The Ile De La Cité
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Place Saint-Michel the Place Saint-Michel Is
Place Saint-Michel The Place Saint-Michel is simple – a triangle between two streets, uniform buildings along both, designed by the same architect, a walk of smooth cobblestone. The centerpiece is St. Michael defeating a devil; far above them are four statues symbolizing the four cardinal virtues of prudence, fortitude, temperance, and justice. This monument came to be because of the 1848 Revolution and a cholera epidemic in Paris that followed it which killed thousands. This idea of abstract concepts given human form had been popular during the Revolution, the big one, representing the kind of big virtues – like the Four Cardinal Virtues – that everyone could strive for, instead of a single human being whose actions and legacy would turn people against each other. Simultaneous with the creation of Place Saint-Michel, Napoleon III’s renovation brought the Boulevard Saint-Michel into being, and that is the next part of our walk. Facing the fountain with the river at your back, walk on Boulevard Saint-Michel, it’s the street to your left. Walk away from the river along that street. Ultimately, you’ll be turning left on Rue des Écoles, but it’ll be about five minutes to get there, and you can listen to the next track on the way. Boulevard Saint-Michel The character of the street you’re on – wide-open space lined with trees and long, harmonious buildings, plus, often, a view of some landmark in the distance – was a central part of the renovation plan, or the Haussmann plan, as it’s also known. -
Jennifer Flay, Director of Fiac Paris, Speaks to Modern Painters About Her Favorite Places to Admire Art, Eat, Shop and Stay In
“I LOVE THE JENNIFER FLAY, DIRECTOR OF FIAC PARIS, SPEAKS TO MODERN PAINTERS ABOUT HER FAVORITE PLACES TO RESILIENCE AdmIRE ART, EAT, SHOP AND STAY IN PARIS AND INFINITE BEAUTY OF PARIS” MAGAZINE M MUSEU D An art aficionado doesn’t need a reason to visit the Louvre, the world’s largest and most visited museum AN DENNINGTON CHARLIE 52 MODERN PAINTERS OCTOBER 2017 BLOUINARTINFO.COM BLOUINARTINFO.COM OCTOBER 2017 MODERN PAINTERS 53 Come October19, collectors and art lovers from around the world will once again convene in Paris for the latest in contemporary art, thanks to FIAC, the annual International Contemporary Art Fair. “The Lafayette sector this year is particularly exciting, with 10 galleries from eight countries including Kosovo, Eygpt and India,” said Jennifer Flay, who has been the director of the festival since 2003. Flay, a native of New Zealand, has a long Chistory in the field. Born in 1959 in Auckland, she began her art history studies in New Zealand and pursued her education in France from 1980 thanks to a scholarship from the French government. From 1982 to 1987, she worked in several contemporary art galleries (Galerie Catherine Issert, Daniel Templon et Ghislaine Hussenot) and took an active part in the participation of these galleries in international fairs in Paris, Clockwise from bottom, Basel, Chicago, Madrid, Los Angeles and What are some interesting artworks we far left: Jennifer Flay, the director of FIAC; Amsterdam. During this period, Flay can look forward to at FIAC 2017? Philharmonie de Paris, collaborated, notably, with Carl André, There are many things that I am particularly the venue Flay recom- mends for all those with a Jean-Michel Basquiat, Christian Boltanski, looking forward to, for example Henry classical taste in music. -
Pont Neuf Wrapped by Christo and Jeanne-Claude: the Art of Aesthetics
California State University, San Bernardino CSUSB ScholarWorks Art 525 Conference Papers Art History 6-15-2015 Pont Neuf Wrapped by Christo and Jeanne-Claude: The Art of Aesthetics Cassandra Jones CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/art-history-papers Recommended Citation Jones, Cassandra, "Pont Neuf Wrapped by Christo and Jeanne-Claude: The Art of Aesthetics" (2015). Art 525 Conference Papers. 3. https://scholarworks.lib.csusb.edu/art-history-papers/3 This Article is brought to you for free and open access by the Art History at CSUSB ScholarWorks. It has been accepted for inclusion in Art 525 Conference Papers by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Pont Neuf Wrapped by Christo and Jeanne-Claude: The Art of Aesthetics Cassandra Jones Art 525: Art History Seminar June 15, 2015 Jones 2 As one of the most exciting art movements of our time, environmental art celebrates our connection to the natural world through beauty, science, and metaphor. The Le Pont Neuf Wrapped, 1985, by Christo and Jeanne-Claude expresses the points inherent to this movement, combining an engagement between performance and environmental art. These artists interpose within a chosen environment, and in doing so, cause us to identify with that environment in a new way. Wrapping the Pont-Neuf continued this tradition of successive transfiguration through a new sculptural dimension, transforming it into a work of art. The visual effect of Le Pont Neuf Wrapped intervened into the natural state of the bridge. The wrapping process reveals symmetrical shapes and angles that epitomize the very idea of what constitutes a bridge, connecting geographical units and people. -
Table Des Matières Introduction
TABLE DES MATIÈRES INTRODUCTION G BALADES INSOLITES À PARIS ........................................................................... 15 LE PARIS GALLO-ROMAIN G BALADE No 1 .................................. 18 musée de Cluny • Les arènes de • La crypte archéologique de Lutèce Notre-Dame • Les thermes du LE PARIS MÉDIÉVAL : ÎLE DE LA CITÉ ET RIVE GAUCHE G BALADE No 2 .................................. 23 chapelle du collège de Dormans- • La Conciergerie • La Sainte- Beauvais • La rue Galande et Chapelle • Le parvis et la crypte l’église Saint-Julien-le-Pauvre archéologique de Notre-Dame • L’église Saint-Séverin • La cha- • Notre-Dame • Les rues alen- pelle des Mathurins • Le musée tour et le pont de l’Archevêché national du Moyen Âge • Le jardin • Le collège des Bernardins • La médiéval • Le couvent des Cor- rue du Cardinal-Lemoine • Les deliers • La cour du Commerce- vestiges de l’enceinte de Philippe Saint-André • Le passage Dau- Auguste • Le lycée Henri-IV et phine, la rue Mazarine et l’abbaye l’abbaye Sainte-Geneviève • La de Saint-Germain-des-Prés LE PARIS MÉDIÉVAL : RIVE DROITE G BALADE No 3 .................................. 32 Saint-Martin-des-Champs et le • La place du Châtelet et le théâtre Conservatoire national des arts de la Ville, la tour Saint-Jacques et métiers : l’ancien réfectoire • L’église Saint-Merri • L’église et la collégiale • La maison de Saint-Germain-l’Auxerrois • Le la rue Volta et l’hôtel de Clisson Louvre médiéval • Les vesti- • La rue des Francs-Bourgeois ges de l’enceinte de Philippe et l’impasse des -
Architecture and the Mississippi Bubble (1716–1720)
Armand-Claude Mollet. Floor plan and elevation of the Hôtel d’Évreaux (1718), Paris. Etching and engraving. From Jacques- François Blondel, Architecture françoise (1752 –1756). Typ 715.52.219 v.3, Houghton Library, Harvard University. Photo: Harvard University. 40 https://doi.org/10.1162/grey_a_00241 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/grey_a_00241 by guest on 02 October 2021 Building on Credit: Architecture and the Mississippi Bubble (1716–1720) JASON NGUYEN In June 1733, the Count of Évreaux ordered an appraisal of his Parisian mansion located along the fashionable Rue du Faubourg Saint-Honoré . The document tallied the current market cost of his house and possessions in order to assess the value of his estate (he owned the building until his death in 1753). 1 Designed by the architect Armand-Claude Mollet, the Hôtel d’Évreux had been built between 1718 and 1722, and was already deemed to be one of the most striking hôtels particuliers of its day. The architect located the main block of the house between an entry court - yard (for the loading and unloading of carriages) and a rear garden that backed onto the leafy terrains of the Champs-Elysées. 2 The front elevation included a central pediment with symbols of war, trophies in relief, and columns and Corinthian pilasters befitting a high nobleman. The appraisal included a description of all of these components, but also more detailed information: dimensions and descriptions for each room, the woodwork, mirrors, and textiles lining the walls. In the Grand Salon, the appraisers mentioned the oak paneling and the inset decorative trophies by the ornamental sculptor Michel Lange, who added the bundled instruments of war to assert the count’s regal status. -
The Louvre Towards Political, Social and Urban Transformations in the Grand Siècle Hélène Visentin Smith College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Smith College: Smith ScholarWorks Smith ScholarWorks French Studies: Faculty Publications French Studies Summer 2014 Ce grand bastiment neuf et vieux’: The Louvre Towards Political, Social and Urban Transformations in the Grand Siècle Hélène Visentin Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/frn_facpubs Part of the French and Francophone Language and Literature Commons Recommended Citation “‘Ce grand bastiment neuf et vieux’: The Louvre Towards Political, Social and Urban Transformations in the Grand Siècle.” In Building the Louvre: Architectures of Politics and Art. Eds Patrick Bray and Phillip John Usher. L’Esprit Créateur 54, No. 2 (Summer 2014): 45-62. This Article has been accepted for inclusion in French Studies: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] “Ce grand bastiment neuf et vieux”: The Louvre Towards Political, Social, and Urban Transformations in the Grand Siècle Hélène Visentin HEN HENRI IV ENTERED INTO PARIS after defeating his opponents on March 22, 1594, he was determined to make the W Louvre his chief residence, a bridge from the past to the future. Not only did he have a novel vision, his intention was also to mark the reign of the first Bourbon king with imposing structures where the new dynasty would build on the Valois heritage. On his official entry into the city, the king passed through the Porte Neuve adjacent to the old Tour de Bois and in front of the entrance of the Louvre at the guichet of Saint-Germain-l’Auxerrois towards the Porte Saint-Honoré where he received the keys to the city from the Prévôt des Marchands; then, he followed the rue Saint-Honoré and rue des Innocents on his way to the cathedral Notre-Dame for the Te Deum, display- ing a Catholic attachment to ritual. -
Sample Itinerary: Five Days in Paris
Sample Itinerary: Five Days in Paris Day 1 Arrive in Paris Upon Landing: Airport Pickup Pickup time: 9:00am Welcome to Paris! Your concierge will greet you at the airport and take to your hotel via private car or train/taxi. On the way, your concierge will introduce you to Paris and give you some helpful tips and trips on enjoying your stay in the City of Lights. Afternoon: Montmartre Walking Tour & Shopping Pickup time: 4:30pm Your personal concierge will meet you at your apartment and take you to the top of the Sacré-Cœur for its breathtaking views of Paris. On this private guided tour, you’ll see the artists who still gather to sell their wares in the Place du Tertre and stroll through the cobblestone streets where Van Gogh, Toulouse-Lautrec, and Picasso painted their famous works. Don’t miss La Maison Rose, the Cabaret Lapin Agile, the Moulin Rouge, and the only working vineyard in Paris. Stop in the charming clothing, homeware, and art shops along the way. Tour Length: 3 hours Evening: Night Lights Tour Pickup time: 8:30pm Paris is called the city of lights, and what better way to see it than at night. Your personal guide will take you on a night ride through the city and stop at all the best vantage points, starting with the Sacré-Cœur in Montmartre, to see it all in one gorgeous view. At the Trocadero, get the most sparkling view of the Eiffel Tower reflecting off the Seine. On to the Île de la Cité, an island in the Seine, to see Notre Dame and then a magnificent perspective of Paris from the Pont-Neuf. -
Wandeling Langs De Seine
Wandeling langs de Seine Van Pont de la Concorde tot Pont Neuf Deze wandeling loopt door het 1e, 6e en 7e arrondissement Begin: Metro Concorde Eind: Metro Pont Neuf Afstand: 4 km Duur: 1,5 - 2 uur De achthoekige place de la Concorde is een immens plein vol verkeer. Het is haast onmogelijk over te steken, maar je kunt er ook omheen lopen. Het plein is een prachtig punt met indrukwekkende gebouwen eromheen. De Champs-Elysées komt erop uit aan de westkant, aan de andere kant ligt de Jardin des Tuileries met het Jeu de Paume en de Orangerie. Aan de noordkant staan twee prachtige gebouwen, het peperdure Hôtel Crillon en het ministerie van Marine, beide gebouwd door architect Gabriel. Ten zuiden van het plein stroomt de Seine met de Pont de la Concorde. Het plein werd aangelegd in 1775 als place Louis-XV, maar in 1792 werd het stand- beeld van die koning neergehaald en werd het plein herdoopt in place de la Révolu- tion. Een jaar later werd er een guillotine opgesteld en binnen korte tijd werden hier ruim 1300 mensen een kopje kleiner gemaakt. Na de Revolutie werd het plein place de la Concorde (plein van de Eendracht) gen- oemd. In het midden verrees een obelisk uit Luxor, een geschenk van Egypte. In de acht hoeken van het plein staan beelden van de Franse steden Brest, Rouen, Lille, Straatsburg, Lyon, Marseille, Bordeaux en Nantes. Steek de Seine over via de Pont de la Concorde, voor een deel gebouwd met stenen van de verwoeste Bastille. din des Tuileries. -
Fiche Horaires
27 Gare Saint-Lazare Porte d’Ivry e 1 3 Quai Voltaire D. Casanova Comédie Française Quai de Conti Quai des OrfèvresSaint-Germain Gay-Lussac Mairie du Église de la Gare Auriol Quai duQuai Louvre des Orfèvres Vauquelin Darmesteter Quai des Gds Augustins Haussmann 4 Septembre Claude Bernard Tolbiac Havre Auber Opéra Opéra Petits ChampsPyramidesPalais-RoyalMuséeQuai du Louvre FrançoisPont duPont Mitterrand Carrousel desPont Arts desPont Arts NeufPont NeufPt NeufPt St-MichelSaint-MichelSaint-MichelLes ÉcolesLuxembourgSaint-JacquesFeuillantinesBertholletMongeLes GobelinsBanquierPlace d’ItaliePlace d’ItalieLes AlpesNationaleClissonJeannePatay d’Arc OudinéRegnaultMassénaPorte deClaude Vitry Regaud Fiche Horaires R. du Pont R. Bd de Opéra Rue du Louvre Sébastopol Théâtre Notre Rue Scribe Église Notre-Dame Bibli. Bd de Hôpital l’Hôpital Rue de Richelieu de la Ville Dame de la-Gare Nationale Rue Buon Théâtre Q. de Gesvres Rue duBanquier La Pitié-Salpêtrière Gare Saint-Lazare La Seine Jussieu Rue R. du 4 Septembre du Châtelet R.St-Lazare Q. de la Tournelle Bd Saint-Marcel Bd Haussmann#@ Banque Préfecture #@ Comédie Hôtel Rue Jeanne d’Arc Av. de l’Opéra Française de France Neuf de Police Dieu Rue des Petits Champs #@ Rue Jeanne d’Arc Rue Patay Rue Auber R. de la Paix #@ R. Pinel Saint-Germain Rue Paris 3 Clisson #@ Quai de Palais la Mégisserie Q. de Montebello Rue Nationale R. F. Nohain Rue du Fbg Saint - Honoré de Justice Rue Saint - Rue Tronchet Le Monge Bd Masséna Av. Boutroux Rue de Rivoli Arts et Bd des Capucines R. des Pyramides Louvre Henri IV #@ #@ Musée Métiers des Rentiers Rue Q. du Louvre de Cluny Boulevard #@ Honoré D. -
02 Paris Métro Mural 1280X990 1-2016.Indd
ff l s Stations ou gares en correspondance t R H. Barbusse H. HB b R Av.A dud Pdt Symboles utilisés o u l u t R Roosevelt e e u i R Avenue u d a D L u @I s e u t ose a i e n Asnières–Gennevilliers r ie Ligne et station de Métro o y L Saint-Denis s Pontoise a Creil u l La Courneuve R B r n H le u e d e e Hôpital Terminus de ligne n @d v @c© y C e #@ r H a s e A è @O GENNEVILLIERS @O @d m s @H r a @ O A B H D G C Université F n A A 8 Mai 1945 Avicenne COLOMBES ’ Les Courtilles e e o l Ligne et gare de RER d Les Agnettes t v Rue Gabriel Péri b L. P. a Bd A. France Pôle d’échange multimodal, métro, RER, tramway e u RueR A. Briand e d u ns 254 274 Rue Élisée Reclus e os d Rue Félix Faure Mairie 235 238 276 r St-Denis St-Denis 11 253 255 Square r 178 238 366 t 152 173 607 DRANCY G R Parc #@ R. du Landy G Ru de Bois Colombes Le Bus #@ @A @I Rue du Pont Blanc #@ @A es Liaisons urbaines e 304 378 du port Mini-Faculté Abel Mézières 256 268 356 L. Brun Ligned et gare SNCF Pont @o #@ @A@h Pte de Paris* 609 610 Stal R AvenueA de la e J. -
Paris Metro Line 7 Map with Stops, Connections And
Via - EUtouring.com Paris Metro line 7 La Courneuve 8 Mai 1945 to Mairie d'Ivry and Villejuif Louis Aragon metro map with station stops, transport connections and p oints of interest helping you discover more of Paris Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Villette Park Pont Levant Place de la Bataille de Stalingrad Square Montholon Freemasonry Museum Palais Garnier Opera House Petit Canon Palais Royal Place du Chatelet Square Henri-Galli Galeries d'Anatomie Paleontologie Gobelins Tapestry Museum and WWI Monument to Mothers Cite des Sciences Museum Belushi's Bar Rotonde de la Villette L'Antre Magique Theatre Cafe de la Paix Louvre des Antiquaires Theatre de la Ville Pavillon de l'Arsenal Museum Grand Serres Greenhouses Workshops Parc Kellerman 7 La Geode Cinema Le Bastringue Canauxrama Cruises Museum of Perfume Fragonard The Louvre Saint-Jacques Tower Republican Guard Museum Emmanuel Fremiet monument Square Rene le Gall Argonaute Submarine Opera Library Museum Arc de Triomphe du Carrousel Theatre du Chatelet Square Barye Arenes de Lutece Roman Arena Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Paris Metropolitain System Peniche Demoiselle Bassin de la Villette Point Ephemere -
Reflecting the Sun: Mirrors, Masculinity, and Monarchy Under Louis Xiv
REFLECTING THE SUN: MIRRORS, MASCULINITY, AND MONARCHY UNDER LOUIS XIV By ALEC MOORE A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF THE ARTS UNIVERSITY OF FLORIDA 2018 1 © 2018 Alec Moore 2 To my dear sweet Lou-Lou Bae 3 ACKNOWLEDGMENTS I would like to thank my committee members Melissa Hyde, Elizabeth Ross, and Rori Bloom for their time, attention and patience in the completion of this thesis. I owe Melissa Hyde a particular debt of gratitude for advising me over the course of my time here at the University of Florida. Additionally, I would like to thank all those who supported me during my time here in Gainesville: Jennaca Taipulus, Sarah Sloan, Ivy Margosian, Mark Hodge, Chase Machado — and few I know I am forgetting — your comradery meant the world to me. Jennifer Jurgens is due a special “thank you” for her eternal commitment to keeping me sane. As always I would not have made it this far without the support of my family whose continued investment in my success made all the difference. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 6 ABSTRACT ..................................................................................................................... 8 CHAPTER 1 INTRODUCTION .........................................................................................................