1 Competition in Music Education: a Mixed Method Study of the Iowa All-State Chorus Audition Process Jean Hickman a Dissertati

Total Page:16

File Type:pdf, Size:1020Kb

1 Competition in Music Education: a Mixed Method Study of the Iowa All-State Chorus Audition Process Jean Hickman a Dissertati COMPETITION IN MUSIC EDUCATION: A MIXED METHOD STUDY OF THE IOWA ALL-STATE CHORUS AUDITION PROCESS JEAN HICKMAN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2015 1 © 2015 Jean A. Hickman 2 To my husband Daryl 3 ACKNOWLEDGMENTS I would like to thank my committee chairperson, Dr. Russell Robinson, for his unflagging support and willingness to share his passion and his expertise. I would also like to thank the other members of my committee, Dr. Willard Kesling, who helped me to achieve greater artistry at the podium, and Dr. Leslie Odom, who ably served as my advisor at the University of Florida. Their support and enthusiasm has been tremendous. I would also like to thank Professor Richard Rose for serving on my committee. Last but definitely not least, I would like to thank my husband, Daryl, for serving as my confidant, friend, staunchest supporter and most meticulous critic. I could not have completed this study without him at my side. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF TABLES ............................................................................................................ 8 LIST OF FIGURES .......................................................................................................... 9 ABSTRACT ................................................................................................................... 11 CHAPTER 1 INTRODUCTION .................................................................................................... 13 Background ............................................................................................................. 13 Purpose of the Study .............................................................................................. 15 Research Questions ............................................................................................... 17 Assumptions ........................................................................................................... 17 Limitations ............................................................................................................... 18 Definitions ............................................................................................................... 18 Outline of the Study ................................................................................................ 19 2 REVIEW OF LITERATURE .................................................................................... 21 Background ............................................................................................................. 21 Competition in Music Education ....................................................................... 21 Competitive and Noncompetitive Performance Opportunities in Music Education ...................................................................................................... 25 Validity and Reliability of the All-State Audition as a Performance Assessment ................................................................................................... 28 Summative Versus Formative Assessment ...................................................... 29 Models of Assessment Reform ............................................................................... 31 All-State Choruses .................................................................................................. 34 A History ........................................................................................................... 34 An Overview of Audition Procedures ................................................................ 36 Conclusions ............................................................................................................ 65 3 METHODOLOGY ................................................................................................... 67 Introduction ............................................................................................................. 67 Mixed Method Design ....................................................................................... 68 Iowa All-State Chorus Audition Procedure ....................................................... 69 Participants ............................................................................................................. 71 Current Students .............................................................................................. 71 Graduates ......................................................................................................... 73 Choral Directors ............................................................................................... 77 5 Adjudicators ...................................................................................................... 78 Building Rapport ............................................................................................... 79 The Role of the Researcher .................................................................................... 80 Data Collection ....................................................................................................... 80 Interviews ......................................................................................................... 81 Focus Group Sessions ..................................................................................... 81 Online Discussion Board .................................................................................. 82 Observations .................................................................................................... 82 Online Journals ................................................................................................ 82 Questionnaires ................................................................................................. 83 Documents ....................................................................................................... 83 Timeline of Research .............................................................................................. 83 Analysis .................................................................................................................. 85 4 FINDINGS ............................................................................................................... 89 Introduction ............................................................................................................. 89 Themes ................................................................................................................... 89 The Effect of Competition on Self-efficacy Beliefs ............................................ 89 Qualitative evidence of self-efficacy ........................................................... 90 Quantitative evidence of self-efficacy ......................................................... 97 Fairness of Assessment ................................................................................... 99 Comments and Feedback .............................................................................. 101 Consistency .................................................................................................... 106 Rubrics ........................................................................................................... 109 The Audition as an Effective Form of Performance Assessment .................... 112 The Audition as an Assessment Instrument ................................................... 114 Audition Material ............................................................................................. 117 A Comparison of Audition Criteria .................................................................. 122 The Role of Singing in the Lives of Students .................................................. 124 5 CONCLUSION AND RECOMMENDATIONS ....................................................... 126 Summary .............................................................................................................. 126 The Iowa All-State Audition Process ..................................................................... 126 Strengths of the Current Audition System ...................................................... 127 Recommendations for Change ....................................................................... 129 Summary .............................................................................................................. 139 Limitations of the Study......................................................................................... 139 Recommendations for Further Research .............................................................. 140 Changing Audition Parameters ....................................................................... 140 Toward an Improved All-State Audition Process ............................................ 143 6 APPENDIX A IRB PROTOCOL ................................................................................................... 145 B CONSENT AND ASSENT LETTERS ................................................................... 148 C INTERVIEW PROTOCOLS .................................................................................. 157 D WIKI SITE HOME PAGE ...................................................................................... 166 E SURVEY
Recommended publications
  • Conference Program Book
    2020 FMEA Professional Development Conference Guide 1 Hit all the high notes Booth #4001 Inspire them to new musical heights! See for Yourself Breezin’ Thru Theory makes learning to read and understand music faster Hands-on Workshop: and easier. And, it’s motivating, so your students quickly build mastery, Fri., Jan. 10 at 11:45 am as well as self-confi dence! Accessed seamlessly online – on any device, (Room TCC 18 & 19) anytime, anywhere – it’s fun and interactive. Kids love it… and so do teachers. With at-a-glance student tracking and automated assessments, it frees up valuable class and marking time, so you can do what you love most – getting kids excited about learning music. BreezinThruTheory.com 1-855-265-3805 [email protected] Grades 4-12 2 2020 FMEA Professional Development Conference Guide 2020 FMEA PROFESSIONAL DEVELOPMENT CONFERENCE Index of Advertisers & ALL-STATE CONCERTS Breezin’ Thru, Inc. ......................IFC Brightspark Travel .......................... 64 DePaul University School of Music ............................... 62 Florida Atlantic University ........................................ 10 Florida Gulf Coast University ........................................ 67 Florida State University ............... 32 Florida State University Summer Camps .............................. 24 LungTrainers, LLC ..................... IBC Manhattan Concert Contents Productions ...................................... 46 Mercer University President’s Message ................................. 5 Concerts ..............................................26-29
    [Show full text]
  • Central Alabama Community College
    Of course we’re supporting Alabama’s next generation of female engineers. WE SUPPORTED THE FIRST. In 1923, we hired our fi rst female engineer, Maria Whitson, who was also the fi rst female engineering graduate in the state. Today, through our iCAN program, female engineers are inspiring the next generation of young women interested in science, technology, engineering or math. Our continuing commitment to education is one more way we’re helping elevate Alabama. Learn more at AlabamaPower.com. © 2018 Alabama Power Company WELCOME HOME FIND YOUR PASSION WITH Opportunity Scholarships starting at 18+ ACT | 2.5 GPA aum.edu/Opportunity Ranked Among the Best in the South by U.S. News & World Report P.O. Box 244023 Montgomery, AL 36124-4023 [email protected] | aum.edu 334-244-3000 • 1-800-227-2649 Table of Contents • Letter from the President • Belhaven University 80 • Union University 147 of Junior League of • Benedict College 81 • University of Memphis 148 Montgomery 1 • Berry College 81 • University of South • Paying for College: Grants, • Brenau University 83 Carolina 150 Loans, and Other Financial • Christian Brothers • University of West Aid Sources 2 University 84 Florida 152 In-State Four-Year • College of Charleston 89 • The University of Southern Colleges and Universities • Columbus State University 91 Mississippi 153 • Alabama A&M University 9 • Covenant College 92 • The University of Louisiana • Alabama State University 10 • Cumberland University 94 at Lafayette 157 • Athens State University 11 • Delta State University 95 • University
    [Show full text]
  • Official Publication of the Kentucky Music Educators Association Vol
    OFFICIAL PUBLICATION OF THE KENTUCKY MUSIC EDUCATORS ASSOCIATION Vol. 65, No. 2 WINTER 2014 QuaverCurrAd_KY_KMEA_Fall13.pdf 1 7/3/13 2:48 PM Introducing… Quaver’s Marvelous General Music Curriculum Grades K-5 C M Y CM MY CY CMY K Check it out at QuaverCurriculum.com 1-866-917-3633 • [email protected] • Facebook.com/QuaverMusic • QuaverMusicBlog.com ©2013 QuaverMusic.com, LLC QuaverCurrAd_KY_KMEA_Fall13.pdf 1 7/3/13 2:48 PM Volume 65 Number 2 Winter 2014 Introducing… Official Publication of the Kentucky Music Educators Association, a state unit of NAfME: The National Association for Music Education Quaver’s Marvelous Editorial Board: Robert Amchin (Chair), Bradley Almquist, Sara Francis General Music Curriculum Grades K-5 CONTENTS Messages From KMEA 3 President’s Message ..........................Debbie Kidd 5 Editor’s Message........................ George R. Boulden 7 Executive Director’s Message .................. John Stroube Feature Articles 10 Guiding Musical Creativity in a Test Driven Culture ....Scott Harris 16 Let Us Never Give Up on Our Students ........... Colette Jones 18 Five Strategies for Teaching Students with Disabilities in Band/Orchestra . Chris Lapka C 22 Preparing String Students for College Auditions...J. Patrick Rafferty M News and Information Y 24 Two schools represent Kentucky at NAfME National Honor Choir 25 UK Jazz Ensemble to perform at Midwest Clinic CM 26 2013–2014 District Awards MY 30 Salute to 2013 KMEA Marching Band Championships CY 33 2014 Professional Development Conference Photo by David Greenlee CMY Adair County High School put on a colorful show -Preregistration Forms and Information K on the way to winning second place class 3A at the -Guest Conductors 2013 KMEA Marching Band Championships.
    [Show full text]
  • Outstanding Performance by a Female Actor in a Leading Role JUDI DENCH
    11.30.17 • BACKSTAGE.COM FOR YOUR SAG CONSIDERATION Outstanding Performance by a Female Actor in a Leading Role JUDI DENCH “ A ROYAL TRIUMPH INDEED. JUDI DENCH GIVES A TOUCHING, MAJESTIC PERFORMANCE.” NEW YORK OBSERVER “ J UDI DENCH GIVES A CAREER-HIGH TURN.” THE TIMES For more on this film, go to www.FocusFeaturesGuilds2017.com © 2017 FOCUS FEATURES LLC. ALL RIGHTS RESERVED. VICTORIA & ABDUL - BACKSTAGE - Final (BONUS) SAG LEADING FILM & TV DRAMA November 21, 2017 12:53 PM PST COVER 1, 4C VAB_Bckstge_11-29_Cvr1_1F STREET: 11/29/17 DUE: 11/21/17 BLEED: 9.5" X 11.25" • TRIM: 9" X 10.75" • SAFETY: .25" FROM TRIM FOR YOUR SAG CONSIDERATION OUTSTANDING PERFORMANCE BY A M A L E A C T O R I N A L E A D I N G R O L E DANIEL DAY-LEWIS OUTSTANDING PERFORMANCE BY A F E M A L E A C T O R I N A L E A D I N G R O L E VICKY KRIEPS © 2017 PHANTOM THREAD, LLC. ALL RIGHTS RESERVED. PHANTOM THREAD - BACKSTAGE - Final (BONUS) SAG LEADING FILM & TV DRAMA November 21, 2017 12:30 PM PST COVER 2, 4C PT_Bckstge_11-29_Cvr2_1F STREET: 11/29/17 DUE: 11/21/17 BLEED: 9.5" X 11.25" • TRIM: 9" X 10.75" • SAFETY: .25" FROM TRIM 11.30.17 • BACKSTAGE.COM Why screenwriter Steven Rogers cast Allison Janney as his “I, Tonya” villain How to land a spot on a film crew Comedian Aasif Mandvi serves up the drama for Hulu’s “Shut Eye” REALITY CHECK AND: 10+ PAGES OF Lilli Cooper and Ethan Slater on CASTING NOTICES realizing their dream of taking “SpongeBob SquarePants” to Broadway CONTENTS vol.
    [Show full text]
  • Winter 2019 Conference Issue Idaho Music Educators REGISTER ONLINE at Association
    Idaho Music Notes Volume 59, 2 of 3 Idaho Music Educators Association A State Unit of NAfME: The National Association for Music Education Winter 2019 Conference Issue Idaho Music Educators REGISTER ONLINE at Association www.idahomusiced. org Early Online Registration ends midnight, National Monday, January 14! Association Make Hotel Reservations by for Music December 31, 2018 for special rates Education ∞ ∞ ∞ ∞ ∞ ∞ ∞ ∞ ∞ ∞ ∞ 36th In-Service Conference MUSIC CONNECTS US & All-State Honor Groups Clinic Sessions, Workshops, Reading IDAHO MUSIC EDUCATORS ASSOCIATION Sessions, Round Table Discussions, Guest All-State Honor Groups Speakers, Technology, Exhibits, Banquet, & In-Service Conference Special Events, New Friends/Old Friends, January 31- February 2, 2019 Brigham Young University - Idaho, Rexburg Networking, Collegiate, & MORE! Performing Groups featured at the Conference d ISU Children’s Choir, Sarah Davids, Conductor d Madison High School Symphony Orchestra, Douglas Hansen, Conductor d Centennial Jazz Band, Brittany Brings, Conductor d Middleton Madrigals, Daniel Child, Conductor d Idaho State University Wind Ensemble, Patrick Brooks, Conductor d Vandaleers, Paul Thompson, Conductor d Chantaire & Bel Canto Choirs, Karen Palmer, Conductor d Symphonic Band, Teton High School, Kristy Romano, Conductor d Idaho State University String Sextet, Hyeri Choi, Director d Percussion Group, Thunder Ridge High School, Richard Landaur, Director d Chantaire & Bel Canto Choirs, Twin Falls Middle Schools, Karen Palmer, Conductor d Symphonic Band, Teton High School, Kristy Romano, Conductor d Percussion Group, Thunder Ridge High School, Richard Landaur, Director d Timberline Combined Orchestra and Choir, Sean Kane & Phyllis Saunders Conductors Earn NNU Credit by attending the Conference! page10 Idaho Music Notes 2 Winter/Conference 2019 ADAPTS to every teacher.
    [Show full text]
  • Conference Abstracts
    CONFERENCE ABSTRACTS JOINT MEETING WITH Association for Applied Sport Psychology – 2018 Conference Abstracts COPYRIGHT © 2018 by the Association for Applied Sport Psychology ISBN 978-0-9855310-8-9 All rights reserved. This book or parts thereof may not be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping or information storage and retrieval systems—without written permission of the publisher. Making copies of this book, or any portion, is a violation of United States copyright laws. First Edition Printed in the United States of America For information, contact: Association for Applied Sport Psychology 8365 Keystone Crossing, Suite 107 Indianapolis, IN 46240 Association for Applied Sport Psychology 8365 KeystonePhone: Crossing, (317) Suite 205-9225 107 Indianapolis, INFax: 46220 (317) 205-9481 Phone:Email: (317) [email protected] Fax: (317) 205-9481 Email:Website: [email protected] www.appliedsportpsych.org Website: www.appliedsportpsych.org Disclaimer and Limits of Liability The author and publisher do not warrant or guarantee any of the products or procedures described herein. The reader is expressly warned to adopt all safety precautions that might be indicated by the activities described herein and to avoid all potential hazards. By following the instructions contained herein, the reader willingly assumes all risks in connection with such instructions. Front cover art courtesy of Stevens and Stevens. 2018 Conference Abstracts TABLE OF
    [Show full text]
  • Teen Strings Don’T Miss Your Opportunity to Submit Your Application to Be Selected We Hope You Enjoy the Latest Issue of Teen As the 2009 Outstanding Student Chapter
    AMERICAN STRING TEACHER August 2008 | Volume 58 | Number 3 BACK-TO-SCHOOL ISSUE! August 2008 Guidelines for Successful Orchestra Auditions The Projected Career Plans of String Music Educators Challenging the Middle School Orchestra Musician PLUS: String Industry Council Directory 3 American String Teachers Association www.astaweb.com SAVE THE DATES! 2009 ASTA National Conference March 19-21, 2009 Atlanta, GA * Exhibits * National Orchestra Festival * National Solo Competition * Alternative Styles Awards 2010 ASTA National Conference February 17-20, 2010 Santa Clara, CA * Exhibits * National Orchestra Festival * National High School Honors Orchestra 2 | American String Teacher | August 2008 AMERICAN STRING TEACHER CONTENTS August 2008 | Volume 58 | Number 3 Features and Forums Using a Practice Diary to Promote Self-Regulated Instrumental 34 Practice As a studio violin teacher, I spend a lot of time teaching my students how to practice striving to follow in the footsteps of Ivan Galamian. by Susan J. Kim Challenging the Middle School Orchestra Musician 38 We want to challenge our students—but, to do what? What kinds of experiences make a lasting impact on a young person, and how can we help our students develop a feeling of ownership that leads to a commitment to music? by Gail V. Barnes Mastering the Unknown: Guidelines for Successful Orchestra 42 Auditions Orchestra auditions and recitals require differing methods of preparation. Read about the most important difference between auditions and recitals. by Garrett Fischbach The Projected Career Plans of String Music Educators: Implications 46 for the Profession Where do string teachers go when they leave the profession, and what are the implications on the profession as a whole? by Joshua Russell Master Class 64 There Are No Secrets—Thoughts on a Career in Music An Interview with Violinist David Nadien David Nadien’s name is known to many young violinists as “the man who recorded those great Suzuki CDs.” His affi liation with Dr.
    [Show full text]
  • Winter 2018 Features
    OFFICIAL PUBLICATION OF THE KENTUCKY MUSIC EDUCATORS ASSOCIATION Vol. 69, No. 2 WINTER 2018 WINTER 2018 FEATURES: • Expect Excellence • Auditions, Competitions, and Festivals: Working with young singers • Music and Senior Citizens: Considerations for music education • Imagining the Kodály-centered Instrumental Classroom • Creative Music Making through Student-centered, Informal Learning • Important Concepts for Inclusion and Equity in Music Education Volume 69 Number 2 Winter 2018 Official Publication of the Kentucky Music Educators Association, a state unit of NAfME: The National Association for Music Education Editorial Board: Robert Amchin (Chair), Bradley Almquist, Sara Francis CONTENTS Messages From KMEA 3 President’s message ...........................Terry Thompson 5 Editor’s message .......................... George R. Boulden 7 Executive Director’s message . John Stroube Feature Articles 10 Expect Excellence ...............................Brad Rogers 12 Auditions, Competitions, and Festivals, Oh My! Advice for working with young singers . Sarah Daughtrey 16 Music and Senior Citizens: Research findings and considerations for music education ..........Lisa J. Lehmberg, Ph.D. 18 Imagining the Kodály-centered Instrumental Classroom ..................................Brian D. Meyers 20 Stepping Outside the Box: Creative music making through student-centered, informal learning practice .......C. Michael Palmer 23 Important Concepts for Inclusion and Equity in Music Education......................... Karen Salvador, Ph.D. News and Information
    [Show full text]
  • Contemporary Reflexive Television and Its Textual Strategies
    DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Summer 8-9-2013 That’s So Meta: Contemporary Reflexive Television and its Textual Strategies Katherine Lander DePaul University Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Lander, Katherine, "That’s So Meta: Contemporary Reflexive Television and its Textual Strategies" (2013). College of Communication Master of Arts Theses. 18. https://via.library.depaul.edu/cmnt/18 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. That’s So Meta Contemporary Reflexive Television and Its Textual Strategies by Katherine Lander, B.A. Thesis Presented to the Faculty of the Graduate School of DePaul University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media and Cinema Studies DePaul University August 2013 Dedication To Adam for Always Knowing That I Was the “Smart One” iii Acknowledgements I would first like to thank my parents for their sustained and unconditional support over the entire process of completing this project. Despite still being unable to coherently explain my topic to others (or to themselves, for that matter), their unwavering belief in me helped not only to motivate me, but also to have confidence both in my work and in myself. I would especially like to thank my mom, who seemed to intuitively know when I needed a break from writing or a simple word of encouragement, the way only a mom can.
    [Show full text]
  • Open Rob Montgomery Final Thesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE SCHOOL OF THEATRE DISCOVERIES OF A DEVELOPING DIRECTOR: AN EXPLORATION OF THE ART AND CRAFT OF DIRECTING FOR MUSICAL THEATRE ROBERT MAXON MONTGOMERY SPRING 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Musical Theatre with honors in Musical Theatre Reviewed and approved* by the following: Cary L. Libkin Professor of Theatre, Head of BFA Musical Theatre & MFA Directing Programs Thesis Supervisor Susan Russell Associate Professor of Theatre Honors Advisor * Signatures are on file in the Schreyer Honors College. i ABSTRACT The craft of modern theatrical direction has been well documented by a great number of experienced directors since its inception over one hundred and fifty years ago. However, there are far fewer, if any, published examples of a nascent director’s discovery and exploration of this art. This written thesis is the documentation of a young director’s experience leading up to the rehearsals of his premiere production. It explores the basic principles of directing, the process of developing an approach for the realization of a production from the selection of a show through the end of pre-production work, and the direct application of all these elements to a production of the musical john & jen by Andrew Lippa and Tom Greenwald. ii TABLE OF CONTENTS Acknowledgements.................................................................................................................. iii Chapter 1 “It’s All in How You Set
    [Show full text]
  • 美國影集的字彙涵蓋量 語料庫分析 the Vocabulary Coverage in American
    國立臺灣師範大學英語學系 碩 士 論 文 Master’s Thesis Department of English National Taiwan Normal University 美國影集的字彙涵蓋量 語料庫分析 The Vocabulary Coverage in American Television Programs A Corpus-Based Study 指導教授:陳 浩 然 Advisor: Dr. Hao-Jan Chen 研 究 生:周 揚 亭 Yang-Ting Chou 中 華 民 國一百零三年七月 July, 2014 國 立 英 臺 語 灣 師 學 範 系 大 學 103 碩 士 論 文 美 國 影 集 的 字 彙 涵 蓋 量 語 料 庫 分 析 周 揚 亭 中文摘要 身在英語被視為外國語文的環境中,英語學習者很難擁有豐富的目標語言環 境。電視影集因結合語言閱讀與聽力,對英語學習者來說是一種充滿動機的學習 資源,然而少有研究將電視影集視為道地的語言學習教材。許多研究指出媒體素 材有很大的潛力能激發字彙學習,研究者很好奇學習者要學習多少字彙量才能理 解電視影集的內容。 本研究探討理解道地的美國電視影集需要多少字彙涵蓋量 (vocabulary coverage)。研究主要目的為:(1)探討為理解 95%和 98%的美國影集,分別需要 英國國家語料庫彙編而成的字族表(the BNC word lists)和匯編英國國家語料庫 (BNC)與美國當代英語語料庫(COCA)的字族表多少的字彙量;(2)探討為理解 95%和 98%的美國影集,不同的電視影集類型需要的字彙量;(3)分析出現在美國 影集卻未列在字族表的字彙,並比較兩個字族表(the BNC word lists and the BNC/COCA word lists)的異同。 研究者蒐集六十部美國影集,包含 7,279 集,31,323,019 字,並運用 Range 分析理解美國影集需要分別兩個字族表的字彙量。透過語料庫的分析,本研究進 一步比較兩個字族表在美國影集字彙涵蓋量的異同。 研究結果顯示,加上專有名詞(proper nouns)和邊際詞彙(marginal words),英 國國家語料庫字族表需 2,000 至 7,000 字族(word family),以達到 95%的字彙涵 蓋量;至於英國國家語料庫加上美國當代英語語料庫則需 2,000 至 6,000 字族。 i 若須達到 98%的字彙涵蓋量,兩個字族表都需要 5,000 以上的字族。 第二,有研究表示,適當的文本理解需要 95%的字彙涵蓋量 (Laufer, 1989; Rodgers & Webb, 2011; Webb, 2010a, 2010b, 2010c; Webb & Rodgers, 2010a, 2010b),為達 95%的字彙涵蓋量,本研究指出連續劇情類(serial drama)和連續超 自然劇情類(serial supernatural drama)需要的字彙量最少;程序類(procedurals)和連 續醫學劇情類(serial medical drama)最具有挑戰性,因為所需的字彙量最多;而情 境喜劇(sitcoms)所需的字彙量差異最大。 第三,美國影集內出現卻未列在字族表的字會大致上可分為四種:(1)專有 名詞;(2)邊際詞彙;(3)顯而易見的混合字(compounds);(4)縮寫。這兩個字族表 基本上包含完整的字彙,但是本研究顯示語言字彙不斷的更新,新的造字像是臉 書(Facebook)並沒有被列在字族表。 本研究也整理出兩個字族表在美國影集字彙涵蓋量的異同。為達 95%字彙涵 蓋量,英國國家語料庫的 4,000 字族加上專有名詞和邊際詞彙的知識才足夠;而 英國國家語料庫合併美國當代英語語料庫加上專有名詞和邊際詞彙的知識只需 3,000 字族即可達到 95%字彙涵蓋量。另外,為達 98%字彙涵蓋量,兩個語料庫 合併的字族表加上專有名詞和邊際詞彙的知識需要 10,000 字族;英國國家語料 庫字族表則無法提供足以理解 98%美國影集的字彙量。 本研究結果顯示,為了能夠適當的理解美國影集內容,3,000 字族加上專有 名詞和邊際詞彙的知識是必要的。字彙涵蓋量為理解美國影集的重要指標之一, ii 而且字彙涵蓋量能協助挑選適合學習者的教材,以達到更有效的電視影集語言教 學。 關鍵字:字彙涵蓋量、語料庫分析、第二語言字彙學習、美國電視影集 iii ABSTRACT In EFL context, learners of English are hardly exposed to ample language input.
    [Show full text]
  • Frost School of Music
    REACHING HIGHER GROUND YOUR COMPLETE GUIDE TO JAZZ EDUCATION Find Your Fit—Detailed Listings for 222 Schools Getting the Big Scholarship The Affordable 2-Step Degree Real-World Experience at College Innovations at University of Miami’s Frost School of Music Nolan Schroeder performs at a reception following a Scholarship Benefit Concert at the University of Northern Iowa. (Photo: UNI School of Music) STUDENT MUSIC GUIDE Professor John Daversa (left) prepares for a 2013 concert with members of the Concert Jazz Band at the University of Miami’s Frost School of Music. VERSATILE LIGHT STUDIO ‘HOW CAN I AFFORD IT?’ FEATURES That’s the key question on the minds of aspiring jazz musicians who want to earn a degree. DownBeat is here to help. Our annual Student Music Guide contains detailed information on hun- 74 ‘Real-World’ Jazz Education dreds of schools, as well was in-depth, insightful articles that help students (and their parents) decide which schools would be the best fit. These articles include practical tips as well as commen- How schools prepare students for tary from the top educators in the field. life beyond the classroom Educator JB Dyas’ essay “Getting the Big Scholarship” (page 140) is filled with valuable infor- mation on how to prepare for the important audition process, as well as pointers on how to maxi- 100 Frost School of Music mize scholarship awards. This article will help you impress the judges. The essay offers important The University of Miami’s Frost tips on developing your repertoire and securing your letters of recommendation. “The 2-Step Degree” (page 164) offers advice on how to transfer to a second institution to com- School of Music provides students plete your studies.
    [Show full text]