuart court (1590-1619). Manchester University Press, Manchester (2002).
18.
McManus, C.: Women and culture at the courts of the Stuart Queens. Palgrave Macmillan, New York (2003).
19.
Britland, K.: Drama at the courts of Queen Henrietta Maria. Cambridge University Press, Cambridge (2006).
20.
Ravelhofer, B.: The early Stuart masque: dance, costume, and music. Oxford University Press, Oxford (2006).
21.
Wall, W.: The imprint of gender: authorship and publication in the English Renaissance.
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Cornell University Press, Ithaca, N.Y. (1993).
22.
Straznicky, M.: Privacy, playreading, and women’s closet drama, 1550-1700. Cambridge University Press, Cambridge (2004).
23.
Smith, H.: ‘Grossly material things’: women and book production in early modern England. Oxford University Press, Oxford (2012).
24.
Lewcock, D.: Sir William Davenant, the court masque and the English seventeenth-century scenic stage c1605-c1700. , Cambria Press, 2008.
25.
Smuts, R.M.: The Stuart court and Europe: essays in politics and political culture. Cambridge University Press, Cambridge (1996).
26.
Bevington, D.M., Holbrook, P.: The politics of the Stuart court masque. Cambridge University Press, Cambridge [England] (1998).
27.
Lindley, D.: The Court masque. Manchester University Press, Manchester [Greater Manchester] (1984).
28.
Middleton, T., Rowley, W., Bawcutt, N.W.: The changeling. Manchester University Press, Manchester (1998).
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29.
Bacon, F., Pitcher, J.: ‘Of Beauty’ and ‘Of Deformity’. Penguin Books, Harmondsworth (1985).
30.
Chapman, G., Brooke, N.: Bussy d’Ambois. Manchester University Press, Manchester (1979).
31.
Burnett, M.T.: Constructing ‘monsters’ in Shakespearean drama and early modern culture. Palgrave Macmillan, New York (2002).
32.
Baker, N.: Plain ugly: the unattractive body in early modern culture. Manchester University Press, Manchester (2010).
33.
Haber, J.D.: Desire and dramatic form in early modern England. Cambridge University Press, Cambridge (2012).
34.
Salkeld, D.: Madness and drama in the age of Shakespeare. Manchester University Press, Manchester (1993).
35.
Rosslyn, F.: Villainy, Virtue and Projection. The Cambridge Quarterly. 30, 1–17 (2001). https://doi.org/10.1093/camqtly/30.1.1.
36.
Changelings and The Changeling. Essays in Criticism. 56, 241–263 (2006).
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37.
Catty, J.: Writing rape, writing women in early modern England: unbridled speech. Palgrave Macmillan, Basingstoke (2011).
38.
Thompson, S.: Bound to a Corpse: A Macabre Emblem in Early Modern Drama. Notes and Queries. 59, 82–86 (2012).
39.
Peter Stallybrass and Ann Rosalind Jones: Fetishizing the Glove in Renaissance Europe. Critical Inquiry. 28, 114–132 (2001).
40.
Rowe, K.: Memory and Revision in Chapman’s Bussy Plays. Renaissance Drama. 31, 125–152 (2002).
41.
Gossett, S.: Thomas Middleton in context. Cambridge University Press, Cambridge, UK (2011).
42.
Re-reading Rape in The Changeling. Journal for Early Modern Cultural Studies. 11, 4–29.
43.
Burks, D.G.: ‘I’ll Want My Will Else’: The Changeling and Women’s Complicity With Their Rapists. ELH. 62, 759–790 (1995).
44.
Luttfring, S.D.: Bodily Narratives and the Politics of Virginity in The Changeling and the
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Essex Divorce. Renaissance Drama. 39, 97–128 (2011).
45.
Smith, E., Sullivan, Jr, G.A.: The Cambridge Companion to English Renaissance Tragedy. Cambridge University Press, Cambridge (2010).
46.
Sara Eaton: Beatrice-Joanna and the Rhetoric of Love in ‘The Changeling’. Theatre Journal. 36, 371–382 (1984).
47.
Sara Eaton: Beatrice-Joanna and the Rhetoric of Love in ‘The Changeling’. Theatre Journal. 36, 371–382 (1984).
48.
Jonson, B., Dutton, R.: Epicene, or, The silent woman. Manchester University Press, Manchester (2003).
49.
Middleton, T., Parker, R.B.: A chaste maid in Cheapside. Methuen, London (1969).
50.
Jones, A.R., Stallybrass, P.: Renaissance clothing and the materials of memory. Cambridge University Press, Cambridge (2000).
51.
Karim-Cooper, F.: Cosmetics in Shakespearean and Renaissance drama. Edinburgh University Press, Edinburgh (2006).
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52.
Brown, P.A.: Better a shrew than a sheep: women, drama, and the culture of jest in early modern England. Cornell University Press, Ithaca, N.Y. (2003).
53.
Capp, B.S.: When gossips meet: women, family, and neighbourhood in early modern England. Oxford University Press, Oxford (2003).
54.
Habermann, I.: Staging slander and gender in early modern England. Ashgate, Aldershot, Hants, England (2003).
55.
Richmond Barbour: ‘When I Acted Young Antinous’: Boy Actors and the Erotics of Jonsonian Theater. PMLA. 110, 1006–1022 (1995).
56.
Boehrer, B.T.: Epicoene, Charivari, Skimmington. English Studies. 75, (1994).
57.
Dillon, J.: Theatre, court and city, 1595-1610: drama and social space in London. Cambridge University Press, Cambridge (2006).
58.
DiGangi, M.: Asses and Wits: The Homoerotics of Mastery in Satiric Comedy. English literary renaissance. 25, 179–208 (1995).
59.
Fisher, W.: Materializing gender in early modern English literature and culture. Cambridge University Press, Cambridge, UK (2006).
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60.
Hentschell, R.: Treasonous Textiles: Foreign Cloth and the Construction of Englishness. Journal of Medieval and Early Modern Studies. 32, 543–570 (2002).
61.
johnston, mark albert: Prosthetic Absence in Ben Jonson’s Epicoene, The Alchemist, and Bartholmew Fair. English Literary Renaissance. 37, 401–428 (2007).
62.
Levine, L.: Men in women’s clothing: anti-theatricality and effeminization, 1579-1642. Cambridge University Press, Cambridge (1994).
63.
Lyons, Charles R: Silent Women and Shrews: Eroticism and Convention in ‘Epicoene’ and ‘Measure for Measure’. Comparative DramaComparative Drama. 23,.
64.
Newman, K.: Fashioning femininity and English Renaissance drama. University of Chicago Press, Chicago (1991).
65.
Phyllis Rackin: Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage. PMLA. 102, 29–41 (1987).
66.
Richardson, C.: Clothing culture, 1350-1650. Ashgate, Aldershot, Hampshire, England (2004).
67.
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Maus, K.E.: Inwardness and theater in the English Renaissance. University of Chicago Press, Chicago (1995).
68.
Ford, J.: ‘Tis pity she’s a whore : edited by Sonia Massai. , Arden Shakespeare: 2011.
69.
Webster, J., Brown, J.R.: The white devil. Manchester University Press, Manchester (1996).
70.
Hutson, L.: The usurer’s daughter: male friendship and fictions of women in sixteenth-century England. Routledge, London (1994).
71.
Gowing, L.: Domestic dangers: women, words, and sex in early modern London. Clarendon Press, Oxford (1996).
72.
Haber, J.D.: Desire and dramatic form in early modern England. Cambridge University Press, Cambridge (2012).
73.
Bovilsky, L.: Black Beauties, White Devils: The English Italian in Milton and Webster. ELH. 70, 625–651 (2003).
74.
Finin-Farber, K.R.: Framing (the) Woman: The White Devil and the Deployment of Law. Renaissance Drama. 25, (1994).
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75.
Barnes, E.: Incest and the literary imagination. University Press of Florida, Gainesville (2002).
76.
McCabe, R.A.: Incest, drama, and nature’s law, 1550-1700. Cambridge University Press, Cambridge [England] (1993).
77.
Clerico, T.: The Politics of Blood: John Ford’s ’Tis Pity She’s a Whore. English Literary Renaissance. 22, 405–434 (1992).
78.
Low, J.A.: ‘Bodied Forth’: Spectator, Stage, and Actor in the Early Modern Theater. Comparative Drama. 39, 1–29 (2005).
79.
Smith, E., Sullivan, Jr, G.A.: The Cambridge Companion to English Renaissance Tragedy. Cambridge University Press, Cambridge (2010).
80.
Brome, R.: A Jovial Crew. Bloomsbury Arden Shakespeare, London (2014).
81.
Julie Sanders: Beggars’ Commonwealths and the Pre-Civil War Stage: Suckling's ‘The Goblins,’ Brome’s ‘A Jovial Crew,’ and Shirley’s ‘The Sisters’. The Modern Language Review. 97, 1–14 (2002).
82.
Sanders, J.: Caroline drama: the plays of Massinger, Ford, Shirley, and Brome. Northcote
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House, in association with the British Council, Plymouth (1999).
83.
Butler, M.: Theatre and crisis 1632-1642. Cambridge University Press, Cambridge (1984).
84.
Rosemary Gaby: Of Vagabonds and Commonwealths: Beggars’ Bush, a Jovial Crew, and the Sisters. Studies in English Literature, 1500-1900. 34, 401–424 (1994).
85.
Steggle, M.: Laughing and weeping in early modern theatres. Ashgate, Aldershot, Hants, England (2007).
86.
Steggle, M.: Richard Brome: place and politics on the Caroline stage. Manchester University Press, Manchester (2004).
87.
Dyson, J.: Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625-1642. Ashgate Publishing Ltd, Farnham (2013).
88.
Richard Brome Online, http://www.hrionline.ac.uk/brome/.
89.
Denys Van Renen: A ‘Birthright into a New World’: Representing the Town on Brome’s Stage. Comparative Drama. 45, 35–63 (2011).
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90.
Clare, J.: Drama of the English republic, 1649-60. Manchester University Press, Manchester (2002).
91.
Wiseman, S.: Drama and politics in the English Civil War. Cambridge University Press, Cambridge (1998).
92.
Potter, L.: Secret rites and secret writing: royalist literature, 1641- 1660. Cambridge University Press, Cambridge (1990).
93.
Smith, N.: Literature and revolution in England, 1640-1660. Yale University Press, New Haven (1994).
94.
Sharpe, K., Zwicker, S.N.: Reading, society and politics in early modern England. Cambridge University Press, Cambridge, U.K. (2003).
95.
Garganigo, A.: The Heroic Drama’s Legend of Good Women. Criticism. 45, 483–505 (2004).
96.
Maguire, N.K.: Regicide and restoration: English tragicomedy, 1660-1671. Cambridge University Press, Cambridge [England] (1992).
97.
Canfield, D.: The Significance of the Restoration Rhymed Heroic Play. Eighteenth-Century
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Studies. 12, 49–62 (1979).
98.
Derek Attridge: Dryden’s Dilemma, or, Racine Refashioned: The Problem of the English Dramatic Couplet. The Yearbook of English Studies. 9, 55–77 (1979).
99.
Laura Brown: The Ideology of Restoration Poetic Form: John Dryden. PMLA. 97, 395–407 (1982).
100.
Bridget Orr: Poetic Plate-Fleets and Universal Monarchy: The Heroic Plays and Empire in the Restoration. Huntington Library Quarterly. 63, 71–97 (2000).
101.
Howe, E.: The first English actresses: women and drama, 1660-1700. Cambridge University Press, Cambridge (1992).
102.
Braverman, R.L.: Plots and counterplots: sexual politics and the body politic in English literature, 1660-1730. Cambridge University Press, Cambridge, UK (2005).
103.
Randall, D.B.J.: Winter fruit: English drama, 1642-1660. University Press of Kentucky, Lexington, Ky (1995).
104.
Dryden, J.: The Tempest or the Enchanted Island. In: Hooker, E.N., Swedenberg, H.T., and Dearing, V.A. (eds.) The works of John Dryden. University of California Press, Berkeley (1956).
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105.
Davenant, W., Dryden, J.: The Tempest or The Enchanted Isle. In: Clark, S. (ed.) Shakespeare Made Fit: Restoration Adaptations Of Shakespeare. pp. 79–185 (1997).
106.
Dryden, J.: Marriage a la Mode. A & C Black, London (1991).
107.
Gavin Foster: Ignoring ‘The Tempest’: Pepys, Dryden, and the Politics of Spectating in 1667. Huntington Library Quarterly. 63, 5–22 (2000).
108.
Calvi, L.: ‘Suppos’d to be raised by magic’, or The Tempest ‘made fit’. In: Revisiting the tempest: the capacity to signify. pp. 151–170. Palgrave Macmillan, New York, NY (2014).
109.
Dobson, M.: The making of the national poet: Shakespeare, adaptation and authorship, 1660-1769. Clarendon Press, Oxford (1992).
110.
Marsden, J.I.: The re-imagined text: Shakespeare, adaptation, & eighteenth-century literary theory. University Press of Kentucky, Lexington (1995).
111.
Kewes, P.: Authorship and appropriation: writing for the stage in England, 1660-1710. Clarendon Press, Oxford [England] (1998).
112.
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Murray, B.A.: Restoration Shakespeare: viewing the voice. Fairleigh Dickinson University Press, Madison, NJ (2001).
113.
Quinsey, K.M.: Broken boundaries: women & feminism in Restoration drama. The University Press of Kentucky, Lexington, KY (1996).
114.
Rosenthal, L.J. (Laura J.: ‘All injury’s forgot’: Restoration Sex Comedy and National Amnesia. Comparative Drama. 42, 7–28 (2008).
115.
Frank, M.: Gender, theatre, and the origins of criticism: from Dryden to Manley. Cambridge University Press, Cambridge (2003).
116.
Brady, J., Miner, E.R.: Literary transmission and authority: Dryden and other writers. Cambridge University Press, Cambridge [England] (1993).
117.
"Too hasty to stay”: Erotic and Political Timing in Marriage à la Mode. Restoration: Studies in English Literary Culture, 1660-1700. 32, 1–23 (2008).
118.
Goldberg, J.: Queering the Renaissance. Duke University Press, Durham (1994).
119.
Shanahan, J.: The Dryden-Davenant Tempest, Wonder Production, and the State of Natural Philosophy in 1667. The Eighteenth Century. 54, 91–118 (2013).
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120.
Rosenthal, L.J.: ‘Reading Masks: The Actress and the Specatrix in Restoration Shakespeare’. In: Broken boundaries: women & feminism in Restoration drama. The University Press of Kentucky, Lexington, KY (1996).
121.
Maguire, N.K.: Regicide and restoration: English tragicomedy, 1660-1671. Cambridge University Press, Cambridge [England] (1992).
122.
Behn, A.: The rover. , Methuen Drama, 2012.
123.
Wycherley, W.: The Country Wife. Methuen, London (2014).
124.
Hughes, D.: English drama, 1660-1700. Clarendon Press, Oxford (1996).
125.
Quinsey, K.M.: Broken boundaries: women & feminism in Restoration drama. The University Press of Kentucky, Lexington, KY (1996).
126.
Gill, C.: Theatre and culture in early modern England, 1650-1737: from Leviathan to Licensing Act. Ashgate, Burlington, VT (2010).
127.
Cuder Domínguez, P.: Stuart women playwrights, 1613-1713. Ashgate Pub, Farnham, Surrey, England (2011).
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128.
Chalmers, H.: Royalist women writers, 1650-1689. Clarendon Press, Oxford (2004).
129.
Anita Pacheco: Rape and the Female Subject in Aphra Behn’s ‘The Rover’. ELH. 65, 323–345 (1998).
130.
Stephen Szilagyi: The Sexual Politics of Behn’s ‘Rover’: After Patriarchy. Studies in Philology. 95, 435–455 (1998).
131.
Webster, J.W.: Performing libertinism in Charles II’s court: politics, drama, sexuality. Palgrave Macmillan, New York (2005).
132.
Eve Kosofsky Sedgwick: Sexualism and the Citizen of the World: Wycherley, Sterne, and Male Homosocial Desire. Critical Inquiry. 11, 226–245 (1984).
133.
Shepherd, S.: ¤ The body’, performance studies, Horner and a dinner party. Textual Practice. 14, 285–303 (2000).
134.
Peggy A. Knapp: The ‘Plyant’ Discourse of Wycherley’s ‘The Country Wife’. Studies in English Literature, 1500-1900. 40, 451–472 (2000).
135.
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Thomas A. King: ‘As If (She) Were Made on Purpose to Put the Whole World into Good Humour’: Reconstructing the First English Actresses. TDR (1988-). 36, 78–102 (1992).
136.
Ballaster, R.: Taking Liberties: Revisiting Behn’s Libertinism. Women’s Writing. 19, 165–176 (2012).
137.
Pritchard, W.: Outward appearances: the female exterior in Restoration London. Bucknell University Press, Lewisburg (2008).
138.
Beach, A.R.: ‘Carnival Politics, Generous Satire, and Nationalist Spectacle in Behn’s ‘The Rover’’. Eighteenth-Century Life. 28, (2004).
139.
Derek Hughes: Rape on the Restoration Stage. The Eighteenth Century. 46, 225–236 (2005).
140.
Southerne, T., Novak, M.E., Rodes, D.S.: Oroonoko. Edward Arnold, London (1977).
141.
Owen, S.J.: Restoration theatre and crisis. Clarendon Press, Oxford (1996).
142.
Loyola University of Chicago, Owen, S.: ’‘He that Should Guard My Virtue Has Betrayed It’: The Dramatization of Rape in the Exclusion Crisis". Restoration and Eighteenth-Century Theatre Research. 9, 59–68 (1994).
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143.
Jaher, D.: The Paradoxes of Slavery in Thomas Southerne’s Oroonoko. Comparative Drama. 42, 51–71 (2008).
144.
MacDonald, Joyce Green: Race, Women, and the Sentimental in Thomas Southerne’s ‘Oroonoko’. Criticism : a Quarterly for Literature and the ArtsCriticism : a Quarterly for Literature and the Arts. 40,.
145.
Nussbaum, F.: The limits of the human: fictions of anomaly, race, and gender in the long eighteenth century. Cambridge University Press, Cambridge (2003).
146.
Hughes, D.: ’Human Sacrifice on the Restoration Stage: the Case of ‘Venice Preserv’d’’. Philological Quarterly. 88, (2009).
147.
Marsden, J.: ‘Rape, Voyeurism and the Restoration Stage’. In: Broken boundaries: women & feminism in Restoration drama. The University Press of Kentucky, Lexington, KY (1996).
148.
Leissner, Debra: Divided Nation, Divided Self: The Language of Capitalism and Madness in Otway’s ‘Venice Preserv’d’. Studies in the Literary ImaginationStudies in the Literary Imagination. 32,.
149.
Catty, J.: Writing rape, writing women in early modern England: unbridled speech. Palgrave Macmillan, Basingstoke (2011).
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150.
Gruber, E.: ’‘Betray’d to Shame’: ‘Venice Preserved" and the Paradox of She-Tragedy’. Connotations. 16, (2006).
151.
Rogers, K.M.: Female Agency and Feminine Values in ‘Venice Preserved’: A Response to Elizabeth Gruber. Connotations. 17, (2007).
152.
Weidle, R.: ‘Unmmaning the Self: The Troublesome Effects of Sympathy in Thomas Otway’s ‘Venice Preserv’d’. A Response to Elizabeth Gruber’. Connotations. 17, (2007).
153.
Brown, L.: The Defenseless Woman and the Development of English Tragedy. Studies in English Literature. 22, (1982).
154.
Luis-Martínez, Z.: ‘“Seated in the Heart”: Venice Preserv’d Between Pathos and Politics. Restoration and 18th Century Theatre Research. 23, (2008).
155.
Eriksson, Å.: ‘“The Most Valued Things Have Most Alloys”: Thomas Otway’s ‘Venice Preserv’d’’. Restoration and 18th Century Theatre Research. 22, (2007).
156.
Munns, J.: Restoration politics and drama: the plays of Thomas Otway, 1675-1683. University of Delaware Press, Newark (1995).
157.
Dutton, R.: Oxford handbook of early modern theatre. Oxford University Press, Oxford (2011).
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158.
Wiles, D., Dymkowski, C.: The Cambridge Companion to Theatre History. Cambridge University Press, Cambridge (2012).
159.
Dawson, A.B., Yachnin, P.E.: The culture of playgoing in Shakespeare’s England: a collaborative debate. Cambridge University Press, Cambridge (2001).
160.
Dillon, J.: The Cambridge introduction to early English theatre. Cambridge University Press, Cambridge, UK (2006).
161.
Leech, C., Craik, T.W.: The Revels history of drama in English. Methuen, London (1975).
162.
Straznicky, M.: Shakespeare’s stationers: studies in cultural bibliography. University of Pennsylvania Press, Philadelphia (2013).
163.
Fitzpatrick, T.: Playwright, space, and place in early modern performance: Shakespeare and company. Ashgate, Farnham, Surrey (2011).
164.
Wiggins, M.: British Drama, 1533-1642: A catalogue Volumes 1-3. , Oxford University Press, 2011.
165.
Knoppers, L.L., Landes, J.B.: Monstrous bodies/political monstrosities: in early modern
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Europe. Cornell University Press, Ithaca (2004).
166.
Harris, T.: Restoration: Charles II and his kingdoms, 1660-1685. Allen Lane, London (2005).
167.
Harris, T.: Revolution: the great crisis of the British monarchy, 1685-1720. Allen Lane, London (2006).
168.
Sharpe, K.: Image wars: promoting kings and commonwealths in England, 1603-1660. Yale University Press, New Haven [Conn.] (2010).
169.
Sharpe, K., Zwicker, S.N.: Reading, society and politics in early modern England. Cambridge University Press, Cambridge, U.K. (2003).
170.
Lake, P., Pincus, S.C.A.: The politics of the public sphere in early modern England. Manchester University Press, Manchester (2007).
171.
Jenner, M.S.R., Griffiths, P.: Londinopolis: a essays in the cultural and social history of early modern London. Manchester University Press, Manchester (2000).
172.
Butler, J.: Gender trouble: feminism and the subversion of identity. Routledge, New York (2006).
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173.
Morgan, S.: The feminist history reader. Routledge, London (2006).
174.
Edwards, T.: Cultures of masculinity. Routledge, London (2006).
175.
Vaught, J.C.: Masculinity and emotion in early modern English literature. Ashgate, Alershot, England (2008).
176.
Orr, C.M., Braithwaite, A., Lichtenstein, D.M.: Rethinking women’s and gender studies. Routledge, New York (2012).
177.
Bloom, G.: Voice in motion: staging gender, shaping sound in early modern England. University of Pennsylvania Press, Philadelphia (2007).
178.
Bly, M.: Queer virgins and virgin queans on the early modern stage. Oxford University Press, Oxford (2000).
179.
Harris, J.G., Korda, N.: Staged properties in early modern English drama. Cambridge University Press, Cambridge, U.K. (2002).
180.
Bill Brown: Thing Theory. Critical Inquiry. 28, 1–22 (2001).
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181.
Bill Brown: Objects, Others, and Us (The Refabrication of Things). Critical Inquiry. 36, 183–217 (2010).
182.
Ingold, T.: Lines: a brief history. Routledge, London (2007).
183.
Graves-Brown, P.: Matter, materiality, and modern culture. Routledge, London (2000).
184.
Hicks, D., Beaudry, M.C.: The Oxford handbook of material culture studies. Oxford University Press, Oxford (2010).
185.
Orlin, L.C.: Material London, ca. 1600. University of Pennsylvania Press, Philadelphia (2000).
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