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Artribune-Magazine-50.Pdf #50 LUGLIO L AGOSTO 2019 ARTRIBUNE MAGAZINE 18.06.2015 centro/00826/06.2015 ISSN 2280-8817 Siamo volati in Scandinavia Clemente, Falcinelli, Pierini, Su e giù per Manhattan ANNO IX CONTIENE per vedere la prima edizione Sfligiotti, Sonnoli e Valtolina. alla ricerca delle migliori opere L'INSERTO della biennale di Oslo 6 interviste ai migliori grafici del Paese. di Public Art. Con una puntatina e la decima di quella di Moss. Con una mappa per scoprirne altri. a Brooklyn e nel Queens. REPORTAGE DALLA NORVEGIA L’ITALIA DELLA GRAFICA ARTE PUBBLICA A NYC Julian Charrière All We Ever Wanted Was Everything and Everywhere 9 giugno / June - 8 settembre / September 2019 , 2019 | © the artist; VG Bild-Kunst, Bonn, Germany Bild-Kunst, | © the artist; VG , 2019 MAMbo - Museo d’Arte Moderna di Bologna Where Waters Meet [3.77 atmospheres]Where Waters Via Don Minzoni 14 | Bologna info +39 051 6496611 | www.mambo-bologna.org Julian Charrière, nell’ambito di / as part of main sponsor sponsor con il supporto di / supported by IN UN MONDO CHE CAMBIA, C’È UNA SCELTA CHIARA CHE UNISCE CRESCITA E SOSTENIBILITÀ. PRODOTTI DI INVESTIMENTO SOCIALMENTE RESPONSABILI. Le soluzioni di investimento di BNP Paribas che coniugano crescita e sostenibilità. #positivebanking Messaggio pubblicitario con finalità promozionale. bnl.it La banca per un mondo che cambia 1353_19_F_BNL_SRI_245x350.indd 1 26/06/19 15:53 #50 LUGLIO L AGOSTO 2019 DIRETTORE Massimiliano Tonelli COLUMNS DIREZIONE Photo room Marco Enrico Giacomelli (vice) 6 L Göran Gnaudschun Santa Nastro (caporedattore) Arianna Testino (Grandi Mostre) 14 L Appello ai leghisti Massimiliano Tonelli REDAZIONE 15 L Il fashion non ha bisogno di rifiuti Aldo Premoli Claudia Giraud Desirée Maida Invito alla dis-novazione Lorenzo Taiuti Helga Marsala Roberta Pisa Marcello Faletra Daniele Perra 16 L Stress da design Caterina Porcellini Giulia Ronchi I would prefer not to Fabio Severino Valentina Silvestrini Valentina Tanni 17 L Piccoli Musei ≠ musei piccoli Marta Coccoluto Alessandro Ottenga [project manager] Irene Fanizza [fotografa] 18 L Trappole dell’acting Christian Caliandro PUBBLICITÀ & MARKETING Cristiana Margiacchi / 393 6586637 19 L Blu oltrearte Claudio Musso Rosa Pittau / 339 2882259 [email protected] Biennial correctness Renato Barilli Arianna Rosica [email protected] EXTRASETTORE NEWS downloadPubblicità s.r.l. via Boscovich 17 - Milano 22 L Opera Sexy Carneplastico Ferruccio Giromini via Sardegna 69 - Roma 02 71091866 | 06 42011918 23 L Top 10 Lots Christie’s & Sotheby’s Cristina Masturzo [email protected] REDAZIONE 24 L Talk Show Le opinioni sulla Biennale di Venezia Santa Nastro via Ottavio Gasparri 13/17 - Roma [email protected] 26 L Laboratorio Illustratori Elisabetta Bianchi Roberta Vanali PROGETTO GRAFICO 27 L Serial Viwer L’estate delle serie tv Santa Nastro Alessandro Naldi Archunter Marta Atzeni STAMPA 28 L Feilden Fowles CSQ - Centro Stampa Quotidiani via dell’Industria 52 - Erbusco (BS) 29 L Osservatorio Curatori Federico Montagna Dario Moalli DIRETTORE RESPONSABILE 30 L Libri Di catastrofi sussurrate et al. Marco Petroni & Marco Enrico Giacomelli Marco Enrico Giacomelli 32 L App.roposito Star Trek et al. Simona Caraceni EDITORE Artribune s.r.l. Raffaella Pellegrino Via Ottavio Gasparri 13/17 - Roma 33 L Duralex Beni culturali e hi-tech Registrazione presso il 34 L DistrettiNapoli in salita. Materdei Marco Enrico Giacomelli Tribunale di Roma n. 184/2011 del 17 giugno 2011 36 L Cover Artist Silvia Morin Daniele Perra Chiuso in redazione il 3 luglio 2019 artribune Questo numero www.artribune.com artribunetv stato fatto da: Cecilia Alemani Angela Madesani 42 500 ANNI CON LEONARDO Marta Santacatterina Giulia Andreani Desirée Maida Lucrezia Arrigoni Alessandra Mammì 44 Opinioni L’ATTRIBUZIONE È UNA COSA SERIA Fabrizio Federici Marta Atzeni Marti Manen 58 Opinioni IL DESTINO DELLE AUDIOGUIDE Stefano Monti Chiara Ballestrazzi Helga Marsala 45 Opinioni TRICOLOGIA VINCIANA Antonio Natali Francesca Ballini Cristina Masturzo Renato Barilli Dario Moalli 59 Opinioni IL RIPOSTIGLIO DEI RICORDI DI UN GIOVANE ARMENO Gabriella Belli Gabriella Belli Federico Montagna 46 TRA LOMBARDIA E SVIZZERA Santa Nastro Armando Besio Stefano Monti 48 IL RINASCIMENTO DI BEATO ANGELICO Federica Lonati Elisabetta Bianchi Marlene L. Müller Lorenzo Bruni Claudio Musso 50 ARCHEOLOGIA ALLO SPECCHIO Chiara Ballestrazzi Christian Caliandro Azzurra Muzzonigro 51 LA MATERIA DI LUCIO FONTANA Donatella Giordano Luigi Capano Santa Nastro 52 Obiettivo musei MUVE VENEZIA Marco Enrico Giacomelli Simona Caraceni Antonio Natali Maurita Cardone Raffaella Pellegrino La copertina di 68 Arte e paesaggio LES JARDINS D’ÉTRETAT Claudia Zanfi Stefano Casciu Maurizio Ceccato Daniele Perra Maurizio Ceccato 53 Il museo nascosto PINACOTECA ENRICO GIANNELLI DI PARABITA Lorenzo Madaro Marco Petroni Roberto Maria Clemente 69 Aste e mercato ROBERT RAUSCHENBERG Cristina Masturzo Giulia Pezzoli Marta Coccoluto Jonathan Pierini 90 Recensioni LUIGI PERICLE Desirée Maida | NOBUYOSHI ARAKI Niccolò Lucarelli Anna Coliva 41 Ludovico Pratesi Davide Colombo Aldo Premoli Alfredo Cramerotti Alessandra Quattordio Antonella Crippa Alberto Rocca Per Gunnar Eeg-Tverbakk Giulia Ronchi Roberto Falcinelli STORIES Marta Santacatterina Marcello Faletra Claudia Santeroni Oslo. Piccola capitale, grandi contenuti Fabrizio Federici 58 L Marco Senaldi Marco Enrico Giacomelli Feilden Fowles Susan K. Freedman Fabio Severino 66 L Intervista con il grafico Marco Enrico Giacomelli Silvia Sfligiotti Lorenzo Bruni Diana Gianquitto Valentina Silvestrini Donatella Giordano Leonardo Sonnoli 80 L Per una mappatura dell’arte pubblica a Manhattan Emilia Giorgi Giulia Spagnulo Maurita Cardone Claudia Giraud Carl Brandon Strehlke Ferruccio Giromini Lorenzo Taiuti Göran Gnaudschun Valentina Tanni Eva González-Sancho Arianna Testino ENDING Bodero Antonello Tolve Pericle Guaglianone Massimiliano Tonelli 88 L Short novel Zuzu Alex Urso Marianne Heier Alex Urso Anita Kwestorowska Francesco Valtolina 90 L Recensioni Kounellis, Bark, Calzolari et al. AA. VV. Federica Lonati Roberta Vanali Niccolò Lucarelli Simone Verde 94 L In fondo in fondo Se fossi io il direttore del Prado… Marco Senaldi Lorenzo Madaro Claudia Zanfi #50 AGOSTO 2019 L LUGLIO 6 PHOTO ROOM Are youhappy? , 2017-19. Courtesy l’artista , 2017-19.Courtesy EMILIA GIORGI [ curatrice ] #50 LUGLIO L Are you happy? AGOSTO 2019 Gran Gnaudschun sulla Prenestina otografo le persone perché desidero avvicinarle, perché voglio saperne di più. Aspetto che in loro si manifesti qualcosa: un sentimento di vita che trovo nelle periferie di Roma, una vicinanza che è al con- F tempo estraneità. Lavoro sull’intensità che si crea quando due persone entrano, anche solo per un momento, in stret- to contatto. I protagonisti delle mie fotografie hanno bisogno del- la mia presenza diretta, così come di una giusta distanza da me, quella distanza che consente uno sguardo preciso. Ormai cono- sco bene lo spazio urbano che ruota intorno a via Prenestina, tra PHOTO ROOM Porta Maggiore e il GRA. Lo conosco ma non vivo qui, sono quello che mantiene la distanza per rilevare qualcosa di vago, indicibile. Un’emozionalità che ha origine solo nell’interazione tra le imma- gini”. Göran Gnaudschun così descrive il lungo e complesso progetto fotografico Are You Happy? che ha condotto a Roma a partire dalla sua residenza come borsista all’Accademia Tedesca di Villa Massimo. Il fotografo tedesco ha iniziato a esplorare la città a bordo BIO della sua bicicletta dall’autunno del 2017 per individuare la zona che più delle altre avrebbe potuto permettergli di proseguire la Göran Gnaudschun è nato nel 1971 a Potsdam. sua ricerca pluriennale, una ricerca intensa e originale che lo Ha studiato alla Hochschule für Grafik und ha portato a indagare a fondo i margini fisici e immateriali del- Buchkunst di Lipsia con Timm Rautert. Nel la società. I suoi progetti richiedono un tempo lungo di osser- 2016/17 è stato borsista dell’Accademia Tede- vazione e realizzazione: si tratta di mesi, a volte anni, necessari sca a Villa Massimo. Come fotografo freelance, per entrare in profondo contatto con le persone e i luoghi in cui Gnaudschun sviluppa i suoi temi in grandi serie vivono. di opere in cui i processi che stanno dietro o al di Nelle immagini di Göran non esiste lo spazio urbano senza i fuori delle fotografie sono altrettanto importan- suoi abitanti e viceversa, le fotografie sono connesse le une alle ti delle fotografie stesse. Fra i suoi lavori più noti altre, per costruire una narrazione capace di rivelare il tempo ricordiamo: Are You happy? (2017-19), Alexander- presente di una storia che ha profonde radici nel passato. Ecco platz (2010-14), Wüstungen (2014-16) e Neue Por- perché individua un’antica strada consolare come la via Pre- traits (2005-09), e le sue monografie Wüstungen nestina come espediente per avviare il suo personale discorso (2017, con Anne Heinlein, Distanz Verlag, Berlino per immagini e testi sulla città. Le fotografie offrono una lettura 2017), Alexanderplatz (Fotohof Edition, Salisbur- composita di una delle più intense periferie della Capitale, rac- go 2014) e Mittelland (Hesperus Verlag, Dresda contando l’evoluzione dell’edilizia nei decenni, e la trasforma- 2016). Ha vinto molte borse di studio e premi, zione del paesaggio umano e urbano, attraverso gli occhi delle tra i quali: Hannover Shots (2015), borsa di lavo- persone rappresentate e le strutture architettoniche e naturali ro della Stiftung Kunstfonds (2013), Lotto-Bran- in cui trascorrono il proprio
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