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Soler Quintets with David Schrader on Cedille Records Soler: Quintets for Harpsichord and Strings Nos
DDD Absolutely Digital CDR 90000 030 FIRST TIME ON CD PADRE ANTONIO SOLER (1729-1783) QUINTETS FOR HARPSICHORD & STRINGS Quintet No. 4 in A Minor (23:39) 1 I. Allegretto (6:13) 2 II. Minuetto I & II (2:49) 3 III. Allegro assai (5:40) 4 IV. Minuetto con variazioni (8:48) Quintet No. 5 in D Major (28:30) 5 I. Cantabile (6:59) 6 II. Allegro Presto (5:48) 7 III. Minuetto & Quartetto (5:23) 8 IV. Rondo. Allegretto (10:11) Quintet No. 6 in G Minor (22:27) 9 I. Andante (4:55) 10 II. Minuetto (6:37) 11 III. Rondo. Andante con moto (10:48) David Schrader, harpsichord Chicago Baroque Ensemble TT: (74:57) Cedille Records is a trademark of The Chicago Classical Recording Foundation, a not- for-profit foundation devoted to promoting the finest musicians and ensembles in the Chicago area. The Chicago Classical Recording Foundation’s activities are partially supported by a grant from the Illinois Arts Council, a state agency. The Keyboard Quintets of Soler Antonio Francisco Javier Jose Soler still recognized as valid, it is well to note y Ramos was baptized on December that the modulations were considered 3, 1729. Destined for a career in the radical enough in eighteenth century church, in 1736 he entered the choir Spain to elicit critical rebuttal, to which school of the great Catalan monastery Soler himself responded with a 1765 of Montserrat, where he studied with tract entitled Satisfacción a los reparos the monastery’s Maestro, Benito Esteve, precisos (reply to specific objections). and its organist, Benito Valls. -
There Isn't a Piece That Doesn't Impress. This Is As
Also by Trio Settecento on Cedille Records An Italian Soujourn CDR 90000 099 “There isn’t a piece that doesn’t impress. This is as good a collection for a newcomer to the Baroque as it is for those who want to hear these works performed at a high level.” — Gramophone Producer: James Ginsburg Schmelzer) / Louis Begin, replica of 18th Century model (rest of program) Trio Settecento A German Bouquet Engineer: Bill Maylone Bass Viola da Gamba: William Turner, Art Direction: Adam Fleishman / 1 Johann Schop (d. 1667): Nobleman (1:56) bm Johann Sebastian Bach (1685–1750) London, 1650 Fugue in G minor, BWV 1026 (3:54) www.adamfleishman.com 2 Johann Heinrich Schmelzer (c. 1620–1680) ’Cello: Unknown Tyrolean maker, 18th Cover Painting: Still Life with a Wan’li Sonata in D minor (5:49) Philipp Heinrich Erlebach (1657–1714) century (Piesendel) Sonata No. 3 in A Major (14:06) Vase of Flowers (oil on copper), Georg Muffat (1653–1704) Bosschaert, Ambrosius the Elder (1573- Viola da Gamba and ’Cello Bow: Julian Sonata in D major (11:33) bn I. Adagio—Allegro—Lento (2:35) 1621) / Private Collection / Johnny Van Clarke bo II. Allemande (2:19) 3 I. Adagio (2:34) Haeften Ltd., London / The Bridgeman bp III. Courante (1:33) Harpsichord: Willard Martin, Bethlehem, 4 II. Allegro—Adagio—Allegro—Adagio (8:59) Art Library bq IV. Sarabande (1:53) Pennsylvania, 1997. Single-manual Johann Philipp Krieger (1649–1725) br V. Ciaconne (3:42) Recorded June 16, 17, 19, 23, and 24, instrument after a concept by Marin Sonata in D Minor Op. -
Vivaldi Explosion Program
The following program notes may only be used in conjunction with the one-time streaming term for the corresponding Chamber Music Society of Lincoln Center (CMS) Front Row National program, with the following credit(s): Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center Any other use of these materials in connection with non-CMS concerts or events is prohibited. VIVALDI EXPLOSION PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for Cello and Continuo, RV 43 (c. 1739) Largo Allegro Largo Allegro Efe Baltacigil, cello; Dane Johansen, cello; Paul O’Dette, lute; John Gibbons, harpsichord VIVALDI Concerto in G minor for Flute, Oboe, and Bassoon, RV 103 Allegro ma cantabile Largo Allegro non molto Sooyun Kim, flute; Stephen Taylor, oboe; Bram van Sambeek, bassoon VIVALDI Concerto in F major for Three Violins, Strings, and Continuo, RV 551 (1711) Allegro Andante Allegro Todd Phillips, violin; Bella Hristova, violin; Chad Hoopes, violin; Sean Lee, violin; Aaron Boyd, violin; Pierre Lapointe, viola; Timothy Eddy, cello; Anthony Manzo, bass; Michael Sponseller, harpsichord --INTERMISSION (Discussion with artists)-- VIVALDI Sonata in D minor for Two Violins and Continuo, RV 63, “La Follia” (published c. 1705) Adam Barnett-Hart, violin; Aaron Boyd, violin; Brook Speltz, cello; Jason Vieaux, guitar VIVALDI Concerto in D major for Mandolin, Strings, and Continuo, RV 93 (1730-31) Chamber Music Society of Lincoln Center Allegro giusto Largo Allegro Avi Avital, mandolin; Paul Huang, violin; Danbi Um, violin; Ani Kavafian, violin; Chad Hoopes, violin; Mihai Marica, cello; Daniel McDonough, cello; Anthony Manzo, bass; Jiayan Sun, harpsichord NOTES ON THE PROGRAM Violin virtuosity reached a new height around the year 1700. -
KEYNOTES the OFFICIAL NEWSLETTER of the EVANSTON SYMPHONY ORCHESTRA LAWRENCE ECKERLING, MUSIC DIRECTOR from the City of Light to Eternal Rome
VOL. 44, NO. 4 • JUNE 2013 KEYNOTES THE OFFICIAL NEWSLETTER OF THE EVANSTON SYMPHONY ORCHESTRA LAWRENCE ECKERLING, MUSIC DIRECTOR From the City of Light to Eternal Rome y Cit of L e ig ur final Musical Passports destination is Paris, as th h t m JUNE 16, 2013 o all four French compositions on the program r O F were premiered in the “City of Light.” However, the grand e 2:30 PM t m o o E R finale to this concert and the season, which evokes the ternal PICK-STAIGER CONCERT HALL glories of Rome, had its premiere in New York City. The program begins with the brief brass Fanfare to La Peri, The grand finale to our con- the only ballet by Paul Dukas (1865–1935), a composer cert and the season is one of best known for his symphonic poem The Sorcerer’s Appren- the most spectacular of all tice. Next on the program is Danse Macabre by Camille orchestral showpieces: Roman Saint-Saens (1835–1921), which was originally conceived Festivals by Ottorino Respighi as a two minute song for baritone and piano. In 1874 Saint- (1879–1936). This is the third Saëns lengthened it to eight minutes and reset it for a large of his Roman trilogy (The orchestra, highlighted by a xylophone (to depict the rattling Fountains of Rome and The of bones) and a deliberately mistuned violin for the con- Pines of Rome preceding it) certmaster (representing death). You can also hear the harp and Respighi believed that chiming midnight at the very beginning and the cock crow- Roman Festivals was the ultimate that he could achieve in ing (on the oboe) near the end. -
Horszowski Trio Sunday, May 9, 7:00Pm PDT and Thursday, May 13, 6:00Pm PDT
Horszowski Trio Sunday, May 9, 7:00pm PDT and Thursday, May 13, 6:00pm PDT Dear Friends, Welcome to Music at Kohl’s Virtual Season 38! We’re coming to you online all season as we continue to observe the highest level of safety regulations and caution. While we miss being with you live and in person in the warm and intimate setting of the Kohl Mansion’s Great Hall, we are grateful that you have chosen to join us in the virtual realm to enjoy great performances from the comfort of your home. This season affords us new opportunities to share these concert broadcasts with audiences far and wide outside the concert hall walls, as well as the chance to see and hear our superb performers in their own home towns. We’re delighted to be able to bring you these programs – brief, compact, modestly priced, and easily accessible from your personal screens. You can still enjoy the popular, lively introductions by beloved musicologist Kai Christiansen before each concert, as well as informal, up-close conversations with the artists inviting us to learn about their lives off the stage. Music at Kohl is now global! Friends and family members near and far may sign up online at www.musicatkohl.org and become part of our extended concert family. We hope you’ll invite them to experience Music at Kohl Online! As we begin with great anticipation and enthusiasm to plan for a reunion in the Great Hall of the Kohl Mansion in the future, we are grateful to be with you “virtually” in your own homes! Great music continues to bring us joy at a safe and comfortable distance. -
November 17, 2013 Concert Program Booklet
North Shore Choral Society With David Schrader, Organist Rejoice!November 17, 2013 Glenview Community Church Glenview, Illinois North Shore Choral Society Julia Davids, Music Director PROGRAM God Is Gone Up ................................................................................................ Gerald Finzi Paean ........................................................................................................Kenneth Leighton David Schrader, organist Rejoice in the Lord Alway .............................................................................. Henry Purcell Elizabeth Jankowski, alto; Alan Taylor, tenor; Michael Orlinsky, bass Ave Verum Corpus ......................................................................................... William Byrd Ave Verum Corpus ......................................................................................... Edward Elgar Hail, Gladdening Light ..................................................................................Charles Wood Julia Brueck, conductor The Lord Is My Shepherd .......................................................................... Howard Goodall Rachel Sparrow, soprano Julia Brueck, conductor Let All the World in Every Corner Sing ..................................................Kenneth Leighton — Intermission — I Was Glad ............................................................................Charles Hubert Hastings Parry Rachel Sparrow, soprano; Elizabeth Jankowski, alto; Alan Taylor, tenor; Michael Orlinsky, bass Rejoice in the Lamb ................................................................................. -
735131910620.Pdf
THIS RECORDING IS MADE POSSIBLE IN PART BY GENEROUS GIFTS FROM CD 1 anonymous (2) Aleece and Thomas Fulton John and Priscilla Richman World Premiere Recording Don and Ellen Clark Irving Harris Foundation Arch Shaw Foundation FRANZ CLEMENT (1780–1842) Donald and Jean Clark The Joan and Irwin Jacobs Fund of Suzanne Smart the Jewish Community Foundation Patrick Coyle Rita Spitz Violin Concerto in D Major (1805) (40:49) Betty Johnson 1 I. Allegro maestoso (16:06) Nancy and David Donovan John D. and Alexandra C. Nichols 2 II. Adagio (12:48) Marguerite and Cyrus Freidheim Family Foundation 3 III. Rondo: Allegro (11:50) Cadenzas by Rachel Barton Pine Producer: James Ginsburg Session Director: Judith Sherman Engineer: Bill Maylone CD 2 Graphic Design: Melanie Germond Photos of Rachel Barton Pine: Andrew Eccles LUDWIG VAN BEETHOVEN (1770–1827) Recorded: November 27 & 28, 2007 in Lyndhurst Hall, AIR Studios, Hampstead, London Violin Concerto in D Major, Op. 61 (1806) (44:21) Rachel Barton Pine’s violin: “ex-Soldat” Guarneri del Gesu, Cremona, 1742 / Strings: Vision Titanium Solo by 4 Thomastik-Infeld I. Allegro ma non troppo (24:47) 5 This recording is based on the following edition: Franz Clement: Violin Concerto in D Minor (1805), edited by Clive II. Larghetto (9:21) Brown, Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 41. Middleton, WI: A-R 6 III. Rondo (10:10) Editions, Inc., 2005. Used with permission. All rights reserved. Cadenzas by Rachel Barton Pine Cedille Records is a trademark of The Chicago Classical Recording Foundation, a not-for-profit foundation devoted to promoting the finest musicians and ensembles in the Chicago area. -
Vivaldi Explosion Program
Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center VIVALDI EXPLOSION PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for Cello and Continuo, RV 43 (c. 1739) Largo Allegro Largo Allegro Efe Baltacigil, cello; Dane Johansen, cello; Paul O’Dette, lute; John Gibbons, harpsichord VIVALDI Concerto in G minor for Flute, Oboe, and Bassoon, RV 103 Allegro ma cantabile Largo Allegro non molto Sooyun Kim, flute; Stephen Taylor, oboe; Bram van Sambeek, bassoon VIVALDI Concerto in F major for Three Violins, Strings, and Continuo, RV 551 (1711) Allegro Andante Allegro Todd Phillips, violin; Bella Hristova, violin; Chad Hoopes, violin; Sean Lee, violin; Aaron Boyd, violin; Pierre Lapointe, viola; Timothy Eddy, cello; Anthony Manzo, bass; Michael Sponseller, harpsichord --INTERMISSION (Discussion with artists)-- VIVALDI Sonata in D minor for Two Violins and Continuo, RV 63, “La Follia” (published c. 1705) Adam Barnett-Hart, violin; Aaron Boyd, violin; Brook Speltz, cello; Jason Vieaux, guitar VIVALDI Concerto in D major for Mandolin, Strings, and Continuo, RV 93 (1730-31) Allegro giusto Largo Chamber Music Society of Lincoln Center Allegro Avi Avital, mandolin; Paul Huang, violin; Danbi Um, violin; Ani Kavafian, violin; Chad Hoopes, violin; Mihai Marica, cello; Daniel McDonough, cello; Anthony Manzo, bass; Jiayan Sun, harpsichord NOTES ON THE PROGRAM Violin virtuosity reached a new height around the year 1700. From the start of the Baroque Period a hundred years earlier, skilled craftsmen like Gasparo da Salò advanced string instrument building technique until it reached its apex with the instruments of Antonio Stradivari and Giuseppe Guarneri. The burgeoning music publishing industry also inspired composers to write pieces that would stand out and establish their international reputations. -
The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
The International Bach
DDD Absolutely Digital CDR 90000 020 BACH A LA CARTE — THE INTERNATIONAL BACH Italian Concerto in F major, BWV 971 (11:31) 1 I. (Allegro) (4:00) 2 II. Andante (3:44) 3 III. Presto (3:43) Overture in the French Manner, BWV 831 (30:03) 4 Overture (11:36) 8 Sarabande (2:28) 5 Courante (1:53) 9 Bourées I & II (2:31) 6 Gavottes I & II (2:54) 10 Gigue (2:37) 7 Passepieds I & II (2:31) 11 Echo (3:12) Chromatic Fantasy & Fugue in D minor, BWV 903 (9:58) 12 Fantasy (5:18) 13 Fugue (4:40) English Suite No. 1 in A major, BWV 806 (25:15) 14 Prélude (2:08) 18 Double I (1:57) 15 Allemande (4:35) 19 Double II (1:59) 16 Courante I (1:43) 20 Sarabande (3:37) 17 Courante II (1:59) 21 Bourrés I & II (4:13) avec deux Doubles 22 Gigue (2:45) David Schrader, harpsichord TT: (77:15) The Chicago Classical Recording Foundation wishes to thank Paul Y. Irvin and the Chicago Temple for the use of the instrument. Thanks also to Christianne Ingegno, Culinary Concepts USA Inc. for donating her services and to Earl Schub, Ora Ross, and Chicago Musical College for the use of Ganz Hall. The International Bach Johann Sebastian Bach did not enjoy the internationally peripatetic career of his famous colleague, George Frederic Handel, whom one might call a German composer, trained in Italy to compose Italian operas for an English public. Bach’s travels, by contrast, were limited to a small regional area encompassing East-central Germany. -
Padre Antonio Soler
________________________ Cedille Records ___________CDR 90000__________ 004___ Padre Antonio Soler F & A S N O D N A A N T G A O S David Schrader, harpsichord PADRE ANTONIO SOLER (1729—1783) David Schrader, harpsichord 1 Fandango in D minor (12:12) 2 Sonata No. 4 in G major (4:38) 3 Sonata No. 9 in C major (5:31) 4 Sonata No. 16 in E-flat major (6:44) 5 Sonata No. 24 in D minor (7:41) 6 Sonata No. 25 in D minor (6:07) 7-8 Sonata No. 60 in C major (10:02) 7 I. Andantino (5:57) 8 II. Allegro vivo (4:02) 9-bl Sonata No. 63 in F major (19:51) 9 I. Cantabile (9:10) bk II. Allegro (5:42) bl III. Intento (4:51) TT: (73:51) Cedille Records wishes to express its sincere gratitude to the Fox Point Evangelical Lutheran Church of Milwaukee for the use of its harpsichord. CDR 90000 004 CEDILLE RECORDS P&C 1991 Cedille Records, trademark of 5255 N. Lakewood Ave Chicago IL 60640 USA The Chicago Classical Recording Foundation 773.989.2515 • [email protected] DDD • All Rights Reserved www.cedillerecords.org Cedille Records is a trademark of The Chicago Classical Recording Foundation, a not-for-profit foundation devoted to promoting the finest musicians and ensembles in the Chicago area. The Chicago Classical Recording Foundation’s activities are supported in part by contributions and grants from individuals, foundations, corporations, and government agencies including the Alphawood Foundation, the Chicago Department of Cultural Affairs (CityArts III Grant), and the Illinois Arts Council, a state agency. -
Galicio Final RSNA10
Mdct evaluation of the rarest italian violins from the 17th and 18th century www.radiology.northwestern.edu MS Galizia, MD1; L Ananthakrishnan, MD1; T Borman2; V Yaghmai, MD1 1Northwestern University-Feinberg School of Medicine, Department of Radiology, Chicago, IL 606112, 2Borman Violins, Fayetteville, AR 72701 the front, back, and ribs. e front of the violin is made of Today, isotropic voxels obtained by state of the art MDCT the instrument could be appreciated (Figure 8B). By chang- HISTORY posers such as Bach, Tartini, and Vivaldi (amongst others) two pieces of spruce which are joined at the midline and scanners provide additional information about the design and ing opacity settings, it is possible to generate “transparency” began writing more music for this instrument, connected by glue. e remainder of the violin body, in construction of these rare Italian violins. Luthiers have used Figure 2. Density maps of the top in the box, thereby examining the internal features such as ranging from music intended for amateurs to virtuoso solo cluding the back, is made of maple. e front and back this information to alter the construction of newer violins to the sound post and the bass bar withoudisassembling the e violin rst emerged in northern Italy in the early 16th and back of a violin by Guarneri Del Figure 8A. MDCT Volume rendered literature. e art of Cremonese violin making declined plates are joined together along the periphery by ribs, mimic that of the Cremonese instruments, with favorable re- violin (Figure 8B). e VR parameters can also be changed century. e earliest explicit description of the instrument Gesù dated 1735 generated by quan- 8A.