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The Choral Compositions of Arvo Pärt As an Example of “God-Seeking” Through Music in Soviet Russia
Journal of Eastern Christian Studies 59(1-2), 85-101. doi: 10.2143/JECS.59.1.2023428 T©HE 2007 CHORAL by Journal COMPOSITIONS of Eastern Christian OF ARVO Studies. PÄRT All rights reserved. 85 THE CHORAL COMPOSITIONS OF ARVO PÄRT AS AN EXAMPLE OF “GOD-SEEKING” THROUGH MUSIC IN SOVIET RUSSIA TATIANA SOLOVIOVA* 1. EMERGING FROM THE UNDERGROUND OF ‘OFFICIAL ATHEISM’ OF THE SOVIET ERA Arvo Pärt was a representative of the underground music in the former Soviet Union. His music, like the works of many other musicians and art- ists, did not fit within the narrow bosom of Socialist Realism – the prevail- ing ideology of the time.1 He had to struggle in order to write the music he wanted. Nowadays there is no Soviet Empire anymore, and the composi- tions of Pärt represent “the face” of contemporary music. He is one of the few composers whose art music enjoys success similar to that of pop. He is widely known, and his works are being performed all over the world. Arvo Pärt was born in 1935 in Paide, near Tallinn, the capital of Estonia, one of the Western republics within the former USSR. Between the First and the Second World War this little country enjoyed a short period of in- dependence. Life for Pärt till 1980 was inseparably connected with his Motherland Estonia on one hand, and with Russia, which was the political and cultural dominant at that time, on the other hand. Pärt knew and loved national traditions, as well as he knew European and Russian culture: he called the composer Glazunov who taught his teacher Heino Eller ‘my musi- * Tatiana Soloviova studied at Moscow State University and obtained her PhD in His- tory. -
Choral Evensong Feast of Christ the King
ST EDMUND HALL Choral Evensong Feast of Christ the King ‘Striving for the Kingdom’ Speaker: The Chaplain 22 November 2020 6.30 pm What is Evensong? Evensong is one of the Church of England’s ancient services. It provides an open and generous space for quiet and reflection, for song and speech and prayer, as it draws from biblical readings, canticles, and the Church’s long tradition of hymns. All are welcome. Many have said, “Prayer is the key to the day and the lock to the night.” In the Anglican tradition, daily prayer is set at morning and evening for precisely this purpose: to give the opportunity to greet each new day as a divine gift and to prepare our hearts and minds for rest each night. It is founded in a sense of gratitude and wonder, and centred on the faith of Jesus Christ. We invite everyone to join in, as they are able, by listening attentively to the choir, readers, and ministers, and by saying together with us those prayers that are marked in bold: the Lord’s Prayer, the Grace, and the Amens. This year, we are meeting in many locations, not just in the Chapel. Space is primarily limited to the choir and readers. Those who cannot join us in person may do so by Zoom at: https://us02web.zoom.us/j/87112377996?pwd=bm9zMWZreEl4M1RiK2to OXNvNW9aZz09 Speaker The Revd Dr Zachary Guiliano is Chaplain and Career Development Fellow in Early Medieval History at St Edmund Hall. A former journalist, he is the author of various articles, essays, and reviews and the editor of two volumes in the series Studies in Episcopal and Anglican Theology. -
CHORAL EVENSONG March 14, 2021 5:30 Pm
CHORAL EVENSONG march 14, 2021 5:30 pm Solemn Evensong (sung Evening Prayer, Rite I beginning on page 61 of The Book of Common Prayer) is one of the jewels of the Anglican tradition. Most of the service is sung, often by the choir alone. Opening Improvisation Patrick A. Scott All stand for The Opening Sentences THE INVITATORY AND PSALTER The Preces and Responses music: The Hymnal 1982, S-1 & S-26 V. O Lord, open thou our lips: R. And our mouth shall show forth thy praise V. O God, make speed to save us: R. O Lord, make hast to help us. Glory be to the Father, and to the Son, and to the Holy Spirit: as it was in the beginning, is now, and will be forever. Amen. The congregation is invited to sit and meditate on the text of the opening hymn while the cantors and organist sing. Those worshiping from home are invited to join in singing. See page 6 regarding in-person congregational singing. Office Hymn 143,“ THE GLORY OF THESE FORTY DAYS” music: Erhalt uns, Herr, melody from Geistliche Lieder, 1543 text: Latin, 6th cent.; tr. Maurice F. Bell (1862-1947) All sit while the Choir sings Psalm 107:1-3, 17-22 Plainsong Tone II.1 1 Give thanks to the Lord, for he is good, * and his mercy endures for ever. 2 Let all those whom the Lord has redeemed proclaim * that he redeemed them from the hand of the foe. 3 He gathered them out of the lands; * from the east and from the west, from the north and from the south. -
Choral Vespers
GONVILLE & CAIUS COLLEGE CHAPEL Easter Term 2021 CHORAL VESPERS Vespers is the sixth of the seven prayer services of the Christian day. Its name comes from the Latin vespera, which means ‘evening.’ When Thomas Cranmer created the English Prayer Book in 1549 and 1552 he combined Vespers with the night service (compline) into the service we know as Evensong. Magnificat is the Gospel Canticle of Vespers, as Nunc Dimittis is the Gospel Canticle of Compline. The service ends with a traditional antiphon (a special seasonal text, from which comes our modern word ‘anthem’) in honour of the Blessed Virgin Mary. 2nd May Fourth Sunday of Easter LUCERNARIUM (The Lighting of the Lamps) Thy word is a lantern unto my feet and a light unto my paths. Thou also shalt light my candle the Lord my God shall make my darkness to be light. The light and peace of Jesus Christ be with you and with thy spirit Light Prayer Blessed art thou, Sovereign Lord, God and Father of our Lord Jesus Christ, to thee be glory and praise for ever. Thou hast called us out of darkness into thy marvellous light that our lives may reflect thy glory and our lips repeat thy song: Blessed be God, Father, Son and Holy Spirit HYMN LUCIS Creator optime O BLEST Creator of the light, lucem dierum proferens, Who mak'st the day with radiance bright, primordiis lucis novae, and o'er the forming world didst call mundi parans originem: the light from chaos first of all; Qui mane iunctum vesperi Whose wisdom joined in meet array diem vocari praecipis: the morn and eve, and named them Day: taetrum chaos illabitur, night comes with all its darkling fears; audi preces cum fletibus. -
Anglican and Free Church End of Life Prayers Amen
N, go forth from this world: in the love of God the Father who created you, in the mercy of Jesus Christ who redeemed you, in the power of the Holy Spirit who strengthens you. May the heavenly host sustain you and the company of heaven enfold you. In communion with all the faithful, may you dwell this day in peace. Anglican and Free Church End of Life Prayers Amen. Loving God, in your arms we are born and in your arms we die. Prayer for the family In our sadness (and shock) contain and comfort us; Embrace each one of us with your love Most merciful God, And give us grace to let N go to new life. whose wisdom is beyond our understanding, In the name of Jesus Christ our Lord and Saviour. Amen. surround the family of N with your love, that they may not be overwhelmed by their loss, Psalm 23 but have confidence in your love, and strength to meet the days to come. The Lord is my shepherd; We ask this through Christ our Lord. therefore can I lack nothing. Amen. He makes me lie down in green pastures and leads me beside still waters. He shall refresh my soul and guide me in the paths of righteousness for his name’s sake. Though I walk through the valley of the shadow of death, I will fear no evil; for you are with me; your rod and your staff, they comfort me. You spread a table before me in the presence of those who trouble me; you have anointed my head with oil and my cup shall be full. -
Service Music
Service Music 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 Indexes Copyright Permissions Copyright Page Under Construction 441 442 Chronological Index of Hymn Tunes Plainsong Hymnody 1543 The Law of God Is Good and Wise, p. 375 800 Come, Holy Ghost, Our Souls Inspire 1560 That Easter Day with Joy Was Bright, p. 271 plainsong, p. 276 1574 In God, My Faithful God, p. 355 1200?Jesus, Thou Joy of Loving Hearts 1577 Lord, Thee I Love with All My Heart, p. 362 Sarum plainsong, p. 211 1599 How Lovely Shines the Morning Star, p. 220 1250 O Come, O Come Emmanuel 1599 Wake, Awake, for Night Is Flying, p. 228 13th century plainsong, p. 227 1300?Of the Father's Love Begotten Calvin's Psalter 12th to 15th century tropes, p. 246 1542 O Food of Men Wayfaring, p. 213 1551 Comfort, Comfort Ye My People, p. 226 Late Middle Ages and Renaissance Melodies 1551 O Gladsome Light, p. 379 English 1551 Father, We Thank Thee Who Hast Planted, p. 206 1415 O Love, How Deep, How Broad, How High! English carol, p. 317 Bohemian Brethren 1415 O Wondrous Type! O Vision Fair! 1566 Sing Praise to God, Who Reigns Above, p. 324 English carol, p. 320 German Unofficial English Psalters and Hymnbooks, 1560-1637 1100 We Now Implore the Holy Ghost 1567 Lord, Teach Us How to Pray Aright -Thomas Tallis German Leise, p. -
Evensong Celebrating the Feast of the Dedication of Westminster Abbey in the Presence of the Lord Mayor of Westminster and the Mayors of the London Boroughs
Westminster Abbey Evensong celebrating the Feast of the Dedication of Westminster Abbey in the presence of The Lord Mayor of Westminster and the Mayors of the London Boroughs The London Mayors’ Association Sunday 20 th October 2013 3.00 pm THE LONDON MAYORS’ ASSOCIATION HISTORICAL NOTE On 4 th December 1900, the then Mayor of the City of Westminster, His Grace the Duke of Norfolk KG , called together a meeting of all the Mayors of the Metropolitan Boroughs (the inner London Boroughs), the object being to discuss matters of ceremonial procedure with a view to uniformity being adopted by all the Mayors of the Metropolitan Boroughs. Subsequently, in early 1901, the Metropolitan Mayors’ and Ex-Mayors’ Association was formed by the Mayor of Westminster with the purpose of promoting discussion of general matters affecting the Metropolis and to enable Mayors and former Mayors to meet on a social basis. In 1965 with the re-organisation of Local Government in London, the Mayors and former Mayors of all thirty-one Boroughs were entitled to join as were the Lord Mayors and former Lord Mayors of the City of London and of the City of Westminster. Under the revised constitution of the Association the Lord Mayor of Westminster is now automatically the President. A former Mayor or Lord Mayor is however elected as Chairman of the Association. The Association comprises over 700 members and is non-party political. It arranges a variety of events throughout the year including this annual service in Westminster Abbey; a walk following the footsteps of Dick Whittington, a former Lord Mayor of London, from Highgate Hill to the Mansion House; a visit to a foreign capital city; lunches for visiting Mayors from abroad and dinners for Ambassadors and High Commissioners to the Court of St James as well as an Annual Gala Dinner. -
Report of the Visit by the Rt. Hon the Lord Mayor of London (Alderman Charles Bowman) to Saudi Arabia and the United Arab Emirates
REPORT OF THE VISIT BY THE RT. HON THE LORD MAYOR OF LONDON (ALDERMAN CHARLES BOWMAN) TO SAUDI ARABIA AND THE UNITED ARAB EMIRATES 10th – 13th December 2017 SUMMARY 1. High-impact and successful first visit of the Mayoralty, with the Lord Mayor (LM) able to strengthen partnerships and offer current and future investors reassurance over Brexit and the future of the City. 2. The context in Saudi Arabia was the Crown Prince’s ambitious Vision 2030 plan for economic diversification and societal progress. LM visit aligned and choreographed with major HMG Vision 2030 engagement programme. Potential City role around capital markets, asset management and privatisation, feeding into future high level inward visits 3. United Arab Emirates (UAE) positioning itself as “Hong Kong to Saudi’s China”, but also as regional and global service centre. Focus in Abu Dhabi on Sovereign Wealth, capital markets and the Green Sukuk. In Dubai, Islamic Finance and the city’s role as a hub for global trade and finance. 4. Lady Mayoress (LMS) attending key groups who are supporting the encouragement of women’s inclusion in line with Saudi Vision 2030. LMS assisting the Embassy in UAE to develop its relationship with the granddaughter to the President. A potential for hosting her in the Summer in London at the Old Bailey to further the Embassy need to encourage links on justice. DETAIL 5. In a challenging programme, the LM and LMS visited Jeddah and Riyadh on 10-11 December and Abu Dhabi and Dubai on 12-13 December. The visits were well aligned with HMG, following on closely from the Prime Minister and Chancellor in Saudi Arabia and the Foreign Secretary in Abu Dhabi. -
About the Lord Mayor's Show the Lord Mayor's Show This Year Is Celebrating Its 800Th Year with a Theme of Maritime Powerhous
About the Lord Mayor’s Show The Lord Mayor’s Show this year is celebrating its 800th year with a theme of Maritime Powerhouse. The Lord Mayor’s show takes place on Saturday 14th November 2015 and Middlesex East County will be taking part. It is a prestigious parade which takes place in the City of London each year to celebrate the Lord Mayor’s loyalty to the Crown. About this pack This challenge pack has been designed for you to use with your Unit to celebrate the County’s involvement in the show this year. It can be used via a series of meetings or just one or two activities within a meeting. It is suitable for all sections and each activity can be adapted for different age groups. The pack is divided into four Themes: London Maritime Lord Mayor 800 We have also provided sub sections within the themes to help you use the pack with your existing programme content. In order to be awarded the challenge badge, you need to complete 8 challenges, two from each theme. Once you have completed enough challenges, please complete the badge request form at the back of this pack, indicating how many badges are needed. Enjoy! Creativity Traditions and Culture Make an unusual map of the procession route – could be 3D map made Find out who Gog & Magog are and make papier-mâché examples. Re-enact out of recyclables or a map as if on a board-game. (Appendix 1a) their story. (Appendix 1b) Make a collage or picture of a famous London Landmark. -
Evensong 9 August 2018 5:15 P.M
OUR VISION: A world where people experience God’s love and are made whole. OUR MISSION: To share the love of Jesus through compassion, inclusivity, creativity and learning. Evensong 9 August 2018 5:15 p.m. Evensong Thursday in the Eleventh Week after Pentecost • 9 August 2018 • 5:15 pm Welcome to Grace Cathedral. Choral Evensong marks the end of the working day and prepares for the approaching night. The roots of this service come out of ancient monastic traditions of Christian prayer. In this form, it was created by Thomas Cranmer, Archbishop of Canterbury in the 16th century, as part of the simplification of services within the newly-reformed Church of England. The Episcopal Church, as part of the worldwide Anglican Communion, has inherited this pattern of evening prayer. In this service we are invited to reflect on the business of the past day, to pray for the world and for ourselves, and to commend all into God’s hands as words of Holy Scripture are said and sung. The beauty of the music is offered to help us set our lives in the light of eternity; the same light which dwelt among us in Jesus, and which now illuminates us by the Spirit. May this service be a blessing to you. Voluntary Canzonetta William Mathias The people stand as the procession enters. The Invitatory and Psalter Opening Sentence Said by the officiant. Preces John Rutter Officiant O Lord, open thou our lips. Choir And our mouth shall shew forth thy praise. O God, make speed to save us. -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
Arvo Pärt Triodion Polyphony · Stephen Layton
ARVO PÄRT TRIODION POLYPHONY · STEPHEN LAYTON TRIODION ARVO PÄRT POLYPHONYPOLYPHONY STEPHENSTEPHEN LAYTONLAYTON 30 OLYPHONY’s first Hyperion recording of Arvo Pärt’s choral music (CDA66960) focused on music written Pbetween 1988 and 1991, a particularly fertile period for the composer which coincided with a surge of international performances and recordings, and resulting acclaim. Works on that disc, and others such as the large-scale setting of Psalm 51, Miserere, suggested that Pärt was moving into more complex, exotic harmonic territory. With clusters, compound chords and use of the augmented second interval, he seemed to be stretching the crucial, characteristic boundary in his music between dissonance and consonance. Judging by the more recent music on this disc—all written between 1996 and 2002—that harmonic journey was, for Pärt, something from which he has now returned. The essential purity of the triad remains paramount, and chord progressions in works such as Triodion and Salve Regina seem more diatonically conventional. And although there is less evidence in these pieces of strict ARVO PÄRT © Tina Foster ‘tintinnabulation’—the rigidly maintained discourse during the recording sessions at Temple Church, London between stepwise and triadic part-writing—there is enough austerity of structure and harmony in other ways extended periods at his second home near Colchester in to make it unmistakably ‘Pärtian’. Essex—resulting in a noticeably greater fluency with Polyphony’s first Hyperion disc featured Pärt’s first English. But this, he insists, is not the reason for a greater setting in English (a section from Saint Matthew’s account number of English settings.