Providence April , Nd Annual International Conference
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I Form 10-300 UNITED STATES DEPARTMENT OF THE INTERIOR STATE: (Rev. 6-72) NATIONAL PARK SERVICE New Hampshire COUNTY: NATIONAL REGISTER OF HISTORIC PLACES Rockingham INVENTORY - NOMINATION FORM FQR-.NPS USE ONLY ENTRY DATei?^!^ hi ( 1976 (Type all entries - complete applicable sections) '. -•----•.--.--- - .---:..:, ..-.._-..-: ,..-.-:. J..-. (iiiiiiiiiii^^ COMMON :^~-^. •...-..... • , j ." '••••• •-••-•• -\ ••'*.•••:. ^ •;. #t The^ Oilman "Garrison" House" ^ - w , -•<. .-v;. \ AND/ OR HISTORIC: ,. .. .:..._.... - -'-. '^\ \ ''- ; f / ."^ /^- , The Oilman "Garrisbn" House, ' ill ^^;:l||fili?f;lli;;|||&:l:p^>^ STREET ANDNUMBER: .. • . 12 Water Sftree"t; : ,.. i: -:--ir' -"••'•'•' L^'l- "'•.'.•'•>' lr-----.I'iv>rV/-Uj./l. CITY OR TOWN: . '.."'""' CON GRESSIONAL DISTRICT: .; ::. ..,.'—*-; Exeter' ; •• " • '- : '^: ;;••'- •'•••'•; ••'•' :^/-'.--;\- -"•-•.- :-i .-i ••.-• .- ?.-M\-.-. "^.'/'i ! •!Q,M,-I » /rr,-/ N'TYf- ' ' y-^V^ ; -'•'-' '!'-.'-"-- (-CODE STATE "• . .;.-;,- ,"• ' .'- .'->,",-.".' • :.CODE. CO-U .New Hampshire .. _; ;, . 33 Rockinffham VV.-r-l. ^-\\ 015 tiiliiAssfFiciA^fQN^^ fiififffffi^ •-.,-• CATEGORY--.; .. : .,., , OWNERSHIP ^ - STATUS ACCESSIBLE •z. .. (Check One) • ; v ": ' - TO THE PUBLIC Q : District '(X' Building • • CD' Public. , Public Acquisition: . JC] Occupied Yes: o n Site - • .Q Structure' ® Private" '-., Q In Process. "; Q ' Unoccupied ".. ' ^' Restricted ,0 Object ,.-,--.":. ' D- Both. , ". D,. Being Considered . \ B Preservailon work Derestricted " ' • ' • .... " " • ' *| —— I Kl ' ••.-'.'• . • '• • -.-'•'.-• -
Myth and Memory: the Legacy of the John Hancock House
MYTH AND MEMORY: THE LEGACY OF THE JOHN HANCOCK HOUSE by Rebecca J. Bertrand A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in American Material Culture Spring 2010 Copyright 2010 Rebecca J. Bertrand All Rights Reserved MYTH AND MEMORY: THE LEGACY OF THE JOHN HANCOCK HOUSE by Rebecca J. Bertrand Approved: __________________________________________________________ Brock Jobe, M.A. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ J. Ritchie Garrison, Ph.D. Director of the Winterthur Program in American Material Culture Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Debra Hess Norris, M.S. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS Every Massachusetts schoolchild walks Boston’s Freedom Trail and learns the story of the Hancock house. Its demolition served as a rallying cry for early preservationists and students of historic preservation study its importance. Having been both a Massachusetts schoolchild and student of historic preservation, this project has inspired and challenged me for the past nine months. To begin, I must thank those who came before me who studied the objects and legacy of the Hancock house. I am greatly indebted to the research efforts of Henry Ayling Phillips (1852- 1926) and Harriette Merrifield Forbes (1856-1951). Their research notes, at the American Antiquarian Society in Worcester, Massachusetts served as the launching point for this project. This thesis would not have been possible without the assistance and guidance of my thesis adviser, Brock Jobe. -
City of Gloucester Community Preservation Committee
CITY OF GLOUCESTER COMMUNITY PRESERVATION COMMITTEE BUDGET FORM Project Name: Masonry and Palladian Window Preservation at Beauport, the Sleeper-McCann House Applicant: Historic New England SOURCES OF FUNDING Source Amount Community Preservation Act Fund $10,000 (List other sources of funding) Private donations $4,000 Historic New England Contribution $4,000 Total Project Funding $18,000 PROJECT EXPENSES* Expense Amount Please indicate which expenses will be funded by CPA Funds: Masonry Preservation $13,000 CPA and Private donations Window Preservation $2,200 Historic New England Project Subtotal $15,200 Contingency @10% $1,520 Private donations and Historic New England Project Management $1,280 Historic New England Total Project Expenses $18,000 *Expenses Note: Masonry figure is based on a quote provided by a professional masonry company. Window figure is based on previous window preservation work done at Beauport by Historic New England’s Carpentry Crew. Historic New England Beauport, The Sleeper-McCann House CPA Narrative, Page 1 Masonry Wall and Palladian Window Repair Historic New England respectfully requests a $10,000 grant from the City of Gloucester Community Preservation Act to aid with an $18,000 project to conserve a portion of a masonry wall and a Palladian window at Beauport, the Sleeper-McCann House, a National Historic Landmark. Project Narrative Beauport, the Sleeper-McCann House Beauport, the Sleeper-McCann House, was the summer home of one of America’s first professional interior designers, Henry Davis Sleeper (1878-1934). Sleeper began constructing Beauport in 1907 and expanded it repeatedly over the next twenty-seven years, working with Gloucester architect Halfdan M. -
PROVIDENCE PUBLIC LIBRARY Rhode Island Collection 008-02-02 Arthur W
PROVIDENCE PUBLIC LIBRARY Rhode Island Collection 008-02-02 Arthur W. Davis Yachting Scrapbooks 1921-1955 OVERVIEW OF THE COLLECTION Number: 008-02-02 Title: Arthur W. Davis Yachting Scrapbooks Creator: Davis, Arthur W. Dates: 1921-1955 Quantity: 13 boxes (total 5.2 linear feet) ADMINISTRATIVE INFORMATION Acquisition: Unknown Accruals: No accruals are expected. Custodial history: Unknown Processed by: The collection was processed in 2018 by Claire Uziel. Conservation: None. Language: Materials are in English. RIGHTS AND ACCESS Access: This collection is open under the rules and regulations of the Providence Public Library, Rhode Island Collection department. Preferred Citation: Researchers are requested to use the following citation format: [item description], Arthur W. Davis Yachting Scrapbooks, Rhode Island Collection, Providence Public Library Property Rights: Copyright has not been assigned to Providence Public Library. All requests for permission to publish or quote from manuscripts must be obtained by the researcher from the copyright holder. INFORMATION FOR RESEARCHERS Separated material None. 008-02-02, Arthur W. Davis Yachting Scrapbooks 2 Published descriptions Not applicable. Location of originals Not applicable. Location of copies Not applicable. Publication note Not applicable. Subject headings America's Cup Boats and boating Boating for children Boating for women Boatbuilding Herreshoff family Narragansett Bay (R.I.) Presidential yachts--United States Providence Journal Regattas Sailing Yachts Yacht racing Yachting--History Yacht clubs SEE ALSO Not applicable. HISTORICAL NOTE “Jeff” Davis (1868-1954) was born Arthur W. Davis in Dorchester, Massachusetts. He lived in Chelsea, MA until he was 23 years old. Davis married May Russell of Chelsea, MA in May 1891 and they had two children. -
FORM a - AREA See Data Wilmington TEW.A, See Data Sheet E Sheet
Assessor’s Sheets USGS Quad Area Letter Form Numbers in Area FORM A - AREA See Data Wilmington TEW.A, See Data Sheet E Sheet MASSACHUSETTS HISTORICAL COMMISSION MASSACHUSETTS ARCHIVES BUILDING 220 MORRISSEY BOULEVARD BOSTON, MASSACHUSETTS 02125 Town/City: Tewksbury Photograph Place (neighborhood or village): Tewksbury Centre Name of Area: Tewksbury Centre Area Present Use: Mixed use Construction Dates or Period: ca. 1737–2016 Overall Condition: Good Major Intrusions and Alterations: Vinyl siding and windows, spot demolition leaving vacant lots, late 20th c. Acreage: 57.5ac Photo 1. 60 East Street, looking northwest. Recorded by: V. Adams, G. Pineo, J. Chin, E. Totten, PAL Organization: Tewksbury Historical Commission Date (month/year): March 2020 Locus Map ☐ see continuation sheet 4/11 Follow Massachusetts Historical Commission Survey Manual instructions for completing this form. INVENTORY FORM A CONTINUATION SHEET TEWKSBURY TEWKSBURY CENTRE AREA MASSACHUSETTS HISTORICAL COMMISSION Area Letter Form Nos. 220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125 TEW.A, E See Data Sheet ☒ Recommended for listing in the National Register of Historic Places. If checked, you must attach a completed National Register Criteria Statement form. ARCHITECTURAL DESCRIPTION Tewksbury Centre Area (TEW.A), the civic and geographic heart of Tewksbury, encompasses approximately 58 buildings across 57.5 acres centered on the Tewksbury Common at the intersection of East, Pleasant, and Main streets and Town Hall Avenue. Tewksbury Centre has a concentration of civic, institutional, commercial, and residential buildings from as early as ca. 1737 through the late twentieth century; mid-twentieth-century construction is generally along smaller side streets on the outskirts of the Tewksbury Centre Area. -
H. H. Richardson's House for Reverend Browne, Rediscovered
H. H. Richardson’s House for Reverend Browne, Rediscovered mark wright Wright & Robinson Architects Glen Ridge, New Jersey n 1882 Henry Hobson Richardson completed a mod- flowering, brief maturity, and dissemination as a new Amer- est shingled cottage in the town of Marion, overlook- ican vernacular. To abbreviate Scully’s formulation, the Iing Sippican Harbor on the southern coast of Shingle Style was a fusion of imported strains of the Eng- Massachusetts (Figure 1). Even though he had only seen it lish Queen Anne and Old English movements with a con- in a sadly diminished, altered state and shrouded in vines, in current revival of interest in the seventeenth-century 1936 historian Henry-Russell Hitchcock would neverthe- colonial building tradition in wood shingles, a tradition that less proclaim, on the walls of the Museum of Modern Art survived at that time in humble construction up and down (MoMA) in New York, that the structure was “perhaps the the New England seaboard. The Queen Anne and Old most successful house ever inspired by the Colonial vernac- English were both characterized by picturesque massing, ular.”1 The alterations made shortly after the death of its the elision of the distinction between roof and wall through first owner in 1901 obscured the exceptional qualities that the use of terra-cotta “Kent tile” shingles on both, the lib- marked the house as one of Richardson’s most thoughtful eral use of glass, and dynamic planning that engaged func- works; they also caused it to be misunderstood—in some tionally complex houses with their landscapes. -
E. Heritage Health Index Participants
The Heritage Health Index Report E1 Appendix E—Heritage Health Index Participants* Alabama Morgan County Alabama Archives Air University Library National Voting Rights Museum Alabama Department of Archives and History Natural History Collections, University of South Alabama Supreme Court and State Law Library Alabama Alabama’s Constitution Village North Alabama Railroad Museum Aliceville Museum Inc. Palisades Park American Truck Historical Society Pelham Public Library Archaeological Resource Laboratory, Jacksonville Pond Spring–General Joseph Wheeler House State University Ruffner Mountain Nature Center Archaeology Laboratory, Auburn University Mont- South University Library gomery State Black Archives Research Center and Athens State University Library Museum Autauga-Prattville Public Library Troy State University Library Bay Minette Public Library Birmingham Botanical Society, Inc. Alaska Birmingham Public Library Alaska Division of Archives Bridgeport Public Library Alaska Historical Society Carrollton Public Library Alaska Native Language Center Center for Archaeological Studies, University of Alaska State Council on the Arts South Alabama Alaska State Museums Dauphin Island Sea Lab Estuarium Alutiiq Museum and Archaeological Repository Depot Museum, Inc. Anchorage Museum of History and Art Dismals Canyon Bethel Broadcasting, Inc. Earle A. Rainwater Memorial Library Copper Valley Historical Society Elton B. Stephens Library Elmendorf Air Force Base Museum Fendall Hall Herbarium, U.S. Department of Agriculture For- Freeman Cabin/Blountsville Historical Society est Service, Alaska Region Gaineswood Mansion Herbarium, University of Alaska Fairbanks Hale County Public Library Herbarium, University of Alaska Juneau Herbarium, Troy State University Historical Collections, Alaska State Library Herbarium, University of Alabama, Tuscaloosa Hoonah Cultural Center Historical Collections, Lister Hill Library of Katmai National Park and Preserve Health Sciences Kenai Peninsula College Library Huntington Botanical Garden Klondike Gold Rush National Historical Park J. -
Congressional Record—Senate S467
February 4, 2013 CONGRESSIONAL RECORD — SENATE S467 He has a long list of accomplish- VA, Gordon oversaw the implementa- erate at a much higher speed than pre- ments and awards, including earning tion of the post-9/11 GI bill and many viously possible.. Indeed, Herreshoff the Purple Heart and the Navy other major transformation initiatives. built the fastest boats on the water, Achievement Medal with Combat Dis- I worked closely with Gordon to es- both steam and sail. Between 1893 and tinguishing Device for Valor. In addi- tablish the Captain James A. Lovell 1920, five of Nathanael Greene tion, he was named as one of People Federal Health Care Center in North Herreshoff’s custom-designed racing Magazine’s Heroes of the Year and a Chicago, the Nation’s first fully inte- sloops were chosen to sail in the pres- 2011 recipient of the Veterans Leader- grated Department of Defense-VA med- tigious America’s Cup, and all five ship Award presented by the Iraq and ical center. Only a few years before, a emerged as victors. Afghanistan Veterans of America. The Washington consulting company rec- Notwithstanding these sea-going next year, Secretary of Defense Leon ommended the closure of the North champions, the Herreshoffs’ most ac- Panetta invited Aaron to discuss mat- Chicago VA. Instead, the idea behind claimed boat design is arguably the ters affecting wounded veterans. the Lovell FHCC was born. smaller S class. Nathanael Greene He has taken his pain and suffering Working with Gordon was a privilege, Herreshoff first designed the S boat in and turned it into a model of persever- and through his dedication to this ef- 1919, and the company built 95 boats ance that is helping other soldiers and fort, we succeeded. -
Palladio's Influence in America
Palladio’s Influence In America Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources 2008 marks the 500th anniversary of Palladio’s birth. We might ask why Americans should consider this to be a cause for celebration. Why should we be concerned about an Italian architect who lived so long ago and far away? As we shall see, however, this architect, whom the average American has never heard of, has had a profound impact on the architectural image of our country, even the city of Baltimore. But before we investigate his influence we should briefly explain what Palladio’s career involved. Palladio, of course, designed many outstanding buildings, but until the twentieth century few Americans ever saw any of Palladio’s works firsthand. From our standpoint, Palladio’s most important achievement was writing about architecture. His seminal publication, I Quattro Libri dell’ Architettura or The Four Books on Architecture, was perhaps the most influential treatise on architecture ever written. Much of the material in that work was the result of Palladio’s extensive study of the ruins of ancient Roman buildings. This effort was part of the Italian Renaissance movement: the rediscovery of the civilization of ancient Rome—its arts, literature, science, and architecture. Palladio was by no means the only architect of his time to undertake such a study and produce a publication about it. Nevertheless, Palladio’s drawings and text were far more engaging, comprehendible, informative, and useful than similar efforts by contemporaries. As with most Renaissance-period architectural treatises, Palladio illustrated and described how to delineate and construct the five orders—the five principal types of ancient columns and their entablatures. -
Dennis Hlynsky Education BFA RISD 1974 1970
Dennis Hlynsky Education BFA RISD 1974 1970 - 1974 RISD 1971 A visit by Raindance Group stirs a curiosity in video as an art form 1971 Declares Photography as a major area of study at RISD 1972 Exhibited Inks BK Smith Gallery, Lake Eire College 1972 initial student of the video program at RISD 1973 Exhibited the Video Kitchen, Mercer Art Center, NYC 1974 Received Individual Artist Grant, RI State Council on the Arts 1974 BFA RISD concentration in video Performances, Exhibitions and Projects o 1974 - 1980 Electron Movers, Research in the Electronic Arts Inc. Upon graduation Electron Movers (501-C3) was incorporated. Founded by Dennis Hlynsky Laurie McDonald, Alan Powell, and Bob Jungles, Other members included Ed Tannenbaum, Philip Palombo, Connie Colman, Larry Hyle, and Randy Walters. The studio was located in Providence, RI and was purposed to provide facilities for research into the electronic arts. A recognized regional media center by the NEA Electron Movers quickly grew into a small art center, conducted workshops in video, maintained a gallery, and exhibited the artworks of members in museums, galleries, and videotape showcases Electron Movers Funded Projects 03 / 1976 RI Foundation video workshops with RI public school teachers 05 / 1976 Matching RI State Council on the Arts for media center activities 10 / 1977 RI State Council on the Arts lecture series for visiting video artists 02 / 1978 National Endowment for the Arts: Media Studies: Workshops: Alternative Spaces funding for stipends and exhibition of video works 10 / 1978 -
Artists and the Natural World – Urban Wildlife
Artists and the Natural World – Urban Wildlife October 17, 2000, 3:00 p.m Moderator: Peter Spooner 0. Tweed Museum of Art Speakers: Karen Mueller 0. Institutional Support Program Associate, Minnesota State Arts Board Barnaby Evans 0. installation and public artist Seitu Jones 0. sculptor, designer, public artist, and gardener Deborah Karasov 0. public artist Godfrey: Hi, I am Marian Godfrey. I am on the board of Grantmakers in the Arts and I am here to welcome you, and to present Karen Mueller. Mueller: Thanks, Marian. I have had the pleasure to be a part of a planning committee on topics that focus on the work of artists during this conference. I just wanted to say a couple of things and to also introduce our panel moderator. This is part two of a topic area of theconference that began this weekend. I had the pleasure of going with fifteen of your colleagues to three different locations in greater Minnesota for a session that was called "Arts inthe Natural World: Art Making and the Environment." We stopped at St. John's Pottery and were able to participate in the annual wood firing of the largest wood-fired kiln in the United States under the auspices of artist-in-residence Richard Bresnahan. He let us stoke the fire, which was going on for twelve days. That was a kick-off to a very high standard of artists working to preserve nature, and comment on nature. He uses all indigenous materials; the kiln itself is a three-chamber, huge facility, etc. It was a great day. -
Herreshoff Collection Guide [PDF]
Guide to The Haffenreffer-Herreshoff Collection The Design Records of The Herreshoff Manufacturing Company Bristol, Rhode Island The Francis Russell Hart Nautical Collection Kurt Hasselbalch Frances Overcash & Angela Reddin The Francis Russell Hart Nautical Collections MIT Museum Cambridge, Massachusetts © 1997 Massachusetts Institute of Technology All rights reserved. Published by The MIT Museum 265 Massachusetts Avenue Cambridge, Massachusetts 02139 TABLE OF CONTENTS Acknowledgments 3 Introduction 5 Historical Sketch 6 Scope and Content 8 Series Listing 10 Series Description I: Catalog Cards 11 Series Description II: Casting Cards (pattern use records) 12 Series Description III: HMCo Construction Record 13 Series Description IV: Offset Booklets 14 Series Description V: Drawings 26 Series Description VI: Technical and Business Records 38 Series Description VII: Half-Hull Models 55 Series Description VIII: Historic Microfilm 56 Description of Database 58 2 Acknowledgments The Haffenreffer-Herreshoff Project and this guide were made possible by generous private donations. Major funding for the Haffenreffer-Herreshoff Project was received from the Haffenreffer Family Fund, Mr. and Mrs. J. Philip Lee, Joel White (MIT class of 1954) and John Lednicky (MIT class of 1944). We are most grateful for their support. This guide is dedicated to the project donors, and to their belief in making material culture more accessible. We also acknowledge the advice and encouragement given by Maynard Bray, the donors and many other friends and colleagues. Ellen Stone, Manager of the Ships Plans Collection at Mystic Seaport Museum provided valuable cataloging advice. Ben Fuller also provided helpful consultation in organizing database structure. Lastly, I would like to acknowledge the excellent work accomplished by the three individuals who cataloged and processed the entire Haffenreffer-Herrehsoff Collection.