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Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
The Maple Shade Arts Council Summer Theatre the MAPLE SHADE Announces Our Summer Children's Show ARTS COUNCIL Once Upon a Mattress PROUDLY PRESENTS
The Maple Shade Arts Council Summer Theatre THE MAPLE SHADE announces our summer children's show ARTS COUNCIL Once Upon A Mattress PROUDLY PRESENTS PERFORMANCES: August 6 @ 7:30PM August 7 @ 7:30PM August 8 @ 2:00PM and 7:30PM Tickets: $10—adults $8—children/senior citizens Visit www.msartscouncil.org to purchase tickets today! For more information about the Summer Theatre program and how to register for next year, email [email protected] Bring in your playbill or ticket to July 10, 11, 12, 17, 18, 19 @ 7:30PM 114-116 E. MAIN ST. receive a 15% discount off your Maple Shade High School MAPLE SHADE, NJ 08052 bill. Valid before or after the (856)779-8003 performances on July 10-12 and Auditorium 17-19. Not valid with any other coupons, offers, or discounts. 2014 Sponsors OUR MISSION STATEMENT The Maple Shade Arts Council wishes to express our sincere gratitude to the many sponsors to our organization. The Maple Shade Arts Council is a non-profit organization We appreciate your support of the Arts Council. comprised of educators, parents, and community members whose objective is to provide artistic programs and events that will be entertaining, educational, and inspirational for the community. The Arts Council's programming emphasizes theatrical productions and workshops, yet also includes programming for the fine and performing arts. Maple Shade Arts Council Executive Board 2014 President Michael Melvin Vice President Jillian Starr-Renbjor Secretary AnnMarie Underwood Treasurer Matthew Maerten Publicity Director Rose Young Fundraising Director Debra Kleine Fine Arts Director Nancy Haddon *ALL CONCESSIONS WILL BE SOLD PRIOR TO THE SHOW BETWEEN 6:45PM-7:25PM—THERE WILL ONLY BE A BRIEF 10 MINUTE BATHROOM/SNACK BREAK AT INTERMISSION. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
URINETOWN Music & Lyrics by Mark Hollmann Book & Lyrics by Greg Kotis
So if you’ve got to go, you’ve got to go through me! URINETOWN music & lyrics by Mark Hollmann book & lyrics by Greg Kotis Managing Artistic Director Caleb Marshall Director ofInterim Education Director & Programming of Education Heather Alana Hibbert Burns NKPG Services Ltd. is honoured to be a sponsor of the Canadian College of Performing Arts! We look forward to watching and supporting the CCPA’s upcoming performances and programs. NKPG Specializes in Canadian and US taxes. We provide tax planning and accounting services to individuals and corporations. CONTACT US Derrold Norgaard, FCPA [email protected] Grant Kratofil, CPA [email protected] 202-4400 Chatterton Way T: 250-598-6998 Victoria, BC V8X 5J2 F: 778-265-6155 From the College Directors Since March of 2020, we have all had to forge a way forward. Our work changed overnight, and we could look back at our own naivete in the ‘before time’ with a longing nostalgia. Perhaps once in a generation there is an event that so deeply impacts the very nature of life on this planet that it becomes their defining moment. As a society we have had to forge a way forward. As educators we have had to forge a way forward, as education is essential to our future. As live performers, we are working to forge a way forward in an industry that was the first to close and will be the last to fully return; and yet ‘live performance’ is so crucial and necessary to expressing our very soul and the struggles we confront. Our season theme is not rebuilding or reshaping our world. -
2016 IGNITION Festival Release 2016
Press contact: Cathy Taylor/Kelsey Moorhouse Cathy Taylor Public Relations [email protected] [email protected] FOR IMMEDIATE RELEASE 773-564-9564 Victory Gardens Theater Announces Lineup for 2016 IGNITION Festival of New Plays 2016 Festival runs August 5–7, 2016 CHICAGO, IL – Victory Gardens Theater announces the lineup for the 2016 IGNITION Festival of New Plays, including The Wayward Bunny by Greg Kotis; BREACH: a manifesto on race in America through the eyes of a black girl recovering from self-hate by Antoinette Nwandu; EOM (end of message) by Laura Jacqmin; Kill Move Paradise by James Ijames; Gaza Rehearsal by Karen Hartman; and Girls In Cars Underwater by Tegan McLeod. The 2016 Festival runs August 5-7, 2016 at Victory Gardens Theater, located at 2433 N Lincoln Avenue. INGITION’s six selected plays will be presented in a festival of readings and will be directed by leading artists from Chicago. Following the readings, two of the plays may be selected for intensive workshops during Victory Gardens’ 2016-17 season, and Victory Gardens may produce one of these final scripts in an upcoming season. "At Victory Gardens Theater, we bridge Chicago communities through innovative and challenging new plays by giving established and emerging playwrights the time and space to develop their work. This year, we have invited some of the most thrilling playwrights to join our IGNITION Festival,” said Isaac Gomez, Victory Gardens Theater Literary Manager. “Their plays exemplify the current political and cultural zeitgeist of our city and country: the Israeli/Palestinian conflict, race and gender, the modern struggles of fatherhood, the insular world and morality of video gaming, and a woman’s journey to self-love. -
The Epithelial to Mesenchymal Transition in Breast Cancer Induces Alterations in Metabolism
The Texas Medical Center Library DigitalCommons@TMC The University of Texas MD Anderson Cancer Center UTHealth Graduate School of The University of Texas MD Anderson Cancer Biomedical Sciences Dissertations and Theses Center UTHealth Graduate School of (Open Access) Biomedical Sciences 5-2018 The Epithelial To Mesenchymal Transition In Breast Cancer Induces Alterations In Metabolism Esmeralda Ramirez-Peña Follow this and additional works at: https://digitalcommons.library.tmc.edu/utgsbs_dissertations Part of the Medicine and Health Sciences Commons Recommended Citation Ramirez-Peña, Esmeralda, "The Epithelial To Mesenchymal Transition In Breast Cancer Induces Alterations In Metabolism" (2018). The University of Texas MD Anderson Cancer Center UTHealth Graduate School of Biomedical Sciences Dissertations and Theses (Open Access). 859. https://digitalcommons.library.tmc.edu/utgsbs_dissertations/859 This Dissertation (PhD) is brought to you for free and open access by the The University of Texas MD Anderson Cancer Center UTHealth Graduate School of Biomedical Sciences at DigitalCommons@TMC. It has been accepted for inclusion in The University of Texas MD Anderson Cancer Center UTHealth Graduate School of Biomedical Sciences Dissertations and Theses (Open Access) by an authorized administrator of DigitalCommons@TMC. For more information, please contact [email protected]. THE EPITHELIAL TO MESENCHYMAL TRANSITION IN BREAST CANCER INDUCES ALTERATIONS IN METABOLISM By Esmeralda Quetzalcitlali Ramirez-Peña, B.S. APPROVED: ______________________________ -
The Journal of the Dramatists Guild of America, Inc
The Journal of the Dramatists Guild of America, Inc. The the ageissue 2016 NOV/DEC $7 USD €10 EUR www.dramatistsguild.com FrontCOVER.indd 1 10/5/16 12:57 PM To enroll, go to http://www.dginstitute.org SEP/OCTJul/Aug DGI 16 ad.indd FrontCOVERs.indd 1 2 5/23/168/8/16 1:341:52 PM VOL. 19 No 2 TABLE OF NOV/DEC 2016 2 Editor’s Notes CONTENTS 3 Dear Dramatist 4 News 7 Inspiration – KIRSTEN CHILDS 8 The Craft – KAREN HARTMAN 10 Edward Albee 1928-2016 13 “Emerging” After 50 with NANCY GALL-CLAYTON, JOSH GERSHICK, BRUCE OLAV SOLHEIM, and TSEHAYE GERALYN HEBERT, moderated by AMY CRIDER. Sidebars by ANTHONY E. GALLO, PATRICIA WILMOT CHRISTGAU, and SHELDON FRIEDMAN 20 Kander and Pierce by MARC ACITO 28 Profile: Gary Garrison with CHISA HUTCHINSON, CHRISTINE TOY JOHNSON, and LARRY DEAN HARRIS 34 Writing for Young(er) Audiences with MICHAEL BOBBITT, LYDIA DIAMOND, ZINA GOLDRICH, and SARAH HAMMOND, moderated by ADAM GWON 40 A Primer on Literary Executors – Part One by ELLEN F. BROWN 44 James Houghton: A Tribute with JOHN GUARE, ADRIENNE KENNEDY, WILL ENO, NAOMI WALLACE, DAVID HENRY HWANG, The REGINA TAYLOR, and TONY KUSHNER Dramatistis the official journal of Dramatists Guild of America, the professional organization of 48 DG Fellows: RACHEL GRIFFIN, SYLVIA KHOURY playwrights, composers, lyricists and librettists. 54 National Reports It is the only 67 From the Desk of Dramatists Guild Fund by CHISA HUTCHINSON national magazine 68 From the Desk of Business Affairs by AMY VONVETT devoted to the business and craft 70 Dramatists Diary of writing for 75 New Members theatre. -
Marjana Program
Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 www.TargetMargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Daniel Nelson MARJANA Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Leigh Honigman, Matt Hunter, Sarah McEneaney Press Rep: Everyman Agency / John Wyszniewski AND THE BOARD OF DIRECTORS Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. FORTY ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays THIEVES inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. UP NEXT TMT LAB | NEWS OF THE STRANGE June 6 – June 23, 2019 This year’s edition of the TMT LAB will commission three new works by Moe Yousuf, Leyya Tawil, and The Million Underscores exploring a collection of rarely seen tales from The One Thousand and One Nights, as well as early Medieval Arab fantasy writing. 2019 ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid- career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in- Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, and Deepali Gupta, Sarah Hughes, and Chana Porter. -
Download Urinetown Theatre Program
From the Director Welcome to the UAH campus and thank you for joining us tonight. Now that the cold dark days of winter are fading, we are here to celebrate the coming of spring with a fun Broad- way musical. This talented and devoted cast of players, artists, directors and technicians have been toiling through the winter months to prepare this wonderful piece of theatre to share with you, our humble audience. UAH Theatre is proud to be a part of this rich artistic community and privileged to offer this creative study to our students. Please enjoy the show and be sure to tell your friends that we are here producing live theatre at Huntsville’s own University. David Harwell - Director About the Musical Winner of three Tony awards and one of the most uproariously funny musicals in recent years, URINETOWN is a hilarious tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides he’s had enough, and plans a revolution to lead them all to freedom! Inspired by the works of Bertolt Brecht and Kurt Weill, URINETOWN is an irreverently humorous satire in which no one is safe from scrutiny. Greg Kotis had the idea for Urinetown while traveling in Europe. -
Feb 23-Mar 1, 2020
PRESENTS FEB 23-MAR 1, 2020 DIGITAL PROGRAM SCROLL TO CONTINUE Click on any section below to jump to the page. THE STORY BOX MARIE IT'S TIME THE MCCARTHY ERA CANNABIS! A THEATRICAL CONCERT PRIESTESS OF TWERK A MEAL HERE EVENTS | MEMBERSHIP | HERE STAFF FUNDING | SURVEY | HEREART | FOLLOW US FEB 23 + 24 The Story Box A two part multi-genre storytelling event Written and Performed by Suzi Takahashi Developed with and Directed by Kristin Marting Composed by Michaela Gomez Set and Costume Design by Jian Jung Sound Design by Drew Weinstein Lighting Design by Andrew Trent Production Stage Manager Elizabeth Sophia Strauss Rehearsal Assistants Rebecca Chan and Madeline Whitesell Jeanette Oi-Suk Yew is also on our creative team but will join us for later iterations of the project. SPECIAL THANKS Laurie Birrittella, Karin Bowersock, Rebecca & Zack Hamm, Kim Ima, David Lyons, Robert Lyons, David Shane Approximate Running Time: 90 minutes The Story Box has been developed with support from Alfred University, Bethany Arts Community, Bristol Valley Theatre and National Park of Women’s Rights 3 CREDITS BACK TO TOP ▲ COMPANY BIOS SUZI TAKAHASHI (Co-Creator/Performer) is an actor, director, and theatre maker. As an actor, she’s worked with directors like Richard Foreman, Richard Schechner, Tom Oppenheim, Kristin Marting, and Phil Soltanoff. Recently, she was a part of Taylor Mac’s A 24-Decade History of Popular Music at St. Ann’s Warehouse in New York City. As a director, Suzi won the 2009 Innovative Theatre Award for Best Director. She has been a Directing Fellow at New York Theatre Workshop, and a HARP Artist-in-Residence at HERE. -
From Stories to Systems
Table of Contents !! ! 01 Imaginaton Requested 03 The Five Discoveries 07 Why Narratve Systems? 09 Seeding Narratve Systems 11 How Narratve Systems Work 23 The System Framework 24 The Road Ahead 25 Epilogue: Questons to Consider 26 Appendix: Field and Funder Contributors ! POP CULTURE COLLABORATIVE - FROM STORIES TO SYSTEMS Prologue The Pop Culture Collaborative was founded in October 2016 by a network of philanthropic leaders—primarily women of color—led by Unbound Philanthropy, Nathan Cummings Foundation, and Ford Foundation, who came together to imagine what might be possible if they expanded the impact of their grantmaking by pooling their resources, strategic thinking, and leadership influence to dramatically increase philanthropic investment in the pop culture for social change field. After many years of experimental funding at the intersection of art, media, and social change, they recognized that due to a lack of infrastructure, networks, and financial support, many past grantmaking strategies (e.g., support for specific creative projects or campaigns) had been implemented in silos. While some funded projects succeeded in creating awakenings in individuals or smaller audiences, they seldom reached mass audience scale. Because they were also rarely implemented within a long-term culture change strategy, most projects were not durable enough to achieve long-term, sustainable shifts in some of the deeply entrenched values and norms that characterize American culture. These funders realized that they were, in essence, squeezing drops of justice into an ocean largely composed of unjust ideas, rather than supporting a field of practitioners to holistically transform these narrative waters. The Pop Culture Collaborative was imagined as a laboratory environment for the pop culture for social change field, designed to create an immersive learning and testing environment that could enable funders and field members to discover, together, how best to achieve this depth and scale of narrative transformation in the United States. -
Download a PDF of the Program
RIPCORDUPROARIOUS COMEDY FROM THE AUTHOR OF GOOD PEOPLE MAY 26-JUNEBY DIRECTED BY 25 SOUTH END DAVID JESSICA CALDERWOOD PAVILION AT THE BCA LINDSAY-ABAIRE STONE Seasonal cocktails, handmade pasta, perfectly cooked steaks & fresh seafood, expertly prepared using the nest ingredients. At Davio’s, it’s all about the guest. CONTENTS MAY–JUNE2017 7 THE PROGRAM 10 INTERVIEW WITH PLAYWRIGHT DAVID LINDSAY-ABAIRE 12 INTERVIEW WITH COSTUMER DESIGNER GABRIEL BERRY PLUS: 10 by Olivia J. Kiers 4 Backstage 14 About the Company 34 Patron Services 35 Emergency Exits 38 Guide to Local Theatre 44 Boston Dining Guide 46 Dining Out: Top of the Hub 38 Shots Scott Nile Hawver/Nile theatrebill STAFF Publishing services are provided by Theatrebill, a pub- lication of New Venture Media Group LLC, publisher of President/Publisher: Tim Montgomery Panorama: The Official Guide to Boston, 560 Harrison Ave., Suite 412, Boston, MA 02118, 857-366-8131. Art Director: Scott Roberto Assistant Art Director: Laura Jarvis Editorial Assistant: Olivia J. Kiers WARNING: The photographing or sound recording of any performance or the possession of any device Vice President Publishing: Rita A. Fucillo for such photographing or sound recording inside Vice President Advertising: Jacolyn Ann Firestone this theatre, without the written permission of the Senior Account Executive: Andrea Renaud management, is prohibited by law. Violators may be punished by ejection and violations may render the Chief Operating Officer: Tyler J. Montgomery offender liable for money damages. Business Manager: Melissa J. O’Reilly FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street.