Esto No Es Berlin
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Heart of Darkness and Apocalypse Now, Na Die Geliefde Land and Promised Land
POLYPHONIC CONVERSATIONS BETWEEN NOVEL AND FILM: HEART OF DARKNESS AND APOCALYPSE NOW, NA DIE GELIEFDE LAND AND PROMISED LAND Toinette Badenhorst-Roux Hons. B.A. Dissertation submitted for the degree Master of Arts in Linguistics and Literary Theory at the North-West University Supervisor: Prof. H.M. Viljoen Co-supervisor: Prof. A.M. de Lange 2006 Potchefstroom Campus Abstract This dissertation attempts a Bakhtinian analysis of the polyphonic dialogue between Joseph Conrad's Heart of Darkness, Francis Ford Coppola's Apocalypse Now, Karel Schoeman's Na die Geliefde Land and Jason Xenopoulos' Promised Land. Specific Bakthinian concepts are employed to determine whether the films are "apt" adaptations of the literary texts; how the stylistically hybrid texts engage in conversation with different movements, genres and trends; how the polyphonic conversations between different texts and discourses, such as literature and film, or colonialism and postcolonialism, can provide insight into the variety of discourses, textual and ideological, of a postcolonial, post-apartheid South Africa; and how identity crises experienced by key characters can be explained using the notions of hybridity, "The Marginal Man" and liminality. All four texts have key characters that experience identity crises that spring from cultural hybridity; their cultural hybridity has the potential to either render them marginally stagnant or lead them to liminally active participation within their imagined communities. This dissertation argues that even though there are major differences between the films and the literary texts they are based upon, they are relevant to a specific target audience and therefore enrich the ur-texts. Salient characteristics of realism, symbolism, impressionism, modernism, postmodernism, postcolonialism and the apocalyptic dialogise one another within the four texts, thereby liberating the texts from one authorial reading. -
Sugar Sammy, Fluent in Funny
KLMNO SATURDAYSt, MARCH 9, 2019y . WASHINGTONPOST.COM/STYLEle EZ SU C Actor Jussie Smollett is This multilingual Canadian comedian can properly offend people in France and Canada. indicted on Now, he wants to find out whether America can take a joke. 16 counts BY SONIA RAO A Cook County, Ill., grand jury has indicted “Empire” actor Jussie Smollett on 16 felony counts for allegedly lying about a hate-crime attack, according to multiple re- ports. The indictment, returned Thursday, comes two weeks after prosecutors charged Smollett with felony disorderly conduct for filing a false police report. Smollett, who is black and openly gay, told Chicago police in late January that he had been attacked by two people who yelled racial and homophobic slurs, hit him, poured a chemical substance on him and wrapped a rope around his neck. He also said at least one of the attackers had yelled, “This is MAGA country,” referring to President Trump’s campaign slogan. The incident at- tracted a great deal of attention as celebrities and advocacy organi- zations expressed their support on social media, and Smollett said on “Good Morning America” in mid-February that he was “for- ever changed” by the incident. But skepticism about Smollett’s account grew as police continued to investigate, questioning two “persons of interest” who turned out to be brothers of Nigerian descent who had previously worked on Fox’s “Empire.” Within days of the “Good Morning Ameri- ca” interview, police announced that the trajectory of the criminal investigation had shifted, and that Smollett was being treated as a suspect. -
Where We Are on Tv 2018 – 2019 Where We Are on Tv 2018 – 2019
WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 2018–2019 Where We Are on TV 1 PB WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 Contents 4 From the Desk of Sarah Kate Ellis 5 Methodology 6 Executive Summary 8 Summary of Broadcast Findings 10 Summary of Cable Findings 12 Summary of Streaming Findings 14 Gender Representation 16 Race & Ethnicity 18 Representation of Black Characters 20 Representation of Latinx Characters 22 Representation of Asian-Pacific Islander Characters 24 Representation of Characters With Disabilities 26 Representation of Bisexual+ Characters 28 Representation of Transgender Characters 30 Representation in Alternative Programming 31 Representation in Daytime, Kids & Family Programming 32 Representation on Other SVOD Streaming Services 33 Representation in Spanish-Language Programming 34 About GLAAD 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 From the Desk of Sarah Kate Ellis GLAAD has tracked the presence of lesbian, gay, Inclusive shows also pay off in the ratings. NBC’s bisexual, transgender, and queer (LGBTQ) characters season nine premiere of Will & Grace counted 15 on television for 23 years, and this year marks our million viewers in the first week of release, ABC’s 14th report since expanding that focus into what is Modern Family ranked in the top 20 broadcast series now the Where We Are on TV (WWAOTV) report among 18-49 year old viewers for the entirety of its in 2005. -
Deux Filles Was a Beautifully Odd on KLF’S ‘Chill Out’, There Is a Vaguely Proposition
XXXALBUM REVIEWS HQ, Deux Filles was a beautifully odd on KLF’s ‘Chill Out’, there is a vaguely proposition. As Gemini Forque (Lloyd- sombre tone to many of the pieces Tucker) and Claudine Coule (Turner), here, with tracks like ‘Treasure Trove Of the pair developed a whole narrative Memories’, with its pretty synth filigrees, around these “characters”, one involving carrying a delicate, fragile and mournful disappearances and suspenseful intrigue, quality that is sweetly evocative. while also allowing them to don dresses and confuse audiences without ever Projects covering so much musicological once revealing who was really behind ground can often appear peripatetic the project. and elusive, and ‘Space & Time’ is most definitely both of those. It’s almost as if, Deux Filles released two albums at the after sloughing off the mask of assumed start of the 1980s, ‘Silence & Wisdom’ identity, Lloyd-Tucker and Turner went (1982) and ‘Double Happiness’ (1983) and all-out and loaded these vignettes with the pair would eventually come clean even greater levels of musical intrigue about who they really were. It’s therefore and impenetrable mystique. In doing so, perhaps of some surprise that, despite ‘Space & Time’ acts as a wonderfully the cheeky fraud of their backstory being quirky next chapter in the weird story of DEUX FILLES exposed as a deception, they would need Claudine and Gemini. Space & Time to use the moniker for ‘Space & Time’, a long-awaited third album. MAT SMITH LTM / LES DISQUES DU CRÉPUSCULE Picking up where they left off Very much picking up where they left for a third outing, two guys pretend off, ‘Space & Time’ is an expansive and frequently arresting collection of 24 to be two girls all over again discrete and varied pieces taking in all sorts of sounds from around the globe. -
Karaoke with a Message – August 16, 2019 – 8:30PM
Another Protest Song: Karaoke with a Message – August 16, 2019 – 8:30PM a project of Angel Nevarez and Valerie Tevere for SOMA Summer 2019 at La Morenita Canta Bar (Puente de la Morena 50, 11870 Ciudad de México, MX) karaoke provided by La Morenita Canta Bar songbook edited by Angel Nevarez and Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255 -
Self-Management for Actors 4Th Ed
This is awesome Self-Management for Actors 4th ed. bonus content by Bonnie Gillespie. © 2018, all rights reserved. SMFA Shows Casting in Major Markets Please see page 92 (the chapter on Targeting Buyers) in the 4th edition of Self-Management for Actors: Getting Down to (Show) Business for detailed instructions on how best to utilize this data as you target specific television series to get to your next tier. Remember to take into consideration issues of your work papers in foreign markets, your status as a local hire in other states, and—of course—check out the actors playing characters at your adjacent tier (that means, not the series regulars 'til you're knocking on that door). After this mega list is a collection of resources to help you stay on top of these mainstream small screen series and pilots, so please scroll all the way down. And of course, you can toss out the #SMFAninjas hashtag on social media to get feedback on your targeting strategy. What follows is a list of shows actively casting or on order for 4th quarter 2018. This list is updated regularly at the Self-Management for Actors website and in the SMFA Essentials mini- course on Show Targeting. Enjoy! Show Title Show Type Network 25 pilot CBS #FASHIONVICTIM hour pilot E! 100, THE hour CW 13 REASONS WHY hour Netflix 3 BELOW animated Netflix 50 CENTRAL half-hour A&E 68 WHISKEY hour pilot Paramount Network 9-1-1 hour FOX A GIRL, THE half-hour pilot A MIDNIGHT KISS telefilm Hallmark A MILLION LITTLE THINGS hour ABC ABBY HATCHER, FUZZLY animated Nickelodeon CATCHER ABBY'S half-hour NBC ACT, THE hour Hulu ADAM RUINS EVERYTHING half-hour TruTV ADVENTURES OF VELVET half-hour PROZAC, THE ADVERSARIES hour pilot NBC AFFAIR, THE hour Showtime AFTER AFTER PARTY new media Facebook AFTER LIFE half-hour Netflix AGAIN hour Netflix For updates to this doc, quarterly phone calls, convos at our ninja message boards, and other support, visit smfa4.com. -
2019 Sundance Film Festival: Indie Episodic, Shorts and Special Events Announced
CONFIDENTIAL & UNDER EMBARGO Media Contact: UNTIL 1 P.M. PT ON: Spencer Alcorn December 3, 2018 310.360.1981 [email protected] 2019 SUNDANCE FILM FESTIVAL: INDIE EPISODIC, SHORTS AND SPECIAL EVENTS ANNOUNCED 12 Episodic Works, 73 Short Films, 4 Special Events Join Festival Slate From L-R: Acid Rain, photo by Tomek Popakul; Delhi Crime Story, photo by Johan Aidt; Now Apocalypse, photo courtesy of Sundance Institute. Park City, UT — Works selected across the Indie Episodic, Shorts and Special Events sections of the 2019 Sundance Film Festival were announced today, underlining Sundance Institute's commitment to showcasing bold independent storytelling regardless of form, format or length. Kim Yutani, the Festival’s Director of Programming, said “Our newly-expanded programming team took in a full spectrum of human experience across genres and formats in creating this year’s Festival program. Following the success of last year’s inaugural Indie Episodic section, we’re immensely proud to showcase these stories told across installments, alongside several provocative, conversation-starting Special Events.” Mike Plante, Senior Programmer, said “This year’s crop of shorts are rowdy, reflective, visionary -- we are excited to discover so many new voices and perspectives on today’s world.” Of the projects announced today, 53% were directed or created by one or more women, 51% were directed or created by one or more filmmaker of color, and 26% by one or more people who identify as LGBTQIA. 12 were supported by Sundance Institute in development, whether through direct granting or residency Labs. 73 short films will screen at the Festival from 28 countries and chosen from 9,443 submissions -- 4,720 from the U.S. -
Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
Music Guide Music HisTORY There was a time when “elevator music” was all you heard in a store, hotel, or other business. Yawn. 1 1971: a group of music fanatics based out of seattle - known as Aei Music - pioneered the use of music in its original form, and from the original artists, inside of businesses. A new era was born where people could enjoy hearing the artists and songs they know and love in the places they shopped, ate, stayed, played, and worked. 1 1985: DMX Music began designing digital music channels to fit any music lover’s mood and delivered this via satellite to businesses and through cable TV systems. 1 2001: Aei and DMX Music merge to form what becomes DMX, inc. This new company is unrivaled in its music knowledge and design, licensing abilities, and service and delivery capability. 1 2005: DMX moves its home to Austin, TX, the “Live Music capital of the World.” 1 Today, our u.s. and international services reach over 100,000 businesses, 23 million+ residences, and over 200 million people every day. 1 DMX strives to inspire, motivate, intrigue, entertain and create an unforgettable experience for every person that interacts with you. Our mission is to provide you with Music rockstar service that leaves you 100% ecstatic. Music Design & Strategy To get the music right, DMX takes into account many variables including customer demographics, their general likes and dislikes, your business values, current pop culture and media trends, your overall décor and design, and more. Our Music Designers review hundreds of new releases every day to continue honing the right music experience for our clients. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Media Representations of Simpson and Romo
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Fall 2009 "Firing the pigskin real right": Media representations of Simpson and Romo. Lindsey M. Eliopulos San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Eliopulos, Lindsey M., ""Firing the pigskin real right": Media representations of Simpson and Romo." (2009). Master's Theses. 3968. DOI: https://doi.org/10.31979/etd.rhsq-g7hf https://scholarworks.sjsu.edu/etd_theses/3968 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. NOTE TO USERS This reproduction is the best copy available. UMI "FIRING THE PIGSKIN REAL RIGHT": MEDIA REPRESENTATIONS OF SIMPSON AND ROMO A Thesis Presented to The Faculty of the Department of Kinesiology San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Lindsey M. Eliopulos December 2009 UMI Number: 1484315 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 1484315 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code.