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JEFF FISHER Credits 1019
JEFF FISHER Director FILM & MOVIES FOR TELEVISION Christmas Camp Director Hallmark My Christmas Love Director Hallmark Starring Meredith Hagner & Gregory Harrison * highest rated Hallmark Channel movie of the year Killer Reality Director Lifetime Starring Parker Young Killer Movie Writer/ Director Peace Arch Starring Paul Wesley, Kaley Cuoco, & Leighton Meester *Official Selection – Tribeca Film Festival Angels, Baby! Writer/Director Short Starring Laura Leighton *Official Selection Telluride Film Festival, Audience Award Palm Springs Int’l Film Festival Garage Sale Director Short Starring Claire Forlani & Nestor Carbonell *Audience Award Palm Springs Int’l Film Festival, Chicago Int’l Film Festival TELEVISION Selected Episodic Shadows: Pretty Little Liars (Janice Cooke, Wendey Stanzler), The Vampire Diaries (Wendey Stanzler, John Behring), Awkward (Peter Lauer), Hart of Dixie (Tim Mattheson), Swingtown (Alan Poul), Ugly Betty (Tricia Brock, Wendey Stanzler), THE OC (Tony Wharmby), Star Trek: Enterprise (Dave Straiton) The Real World (33) Consulting Producer Facebook While You Were Out Director HGTV/TLC Wife Swap Supervising Producer Paramount Changing Phases (Pilot) Director OWN Caught Up In The Game Director/Showrunner POP Flipping Virgins Director HGTV Keeping Up With The Kardashians Co-Executive Producer/ E! Showrunner Bargain Mansions (Pilot) Co-EP HGTV I Could Live There! EP/ Showrunner Travel Channel Pilot 1 Way Ticket EP/ Showrunner Travel Channel Pilot House of Food Director MTV Pilot Southern Psychic Family Co-EP/Showrunner SyFy Pilot Flip it to Win it Co-EP/ Showrunner HGTV The Houston Family Chronicles Co-EP/ Showrunner Lifetime Gillian in Georgia Executive Producer TBS My Manny Executive Producer TBS The Real Housewives of Atlanta Co-EP Bravo Blonde Charity Mafia Supervising Producer Lifetime Dancelife Lead Director MTV Starring Jennifer Lopez Fast, Inc. -
USA TODAY Life Section D Tuesday, November 22, 2005 Cover Story
USA TODAY Life Section D Tuesday, November 22, 2005 Cover Story: http://www.usatoday.com/life/people/2005-11-21-huffman_x.htm Felicity Huffman is sitting pretty: Emmy-winning Housewives star ignites Oscar talk for transsexual role By William Keck, USA TODAY By Dan MacMedan, USA TODAY Has it all: An actress for more than twenty years, Felicity Huffman has an Emmy for her role on hit Desperate Housewives, a critically lauded role in the film Transamerica, a famous husband (William H. Macy) and two daughters. 2 WEST HOLLYWOOD Felicity Huffman is on a wild ride. Her ABC show, Desperate Housewives, became hot, hot, hot last season and hasn't lost much steam. She won the Emmy in September over two of her Housewives co-stars. And now she is getting not just critical praise, but also Oscar talk, for her performance in the upcoming film Transamerica, in which she plays Sabrina "Bree" Osbourne, a pre- operative man-to-woman transsexual. After more than 20 years as an actress, this happily married, 42-year-old mother of two is today's "it" girl. "It couldn't happen to a nicer gal," says Housewives creator Marc Cherry. "Felicity is one of those success stories that was waiting to happen." Huffman has enjoyed the kindness of critics before, particularly for her role on Sports Night, an ABC sitcom in the late '90s. And Cherry points out that her stock in Hollywood has been high. "She has always had the respect of this entire industry," he says. But that's nothing like having a hit show and a movie with awards potential, albeit a modestly budgeted, art house-style film. -
FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Dorenda Moore
Dorenda Moore Gender: Female Service: 818-886-8687 Height: 5 ft. 3 in. Mobile: no info Weight: 103 pounds E-mail: [email protected] Eyes: Green Web Site: http://DorendaMoore.... Hair Length: Long Waist: 25 Inseam: 31 Shoe Size: 6.5 Physique: Slim Coat/Dress Size: 0-2 Ethnicity: Caucasian / White Photos Film Credits Swiss Army Man Stunts / Utility Paranormal Activity: The Ghost Stunts Dimension A Sunday Horse Stunts Insidious 2 Stunts Vacation Stunts Left Behind Stunt Double: Cassi Serial Killing For Dummies Stunt Coordinator Jimmy Sprague / Arroyo Studios Lady Luck Stunt Coordinator April White / Cameo Films Plane Dead Co-Coordinator David Shoshan / Imageworks Entertainment Champions Co-Coordinator Jimmy Sprague / Arroyo Studios The Convent Co-Coordinator Jed Nolan / Alpine Pictures Pirates of the Caribbean 4 Mermaid George Marshall / Disney Studios Reitman Double (Natalie Portman) Conrad Palmisano / Paramount Pictures Thor Double (Natalie Portman) Andy Armstrong / Marvel Studios Generated on 09/28/2021 05:13:50 am Page 1 of 5 Andy Armstrong / Columbia Pictures Star Trek 11 Double (Winona Ryder) Joey Box / Paramount Pics House Bunny Double (Anna Faris) Paul Elliopolis / Happy Madison Productions Urban Decay Double (Sarah Smith) Michael Sarna / Urban Decay LLC Plane Dead Stunt Zombie Nick Plantico / Imageworks Entertainment Spanglish Party Coordinator Alex Daniels / Sony The Hot Chic Double (Anna Faris) Gregg Smrz / Columbia Pics Planet of the Apes Human Charlie Croughwell / 20th Century Fox Sorority Boys Sorority Girl Earnie Orsatti / Disney Men in Black 2 Double (Lara Flynn Boyle) Charlie Croughwell / Sony Mr. Deeds Double (Winona Ryder) Gregg Smrz / Columbia Pics. Lost Souls Double (Winona Ryder) Doug Coleman / Prufrock Pics. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Arbiter, April 19 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 4-19-2004 Arbiter, April 19 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. 1 9 J J B 0 I S E STATE'S INDEPE.NDENT STUDENT NEW SPA PER SIN C E MONDAY CELEBRATING APRIL 19,2004 70 YEARS .: BRONCO DON· The story EARTH DAY ..A look at the Julia Davis \, behind one of Boise Parkfestivities inphotos A&E·5 State biggest Fans SPORTS· 8 WWW.ARBlTERONLlNE.COM VOLUME 16 ISSUE 58 !I , FIRST COPY FREE I I ! ' ASBSUbudget benefits from $60,000 increase Financial support for clubs to increase by $18,000 BYMONICA PRICE News Reporter The Arbiter ASBSU President David Morriss and Vice President Tom Labrecque introduced next year's budget to a full house Thursday in the Jordan A Ballroom. There were moments of hostility and gratitude as the crowd digested the numbers. Student organizations will re- ceive $18,000 increase in a pro- posed budget delivered to the sen- ate. "It's a dang good budget," said Morriss. - ASBSU gave itself $10,000 more as part of a pay increase recently passed by the senate and approved by Morriss. -
Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Real Men Can Dance, but Not in That Costume: Latter-Day Saints' Perception of Gender Roles Portrayed on Dancing with the Stars
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2011-03-17 Real Men Can Dance, But Not in That Costume: Latter-day Saints' Perception of Gender Roles Portrayed on Dancing with the Stars Karson B. Denney Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Communication Commons BYU ScholarsArchive Citation Denney, Karson B., "Real Men Can Dance, But Not in That Costume: Latter-day Saints' Perception of Gender Roles Portrayed on Dancing with the Stars" (2011). Theses and Dissertations. 2615. https://scholarsarchive.byu.edu/etd/2615 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. REAL MEN CAN DANCE, BUT NOT IN THAT COSTUME: LATTER-DAY SAINTS‟ PERCEPTION OF GENDER ROLES PORTRAYED ON “DANCING WITH THE STARS” By Karson B. Denney A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts in Communications Department of Communications Brigham Young University April 2011 Copyright © 2011 Karson B. Denney All Rights Reserved ABSTRACT REAL MEN CAN DANCE, BUT NOT IN THAT COSTUME: LATTER-DAY SAINTS‟ PERCEPTION OF GENDER ROLES PORTRAYED ON “DANCING WITH THE STARS” Karson B. Denney Department of Communications Master of Arts This thesis attempts to better understand gender roles portrayed in the media. By using Stuart Hall‟s theory of audience reception (Hall, 1980) the researcher looks into dance and gender in the media to indicate whether or not LDS participants believe stereotypical gender roles are portrayed on “Dancing with the Stars.” Through four focus groups containing a total of 30 participants, the researcher analyzed costuming, choreography, and judges‟ comments through the viewer‟s eyes. -
December 2018
LearnAboutMoviePosters.com December 2018 EWBANK’S AUCTIONS VINTAGE POSTER AUCTION DECEMBER 14 Ewbank's Auctions will present their Entertainment Memorabilia Auction on December 13 and Vintage Posters Auction on December 14. Star Wars and James Bond movie posters are just some of the highlights of this great auction featuring over 360 lots. See page 3. PART III ENDING TODAY - 12/13 PART IV ENDS 12/16 UPCOMING EVENTS/DEADLINES eMovieposter.com’s December Major Auction - Dec. 9-16 Part IV Dec. 13 Ewbank’s Entertainment & Memorabilia Auction Dec. 14 Ewbank’s Vintage Poster Auction Jan. 17, 2019 Aston’s Entertainment and Memorabilia Auction Feb. 28, 2019 Ewbank’s Entertainment & Memorabilia Auction Feb. 28, 2019 Ewbank’s Movie Props Auction March 1, 2019 Ewbank’s Vintage Poster Auction March 23, 2019 Heritage Auction LAMP’s LAMP POST Film Accessory Newsletter features industry news as well as product and services provided by Sponsors and Dealers of Learn About Movie Posters and the Movie Poster Data Base. To learn more about becoming a LAMP sponsor, click HERE! Add your name to our Newsletter Mailing List HERE! Visit the LAMP POST Archive to see early editions from 2001-PRESENT. The link can be found on the home page nav bar under “General” or click HERE. The LAMPPOST is a publication of LearnAboutMoviePosters.com Telephone: (504) 298-LAMP email: [email protected] Copyright 20178- Learn About Network L.L.C. 2 EWBANK’S AUCTIONS PRESENTS … ENTERTAINMENT & MEMORABILIA AUCTION - DECEMBER 13 & VINTAGE POSTER AUCTION - DECEMBER 14 Ewbank’s Auction will present their Entertainment & Memorabilia Auction on December 13 and their Vintage Poster Auction on December 14. -
12Th National A&E Journalism Awards
Ben Mankiewicz Tarana Burke Danny Trejo Quentin Tarantino The Luminary The Impact Award The Visionary The Distinguished Award Award Storyteller Award 2019 TWELFTH ANNUAL Ann-Margret The Legend Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB 12TH ANNUAL National Arts & Entertainment Journalism Awards A Letter From the Press Club President Good evening and welcome to the 12th annual National Arts & Entertain- ment Journalism Awards. Think about how much the entertainment industry has changed since the Press Club introduced these awards in 2008. Arnold Schwarzenegger was our governor, not a Terminator. Netflix sent you DVDs in the mail. The iPhone was one year old. Fast forward to today and the explosion of technology and content that is changing our lives and keeping journalists busy across the globe. Entertainment journalism has changed as well, with all of us taking a much harder look at how societal issues influence Hollywood, from workplace equality and diversity to coverage of political events, the impact of social media and U.S.-China rela- tions. Your Press Club has thrived amid all this. Participation is way up, with more Chris Palmeri than 600 dues-paying members. The National Arts & Entertainment Journalism Awards have grown and changed as well. Tonight we’re in a ballroom in the Millennium Biltmore Hotel, but in 2008 the awards took place in the Steve Allen Theater, the Press Club’s old home in East Hollywood. That building has since been torn down. Our first event in 2008 featured a cocktail party with no host and only 111 entries in the competition. -
Pretty Little Liars | Dialogue Transcript | S6:E14
CREATED BY I. Marlene King BASED ON THE BOOKS BY Sara Shepard EPISODE 6.14 “New Guys, New Lies” Hanna deals with pressure from the police, Aria tries to determine whether Ezra is guilty, and Spencer works with Caleb to track down the new threat. WRITTEN BY: Kyle Bown | Kateland Brown DIRECTED BY: Zetna Fuentes ORIGINAL BROADCAST: February 2, 2016 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST Troian Bellisario ... Spencer Hastings Ashley Benson ... Hanna Marin Tyler Blackburn ... Caleb Rivers Lucy Hale ... Aria Montgomery Ian Harding ... Ezra Fitz (credit only) Laura Leighton ... Ashley Marin Shay Mitchell ... Emily Fields Janel Parrish ... Mona Vanderwaal (credit only) Sasha Pieterse ... Alison DiLaurentis (credit only) Holly Marie Combs ... Ella Montgomery Chad Lowe ... Byron Montgomery Keegan Allen ... Toby Cavanaugh Travis Winfrey ... Detective Lorenzo Calderon David Coussins ... Jordan Hobart Lulu Brud ... Sabrina Kara Royster ... Yvonne Phillips Brandon Firla ... Gil Liz Burnette ... Shari Rosenthal P a g e | 1 1 00:01:12,155 --> 00:01:15,075 [intense music] 2 00:01:24,960 --> 00:01:26,253 You guys, I'm so sorry. 3 00:01:26,294 --> 00:01:27,128 I was up late last night 4 00:01:27,170 --> 00:01:28,422 prepping for town hall meeting. 5 00:01:28,463 --> 00:01:30,549 I turned my phone off. -
Rio Bravo (1959) More Secure Surroundings, and Then the Hired Guns Come In, Waiting Around for Their Chance to Break Him out of Jail
already have working for him. Burdette's men cut the town off to prevent Chance from getting Joe into Rio Bravo (1959) more secure surroundings, and then the hired guns come in, waiting around for their chance to break him out of jail. Chance has to wait for the United States marshal to show up, in six days, his only help from Stumpy (Walter Brennan), a toothless, cantankerous old deputy with a bad leg who guards the jail, and Dude (Dean Martin), his former deputy, who's spent the last two years stumbling around in a drunken stupor over a woman that left him. Chance's friend, trail boss Pat Wheeler (Ward Bond), arrives at the outset of the siege and tries to help, offering the services of himself and his drovers as deputies, which Chance turns down, saying they're not professionals and would be too worried about their families to be good at anything except being targets for Burdette's men; but Chance does try to enlist the services of Wheeler's newest employee, a callow- looking young gunman named Colorado Ryan (Ricky Nelson), who politely turns him down, saying he prefers to mind his own business. In the midst of all of this tension, Feathers (Angie Dickinson), a dance hall entertainer, arrives in town and nearly gets locked up by Chance for cheating at cards, until he finds out that he was wrong and that she's not guilty - - this starts a verbal duel between the two of them Theatrical release poster (Wikipedia) that grows more sexually intense as the movie progresses and she finds herself in the middle of Chance's fight.