Judges for the 30Th Forward Prizes for Poetry Announced
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Still Not a British Subject: Race and UK Poetry
Editorial How to Cite: Parmar, S. 2020. Still Not a British Subject: Race and UK Poetry. Journal of British and Irish Innovative Poetry, 12(1): 33, pp. 1–44. DOI: https:// doi.org/10.16995/bip.3384 Published: 09 October 2020 Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and repro- duction in any medium, provided the original author and source are credited. See http://creativecommons. org/licenses/by/4.0/. Open Access: Journal of British and Irish Innovative Poetry is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Sandeep Parmar, ‘Still Not a British Subject: Race and UK Poetry.’ (2020) 12(1): 33 Journal of British and Irish Innovative Poetry. DOI: https://doi. org/10.16995/bip.3384 EDITORIAL Still Not a British Subject: Race and UK Poetry Sandeep Parmar University of Liverpool, UK [email protected] This article aims to create a set of critical and theoretical frameworks for reading race and contemporary UK poetry. By mapping histories of ‘innova- tive’ poetry from the twentieth century onwards against aesthetic and political questions of form, content and subjectivity, I argue that race and the racialised subject in poetry are informed by market forces as well as longstanding assumptions about authenticity and otherness. -
Redgrove Papers: Letters
Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 . -
HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
Anthology of Named Poems and Study Guide
AS (Paper 1) and A Level (Paper 3) English Literature Anthology of Named Poems and Study Guide Please note that biographical detail is included for information purposes only, to support you with your knowledge and possible further reading on each poet. There is no expectation that you would refer to any such materials in your assessment at either AS or A level. Contents Page in this Page in Poem Poet booklet Anthology Eat Me Patience Agbabi 3 3 Chainsaw Versus the Pampas Simon Armitage 7 6 Grass Material Ros Barber 11 10 Inheritance Eavan Boland 17 22 A Leisure Centre is Also a Sue Boyle 21 23 Temple of Learning History John Burnside 25 25 The War Correspondent Ciaran Carson 30 29 An Easy Passage Julia Copus 36 37 The Deliverer Tishani Doshi 41 43 The Map Woman Carol Ann Duffy 46 47 The Lammas Hireling Ian Duhig 53 51 To My Nine-Year-Old Self Helen Dunmore 58 52 A Minor Role U A Fanthorpe 62 57 The Gun Vicki Feaver 66 62 The Furthest Distances I’ve Leontia Flynn 70 64 Travelled Giuseppe Roderick Ford 74 66 Out of the Bag Seamus Heaney 78 81 Effects Alan Jenkins 85 92 The Fox in the National Robert Minhinnick 90 121 Museum of Wales Genetics Sinéad Morrissey 95 125 From the Journal of a Andrew Motion 99 127 Disappointed Man Look We Have Coming to Daljit Nagra 104 129 Dover! Fantasia on a Theme of James Sean O’Brien 108 130 Wright Please Hold Ciaran O’Driscoll 112 132 You, Shiva, and My Mum Ruth Padel 117 140 Song George Szirtes 122 168 On Her Blindness Adam Thorpe 126 170 Ode on a Grayson Perry Urn Tim Turnbull 131 172 Sample Assessment Questions 137 Sample Planning Diagrams 138 Assessment Grid 143 2 Patience Agbabi, ‘Eat Me’ Biography Patience Agbabi (b. -
Great Writers Inspire at Home
Thursday 27 April ‘Readers and Reading’ Thursday 4 May Kamila Shamsie Thursday 11 May GREAT Bernardine Evaristo Thursday 18 May WRITERS Daljit Nagra Thursday 25 May D-Empress Dianne INSPIRE Regisford Thursday 1 June AT HOME Nadifa Mohamed a series of conversations Thursday 8 June between writers & readers Aminatta Forna Thursday 15 June Editors and contributors, The Cambridge History of Black and Asian British Writing Monday 26 June M. NourbeSe Philip This series runs in place of the English Faculty Postcolonial Writing and Theory Seminar in Trinity Term 2017. 5 pm Seminar Room, 3rd Floor, Radcliffe Humanities Building, Woodstock Rd, Oxford www.writersmakeworlds.com GREAT WRITERS INSPIRE AT HOME A series of workshop discussions hosted jointly by the Oxford English Faculty and The Oxford Research Centre in the Humanities (TORCH). 5 – 7 pm, Thursday weeks 2–8; Monday week 10 Seminar Room, 3rd Floor, Radcliffe Humanities Building, Woodstock Road, Oxford (except 25 May) The series runs in place of the English Faculty Postcolonial Writing and Theory seminar in Trinity Term 2017. We return to our fortnightly programme of talks and discussion at Wadham College, chaired by Elleke Boehmer and Ankhi Mukherjee, in Michaelmas Term 2017. All are welcome to these workshops. www.writersmakeworlds.com Great Writers Inspire at Home will bring together a number of contemporary British writers to discuss how literary writing, both novels and poems, shapes readers’ perceptions of the contemporary world. Focusing specifically on current Black and Asian British writing, our primary focus in the project is the experience of reading. The primary focus is the experience of reading: we will think about the ways in which readers respond to writing and writers appeal to readers. -
Verve Poetry Festival 2020 Full Programme
VERVE POETRY FESTIVAL 2020 FULL PROGRAMME 100% STUDENT TICKET INFORMATION SATISFACTION AT WLV* SATURDAY, FEBRUARY 22ND (CONTINUED) Study one of our popular Creative Writing, Festival Weekend Pass £40 / £27.50 English or combined courses at the University POETRY SPOKEN WORD WORKSHOPS Time Event Description Price Location of Wolverhampton and you’ll be taught by our Saturday / Sunday Pass £22.50 / £16.50 experienced team of published scholars and professional writers. 2:30 PM - Stirchley Stirchley Speaks is a small jewel of a night on the Birmingham Scene. We wondered £6.50/ Patrick Studio Workshops £22.50 / £15 *100% student satisfaction for BA (Hons) English 4:00 PM Speaks Verve what would happen if we gave them a nice big stage at Verve! They say - ‘join us to £4.50 Theatre - Poetry / Spoken Word Events £6.50 / £4.50 in the 2015 and 2016 National Student Survey. THURSDAY, FEBRUARY 20TH Special hear poets Megan Scott and Fathima Zahra and to enjoy musical sounds from Rainy Birmingham Get in touch with us now: Tel: 01902 322898 with open mic Day Woman. And see what we can do when we are allowed to spread out. There will Hippodrome Concession tickets are available to senior citizens, Visit: wlv.ac.uk/english E-mail: [email protected] Time Event Description Price Location be a handful of open mics on the door and a lovely audience for you to join.’ Hosted school pupils, students, and people registered as @wlv_english /wlvarts as always by the wonderful Jess Davies and Callum Bates. disabled or unemployed. 7.30 PM - A Verve Opening Verve 2020 is a Spoken Word Night to remember - a night of nights - a £6.50/ Patrick Studio 10.30 PM Spoken £4.50 Theatre - 3:00 PM - Vidyan £22.50/ Workshop Spoken Word SUPER night. -
Contributors
Contributors An Sionnach: A Journal of Literature, Culture, and the Arts, Volume 5, Numbers 1 & 2, Spring & Fall 2009, pp. 321-325 (Article) Published by University of Nebraska Press For additional information about this article https://muse.jhu.edu/article/362759 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Contributors JODY ALLEN RANDOLPH , guest editor of this issue, served as Assistant Dean of the British Studies at Oxford Programme at St. John’s College, Oxford, and has taught at the University of California at Santa Barbara, University Col - lege Dublin, and Westmont College. She has edited or co-edited special is - sues of journals on Eavan Boland, Derek Mahon, and Michael Longley. Re - cent publications include Eavan Boland: A Sourcebook (Carcanet, 2007 ), selected for a Poetry Book Society Special Commendation and the London Independent Best Books of 2007 , and Eavan Boland: A Critical Companion (Norton, 2008 ). She is currently at work on Interviews from a New Ireland , a series of interviews with Irish writers and visual artists forthcoming from Carcanet Press in 2010 . ANDREW AUGE is Professor of English at Loras College. He has published es - says on Seamus Heaney, Eavan Boland, Paul Muldoon, and Eileán Ní Chuil - leanáin. He is currently working on a book examining the interconnections between modern Irish poetry and Catholicism. EAVAN BOLAND has published ten volumes of poetry, the most recent of which is Domestic Violence (2007 ). Her New Collected Poems was published by W. W. Norton in 2008 , and her prose critique, Object Lessons: The Life of the Woman and the Poet in Our Time, in 1995 . -
Post 1914 Poems
POST 1914 POEMS Students must also recite one poem published in or after 1914. For school/college competitions, they can choose from EITHER the Timeline Anthology (listed below and available on poetrybyheart. org.uk) OR the First World War Poetry showcase on the website. 148 Craig Raine - A Martian sends a 179 Seamus Heaney - St Kevin and the blackbird postcard home 180 Grace Nichols - Blackout 149 Rita Dove - Ö 181 Alice Oswald - Wedding 150 Linton Kwesi Johnson - Sonny’s lettah 182 Imtiaz Dharker - Minority 151 Carolyn Forché - The colonel 183 Paul Farley - A minute’s silence 152 Tony Harrison - Timer 184 Jane Draycott - Prince Rupert’s drop 153 Patricia Beer - The lost woman 185 Michael Donaghy - Machines 154 James Fenton - God, a poem 186 Denise Riley - A misremembered lyric 155 Peter Porter - Your attention please 187 Benjamin Zephaniah - It’s work 156 Kit Wright - The boys bump-starting the 188 Sean O’Brien - Cousin coat hearse 189 Ian Duhig - The Lammas hireling 157 David Dabydeen - Catching crabs 190 Don Paterson - Waking with Russell 158 U.A. Fanthorpe - The cleaner 191 Choman Hardi - Two pages 159 Wendy Cope - Proverbial ballade 192 Michael Symmons Roberts - Pelt 160 Sujata Bhatt - What is worth knowing? 193 Kamau Brathwaite - Bread 161 Gwendolyn Brooks - Boy breaking glass 194 Colette Bryce - The full Indian head trick 162 Kathleen Jamie - The way we live 195 Owen Sheers - Mametz Wood 163 Paul Muldoon - Meeting the British 196 John Agard - Toussaint L’Ouverture 164 Gillian Clarke - Border acknowledges Wordsworth’s sonnet “To 165 Carol Ann Duffy - Originally Toussaint L’Ouverture” 166 Eavan Boland - The black lace fan my 197 Daljit Nagra - Look we have coming to Dover mother gave me 198 Jean Sprackland - The stopped train 167 Maura Dooley - Explaining magnetism 199 Patience Agbabi - Josephine Baker 168 Mimi Khalvati - Rubaiyat finds herself 169 Lavinia Greenlaw - Love from a foreign city 200 Mick Imlah - Maren 170 Glyn Maxwell - The eater 201 E.A. -
18-Pressrelease-Npcwinner Layout 1
Dom Bury wins National Poetry Competition for his poem ‘The Opened Field’ Judges Hannah Lowe, Andrew McMillan and Pascale Petit praise the winning poem’s “mnemonic force” and describe it as a “neutron star of a poem compressed inside the restraining machinery of a sestina” PRESS RELEASE Dom Bury. Photo: Jenny Jacobs. Strictly embargoed until 7.30pm, 28 March 2018 Out of more than 13,000 poems entered for this year’s award, Dom Bury’s poem ‘The Opened Field’ has been chosen as the winner of the National Poetry Competition, winning him £5,000. Judges Hannah Lowe, Andrew McMillan and Pascale Pettit selected the winning poem from an astounding pool of entries from over 70 countries worldwide - maintaining the competition's position as one of the world's biggest international open poetry competitions for single poems. The darkly allegoric winning poem surrounds six boys in a field enacting a disturbing coming-of-age ritual, and is told with a driving rhythm and mantra-like repetitions. The poem interrogates themes of unchecked masculinity, exploring our destructive relationship with each other and with the natural world. The barbaric impulses enacted are interwoven to offer us a sombre and precisely wrought ecological and social fable for our times. (The poem appears on p. 6 of this release.) Pascale Petit commented: “‘The Opened Field’ is a neutron star of a poem compressed inside the restraining machinery of a sestina... I marvelled at the way I found yet another layer each time I returned to this poem and still thought I had not quite got to the bottom of it. -
Poetry Anthology GCSE English and GCSE English Literature
Edexcel GCSE Poetry Anthology GCSE English and GCSE English Literature The Edexcel GCSE Poetry Anthology should be used to prepare students for assessment in: English 2EH01 - Unit 3 English Literature 2ET01 - Unit 2 Published by Pearson Education Limited, a company incorporated in England and Wales, having its registered office at Edinburgh Gate, Harlow, Essex, CM20 2JE. Registered company number: 872828 Edexcel is a registered trade mark of Edexcel Limited © Pearson Education Limited 2009 First published 2009 12 11 10 09 10 9 8 7 6 5 4 3 2 1 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 1 84690 641 1 Copyright notice All rights reserved. No part of this publication may be reproduced in any form or by any means (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner, except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London, EC1N 8TS (www.cla.co.uk). Applications for the copyright owner’s written permission should be addressed to the publisher. Picture research by Alison Prior Illustrated by Bob Doucet Printed and bound by Ashford Colour Press Ltd., Gosport See page 72 for acknowledgements. Contents Collection A: Relationships 1 Collection B: Clashes and collisions 19 Collection C: Somewhere, anywhere 37 Collection D: Taking a stand 55 Collection A Relationships Valentine 2 Carol Ann Duffy Rubbish at Adultery 3 Sophie Hannah Sonnet 116 4 William Shakespeare Our Love Now 5 Martyn Lowery Even Tho 6 Grace Nichols Kissing 7 Fleur Adcock One Flesh 8 Elizabeth Jennings Song for Last Year’s Wife 9 Brian Patten My Last Duchess 10 Robert Browning Pity me not because the light of day 12 Edna St. -
Mona Arshi Was a Human Rights Lawyer Who Retrained As a Poet
Mv , The Cinnamon Club th Poetry Evening – Monday 12 May 2014 Sathnam Sanghera was born to Punjabi parents in the West Midlands in 1976, attended Wolverhampton Grammar School and graduated from Christ’s College, Cambridge with a first class degree in English Language and Literature in 1998. Between 1998 and 2006 he was at The Financial Times, where he worked (variously) as a news reporter in the UK and the US, specialised in writing about the media industries, worked across the paper as Chief Feature Writer, and wrote an award-winning weekly business column. Sathnam joined The Times as a columnist and feature writer Sathnam Sanghera in 2007, reviews cars for Management Today and The HOST has presented a number of radio documentaries for the BBC. Daljit Nagra comes from a Punjabi background. He was born and raised in London then Sheffield. He has won several prestigious prizes for his poetry. In 2004, he won the Forward Prize for Best Individual Poem with Look We Have Coming to Dover! This was also the title of his first collection which was published by Faber & Faber in 2007. His second collection, Tippoo Sultan’s Incredible White-Man Eating Tiger-Toy Machine!!! was shortlisted for the TS Eliot Prize. His current book, Ramayana, is shortlisted for the TS Eliot Prize. Daljit’s poems have been published in New Daljit Nagra Yorker, Atlantic Review, London Review of Books, Times Literary Supplement, Poetry Review, Poetry London, Poetry International, Rialto and The North He is a regular contributor to BBC radio and has written articles for The Financial Times, The Guardian, The Observer, and The Times of India. -
Portfolio Editor
Portfolio Editor Editorships including co-editing NW15 (Granta/British Council) and Ten: New Poets (Bloodaxe). Guest-edited the Winter 2012 issue of Poetry Review, Britain’s leading poetry journal. Her issue, Offending Frequencies, featured more poets of colour than had ever previously been published in a single issue of the journal, as well as many female, radical, experimental and outspoken voices. Bernardine also co-edited a special issue of Wasafiri magazine in 2009: Black Britain: Beyond Definition, which celebrated and reevaluated the black writing scene in Britain; and she guest-edited the Autumn 2014 issue of Mslexia, Britain’s best-selling writing magazine. Supervising Editor of The Imagination Project, Brunel University London’s third student short story anthology, with student editors, March 2016. Supervising editor of The Psyche Supermarket, Brunel University London’s second student short story anthology, with student editors, March 2015. Guest Editor of Mslexia writing magazine, September 2014. Supervising editor of The Voices Inside Our Heads, Brunel University London’s first student short story anthology, with student editors, March 2014. Guest editor of Wasafiri: Issue 64, 2010, with Karen McCarthy Woolf. Guest Editor of Britain’s leading poetry magazine in its centenary year, Poetry Review: 101:4. Offending Frequencies. Winter 2012. Editor with Daljit Nagra of Ten poetry anthology, featuring ten new poets of colour. Bloodaxe Books, 2010. Co-editor with Maggie Gee of NW15: New Writing Vol 15, the annual British Council literature anthology. Granta, 2006. In the late 1990s I was editor of FrontSeat intercultural performance magazine published by the Black Theatre Forum, in the late 1980s I was a co-editor of Black Women Talk Poetry anthology.