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Shakespeare in Love
FEB Shakespeare 26 MAR in Love 29 Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Music by Alex Bechtel Directed by Matt Pfeiffer Welcome to Shakespeare in Love. Every year, many of you cry out to us “Dear God, no more Shakespeare!” While others plead “I loved your Winter’s Tale, your Richard III. Please put on Midsummer. I beg you for a Twelfth Night.” With Shakespeare In Love, the Purists and the Never Barders may unite to curse us with a plague on both our houses, but if they — and you — are someone who loves love, well then . Here is a love letter to romantic love, to the theatre, and to the rebellious, transgressive, mysterious, and glorious madness of both. Whether you keep Shakespeare close to your heart or far from it, we invite you to celebrate what he loved most: the stage, its players, poetry . and a dog. Zak Berkman, Producing Director Lend me your ears Matt Pfeiffer, Director I’ve been really blessed to spend most of my career working on the plays of William Shakespeare. I believe his plays are foundational to Western culture. Love him or hate him, his infuence is an essential part of our understanding of stories and storytelling. And I’ve had the privilege for the last six years of fostering a specifc approach to his plays. I found that attempting to be in conversation with the principals of the theatre practices of Shakespeare’s time was a good starting place—not so much aesthetically, but logistically. -
~La6(8Ill COMPA.NIES INC
October 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS ~' pi I'" T if II' II i fl ,- ,.. til 1 ~ - - . I I I' " . ,I •[, II' , 1 , i 1'1 1/ I I; , ~II m Jennifer Bartleli, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(8Ill COMPA.NIES INC. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Moby Dick Running time: BAM Opera House approximately ninety October 5, 1999, at 7:00 p.m. (Next Wave Festival Gala) minutes. Songs and October 6-9 & 12-16, 1999, at 7:30 p.m. Stories from Moby Dick is performed without an Visual Design, Music, and Lyrics Laurie Anderson intermission. Performers Pip, The Whale, A Reader Laurie Anderson Ahab, Noah, Explorer Tom Nelis The Cook, Second Mate, Running Man Price Waldman Standing Man Anthony Turner Falling Man Miles Green Musicians Violin, keyboards, guitar, talking stick Laurie Anderson Bass, prepared bass, samples Skuli Sverrisson Artistic Collaborators Co-Visual Design Christopher Kondek Co-Set Design James Schuette Lighting Design Michael Chybowski Sound Design Miles Green Costume Design Susan Hilferty Electronics Design Bob Bielecki Video Systems Design Ben Rubin Staging Co-Direction Anne Bogart General Management Julie Crosby Production Management Bohdan Bushell Production Stage Management Lisa Porter Major support for this presentation was provided by The Ford Foundation with additional support from The Dime Savings Bank of New York, FSB. Next Wave Festival Gala is sponsored by Philip Morris Companies Inc. 17 Produced by electronic theater company, Inc. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
Dolly Parton – 9 to 5 - Notes
Dolly Parton – 9 To 5 - Notes Activity types: vocabulary, ordering. Vocabulary: jobs/occupations. Pronunciation: reduced ing (-in’) Note: Dolly Parton wrote this for the 1980 film of the same name, and won Grammy Awards for Best Country Song and Best Female Country Vocal Performance. 1) Ask students what their parents do for a living (or what their ideal profession would be). They discuss the pros and cons of these professions with a partner. Do they know the expression “the Rat Race”? 2) Give each student a copy of the folded worksheet and ask them to write the word under each picture. Key: (the numbers are the order they appear in the song). a) shower – 3, b) bed – 1, c) wait – 7, d) traffic – 4, e) ladder – 6, f) pour – 2, g) wallet – 10, h) 9 to 5 – 5, i) game – 9, j) ship – 8 3) Ask students to match the vocabulary to the correct meaning. Key: 1 – e, 2 – c, 3 – d, 4 – a, 5 – j, 6 – g, 7 – h, 8 – f, 9 – i, 10 – b 4) Ask students to unfold the worksheet. Play the song, they put the lyrics in the correct order. (They may find it easier to cut the page, and to lay the cards out as they hear them. Point out the reduced pronunciation of –ing as –in’ Key: See complete lyrics. 5) Feedback, then sing the song together. Follow up: Ask students to work in teams and to choose a job. They write a short description then read it aloud to the other teams without saying the job title – the other teams guess what it is. -
Lesson Plan for Ovation Documentary Song by Song: Dolly Parton “9 to 5”
Lesson Plan for Ovation documentary Song by Song: Dolly Parton “9 to 5” Grade Level – 9-12 Music Language Arts Materials for teacher Ovation’s website www.ovationtv.com/educators Note: It is recommended that teachers view all programming clips associated with this lesson prior to using the content in class. National Standards for Arts Education Music – Grades 9-12 Standard 6 – Listening to, analyzing and describing music Standard 7 – Evaluating music and music performances Standard 9 – Understanding music in relation to history and culture Curriculum Extension for English Language Arts Part I of the lesson is offered as an English Language Arts curriculum extension. It addresses general skills in reading, oral communications, and researching. An additional writing activity is included at the conclusion of Part II. Lesson Overview Students will gain an understanding of the career and music of Dolly Parton, by viewing and discussing segments of a documentary about this legendary country music artist. They will learn about the distinctive musical style of Parton and the personal qualities that helped make her a renowned performer. They will analyze and assess the lyrics and music for a song she composed and performed, “9 to 5,” for the film of the same title. Students will enhance their reading and research skills, exploring topics related to the documentary and to the featured song. The lesson is divided in two parts. Part I includes viewing program clips and discussing content relating to Dolly Parton’s career and her music, in particular the song “9 to 5.” Part II includes analyzing and discussing musical elements of the song “9 to 5” and its association to the film of the same title. -
Saturday-Night-Fever.Pdf
® PHILADELPHIA, PENNSYLVANIA PLAYBILL.COM PLAYBILLVAULT.PLAYBILL.COMCOM PLAYBILLVAULT.COM 06-01 SatNightFever2_Live.indd 1 5/12/17 3:22 PM Dear Theatregoer, Welcome to Saturday Night Fever! I am so glad to have you as our guest for this incredible season finale. The energy this cast brings to the stage will make you want to get up and dance to the iconic music from the legendary Bee Gees. I’m thrilled to share this electrifying production with you. Next season the excitement continues on our Mainstage with a spectacular line-up. The 2017–18 season will begin with Broadway’s classic Tony Award-winning Best Musical A Funny Thing Happened On the Way to the Forum. You’ll meet Pseudolus, a crafty slave who struggles to win the hand of a beautiful, but slow-witted, courtesan for his young master. The plot twists and turns with cases of mistaken identity, slamming doors and a bevy of beautiful showgirls. I think this musical comedy is one of the funniest Broadway shows ever written, and I’m sure you’ll agree. During the holiday season we’ll look to a brighter “tomorrow” with one of the world’s best-loved musicals Annie. This Tony Award- winning Best Musical features some of the greatest musical theatre Photo: Mark Garvin hits ever written including “It’s the Hard Knock Life,” “Easy Street,” and “Tomorrow.” I’m excited to share this exciting production with you and your family, as Annie fills our hearts with joy! Our season continues with The Humans. This comedy won more than 20 Best Play awards in 2016, including the Tony Award. -
Chatting with the Stars: Stephanie J. Block with a Score by Dolly Parton
Chatting with the Stars: Stephanie J. Block With a score by Dolly Parton, the new Broadway production of 9 to 5: The Musical has been delighting audiences at Broadway’s Marquis Theatre since it began previews this spring. Stephanie J. Block plays Judy Bernly, the downtrodden secretary originated in the similarly titled film by Jane Fonda. Block is no stranger to Broadway audiences or to theatregoers across North America. She created the role of Elphaba for the first national tour of Wicked, a role she recently reprised in New York. On Broadway she has also been seen in The Boy from Oz and The Pirate Queen. The afternoon before 9 to 5: The Musical’s official opening night, she sat down in her dressing room with correspondents Ben Pesner and Sam Corbett to chat about her career and upcoming solo CD. Q: Talk a little bit about Dolly Parton as a Broadway composer. Stephanie J. Block: Dolly comes from the Tennessee mountains. That’s what she’s familiar with, but she’s such a musician in every sense. If one were to say, “Write a song for this character,” or, “Write a song for this plotline,” or “Write a song for this experience,” she will do it quickly and beautifully. Or if one were to say, “These lyrics don’t quite feel like they’re moving the story along,” or “This doesn’t quite feel like the voice of the character,” she will walk away, grab whatever’s there--a napkin, a paper plate--and she’ll just start writing. -
The Chamber Orchestra of Philadelphia 4-RC-21019 6-9-05
UNITED STATES OF AMERICA BEFORE THE NATIONAL LABOR RELATIONS BOARD REGION FOUR CONCERTO SOLOISTS d/b/a THE CHAMBER ORCHESTRA OF PHILADELPHIA1 Employer and Case 4–RC–21019 PHILADELPHIA MUSICIANS’ UNION LOCAL 77, AMERICAN FEDERATION OF MUSICIANS, AFL-CIO2 Petitioner REGIONAL DIRECTOR’S DECISION AND DIRECTION OF ELECTION The Employer, The Chamber Orchestra of Philadelphia, is a small, elite orchestra which performs at concerts and other engagements. The Petitioner, Philadelphia Musicians’ Union Local 77, has filed a petition with the National Labor Relations Board under Section 9(c) of the National Labor Relations Act seeking to represent a unit of the Musicians who perform in the Chamber Orchestra. There are about 33 Musicians in the petitioned-for unit. The Employer contends that the Musicians are independent contractors and thus are excluded from the coverage of the Act. A hearing officer of the Board held a hearing, and the parties filed briefs. I have considered the evidence and the arguments presented by the parties, and as discussed below, I have concluded that the Musicians are statutory employees. Accordingly, I am directing an election in a bargaining unit of the Employer’s Musicians.3 To provide a context for my discussion, I will first present a brief overview of the Employer’s operations. Then, I will review the factors that must be evaluated in determining independent contractor status and present in detail the facts and reasoning that support my conclusion that the Musicians are statutory employees. 1 The Employer’s name was amended at the hearing. 2 The Petitioner’s name was amended at the hearing. -
The Musical in This Issue: Page 2 CREDITS the History of 9 to 5
IMAGINATION CREATIVITY INNOVATION APR 2016 Technology of the 1970s Office VOLUME VII, NUMBER 8 Typewriters An electric typewriter of the 1970s used a metal ball with raised letters that would press ink directly onto paper with each key pressed. While the typewriter did some formatting automatically, it is nothing compared with the ease of creating an MS Word document today. Most of the formatting had to be done manually. Further, there was no backspace button. Minor mistakes could be corrected by immediately switching to a mode that typed over the mistake in white ink. Whiteout or Liquid Paper could also be used to correct minor mistakes. However, if major changes needed to be made, the entire document had to be retyped. Carbon Paper Carbon paper was a sheet of paper with a loose coating of ink that could be placed between two sheets of paper in the typewriter to make two simultaneous copies. This was often used so a company could maintain a copy of all outgoing correspondence. Mimeographs and Duplicators The mimeograph, or duplicator machine, was used when multiple copies of a document were needed. To use it, a stencil was created by typing into a special kind of stencil paper, which was wrapped around the ink-filled cylinder of the mimeograph. Once the stencil was fixed, a crank was turned that would pull paper under the stencil, creating a copy. Each stencil could only make so many copies before it started to break down and a new stencil had to be made. Xerox Machines Photocopy machines did come into popularity in the 1970s, but Xerox machines were not in widespread use as they are today. -
Philadelphia, Pennsylvania Clichés Rule the Thinking of Most People Who Comment on Philadelphia Without Knowing the 1990S Version of the City
Philadelphia, Pennsylvania Clichés rule the thinking of most people who comment on Philadelphia without knowing the 1990s version of the city. The standard knock is that it’s unhip—the place W.C. Fields thought would be a mite better than six feet under, the spiritual and real home of Dick Clark and his ’50s bandstand beat, the old-fashioned “City of Firsts’’ that never threw off the arts stigma of being Constitution City, birthplace of the nation. A second cliché is that it operates in the shadow of New York. Doesn’t everyone just drive up to Manhattan when an urge for real culture hits? Don’t Philadelphia artists tremble at what New Yorkers think of their work? Don’t Philadelphia audiences diss their local wares as second-rate stuff? The images are as stale as a week-old non- Philadelphia pretzel to those who know. Philadelphia’s arts scene—from historic insti- tutions like The Philadelphia Orchestra to the fast-growing Philadelphia Fringe Festival, from touring Broadway companies to the area’s more than 20 innovative theaters—is bigger and more vibrant than at any point in the city’s history. In recent years, Mayor Ed Rendell has com- mitted his administration to creating an “Avenue of the Arts” with 16 new and renovated arts facil- ities on the city’s South Broad Street— Philadelphia’s historic arts thoroughfare. Private philanthropy has also kicked in. The result so far is three newly constructed playhouses, including a smashing new space for the Wilma Theater and the just-reopened Prince Music Theater, which will serve as base for the former American Music Theater Festival, now renamed the “Prince Music Theater” after its new home. -
2020 Virtual Inner Circle Packet
AUGUST 2020 INNER CIRCLE MEETING Saturday, August 15th 10:30 AM Coffee & Networking 11:00 AM MAIN: Welcome from Ken Davenport 11:30 AM MAIN: A Conversation with Tony Award-winning Producer Eva Price 12:15 PM Networking Break 12:45 PM MAIN: Mastermind with Ken Davenport 12:45 PM BREAK OUT: Roundtable Discussion w/ Vivek Tiwary on Raising Money in a Post-COVID World 1:45 PM Lunch On Your Own - Use either Zoom Room to Chat with Members! 3:15 PM MAIN: Mastermind with Ken Davenport 3:15 PM BREAK OUT: Roundtable Discussion with Amber Iman on Making Our Industry More Inclusive 4:15 PM Networking Break 4:45 PM MAIN: A Conversation with MacArthur 'Genius' Award-Winner Dominique Morisseau 5:30 PM Networking Break 6:00 PM MAIN: Roundtable Discussion with Jenna Clark Embrey on Dramaturgy & Development 6:00 PM BREAK OUT: Roundtable Discussion with Katie Rosin on Producing Theatre In a Virtual World 7:00 PM End of Day 1 -- See you tomorrow at 10AM ET / 7AM PT! 1 AUGUST 2020 INNER CIRCLE MEETING Sunday, August 16th 10:00 AM Coffee & Check-In 10:15 AM MAIN: Check In With Ken 10:30 AM MAIN: Mastermind with Ken Davenport 10:30 AM BREAKOUT: Roundtable Discussion with Stevie Coleman on Marketing Projects In The New World 11:30 AM Networking Break 11:45 AM MAIN: A Conversation with Tony Award-winning Director & Actor Joe Mantello 12:30 PM Networking Break 1:00 PM MAIN: Roundtable Discussion with Amanda Yesnowitz on Winning $100k as a Writer 1:00 PM BREAKOUT: Roundtable Discussion with Stacey Powells on Music Licensing Do’s & Don’ts 2:00 PM Wrap-Up with Ken Davenport 2:30 PM End of Day 2 -- See you in November 2020! SAVE THE DATE! Inner Circle Weekend: November 7 & 8 2 SPECIAL GUEST SPEAKERS EVA PRICE is a three-time Tony Award-winning producer whose credits include over 18 Broadway plays, musicals, and concerts. -
Artsguide Philadelphia
ALA Midwinter Meeting, January 24-28, 2014 ArtsGuide Philadelphia American Library Association Association of College and Research Libraries (ACRL) Arts Section ArtsGuide Philadelphia | 1 ALA Midwinter Meeting, January 24-28, 2014 Introduction Welcome to the ACRL Arts Section’s ArtsGuide Philadelphia! This selective guide to cultural attractions and events has been created for attendees of the 2014 ALA Midwinter Meeting in Philadelphia, PA. Map of sites listed in this guide - See what’s close to you or plot your course by car, foot, or public transportation using the Google Map version of this guide: https://mapsengine.google.com/map/edit?mid=zqJ- Ed3bmpRo.kk2kwWFt8ygQ Pennsylvania Convention Center 1101 Arch Street Philadelphia, PA 19107 (215) 418-4700 Local Transportation . http://www.visitphilly.com/getting-around/ . http://alamw14.ala.org/local-transportation (**Note: SEPTA service schedules change throughout the day, please confirm availability of Public Transportation with the intended time of your visit. http://www.septa.org **) Where to search for arts and entertainment . VisitPhilly.com : Official Visitor Site for Greater Philadelphia http://www.visitphilly.com/things-to-do/ . Philadelphia’s Official Convention & Visitors Site http://www.discoverphl.com . Philly Fun Guide http://www.phillyfunguide.com . Philadelphia Weekly or City Paper’s events listing http://www.philadelphiaweekly.com/events/ http://citypaper.net/agenda/ This guide has been edited and formatted by: Bridget O’Donnell (New York University) Contributors: Claudia Covert (Rhode Island School of Design) Bridget O’Donnell, editor (New York University) Lauren McDonald (California College of Arts) Ariel Turner (Kennesaw State University) *Efforts were made to gather the most up to date information but please be sure to check the web sites provided.