Concierto Del Sur
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Comparison of the Piano and Guitar Versions of Isaac Albéniz's Spanish Suite Op
A COMPARISON OF THE PIANO AND GUITAR VERSIONS OF ISAAC ALBÉNIZ'S SPANISH SUITE OP. 47 by YI-YIN CHIEN A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts November 2016 2 “A Comparison of the Piano and Guitar Versions of Isaac Albéniz’s Spanish Suite, Op. 47’’ a document prepared by Yi-Yin Chien in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This document has been approved and accepted by: Jack Boss, Chair of the Examining Committee Date: November 20th, 2016 Committee in Charge: Dr. Jack Boss, Chair Dr. Juan Eduardo Wolf Dr. Dean Kramer Accepted by: Director of Graduate Studies, School of Music and Dance © 2016 Yi-Yin Chien 3 CURRICULUM VITAE NAME OF AUTHOR: Yi-Yin Chien PLACE OF BIRTH: Taiwan DATE OF BIRTH: November 02, 1986 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon, School of Music and Dance Peabody Institute of the Johns Hopkins University Tainan National University of Arts DEGREES AWARDED: Doctor of Musical Arts, 2016, University of Oregon Master of Music, 2011, Peabody Institute of the Johns Hopkins University Bachelor of Music, 2009, Tainan National University of Arts AREAS OF SPECIAL INTEREST: Piano Pedagogy Music Theory PROFESSIONAL EXPERIENCE: College Piano Teaching, University of Oregon, School of Music and Dance, 09/2014 - 06/2015 Taught piano lessons for music major and non-major college students Graduate Teaching -
Markand Thakar, Music Director
Baltimore Chamber Orchestra PRESS PACKET markand thakar, music director 2015-2016 www.thebco.org HISTORY markand thakar, music director Baltimore Chamber Orchestra’s first performance, led by Maestra Anne Harrigan, was on January 29, 1984. She introduced the audience to a classical orchestra offering virtuoso performances that touch the heart. From its beginning, Baltimore Chamber Orchestra has grown to occupy an essential niche in the thriving arts scene of greater Baltimore. Our core repertoire is the overtures, concertos, and symphonies of Classical Era masters Haydn, Mozart Beethoven, Mendelssohn and Schubert, which we perform with the actual sized ensemble for which it was composed. BCO remains a group of exceptional musicians who are passionate about their performances. Indeed, the orchestra strives to meet the same standard established at its inception in 1984: to provide accessible, high-quality, classical music with an intimate touch. Markand Thakar joined BCO as music director in June 2004. Maestro Thakar made his debut with the New York Philharmonic in 1997 and has since appeared with that orchestra multiple times, along with numerous orchestras across North America. Former music director of the Duluth Superior Symphony Orchestra and principal conductor of Duluth Festival Opera, he is co- director of graduate conducting at the Peabody Conservatory and the author of two seminal works: Counterpoint: Fundamentals of Music Making (Yale University Press, 1990) and Looking for the “Harp” Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011). Since the 2009-10 season, Maestro Thakar’s annual intensive conducting programs bring dozens of conductors from around the world to work with him and the BCO musicians. -
Audio Playlist Scroll to See Program
Guest Artist Recital: 2006-10-29 -- Deanna Swoboda, tuba and Marcelina Turcanu, piano Audio Playlist Access to audio and video playlists restricted to current faculty, staff, and students. If you have questions, please contact the Rita Benton Music Library at [email protected]. Scroll to see Program PDF \ - f SCHOOL!1fMUSlC ' 1906-2006 g uesJREC)llAL \, SUNDAY, OCTOBER 29, 2006, 2:00 p.m. HARPER HALL Deanna Swoboda, tuba Marcelina Turcanu, piano L. uJ~! DIVISION OF PERFORMING ARTS oF lowA COLLEGE OF LIBERAL ARTS & SCIENCES guestRECITAL Deanna Swoboda, tuba OCTOBER 29, 2006, 2 p.m. HARPER HALL Marcelina Turcanu, piano PROGRAM Sonata No. 2 in E-flat Johann Sebastian BACH Allegro Moderato (1685-1750) Siciliano transcribed and edited by Floyd Cooley Allegro Estrellita ("My Little Star") Manuel PONCE (1882- 1948) arr. Rich Ridenour and Patrick Sheridan Concerto for Bass Tuba Ralph Vaughan WILLIAMS Allegro moderato (1872- 1958) Romanza · Rondo Alla Tadesca Relentless Grooves: Cuba Sam PILAFIAN Bolero (b. 1949) Mambo Fnugg Oystein BAADSVIK (b. 1966) Csardas Vittorio MONTI (1868- 1922) BIOGRAPHY DEANNA SWOBODA teaches tuba and euphonium at Western Michigan University and performs with the Western Brass Quintet. She previously taught at the University of Nevada Las Vegas and Las Vegas Arts Academy as well as at the University of Northern Iowa, University of Denver, University of Idaho, National Conservatory of Madrid (Spain), and Deutschen Tubaforum-Hammelberg (Germany). In 2000, she joined the Dallas Brass, a six-piece ensemble that travels the United States and Europe presenting approximately 100 concerts per year working extensively in the public schools and at colleges and universities. -
DUO AMARAL - Bio
DUO AMARAL - Bio Jorge Amaral and Mia Pomerantz-Amaral formed Duo Amaral in 2008 and were soon established in the international guitar scene, garnering high accolades from the media and from devoted audiences. During a tour in Italy, their recital was described in Il Messaggero Veneto as “masterful, with poetic virtuosity and intensity of expression”. Mike Telin of ClevelandClassical.com, described the duo as "superb, thoughtful musicians". Their debut album 'Súplica' was released in 2011, featuring the title work: a world-premier composition written by Mr. Amaral's father, Victor Manuel Amaral Ramirez. Céline Keating of Minor 7th Magazine described the CD as “...a sublime album of classical music for two guitars...”. Their Second album 'Textura' was released in 2013 and includes several of their own arrangements. Al Kunze of Soundboard Magazine describes: “Duo Amaral’s Textura is a superb disc, featuring beautiful music, exquisite playing, and exemplary recording. Mia Pomerantz- Amaral and Jorge Amaral play with extraordinary precision allied with delicacy, nuance, and virtuosity in equal measures.” (March 2014). And Bradford Werner of This is Classical Guitar continues: Textura “…deliver[s] some of the best ensemble work, musical expression, and repertoire. Another great album release!… One of the premier classical guitar duos of today!" Their latest album ‘Key West’ was released in March of 2017 and features an all Latin-American program including the world premier of ‘Key West Suite’, dedicated to the duo. Classical Guitar Magazine described the CD as “… a knockout - brimming with sensational, synchronous playing on a lively and challenging set of modern pieces… outstanding duo”. -
Program Notes by Jonathan Leshnoff and Dr
Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season June 6, 7, 8 and 9, 2019 MANFRED HONECK, CONDUCTOR MICHAEL RUSINEK, CLARINET NANCY GOERES, BASSOON CHRISTINA LANDSHAMER, SOPRANO JENNIFER JOHNSON CANO, MEZZO-SOPRANO WERNER GURA, TENOR SHENYANG, BASS MENDELSSOHN CHOIR OF PITTSBURGH MATTHEW MEHAFFEY, DIRECTOR JONATHAN LESHNOFF Double Concerto for Clarinet and Bassoon I. Slow II. Waltz III. Fast Mr. Rusinek Ms. Goeres WORLD PREMIERE COMMISSIONED BY THE PITTSBURGH SYMPHONY ORCHESTRA Intermission LUDWIG VAN BEETHOVEN Symphony No. 9 in D minor, Opus 125, “Choral” I. Allegro ma non troppo, un poco maestoso II. Molto vivace — Presto — Molto vivace III. Adagio molto e cantabile IV. Finale, with soloists and chorus: Presto — Allegro assai — Allegro assai vivace Ms. Landshamer Ms. Cano Mr. Gura Shenyang Mendelssohn Choir of Pittsburgh June 6-9, 2019, page 1 PROGRAM NOTES BY JONATHAN LESHNOFF AND DR. RICHARD E. RODDA JONATHAN LESHNOFF Double Concerto for Clarinet and Bassoon (2018) Jonathan Leshnoff was born in New Brunswick, New Jersey on September 8, 1973, and resides in Baltimore, Maryland. His works have been performed by more than 65 orchestras worldwide in hundreds of orchestral concerts. He has received commissions from Carnegie Hall, the Philadelphia Orchestra, and the symphony orchestras of Atlanta, Baltimore, Dallas, Kansas City, Nashville, and Pittsburgh. His Double Concerto for Clarinet and Bassoon was commissioned by the Pittsburgh Symphony and co-commissioned by the Greenwich Village Orchestra and International Wolfegg Concerts of Wolfegg, Germany. These performances mark the world premiere. The score calls for piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp, and strings. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
555843 Bk Rodrigo EU 8/10/06 2:25 PM Page 12
555843 bk Rodrigo EU 8/10/06 2:25 PM Page 12 SPANISH CLASSICS Also available: RODRIGO Complete Orchestral Music • 9 8.557801 Concierto serenata Sones en la Giralda Concierto de Aranjuez 8.557223 Gwyneth Wentink, Harp Asturias Symphony Orchestra (OSPA) Maximiano Valdés 8.555843 12 555843 bk Rodrigo EU 8/10/06 2:25 PM Page 2 Joaquín Rodrigo (1901-1999) Orquesta Sinfónica del Principado de Asturias Concierto serenata • Sones en la Giralda (Fantasía sevillana) • Concierto de Aranjuez La historia de la Orquesta del Principado se remonta a 1937. Hizo su presentación oficial como Orquesta Sinfónica en Joaquín Rodrigo was born on St Cecilia’s Day, 22nd seek refuge for eighteen months at the Institute for the enero de 1940 bajo la batuta de Amalio López. En 1943 se hace cargo de su dirección Ángel Muñiz Toca, quien a lo November, 1901, in Sagunto in the Spanish province of Blind in Freiburg. In 1938 they were able to make a largo de veinte años realiza una importantísima labor musical a través de toda la provincia y también fuera de Asturias. Valencia. In 1905 an outbreak of diphtheria impaired brief visit to Spain for a summer school in Santander Con ella colaboraron los más importantes solistas del momento. Temporalmente, y por falta de recursos económicos, se the young boy’s vision and within a few years he lost but, failing to secure appropriate employment, were redujo a Orquesta de Cámara, pero a la muerte de Muñiz Toca había recobrado su primitiva forma y en homenaje a éste every vestige of sight. -
MN Sinfonia Music in the Schools, 2021-2022 Folk Tunes
MN Sinfonia Music in the Schools, 2021-2022 1 Folk Tunes - Music from Around the World Dear Teachers: Following is the curriculum guide for Folk Tunes - Music from Around the World, the Sinfonia Music in the Schools’ program for 2021-2022. This curriculum focuses on “people’s music” – common and popular songs and melodies that have been used for hundreds of years by composers in symphonies, chamber music, concertos, and yes, in popular music to be sure! Music is not created in a vacuum, and certainly can and should be seen in the social contexts of when it was written. Normally, our Music in the Schools has academic focuses, and is structured using state academic standards with related activities. Unfortunately, we could not find state standards for elementary school grade levels for (international) social studies, so instead we focused on the standards and related activities for music. Lesson plans are included for music by Mozart, Mahler, Tchaikovsky and Ponce. As you teach the curriculum, please relate it to your other subjects - especially to historical and geographic contexts. Because of the disruptions caused by the coronavirus, this curriculum is being designed both for online and classroom instruction. Unfortunately, we do not know when the Sinfonia will be able to visit the schools and play live performances as we typically do. Therefore, this guide contains many video links, which may in part substitute for the Sinfonia’s normal live in-school performances. Remember that one of the pre-requisites for participating in MIS is for students to hear classical music daily in the classrooms. -
Pablo Garibay Program
Pablo Garibay in Concert November 9, 2019 Dos Temas Populares Cubanos Leo Brouwer Canción de Cuna (b. 1939) Ojos Brujos The Last Coffee Together Simone Iannarelli (b. 1970) Sonata III Manuel M. Ponce Allegro Moderato (1882-1948) Chanson Allegro non Troppo Intermission Dos Cadencias Eduardo Angulo (b. 1954) Sonata para Guitarra Antonio José Allegro Moderato (1902-1936) Minuetto Pavana Triste Final Program Notes Leo Brouwer: Dos Temas Populares Cubanos Cuban composer and guitarist Leo Brouwer (born 1939) cannot be overstated in his importance not only to guitar composition but across the board in regards to the modernist style. Growing up on an island, Brouwer threw himself into score study, isolating styles and synthesizing them into his own voice, while incorporating Cuban musical devices (most notably evocative dance-like rhythms). The first piece, Canción de Cuna, is a lullaby which invites the listener into a peaceful dream state. Opening with muted strings before a wistful melody emerges, Brouwer creatively engages the audience with washes of harmonies. Occasionally one is caught by striking dissonances, but this Song of the Cradle ends similarly to its beginning, with the return of pizzicato before closing. The second work, Ojos Brujos (which translates to Enchanting Eyes), illustrates more of the characteristic rhythmic interplay and rich harmonic language of Brouwer. One of the most enchanting features of this work is its phrasing, which pulls the audience along powerfully through a variety of cadences. Simone Iannarelli: The Last Coffee Together Composing for the guitar is a notoriously difficult undertaking, to the point that most guitar works which come to prominence are written by guitarists who have an intimate knowledge of the intricacies of the instrument. -
With Elbio Barilari Broadcast Schedule — Spring 2017
FIESTA! with Elbio Barilari Broadcast Schedule — Spring 2017 PROGRAM #: FST 17-01 RELEASE: April 2, 2017 Spanish Music and Visual Arts Spanish composers seem to have a strong predilection for the visual arts. One would say this is not surprising in a country that gave us Diego Velázquez, Goya and Picasso among many other first rate artists. Enrique Granados composed his monumental “Goyescas” (after Francisco Goya) in 1911, as a piano suite and in 1915 used its movements as the skeleton for his opera of the same title. In this program we present a selection of the original piano suite recorded by Cuban pianist Jorge Luis Prats. Goya also receives a tribute from Cuban born Spanish composer Eduardo Morales-Caso. The title of the piece, “Volavérunt”, refers to a 1799 painting by Goya from the series “Los Caprichos.” The meaning of the word is unknown and it was also the focus of an award-winning novel by the Uruguayan writer Antonio Larreta. Catalonian composer Xavier Montsalvatge pays tribute, an ironic tribute it may be said, to Salvador Dalí. His “Folia daliniana” alludes at the same time to the ancient tradition of the 16th century tradition of the “folias” and to the flashy surrealist painter of the famous moustache. Finally, three more Catalonians, Joan Saura, Nuno Rebello and Xavier Maristany, provide a miniature based on the contemporary graphics of the cartoons. This piece is part of a series of improvisations they did during the 1990s. Enrique Granados: Suite from Goyescas- Los requiebros, Coloquio la reja, Quejas o La maja y el ruisenor, El pelele (Jorge Luis Prats, piano) Decca 478 2732 Eduardo Morales-Caso: Volavérunt (Duo Sonidos) Verso VRS 2109 Xavier Montsalvatge: Folia daliniana (Perspectives Ensemble; Sato Moughalian, flute; Angel Gil-Ordoñez, conductor) Naxos 8.573101 Joan Saura/Nuno Rebello/ Xavier Maristany: Cartoons (Joan Saura, Nuno Rebello, Xavier Maristany: guitars, samplers, toys) NCM9 PROGRAM #: FST 17-02 RELEASE: April 9, 2017 Easter 2017 Latin America has developed its own and strong Easter musical traditions. -
Abrazando LATIN EMBRACE Rosa Antonelli, Piano
Abrazando LATIN EMBRACE Rosa Antonelli, piano WORKS BY Astor Piazzolla Heitor Villa-Lobos Luis Gianneo Isaac Albéniz Ernesto Lecuona Manuel Ponce Alberto Williams WWW.ALBANYRECORDS.COM TROY1571 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Abrazando TROY1571 Astor Piazzolla LATIN EMBRACE 6 La Misma Pena [2:59] Abrazando 7 Llanto negro—Milonga Candombe* [2:14] LATIN EMBRACE Isaac Albéniz (1860-1909) 8 Champagne Waltz in E-flat Major, B.24 [7:33] Rosa Antonelli, piano Manuel Ponce (1882-1948) 9 Intermezzo [3:08] [ ] 10 Romanza de amor 3:57 piano Astor Piazzolla 11 Nunca, nunca te olvidé* [3:21] [ ] 12 Libertango 4:02 Rosa Antonelli, Astor Piazzolla (1921-1992) Alberto Williams (1862-1952) [ ] [ ] 1 Invierno Porteño 4:13 13 Reverie, Op. 6* 4:05 Rosa Antonelli, 2 Verano Porteño [5:54] Luis Gianneo (1897-1968) Heitor Villa-Lobos (1887-1959) Tres Danzas Argentinas 3 Prelúdio No. 1 from Bachianas Brasileiras No. 4 [6:13] 14 Gato [1:43] piano 15 Tango [3:25] Ernesto Lecuona (1895-1963) 16 Chacarera [2:02] [ ] 4 Bell-flower 1:43 5 Vals maravilloso from Valses Fantasticos No. 6 [3:00] Total Time = 59:41 *world premiere recording WWW.ALBANYRECORDS.COM TROY1571 ALBANY RECORDS U.S. LATIN EMBRACE 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 TROY1571 ALBANY RECORDS U.K. -
Summer Issue 2020
Minnesota Guitar Society Mission Statement Promote the guitar in all its stylistic and cultural diversity through sponsorship of public forums, concerts, and workshops. Serve as an educational and social link between the community G u i t a r i s t and amateur and professional guitarists of all ages. The Minnesota Guitar Society PO Box 14986 / Minneapolis MN 55414 Vol. 36 No. 2 / Summer Issue 2020 Great Concerts Just a Click Away! Special Benefit Concert Saturday, August 15, 2020 at 7:30 pm Streaming Live from Sundin Music Hall Featuring Jeffrey Van, Annett Richter, Robert Everest, and the Shank-Hagedorn Duo he Minnesota Guitar Society joins with people across our state and around the world who International Guitar Artists mourn the death of George Floyd at the hands of (brand new name, same great series) T police on May 25. We stand with those raising their voices against police brutality and systemic racism. or over 30 years, the Minnesota Guitar Socie- We thank the performers for donating their artistry and ty has presented an annual concert series. Sundin Music Hall on the campus of Hamline University Since the mid-1990s that series has had its for co-producing the event. Proceeds will be donated to home at Sundin Music Hall on the campus of the Lake Street Council in Minneapolis, to assist their ef- F Hamline University in St. Paul. One of the finest con- forts in rebuilding the neighborhood where George Floyd cert venues in the Twin Cities, this world-class facility lived and died. Thank you all for your support.