Youth Theatre 10620 N 43Rd Ave • Glendale, Az 85304 • (602) 843-8318

Total Page：16

File Type：pdf, Size：1020Kb

SPOTLIGHTYOUTH THEATRE 10620 N 43RD AVE • GLENDALE, AZ 85304 • (602) 843-8318 The Best Christmas Pageant Ever December 9 Based on the best-selling book, this comedy is an American classic and one of the best holiday stories ever written. In this hilarious Christmas tale, a couple struggling to put on a church Christmas pageant is faced with casting the Herdman kids – probably the most inventively awful kids in history. You won’t believe the mayhem – and the fun! – when the Herdmans collide with the Christmas story. Fairytale Courtroom February 24 This extremely lovable comedy shows the other side of several familiar fairy tales when two of their biggest villains, the Big Bad Wolf and the Wicked Witch, are brought to trial. Both the Wolf and the Witch have been frolicking from fairy tale to fairy tale wreaking havoc as they try to prevent the general public from living happily ever after. Hear the personal accounts of what happened, told in testimonies and flashback sequences, from characters such as Snow White, Dorothy, Sleeping Beauty, the Three Pigs, Little Red Riding Hood and many others, including the Witch and the Wolf themselves, as each trial unfolds. The audience is the jury, so the verdict and the end of the show is up to you. John Lennon & Me March 9 The winner of many national awards, this uproarious play about life, death, power, and first boyfriends was adapted by the author, Cherie Bennett, from her popular book, Good-bye, Best Friend. Hollywood-wannabe Star - the ultimate Beatles fan - has her path stymied by cystic fibrosis, an inherited disease that assures a young death. She spends most of her time in the hospital, where she confronts fate with imagination by surrounding herself with MTV-inspired bodyguard Flunkies and “morphing” her dreaded therapy nurse into a pro-wrestler. Then, Star gets a new roommate, Courtney, who is Star’s opposite: a pretty cheerleader and apparently not very sick. Neither girl knows much about the other’s world, but eventually they come to understand each other, and ultimately, themselves. This is a powerful play about living life to the fullest. Bring it On (Rated PG13) April 27 Bitingly relevant, sprinkled with sass, and inspired by the hit film, Bring It On, this musical takes audiences on a high-flying journey filled with the complexities of friendship, jealousy, betrayal, and forgiveness. Uniting some of the freshest and fun- niest creative minds on Broadway, Bring It On features an original story by TONY Award winner Jeff Whitty (Avenue Q), music and lyrics by TONY Award-winning composer Lin-Manuel Miranda (In The Heights), music by Pulitzer and TONY Award-winning composer Tom Kitt (Next to Normal), lyrics by Broadway lyricist Amanda Green (High Fidelity) and was nomimated for the TONY Award for Best Musical and Best Choreography. School shows are at 9:00 AM OR 11:30 AM and include a Q&A session after the show. SCHOOL PRICE IS $5 PER PERSON SHOWS Contact Deb Czajkowski at [email protected] or (623) 332-7201 for info..

Copy Link

Recommended publications

T H E a R T I S T S T H E P R O G R
THE ARTISTS THE PROGRAM Nature Boy / Blame It On My Youth Bobby Conte Thornton is a New York-based actor and singer who made his Broadway debut originating the role of Calogero in A Bronx Tale, directed by Robert (Eden Ahbez; Oscar Levant / Edward Herman) De Niro and Jerry Zaks. He returned to Broadway this spring singing “Another Hundred People” as P.J. in Marianne Elliott’s gender-bent revival of Company. Other New York stage credits include My Fair Lady directed by Michael Arden and Starting Here, Starting Along the Way Now directed by its lyricist, Richard Maltby, Jr. A graduate of the University of Michi- gan School of Music, Theatre & Dance, BCT starred as Danny Zuko in Grease at Paper (Benj Pasek / Justin Paul) Mill Playhouse and Enjolras in Les Misérables at the Muny while pursuing his BFA. He subsequently trained in London at the Royal Academy of Dramatic Art. Upon gradua- tion, his regional stage credits include the new musical Last Days of Summer at George Time Heals Everything Street Playhouse, Two River Theater’s all-male A Funny Thing Happened on the Way to the Forum, the world premiere co-production of Ken Ludwig’s A Comedy of Tenors at (Jerry Herman) McCarter Theatre Center and Cleveland Play House, and three seasons at the Muny. BCT made his feature film debut in If Beale Street Could Talk, adapted and directed by Barry Jenkins. Television credits include Unbreakable Kimmy Schmidt, Madam Secretary, and Everybody Says Don’t The Code. His debut studio album, Along the Way, is available across all digital music providers.
[Show full text]
Inside by Amanda Green Alexander by Mike Malouf, Jr
JUNE 2015 Presidents’ Columns Inside By Amanda Green Alexander By Mike Malouf, Jr. CABA Professionalism Award Past President President 4 William Wright, 2015 Recipient A View of our YEAR!! I am honored to This year’s theme serve as the President ABA President-Elect, was Leading and Inspir- of the Capital Area Paulette Brown Featured at Evening Honoring the Judiciary ing Positive Change Bar Association for 5 in Our Community the 2015-2016 year. and Our Profession. We have a great Board Evening Honoring the Judiciary Gandhi once wrote, “Be in place, and we are 6 View photos from this CABA event the change you want to eagerly seeking ways to see in the world.” This improve our profession Deciding King v. Burwell; year, CABA and its members inspired great in the Jackson, Madison, and Rankin area. Herein of the Proverbial Rose By Any Other Name things in our community and our profession. I want to thank Amanda Green Alexander 10 As I reflect on the importance of CABA, I am for her outstanding service as President of our reminded often that our organization is the association. During her tenure, CABA offered Roy Campbell to Serve As largest local bar association in the state and as outstanding services to our members and 16 President of the Mississippi Bar a profession and an association, we have both to the community, including the Chamber a tremendous influence and an enormous Chats from the Bench & Bar committee, more responsibility to lead. This year we reactivated opportunities for CLEs, a solo and small firm and re-engaged our members to work together breakfast seminar, women’s initiative events, Upcoming Events towards a common goal.
[Show full text]
2014 Eastern Division Meeting Program
The American Philosophical Association EASTERN DIVISION ONE HUNDRED ELEVENTH ANNUAL MEETING PROGRAM PHILADELPHIA MARRIOTT DOWNTOWN PHILADELPHIA, PENNSYLVANIA DECEMBER 27 – 30, 2014 Visit us at APA Eastern for books, journals, and more. INNER EXPERIENCE WHY BE MORAL? Georges Bataille Learning from the Neo-Confucian Translated and with an Introduction by Cheng Brothers Stuart Kendall Yong Huang SACRIFICE IN THE POST- JOHN Dewey’S KANTIAN TRADITION EARLIER LOGICAL THEORY Perspectivism, Intersubjectivity, James Scott Johnston and Recognition Paolo Diego Bubbio EXISTENCE Philosophical Theology, Volume Two THE RETURNS OF ANTIGONE Robert Cummings Neville Interdisciplinary Essays Tina Chanter and Sean D. Kirkland, editors HOW TO ESCAPE Magic, Madness, Beauty, and Cynicism MORE THAN DISCOURSE Crispin Sartwell Symbolic Expressions of Naturalistic Faith ANCIENT AND MEDIEVAL Donald A. Crosby CONCEPTS OF FRIENDSHIP Suzanne Stern-Gillet and A MAN OF LITTLE FAITH Gary M. Gurtler, S.J., editors Michel Deguy With Two Essays by Jean-Luc Nancy GOOD WHITE PEOPLE Translated, edited, and with an The Problem with Middle-Class Introduction by Christopher Elson White Anti-Racism Shannon Sullivan MANIFESTO OF NEW REALISM Maurizio Ferraris EMPLOTTING VIRTUE Translated by Sarah De Sanctis A Narrative Approach to Foreword by Graham Harman Environmental Virtue Ethics Brian Treanor JOURNALS philoSOPHIA THE JOURNAL OF A Journal of Continental Feminism JAPANESE PHILOSOPHY Lynne Huffer and Mayuko Uehara, editor in chief Shannon Winnubst, editors Wing-keung Lam, associate editor Ching-yuen Cheung, Leah Kalmanson, and John W. M. Krummel, assistant editors Curtis Rigsby, book review editor IMPORTANT NOTICES FOR MEETING ATTENDEES SESSION LOCATIONS Please note: the locations of all individual sessions will be included in the paper program that you will receive when you pick up your registration materials at the meeting.
[Show full text]
THOSE MAGIC CHANGES in Case You Haven't Noticed, the American Musical Is Changing Keys and Adding New Voices
THOSE MAGIC CHANGES In case you haven't noticed, the American musical is changing keys and adding new voices. SCOTT MILLER's small theatre in St. Louis is keeping score. BY ROB WEINERT-KENDT HEN THE MUSICAL HIGH FIDELITY CLOSED Though composer abruptly after just 13 unlucky performances on Broad Kitt didn't make the pil Wway, composer Tom Kitt and lyricist Amanda Green grimage, he followed the were nursing their wounds-and then they got a call from St. Louis, show's fortunes admiringly Mo. Somebody there loved, loved, loved their show, and wanted to from afar. mount the first regional production. Though this stage adaptation "Having someone of the beloved ick Hornby novel and Stephen Frears film about a come forward and say, 'I passionate pop-music fan and his rocky love life had been roundly love it and want to do it' panned by critics and resoundingly rejected by audiences in New was really important to the York, a guy named Scott Miller desperatt;ly wanted to do the first show," confirms Kitt, who regional production at his scrappy little New Line Theatre. went on to write Next to The show wasn't yet officially licensed (it's now available via Normal (seen at New Line Playscripts) and the score still needed some cleanup, but Miller in 2013) and the current nabbed the rights, and his 2008 production got raves from St. Louis Broadway outing If/Then. critics. And it still gets high marks from lyricist Green, who attended. "And not only did Scott "Seeing it there in a bare-bones production, a very respectful Miller do it-he did a production that was unanimously praised in production-I don't mean respectful in a boring way, but very atten St.
[Show full text]
Coming to the Lexington Opera House April 11 –
! ! ! FOR IMMEDIATE RELEASE Contact: Sheila Kenny (859) 233-4567 ext.3285 [email protected] ! ! ! ! ! COMING TO THE LEXINGTON OPERA HOUSE APRIL 11 – 13! ! LEXINGTON, KY (March 18, 2014) -- –The final presentation on the Broadway Live 2013-14 season, Bring It On: The Musical, co-Presented by Fayette Mall, is coming !to the Lexington Opera House April 11 – 13, for five performances. Bitingly relevant and sprinkled with sass, Bring It On: The Musical, inspired by the Bring It On film, takes the audience on a high-flying journey filled with the complexities of friendship, jealousy, betrayal and forgiveness. Bring It On: The Musical tells the story of the challenges and unexpected bonds formed through the thrill of extreme !competition. The musical comedy made its Broadway debut on August 1, 2012 at the St. James Theatre. The production earned Tony nominations for Best Musical and Best !Choreography, and The New York Times called it, "Impossible to resist!" Uniting some of the freshest and funniest creative minds on Broadway, Bring It On: The Musical features an original story by Tony® Award winner Jeff Whitty (Avenue Q), music and lyrics by Tony Award-winning composer Lin-Manuel Miranda (In the Heights), music by Pulitzer and Tony Award-winning composer Tom Kitt (Next to Normal), lyrics by Broadway lyricist Amanda Green (High Fidelity) and music supervision by Tony and Grammy® Award winner Alex Lacamoire (In The Heights). The production is directed and choreographed by Tony Award winner Andy !Blankenbuehler (In the Heights). ! (MORE) ! The design team includes scenic design by Drama Desk Award winner David Korins (Motown), costume design by Andrea Lauer (American Idiot), lighting design by Jason Lyons (Rock of Ages), sound design by Cody Spencer (The Book of Mormon), video design by Jeff Sugg (Magic/Bird) and hair design by Charles G.
[Show full text]
Lin-Manuel Miranda's Hamilton to Be Staged at the Public Theater | Playbill
NEWS Lin-Manuel Miranda's Hamilton to Be Staged at the Public Theater BY ADAM HETRICK MAR 06, 2014 Hamilton, the new musical by Tony Award-winning In the Heights star and creator Lin-Manuel Miranda, which explores the life of American Founding Father Alexander Hamilton, will premiere as part of the Public Theater's 2014-15 season. Lin-Manuel Miranda (Photo by Corey Hayes) Formerly titled Hamilton Mixtape, the new musical features Miranda in the title role, under the direction of Tony Award-nominated In the Heights director Thomas Kail. Performances are scheduled to begin Jan. 20, 2015, for a run through Feb. 22. The Public Theater engagement is supported by Jeffrey Seller, Sander Jacobs and Jill Furman, all of whom helped usher Miranda's In the Heights to Broadway in 2008. Inspired by the book "Alexander Hamilton" by Ron Chernow, the musical incorporates historial gures such as George Washington, Aaron Burr, James Madison and Thomas Jefferson. Miranda previously performed a song from Hamilton for President Obama and the First Family at the White House in 2009. "Lin-Manuel Miranda is a marvel, but nothing could have prepared us for the astonishing achievement of Hamilton," Public Theater artistic director Oskar Eustis said in a statement. "Alexander Hamilton was born in the West Indies, the only Founding Father who was an immigrant, and Lin's genius is to tell the story of the birth of the United States as an immigrant's story. The energy, the passion, joy, tragedy, and raw intelligence of this show are stunning." Miranda is the Tony and Grammy Award-winning composer-lyricist of In the Heights.
[Show full text]
American Theatre Wing's 2014 Jonathan Larson® Grants Recipients Announced Presentations to Be Held on April
Press Contact: O&M Co. Rick Miramontez / Andy Snyder / Marie Pace [email protected] / [email protected] / [email protected] (212) 695-7400 FOR IMMEDIATE RELEASE, PLEASE AMERICAN THEATRE WING’S 2014 JONATHAN LARSON® GRANTS RECIPIENTS ANNOUNCED PRESENTATIONS TO BE HELD ON APRIL 7th New York, NY (March 14, 2014) – The American Theatre Wing announced today that the recipients of the 2014 Jonathan Larson® Grants are writing team Sara Cooper (lyricist/bookwriter) & Zach Redler (composer), receiving $12,500 and the Running Deer Residency; and Shaina Taub (composer/lyricist), receiving $12,500. The prestigious grants, totaling $15,000 more than last year's grants, will be presented on Monday, April 7, 2014 at a private event at the WNYC Greene Space. The event will feature special performances of the recipients’ work. In addition to selecting this year's grant recipients, the expert panel, consisting of Nell Benjamin, Maria Goyanes, and Peter Schneider, will direct $5,000 towards a new enhancement of the Larson Grant program: a mentorship component to further the recipients’ artistic development in the year in which they receive the grant. The grants, given annually to honor emerging composers, lyricists and book writers, help to continue Tony Award®-winning composer Jonathan Larson’s dream of infusing musical theatre with a contemporary, joyful, urban vitality. Dedicated to celebrating excellence and supporting theatre, the American Theatre Wing awards the Larson Grants to artists to recognize and showcase their work with no strings attached - except to put it to the best use possible to help further the artists' creative endeavors. Past recipients of the Larson Grants include Benj Pasek & Justin Paul (A Christmas Story), Dave Malloy (Natasha, Pierre & the Great Comet of 1812), Tom Kitt & Brian Yorkey (Next to Normal), Chad Beguelin & Matthew Sklar (The Wedding Singer), John Bucchino (A Catered Affair), Laurence O’Keefe (Bat Boy: The Musical), Michael Korie (Grey Gardens), and Amanda Green (Hands on a Hardbody).
[Show full text]
Merkin Concert Hall at Kaufman Music Center October 2013 Concert Calendar
Merkin Concert Hall at Kaufman Music Center October 2013 Concert Calendar 129 West 67th Street (between Broadway and Amsterdam) New York, NY 10023 Tickets at 212 501 3330 or KaufmanMusicCenter.org/MCH Please note individual press contacts for each event. Kaufman Music Center Presentations at Merkin Concert Hall Tue, Oct 1, 2 pm Tuesday Matinees: MultiPiano Tomer Lev, Berenika Glixman, Daniel Borovitzky and Nimrod Meiry-Haftel Bach/Vivaldi: Concerto for Four Keyboards in A minor, BWV 1065 (Version for 2 solo pianos in 8 hands) Shostakovich: Concertino for 2 Pianos (For 2 pianos in 4 hands) Rachmaninoff: Romance and Waltz (For 1 piano in 6 hands) Smetana: Sonata in E minor; Rondo in C (For 2 pianos in 8 hands) Ravel: Frontispiece (For 2 pianos in 5 hands) Poulenc: Concerto for Two Pianos in D minor Rossini: Fantasy on the “Barber of Seville” (For one piano in 6 hands) Aryeh Levanon: Land of Four Languages (For 2 pianos in 8 hands) Tickets: $18 Press contact: Joan Jastrebski, 212 501 3386, [email protected] Mon, Oct 7, 7:30 pm Broadway Close Up: Bound for Broadway with Liz Callaway For more than a decade, Bound for Broadway has been giving audiences a sneak peek at the best new shows being developed for the Great White Way! Broadway Close Up audiences were some of the first to hear songs and stories from shows like Next to Normal, Avenue Q and The Drowsy Chaperone. This year, Tony nominee and Emmy Award winner Liz Callaway will interview the writers of five new shows including My Life is a Musical by Lucille Lortel Award nominee Adam Overett; Nine Wives by the award-winning author Dan Elish and Drama Desk Award nominee Douglas J.
[Show full text]
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA PLAYBILL.COM HOLLYWOOD PANTAGES THEATRE J S S J J F AND T P T PRESENT BOOK, MUSIC AND LYRICS BY L-M M INSPIRED BY THE BOOK HAMILTON BY R C WITH R J. C J D J H A I I J M L R O’M S P E R-L M T AND R A A A R B D B A B D C K D J D H E J G J G J K. H S I L K A L J L Y L D N D N A M R J A R W S III R T R V K D. W A W SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN D K P T H B N S HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS MUSIC DIRECTOR C G. LP A L M K J R L-M M M A EXECUTIVE PRODUCER PRODUCTION SUPERVISOR TECHNICAL SUPERVISION PRODUCTION STAGE MANAGER M B J. P B H T K F A CASTING COMPANY MANAGER GENERAL MANAGEMENT T + C R B B T B K, CSA A J N L TOUR BOOKING AGENCY TOUR PRESS REPRESENTATION T B G A T M B, K G ASSOCIATE AND SUPERVISING DIRECTOR ASSOCIATE AND SUPERVISING CHOREOGRAPHER RESIDENT CHOREOGRAPHER P V S K D M MUSIC SUPERVISION AND ORCHESTRATIONS BY A L CHOREOGRAPHY BY A B DIRECTED BY T K THE WORLD PREMIERE OF HAMILTON WAS PRESENTED IN NEW YORK IN FEBRUARY 2015 BY THE PUBLIC THEATER OSKAR EUSTIS, ARTISTIC DIRECTOR PATRICK WILLINGHAM, EXECUTIVE DIRECTOR 8 PLAYBILL CAST Alexander Hamilton ...............................................................................................MICHAEL LUWOYE Eliza Hamilton ............................................................................................................SOLEA PFEIFFER Aaron Burr ....................................................................................................................JOSHUA
[Show full text]
Directing Resume
D I R E C T O R Patrickpatrickburns.me | [email protected] Burns DIRECTING CREDITS – PROFESSIONAL STAGE SELECTED ACTING CREDITS Beauty and the Beast by Alan Menken, From Foster Care to Fabulous, a one-man- Howard Ashman, Time Rice and Linda musical by Patrick Burns Woolverton New York Fringe Festival, NY 2016 Red House Arts Center Syracuse, NY 2016 Ragtime by Terrance McNally, Lynn Ahrens Bring It On by Lin Manuel Miranda, Tom Kitt, and Stephen Flaherty Amanda Green and Jeff Whitty “Tateh” Red House Arts Center Syracuse, NY 2016 Red House Arts Center Syracuse, NY 2016 From Foster Care to Fabulous by Patrick Seussical the Musical by Lynn Ahrens and Burns Stephen Flaherty Red House Arts Center Syracuse, NY 2016 “The Cat In the Hat” Red House Arts Center Syracuse, NY 2015 13 by Jason Robert Brown, Dan Elish and Robert Horn Much Ado About Nothing by Shakespeare Red House Arts Center Syracuse, NY 2015 “Claudio” East LA Classic Theatre Los Angeles, CA 2013 SELECTED DIRECTING CREDITS – EDUCATIONAL EDUCATION STAGE Claire Trevor School for the Arts, June 2009 Bachelor of Arts in Theatre Broadway Flops a musical revue, book by Instructors Patrick Burns Directing: Keith Fowler, Bill Rauch, Myrona UC Irvine, Irvine CA 2008 Delaney Acting: Robert Cohen, Eli Simon, Don Hill Nice Work if You Can Get It a musical revue, Voice: Gary Busby, Myrona Delaney, Dennis book by Patrick Burns Castellano UC Irvine, Irvine CA 2007 AWARDS Syracuse Area Local Theatre Award, Best SELECTED ASSISTANT DIRECTING CREDITS – Professional Musical Director for Carousel. STAGE Steve Lyle Memorial Award Recipient, Edna Helen Beach Scholarship, Arts Bridge Scholar, Pterodactyls by Nicky Silver Red House Arts Center Syracuse, NY 2014 Guardian Scholar, Medici Scholar, and UROP Scholar.
[Show full text]
Lisa Kron, Amanda Green, John Weidman, Jenny Grace Makholm, Young Jean Lee, Brian Chevere, Dave Heller
DG21-TownHall-RankedChoiceVoting Page 1 of 20 Lisa Kron, Amanda Green, John Weidman, Jenny Grace Makholm, Young Jean Lee, Brian Chevere, Dave Heller Lisa Kron: [Interlude music plays and stops] I want to really welcome everyone to this really last-minute heartfelt put-together with just the most amazing just...jumping into its spirit by so many people. In particular, I want to thank Emmanuel Wilson, Jenna Chrisphonte and Lily Dwoskin at the Drama To Skills who have done – just like a couple days just turned this thing around so fast and all of you I know who've gotten the word about this. So this came about because I have been showing up for a thing that maybe some of you know called Amplifying Activists Together, which is a bunch of theater people who meet on Friday's and do phone calling to support progressive legislation and progressive change in New York State and New York City. I want to say that this event is a nonpartisan event, but I'm just going to tell you how we came to – how this came to happen. A couple of weeks ago, an activist named Caroline Cowan came to talk to us about a bunch of things. And one of the things she talked about was the selection. And she said something that really stuck in my brain; which was that there are a lot of offices being turned over right now, and the city is going to be a different city on the other side of this, because we're going to have so many brand-new elected officials.
[Show full text]
For Release on Tuesday, March 8, 2011 American Theatre Wing's 2011 Jonathan Larson® Grants Will Be Presented to Writing Te
Press Contact: O&M Co. Rick Miramontez / Andy Snyder / Jon Dimond [email protected] / [email protected] / [email protected] (212) 695-7400 FOR RELEASE ON TUESDAY, MARCH 8, 2011 AMERICAN THEATRE WING’S 2011 JONATHAN LARSON® GRANTS WILL BE PRESENTED TO WRITING TEAMS BEHIND “CLOAKED,” “TAMAR AND THE RIVER,” & “THE KID” PRESENTATION TO BE HELD TUESDAY, MARCH 29 New York, NY – The American Theatre Wing announced today that the recipients of the 2011 Jonathan Larson® Grants are Danny Larsen (Composer/Co-Lyricist) & Michelle Elliott (Bookwriter/Co-Lyricist), Cloaked; Marisa Michelson (Composer) & Joshua H. Cohen (Bookwriter/Lyricist), Tamar and the River; and Andy Monroe (Composer), Jack Lechner (Lyricist) & Michael Zam (Bookwriter), The Kid. The prestigious grants, totaling $10,000, will be presented on Tuesday, March 29, 2011 at a private event in New York City. The event will feature special performances of the recipients’ work. The grants, given annually to honor emerging composers, lyricists and book writers, help to continue Tony Award®-winning composer Jonathan Larson’s dream of infusing musical theatre with a contemporary, joyful, urban vitality. This year’s recipients were selected by an expert panel consisting of Maria Goyanes (Associate Producer at The Public Theater), Amanda Green (Bring it On: The Musical) and David Yazbek (The Full Monty, Dirty Rotten Scoundrels, Women on the Verge of Nervous Breakdown). Dedicated to celebrating excellence and supporting theatre, the American Theatre Wing awards the Larson Grants to artists to recognize and showcase their work with no strings attached - except to put it to the best use possible to help further the artist's creative endeavors.
[Show full text]