Clemson University TigerPrints All Theses Theses 5-2013 POUND'S OCCULTISM: THE DEVELOPMENT OF AUTOMATIC WRITING AND OCCULT PHILOSOPHY IN THE PISAN CANTOS Katrina Johnson Clemson University,
[email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Arts and Humanities Commons Recommended Citation Johnson, Katrina, "POUND'S OCCULTISM: THE DEVELOPMENT OF AUTOMATIC WRITING AND OCCULT PHILOSOPHY IN THE PISAN CANTOS" (2013). All Theses. 1798. https://tigerprints.clemson.edu/all_theses/1798 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact
[email protected]. POUND’S OCCULTISM: THE DEVELOPMENT OF AUTOMATIC WRITING AND OCCULT PHILOSOPHY IN THE PISAN CANTOS A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Katrina Elizabeth Johnson December 2013 Accepted by: Dr. Catherine Paul, Committee Chair Dr. Susan Hilligoss Dr. Angela Naimou i ABSTRACT The purpose of this thesis is to examine how occultism is a major influence within Pound’s writing as a result of his mentorship under Yeats from 1909-1916. Chapter One examines the connections between Pound’s time in London and his subsequent exposure to the occult. Alongside Yeats, Pound finds a use for his belief in the aristocracy of the arts through the occultist teachings of exclusivity and sharing of select knowledge. Chapter Two focuses on Pound’s development of the occult practice of automatic writing and its later use in The Pisan Cantos .