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The Hybrid Photobook
SELF-PUBLISHING IN THE DIGITAL AGE: THE HYBRID PHOTOBOOK Exegesis submitted by DOUGLAS RONALD SPOWART Graduate Diploma Arts (Visual Art), Monash University (2003) Master of Photography, Fellow and Honorary Fellow of the Australian Institute of Professional Photography in October 2011 with creative work in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the School of Creative Arts JAMES COOK UNIVERSITY ACKNOWLEDGEMENTS My deepest gratitude goes to fellow PhD candidate and partner Victoria Cooper for her encouragement, challenge and support throughout the candidature. I would also wish to acknowledge Professor Diana Davis for the opportunity to engage with this research project and to Professor Dr Stephen Naylor for his supervision and mentorship through the process to its conclusion. For their generosity, support and willing participation during the process of the work, I wish to express my thanks to the following: SUPERVISORS • Professor Diana Davis – Principal Supervisor 2004-2006 • Professor Dr Stephen Naylor – Principal Supervisor 2006-2011 • Ronald McBurnie – Associate Supervisor MY MENTORS: FORMAL AND INFORMAL I have some heroes and heroines who historically have fuelled my interest in making photographs and books. These photographers, artists and bookmakers have rewarded my life and research activities through their book works, commentaries about books and occasionally, through personal conversation. Most importantly these mentors have shaped my work in the book as a personal communiqué. Thank you to: Victoria Cooper is my life partner and also a photographer and artists’ bookmaker. Whilst we work as independent practitioners, our fieldwork, conceptual refinement of work, and production work are often linked by the kinds of discussion that can take place over the breakfast table, driving in the car or walking. -
Museums and Australia's Greek Textile Heritage
Museums and Australia’s Greek textile heritage: the desirability and ability of State museums to be inclusive of diverse cultures through the reconciliation of public cultural policies with private and community concerns. Ann Coward Bachelor of General Studies (BGenStud) Master of Letters, Visual Arts & Design (MLitt) A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy School of Art History and Theory College of Fine Arts University of New South Wales December, 2006 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed .................................................................. ABSTRACT This thesis explores the desirability of Australia’s State museums to be inclusive of diverse cultures. In keeping with a cultural studies approach, and a commitment to social action, emphasis is placed upon enhancing the ability of State museums to fulfil obligations and expectations imposed upon them as modern collecting institutions in a culturally diverse nation. -
An Interpretive Case Study of the Design of the Emerging Cultural Landscape
Design Research Society DRS Digital Library DRS Biennial Conference Series DRS2004 - Futureground Nov 17th, 12:00 AM Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape. Vince Dziekan Monash University Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Dziekan, V. (2004) Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape., in Redmond, J., Durling, D. and de Bono, A (eds.), Futureground - DRS International Conference 2004, 17-21 November, Melbourne, Australia. https://dl.designresearchsociety.org/drs- conference-papers/drs2004/researchpapers/22 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape. Vince Dziekan Position Statement Monash University In response to the call to “address the emerging context, which acknowledges that in recent years, media and information-technology shifts have changed the cultural landscape of design and designing”, this paper will contribute to the discourse of design’s fluid interrelationship with cultural activity and production by focussing on the resulting formation of art, new technology and the design of its institutions. If art since the advent of Modernism can be characterized by any single quality it would have to be its diversity… however, across the breadth of such aesthetic and stylistic difference remains its common, primary destination: the Museum. -
Free Tram Zone
Melbourne’s Free Tram Zone Look for the signage at tram stops to identify the boundaries of the zone. Stop 0 Stop 8 For more information visit ptv.vic.gov.au Peel Street VICTORIA ST Victoria Street & Victoria Street & Peel Street Carlton Gardens Stop 7 Melbourne Star Observation Wheel Queen Victoria The District Queen Victoria Market ST ELIZABETH Melbourne Museum Market & IMAX Cinema t S n o s WILLIAM ST WILLIAM l o DOCKLANDS DR h ic Stop 8 N Melbourne Flagstaff QUEEN ST Gardens Central Station Royal Exhibition Building St Vincent’s LA TROBE ST LA TROBE ST VIC. PDE Hospital SPENCER ST KING ST WILLIAM ST ELIZABETH ST ST SWANSTON RUSSELL ST EXHIBITION ST HARBOUR ESP HARBOUR Flagstaff Melbourne Stop 0 Station Central State Library Station VICTORIA HARBOUR WURUNDJERI WAY of Victoria Nicholson Street & Victoria Parade LONSDALE ST LONSDALE ST Stop 0 Parliament Station Parliament Station VICTORIA HARBOUR PROMENADE Nicholson Street Marvel Stadium Library at the Dock SPRING ST Parliament BOURKE ST BOURKE ST BOURKE ST House YARRA RIVER COLLINS ST Old Treasury Southern Building Cross Station KING ST WILLIAM ST ST MARKET QUEEN ST ELIZABETH ST ST SWANSTON RUSSELL ST EXHIBITION ST COLLINS ST SPENCER ST COLLINS ST COLLINS ST Stop 8 St Paul’s Cathedral Spring Street & Collins Street Fitzroy Gardens Immigration Treasury Museum Gardens WURUNDJERI WAY FLINDERS ST FLINDERS ST Stop 8 Spring Street SEA LIFE Melbourne & Flinders Street Aquarium YARRA RIVER Flinders Street Station Federation Square Stop 24 Stop Stop 3 Stop 6 Don’t touch on or off if Batman Park Flinders Street Federation Russell Street Eureka & Queensbridge Tower Square & Flinders Street you’re just travelling in the SkyDeck Street Arts Centre city’s Free Tram Zone. -
David Frazer - Curriculum Vitae
David Frazer - Curriculum Vitae ! born 1966, Foster, Victoria, Australia Qualifications 1998-2000 Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, Monash University 1996 Honours Degree, Fine Art (Printmaking), Monash University 1991 Diploma of Education (Secondary-Art/Craft), Latrobe University 1984-1986 B.A. Fine Arts (Painting), Phillip Institute of Technology Solo Exhibitions 2018 “SLOW BOAT” Beaver Galleries, Canberra 2017 “HAPPY HOUR” fortyfivedownstairs Melbourne 2016 “SLOW BOAT” Port Jackson Press Melbourne 2016 “DRIFT” Beaver Galleries Canberra 2014 “HUG” 45 downstairs Melbourne 2014 “HUG” Beaver Galleries Canberra 2013 “HUG” Dickerson Gallery Sydney 2013 “Home Sweet Home” Guanlan Original Print Base, Shenzen, China 2013 Hillsmith Gallery Adelaide 2012 “Homesick” James Makin Gallery Melbourne 2012 Port Jackson Press Print Room, Melbourne 2012 “Homesick” Beaver galleries Canberra 2011 “Half way Home” Falkner Gallery Castlemaine Victoria 2011 “Last Blossom” Rebecca Hossack Gallery London UK 2011 “Works on paper” Post Office Gallery Ballarat Uni. 2010 “Broken Home” James Makin Gallery, Melbourne 2010 La Trobe University Visual Arts Centre, Bendigo, Victoria 2009 Beaver Galleries, Canberra, ACT 2009 The Art Vault Mildura VIC 2009 Falkner gallery Castlemaine Victoria 2008 “Lost” Dickerson Gallery Sydney 2008 “Lost” Dickerson Gallery Melbourne 2007 Adele Boag Gallery, Adelaide 2007 “Passing through the old world” Dickerson Gallery, Melbourne 2006 “On the Edge of Town” Dickerson Gallery, Melbourne. 2006 “Mr Vertigo” ICON gallery, Deakin Museum of Art. Melbourne 2005 “Somewhere over the hill” Dickerson Gallery Sydney 2005 “The Escape” Australian Galleries Melbourne 2004-2005 “Pastoral Melancholia” (touring show) Shepparton Art Gallery, Horsham Art Gallery, Wangaratta Exhibitions Gallery, Swan Hill Regional Art Gallery, Gippsland Art Gallery.Sale. -
Cvcatherine Pilgrim
Catherine Pilgrim - CV Born 1968, Melbourne, Victoria, Australia Meticulous, considered drawing is the basis for Catherine Pilgrim’s practice including lithographs, drawings and textiles. Fastidious attention to detail is the common element with personal narratives, absence and contemporary ideas around ‘Still Life’ influencing the subject matter. Catherine has exhibited widely since 1994, when she returned to Australia after studying lithography and drawing in Washington DC, USA. In 2011, Catherine completed her Master of Fine Art (Research) at Monash University, Melbourne. Her research was based on the subjective process of capture, which occurs in making a representational image. Catherine has won a number of awards for her intricate works on paper including the Australian Print Workshop Collie Trust Award and the Works on Paper, Warwick Non-Acquisitive Art Award. In 2014, Catherine was Artist in Residence at Buda Historic Home and Garden, in Castlemaine, researching the Leviny family history in preparation for a project exhibition held at the Castlemaine Art Gallery and Historic Museum in February 2015. Catherine Pilgrim’s works are held in public and private collections including the National Gallery of Australia, Geelong Regional Art Gallery, National Australia Bank and Castlemaine Art Gallery and Historical Museum. © The Artist 2016 Education: 2011 MA (Research) Monash University 1999 BA (Hons) (Fine Art) Royal Melbourne Institute Technology 1995 BA (Humanities) Deakin Universtiy 1994 BA (Fine Art) Deakin University Solo Exhibitions: -
Annual Report Contents About Museums Australia Inc
Museums Australia (Victoria) Melbourne Museum Carlton Gardens, Carlton PO Box 385 Carlton South, Victoria 3053 (03) 8341 7344 Regional Freecall 1800 680 082 www.mavic.asn.au 08 annual report Contents About Museums Australia Inc. (Victoria) About Museums Australia Inc. (Victoria) .................................................................................................. 2 Mission Enabling museums and their Training and Professional Development President’s Report .................................................................................................................................... 3 services, including phone and print-based people to develop their capacity to inspire advice, referrals, workshops and seminars. Treasurer’s Report .................................................................................................................................... 4 Membership and Networking Executive Director’s Report ...................................................................................................................... 5 and engage their communities. to proactively and reactively identify initiatives for the benefit of existing and Management ............................................................................................................................................. 7 potential members and links with the wider museum sector. The weekly Training & Professional Development and Member Events ................................................................... 9 Statement of Purpose MA (Vic) represents -
Curatorial Assistant
Position Description – Curatorial Assistant Position Details Position Title: Curatorial Assistant Position Number: NEW Portfolio: Research & Innovation Portfolio School/Group: Research Office (Design Hub) Campus Location: Based at the City campus, but may be required to work at other campuses of the University. Classification: HEW 5 (Salary Schedule: http://www.rmit.edu.au/browse;ID=ewhtlt73t01) Employment Type: Continuing Time Fraction: 1.0 FTE (Tuesday–Saturday during exhibitions, Monday–Friday during non-exhibition periods) RMIT University RMIT is a global university of technology, design and enterprise in which teaching, research and engagement are central to achieving positive impact and creating life-changing experiences for our students. One of Australia’s original educational institutions founded in 1887, RMIT University now has 83,000 students including 12,000 at postgraduate level. The University enjoys an international reputation for excellence in professional and vocational education, applied and innovative research, and engagement with the needs of industry and the community. With three campuses in Melbourne (City, Brunswick and Bundoora), two in Vietnam (Hanoi and Ho Chi Minh City) and a centre in Barcelona, Spain, RMIT is a truly global university. RMIT also offers programs through partners in Singapore, Hong Kong, mainland China, Indonesia and Sri Lanka, and enjoys research and industry partnerships on every continent. RMIT prides itself on the strong industry links it has forged over its 130-year history. Collaboration with industry is integral to the University’s leadership in applied research and education, and to the development of highly skilled, globally focused graduates. We are a 5-Star university under the QS Stars international evaluation system, and are 16th in the world among universities less than 50 years old (2016–17 QS Top 50 Under 50 index). -
Mount Gambier Cemetery Aus Sa Cd-Rom G
STATE TITLE AUTHOR COUNTRY COUNTY GMD LOCATION CALL NUMBER "A SORROWFUL SPOT" - MOUNT GAMBIER CEMETERY AUS SA CD-ROM GENO 2 COMPUTER R 929.5.AUS.SA.MTGA "A SORROWFUL SPOT" PIONEER PARK 1854 - 1913: A SOUTHEE, CHRIS AUS SA BOOK BAY 7 SHELF 1 R 929.5.AUS.SA.MTGA HISTORY OF MOUNT GAMBIER'S FIRST TOWN CEMETERY "AT THE MOUNT" A PHOTOGRAPHIC RECORD OF EARLY WYCHEPROOF & AUS VIC BOOK BAY 10 SHELF 3 R 994.59.WYCH.WYCH WYCHEPROOF DISTRICT HISTORICAL SOCIETY "BY THE HAND OF DEATH": INQUESTS HELD FOR KRANJC, ELAINE AND AUS VIC BOOK BAY 3 SHELF 4 R 614.1.AUS.VIC.GEE GEELONG & DISTRICT VOL 1 1837 - 1850 JENNINGS, PAM "BY THE HAND OF DEATH": INQUESTS HELD FOR KRANJC, ELAINE AND AUS VIC BOOK BAY 14 SHELF 2 614.1.AUS.VIC.GEE GEELONG & DISTRICT VOL.1 1837 - 1850 JENNINGS, PAM "HARMONY" INTO TASMANIAN 1829 & ORPHANAGE AUS TAS BOOK BAY 2 SHELF 2 R 362.732.AUS.TAS.HOB INFORMATION "LADY ABBERTON" 1849: DIARY OF GEORGE PARK PARK, GEORGE AUS ENG VIC BOOK BAY 3 SHELF 2 R 387.542.AUS.VIC "POPPA'S CRICKET TEAM OF COCKATOO VALLEY": A KURTZE, W. J. AUS VIC BOOK BAY 6 SHELF 2 R 929.29.KURT.KUR FACUTAL AND HUMOROUS TALE OF PIONEER LIFE ON THE LAND "RESUME" PASSENGER VESSEL "WANERA" AUS ALL BOOK BAY 3 SHELF 2 R 386.WAN "THE PATHS OF GLORY LEAD BUT TO THE GRAVE": TILBROOK, ERIC H. H. AUS SA BOOK BAY 7 SHELF 1 R 929.5.AUS.SA.CLA EARLY HISTORY OF THE CEMETERIES OF CLARE AND DISTRICT "WARROCK" CASTERTON 1843 NATIONAL TRUST OF AUS VIC BOOK BAY 16 SHELF 1 994.57.WARR VICTORIA "WHEN I WAS AT NED'S CORNER…": THE KIDMAN YEARS KING, CATHERINE ALL ALL BOOK BAY 10 SHELF 3 R 994.59.MILL.NED -
Melbourne's Legal Precinct
General Melbourne’s legal precinct A guide to the institutions that make up Melbourne’s legal precinct This publication highlights key legal institutions of direct interest to students, the general public and those working in the legal system. It also indicates which buildings are open to the public or offer tours for visitors. Please note that some buildings restrict the number of visitors and the areas you may visit. Others are only open to the public during Law Week in May. Members of the public can attend court hearings, except in very rare circumstances; however, be aware that all courts have security screening arrangements and do not allow photography inside their buildings. Tours of the Supreme Court of Victoria and County Court of Victoria for VCE Legal Studies students are available. To book, email [email protected]. Students can also tour the Melbourne Magistrates’ Court. To book, email [email protected]. For information about Law Week, visit www.lawweek.net.au. For information about Victoria Law Foundation’s school programs, and teacher resources, visit www.victorialawfoundation.org.au. www.Find out more at... victorialaw foundation. org.au Historic buildings Russell Street Melbourne 01 Justice Museum 377 Russell Street, Melbourne The new Russell Street Melbourne Justice Museum, developed by the National Trust, integrates three heritage buildings in the heart of Melbourne’s original legal precinct. These buildings include the Old Melbourne Gaol, the former Magistrates’ Court and the former City Watch House. The museum provides visitors with a contemporary experience through which today’s legal systems, justice networks, laws, courts and prisons can be better understood (entry fee applies). -
Ned Kelly's Last Words: “Ah, Well, I Suppose”
Ned Kelly’s Last Words: “Ah, Well, I Suppose” Dr. Stuart E. Dawson ∗ (Monash University) Abstract: It has long been widely, even admiringly, held that Ned Kelly’s last words before execution were “Such is life”. This is a key part of a prevalent Kelly mythology that has been subject to little serious critique. Yet the attribution of the phrase ‘Such is life’ to Kelly is pure fiction. Analysis of the reportage of the day reveals Kelly’s actual last words, and explains how they were transmuted by one journalist into the catchy expression quoted as fact by many historians. It shows that the image of Kelly standing tall and defiant, saying ‘Such is life’ as the rope was placed around his neck, is nothing but a highly romanticised myth. In fact, Kelly came to an ignominious, mumbling end on the scaffold, a far cry from popular legend. Keywords: Ned Kelly, Edward Kelly, Kelly Gang, Ned Kelly facts, Ned Kelly bushranger, Ned Kelly museum, Old Melbourne Gaol, famous last words. It has long been widely, even admiringly, held that Ned Kelly’s last words before execution were “Such is life”. 1 To television producer, Paul Terry, “the fatalistic and courageous ‘Such is life’ has become synonymous with Ned and everything he stood for”. 2 The claim has been relayed in Australian history texts and is commonly taught as fact to school children. 3 In Peter Carey’s Booker Prize-winning novel True History of the ∗ I wish to thank Sharon Hollingsworth for her valuable input and detailed discussion throughout the writing of this article, and Caroline Oxley of the Victoria Police Museum for copies of several historic documents. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 350 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to postal submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. AUTHOR THANKS ACKNOWLEDGMENTS Climate map data adapted from Peel MC, Anthony Ham Finlayson BL & McMahon TA (2007) ‘Updated Thanks to Maryanne Netto for sending me World Map of the Köppen-Geiger Climate to such wonderful places – your legacy will Classification’, Hydrology and Earth System endure. To co-authors Trent and Kate who Sciences, 11, 163344. brought such excellence to the book. To David Andrew for so many wise wildlife tips. And to Cover photograph: Loch Ard Gorge, Port every person whom I met along the road – Campbell National Park, David South/Alamy.