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Gender Transformations in the Trinidad Carnival Author Uses the Presence
P. De Freitas Disrupting the nation : gender transformations in the Trinidad Carnival Author uses the presence and performance of women in Trinidad's Carnival, and the narratives surrounding them, to comprehend the linkages between Carnival and the Trinidadian national identity, between gender and the nationalist project. She contends that the public debates surrounding the perceived 'feminization' of Carnival are highly charged because it both exposes the dilemma of post-colonial nation-building and strikes at the heart of the nationalist project. In: New West Indian Guide/ Nieuwe West-Indische Gids 73 (1999), no: 1/2, Leiden, 5-34 This PDF-file was downloaded from http://www.kitlv-journals.nl PATRICIA A. DE FREITAS DISRUPTING "THE NATION" : GENDER TRANSFORMATIONS IN THE TRINIDAD CARNIVAL INTRODUCTION Annually, between the Christian seasons of Christmas and Lent, the twin- island "nation" of Trinidad and Tobago devotes a considerable amount of resources and energy to Carnival activities.1 A season in its own right, the Carnival culminates in a two-day street celebration marked by music, dancing, and masquerade performances. Historically, Trinidad's Carnival2 has served as a social barometer of sorts, registering the ethos, fantasies, ideals, and contests of the society, what Victor Turner (1986:41) has called the hopelessly intermingled indicative and subjunctive "moods" of a culture. In turn, Carnival has had a profound effect on the Self-conscious- ness and behavior of Trinidadians as a people. Each year, Carnival is known, and sometimes expected, to generate a controversy or highly con- tentious issue. Some controversies are year-specific and often confined to the organizational bodies responsible for the planning and performance of the Carnival. -
Book Reviews Inhuman Bondage: the Rise and Fall of Slavery
New West Indian Guide Vol. 83, no. 3&4(2009), pp. 294-360 URL: http://www.kitlv-journals.nl/index.php/nwig/index URN:NBN:NL:UI:10-1-100128 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 1382-2373 BOOK REVIEWS Inhuman Bondage: The Rise and Fall of Slavery in the New World. DAVID BRION DAVI S . Oxford: Oxford University Press, 2006. xvi + 440 pp. (Cloth US$ 30.00) TREVOR BURNARD Department of History University of Warwick Coventry CV4 7AL, U.K. <[email protected]> As one might expect from David Brion Davis, a foremost historian of slavery whose works have always been characterized by enormous erudition and a capacious awareness of the varieties of slavery over space and time, Inhuman Bondage is a superb summary of a vast body of literature in one of the most dynamic fields in all of historical scholarship. Beginning with slavery in antiquity, Davis adeptly summarizes principal trends in the historiography of slavery and antislavery (the abolition of slavery forms almost as important a theme in this work as the operations of slavery itself) until the end of the American Civil War. Readers of his previous works will not be surprised at his particular emphases. He stresses the cultural origins of slavery as beginning in ancient attempts to consider some categories of people not fully human. He takes issue with Orlando Patterson’s idea of slavery as a form of social death inso- far as Davis considers that defining people as property, akin to how animals are defined as property, is of central rather than secondary importance in what makes slavery a distinctive social and legal institution. -
Caribbean Life in New York City: Sociocultural Dimensions
DOCUMENT RESUME ED 294 967 UD 026 195 AUTHOR Sutton, Constance R., Ed.; Chaney,Elsa M., Ed. TITLE Caribbean Life in New York City:Sociocultural Dimensions. INSTITUTION Center for Migration Studies, Inc.,Staten Island, N.Y. REPORT NO ISBN-0-913256-92-7 PUB DATE 87 NOTE 383p.; Photographs will not reproduceclearly. AVAILABLE FROMCenter for Migration Studies, 209 FlaggPlace, Staten Island, New York 10304-1148 ($12.95 paper--ISBN-0-913256-92-7; $17.50 hardcover--ISBN-0-913256-88-9; $3.00 shippingand handling). PUB TYPE Collected Works General (020) -- Reports Research /Technical (143)-- Information Analyses (070) EDRS PRICE MF01 Plus Postage. PC Not Availablefrom EDRS. DESCRIPTORS *Acculturation; Child Rearing; *CrossCultural Studies; 2ultural Background; CulturalDifferences; Cultural Pluralism; *Cultural Traits;Dominicans; Ethnicity; Foreign Nationals; Haitians;Hispanic Americans; *Migrants; Puerto Ricans;Racial Identification; Social ScienceResearch; *Social Support Groups; Urban Demography IDENTIFIERS *Caribbean Americans; *New York (New York);West Indians ABSTRACT This book comprises the followingpapers discussing Caribbean life in New York City: (1) TheContext of Caribbean Migration (rasa M. Chaney); (2) The Caribbeanizationof New York City and the Emergence of a Transnational Socio-CulturalSystem (Constance R. Sutton); (3) New York City and Its People:An Historical Perspective Up to World War II (David M. Reimers);(4) New York City and the New Caribbean Immigration: A ContextualStatement (Roy Simon Bryce-Laporte); (5) Where Caribbean Peoples Livein New York City (Dennis Conway and Ualthan Bigby); (6) Black ImmigrantWomen in "Brown Girl, Brownstones" (Paula Marshall); (7)Migration and West Indian Racial and Ethnic Consciousness (ConstanceR. Sutton and Susan Makiesky-Barrow); (8) West Indians in New York Cityand London: A Comparative Analysis (Nancy Foner); (9) West IndianChild Fostering: Its Role in Migrant Exchanges (Isa Maria Solo); (1n)Garifuna Settlement in New York: A New Frontier (NancieL. -
Caribbean Jazz in Trinidad and Tobago by Jiselle
Sounding the Transnational: Caribbean Jazz in Trinidad and Tobago by Jiselle Rouet A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jocelyne Guilbault, Chair Professor Daniel Fisher Professor Myra Melford Summer 2019 Sounding the Transnational: Caribbean Jazz in Trinidad and Tobago Ó 2019 by Jiselle Rouet Abstract Sounding the Transnational: Caribbean Jazz in Trinidad and Tobago by Jiselle Rouet Doctor of Philosophy in Ethnomusicology University of California, Berkeley Professor Jocelyne Guilbault, Chair This dissertation engages the concept of transnationalism, a process usually defined by the permanent migration of people across the borders of nation-states, to highlight the complexities of the sound of Caribbean jazz in Trinidad and Tobago. This musical practice draws on an array of sounds that are distinctly local, yet certainly influenced by knowledge of and connections to the world at large. The sounds of Jamaica (reggae), Brazil (bossa nova), the United States (R&B, funk, disco) and India (sitar) amongst others can be heard and felt in the music. While the genre of jazz has largely been understood in reference to its origins in the United States, its dissemination across the world has become the focus of recent scholarly work. Jazz arrived in Trinidad and Tobago as early as the 1930s through film scores and radio broadcasts. However, the jazz emerging from Trinidad and Tobago today is quite distinct, sonically, from jazz in the United States. Critically, in this dissertation, I ask in what ways might the study of sound help to re- conceptualize the process of transnationalism. -
Caribbean Jazz in Trinidad and Tobago by Jiselle Rouet A
Sounding the Transnational: Caribbean Jazz in Trinidad and Tobago by Jiselle Rouet A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jocelyne Guilbault, Chair Professor Daniel Fisher Professor Myra Melford Summer 2019 Sounding the Transnational: Caribbean Jazz in Trinidad and Tobago Ó 2019 by Jiselle Rouet Abstract Sounding the Transnational: Caribbean Jazz in Trinidad and Tobago by Jiselle Rouet Doctor of Philosophy in Ethnomusicology University of California, Berkeley Professor Jocelyne Guilbault, Chair This dissertation engages the concept of transnationalism, a process usually defined by the permanent migration of people across the borders of nation-states, to highlight the complexities of the sound of Caribbean jazz in Trinidad and Tobago. This musical practice draws on an array of sounds that are distinctly local, yet certainly influenced by knowledge of and connections to the world at large. The sounds of Jamaica (reggae), Brazil (bossa nova), the United States (R&B, funk, disco) and India (sitar) amongst others can be heard and felt in the music. While the genre of jazz has largely been understood in reference to its origins in the United States, its dissemination across the world has become the focus of recent scholarly work. Jazz arrived in Trinidad and Tobago as early as the 1930s through film scores and radio broadcasts. However, the jazz emerging from Trinidad and Tobago today is quite distinct, sonically, from jazz in the United States. Critically, in this dissertation, I ask in what ways might the study of sound help to re- conceptualize the process of transnationalism. -
4Cities Erasmus Mundus Masters Course in Urban Studies Cohort 8 | September 2015-2017
Geographies of a Transnational Urban Black Consciousness Through Artists and Activists Mapping Self-Directed Blackness in Vienna, Brussels, and Oakland Teju N. Adisa-Farrar 4Cities Erasmus Mundus Masters Course in Urban Studies Cohort 8 | September 2015-2017 Advisor: Nick Schuermans Second Reader: Diego Barrado 1 September 2017 Table of Contents1 Prologue: Encounters 3 I Introduction: “Black Faces, White Spaces” 5 II Aims and Objectives: Mapping An Urban Black Consciousness 8 Aims 9 Research Objectives & Processes 10 III State of the Art: Black Urbanism 11 Blackness, the African Diaspora & Geographies of Belonging 12 Everyday Racism & Subtle/Geographies of Exclusion 13 Postcolonialism and the Subaltern 15 Black Urbanism 17 IV Methodology 18 An Approach to Methods 18 Demographics & Selection 19 Leisure 20 Interviewee Backgrounds 21 Reference Sheet 22 V Case Studies: Transnational Blackness 23 VI Analysis 25 Part I: To Each City Its Own 25 Brussels: Colonial Memory and African Activism 25 Vienna: Culture to Create Spaces 28 Oakland, California: Historical Hub for Black Arts & Culture 31 Part II: Relating to the City Through Blackness 34 Double Consciousness, Double Culture: Behavioural Black Geographies 34 Historical Black Geographies and Urban Memory 37 Black Owned, Black Adjacent, Black Spaces & Inclusivity 44 The City as a Haven 48 VII Conclusion: From Culture to Art to Inclusion 50 Recommendations 51 Epilogue: A City of Necessity 53 Acknowledgements 54 References and Bibliography 55 Appendices 61 1 Cover page image: painting by Edward Ofosu (2013) TOWARDS PROGRESS… “WHERE DO YOU BEGIN TELLING SOMEONE THEIR WORLD IS NOT THE ONLY ONE?” -LEE MARACLE, RAVENSONG (1993) Prologue: Encounters “We will always be black, you and I, even if it means different things in different places.” -Ta Nahesi Coates, Between the World and Me While I was studying in Vienna, my Ghanaian and Nigerian friends, both residents in Vienna, were watching soccer at a bar in Schwedenplatz. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis Geographies of a Transnational Urban Black Consciousness Through Artists and Activists Mapping Self-Directed Blackness in Vienna, Brussels, and Oakland verfasst von / submitted by Teju Adisa-Farrar angestrebter akademischer Grad / in partial fulfillment of the requirements for the degree of Master of Arts (MA) Wien, 2017 / Vienna, 2017 Studienkennzahl lt. Studienblatt / A 066 664 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium DDP Urban Studies degree programme as it appears on the student record sheet: Betreut von / Supervisor: Prof. Nick Schuermans Geographies of a Transnational Urban Black Consciousness Through Artists and Activists Mapping Self-Directed Blackness in Vienna, Brussels, and Oakland Teju N. Adisa-Farrar 4Cities Erasmus Mundus Masters Course in Urban Studies Cohort 8 | September 2015-2017 Advisor: Nick Schuermans Second Reader: Diego Barrado 1 September 2017 Table of Contents1 Prologue: Encounters 3 I Introduction: “Black Faces, White Spaces” 5 II Aims and Objectives: Mapping An Urban Black Consciousness 8 Aims 9 Research Objectives & Processes 10 III State of the Art: Black Urbanism 11 Blackness, the African Diaspora & Geographies of Belonging 12 Everyday Racism & Subtle/Geographies of Exclusion 13 Postcolonialism and the Subaltern 15 Black Urbanism 17 IV Methodology 18 An Approach to Methods 18 Demographics & Selection 19 Leisure 20 Interviewee Backgrounds 21 Reference