William Yang Is Internationally Renowned for His Photographic and Performance Works
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PAUL RANFORD Is a Producer with Over 30 Years Production Experience Across Film and Television. Recent Feature Film Credits
PAUL RANFORD is a producer with over 30 years production experience across film and television. Recent feature film credits include True History of The Kelly Gang from director Justin Kurzel; Ambience Entertainment’s Storm Boy, directed by Shawn Seet; and Sony Pictures’ Will Gluck helmed Peter Rabbit. Recent television credits include the ABC-TV/Netflix six-part series Stateless, starring Cate Blanchett, Dominic West and Yvonne Strahovski and the award-winning series Secret City and Deadline Gallipoli, all in association with Matchbox Pictures and NBCUniversal. Production credits also include the international titles Mad Max: Fury Road, Matrix Revolutions and Matrix Reloaded. Selected Work History: Producer Stateless (TV series) Matchbox Pictures / NBCUniversal / Dirty Films Directors: Emma Freeman, Jocelyn Moorhouse Executive Producers: Cate Blanchett, Tony Ayres, Elise McCredie Producer True History of the Kelly Gang (Feature) Porchlight Films / Daybreak Films/ Film 4/ Memento Films Director: Justin Kurzel Producers: Liz Watts, Hal Vogel, Justin Kurzel Co-Producer Storm Boy (Feature) Ambience Entertainment/ Piccadilly Pictures Director: Shawn Seet Producers: Michael Boughen, Matthew Street Unit Production Manager Peter RaBBit (Feature) Sony Pictures / Animal Logic Director: Will Gluck Producers: Will Gluck, Zareh Nalbandian Line Producer Secret City (TV series) Matchbox Pictures/ NBCUniversal / Foxtel Director: Emma Freeman Producer: Joanna Werner Executive Producers: Penny Chapman, Penny Win Line Producer Deadline Gallipoli (TV series) -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Resume Wizard
Expressive Culture: Film Class Code CORE-UA 9750 – 001 Instructor Dr Megan Carrigy Details [email protected] Consultations by appointment. Please allow at least 24 hours for your instructor to respond to your emails. Class Details Fall 2017 Expressive Culture: Film Wednesday 1:30 - 5:30pm 6 September to 13 December Room 302 NYU Sydney Academic Centre 157-161 Gloucester St, The Rocks 2000 Prerequisites None Class How has Australian cinema engaged with significant and often contested historical, political Description and cultural events in the nation’s past? The films in this course offer critical perspectives on the history of colonisation in Australia; the legacies of the Stolen Generations; the controversies surrounding Australia’s role in World War One; as well as Australia’s relationships with its Pacific Asian neighbours. We will focus on films that have marked significant shifts in public consciousness about the past such as Gallipoli (1981), Rabbit-Proof Fence (2002) and Balibo (2009). We will also draw on films that have employed innovative narrative and aesthetic strategies for exploring the relationship between the past and the present such as Ten Canoes (2006) and The Tracker (2002). Throughout the course, students will develop their understanding of the methods and concepts of cinema studies. In particular, students will develop a critical vocabulary for analysing how filmmakers have approached the use of memory, testimony, re-enactment, researched detail, allegory and archives across a diverse range of examples. Desired By the end of the course students will be able to: Outcomes • Apply the basic vocabulary of film form. Page 1 of 14 Expressive Culture: Film • Grasp the mechanics of structuring a written argument about a film’s meaning. -
South Australian Multicultural and Ethnic Affairs Commission 2013
South Australian Multicultural and Ethnic Affairs Commission 2013–2014 Annual Report SAMEAC’s VISION To achieve an open, inclusive, cohesive and equitable multicultural society, where cultural, linguistic, religious and productive diversity is understood, valued and supported. 1 TABLE OF CONTENTS DEPUTY CHAIR’S EXECUTIVE SUMMARY 3 MEMBERS OF SAMEAC 9 ROLE OF SAMEAC 16 BUILDING COMMUNITY CAPACITY 17 PROMOTING MULTICULTURALISM 25 ACCESS AND EQUITY 29 REGIONAL INITIATIVES 31 WOMEN’S INITIATIVES 34 YOUTH INITIATIVES 35 INTERPRETING AND TRANSLATING SERVICES 36 APPENDIX 1 – FUNCTIONS OF SAMEAC 39 APPENDIX 2 – SAMEAC ADVISORY COMMITTEE MEMBERSHIP 40 APPENDIX 3 – REPRESENTATION ON EXTERNAL BOARDS AND 41 COMMITTEES AS SAMEAC’s NOMINEE APPENDIX 4 – REPRESENTATION ON EXTERNAL BOARDS AND 42 COMMITTEES BY SAMEAC MEMBERS APPENDIX 5 – FREEDOM OF INFORMATION 46 2 DEPUTY CHAIR’S EXECUTIVE SUMMARY As a Member and Deputy Chair of the South Australian Multicultural and Ethnic Affairs Commission (SAMEAC), I am proud of the achievements of SAMEAC in 2013-14 and the important role it is playing in promoting cultural diversity as one of South Australia’s great strengths. The past twelve months have been a period of challenges and opportunities for culturally and linguistically diverse (CALD) communities, in particular new and emerging communities. With each day that passes, we see the breadth of the contribution that migrants and refugees make to the social, economic and cultural life of South Australia, enriching communities in the metropolitan and regional areas and showcasing our State as an exemplar of peace, harmony and acceptance. As in 2012-13, this past year has seen a continuation of the growing interest in multiculturalism. -
Families Like Mine
LesbIan, gay, bIsexuaL, IntroductIon gender dIverse young peopLe Glossary resources and references GET SUPPORT questIonIng young peopLe Families like mine A guide for parents and families of young people who are lesbian, gay, bisexual, gender diverse or who are questioning their sexuality or gender identity Lesb Ian, gay, bIsexuaL, IntroductIon g ender dIverse young peopLe Gl ossary r esources and references GET SUPPORT questIonIng young peopLe ACknowLedgements beyondblue would like to thank all individuals who contributed to the development of this guide by providing advice and valuable feedback during the draft review’s, and/or participating in the questionnaire that helped us gain further insight and understanding into individual’s experiences. We recognise the diversity of identity among families living in Australia including families who identify as Aboriginal and Torres Strait Islander, or of migrant or refugee background. We have attempted to be as inclusive of this diversity as possible without referring to specific strengths and concerns of individual cultures or religions. The development of this guide included consultation with blueVoices members, beyondblue’s national reference group for people who have personal experience of anxiety and depression, or support someone who does. Their contributions have been invaluable, including to the Project Advisory Group, which was established to help lead the development of this guide. For more information on blueVoices, visit www.beyondblue.org.au/bluevoices beyondblue thanks our key collaborators on this guide, the National LGBTI Health Alliance and Parents, Families and Friends of Lesbians and Gays (PFLAG) Brisbane, for their invaluable support and advice through their representation in the Project Advisory Group and significant contributions to the writing of the guide. -
Adelaide Festoval Centre
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2011-12 September 2012 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 Contents Introduction ......................................................................................................... 4 Chairman’s Report .............................................................................................. 5 CEO & Artistic Director’s Report ......................................................................... 7 ROLE, PERFORMANCE AND GOVERNANCE ................................. 9 Adelaide Festival Centre Trust Act 1971............................................................. 9 Trustees .............................................................................................................. 9 Risk and Audit Committee ................................................................................ 10 Risk Management ............................................................................................. 10 Remuneration Committee ................................................................................. 10 Precinct Reference Group ................................................................................ 10 The Adelaide Festival Centre Foundation Board .............................................. 10 Organisational Chart ........................................................................................ -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Adelaide Queer Arts & Cultural Festival
Music Theatre Cabaret Drag Comedy & More de Queer A elai rts & Ad C ul tu r a l F e s t i v a l 7 – 29 nov 2020 F e F Messages Of Support | 2 a F MAJOR PARTNER e Feast Festival acknowledges that the s e event is held on the traditional lands of the Feast Hubs | 4 a & PROUDLY PRINTED BY Kaurna people and respects their spiritual ta relationship with their country. s s tFt Entrées | 6 e COVID-19 Special Events | 10 a Feast Festival and participating venues s are all managed by COVID-19 Safe and Cabaret | 18 Management Plans as applicable. Drag | 20 t TicketingFor more details & head Access to our website www.feast.org.au Information Theatre & Playreadings | 24 How to Book Workshops | 28 TicketingOnline: Tickets can & Access be purchased 24/7 Writing Live | 30 Informationvia credit card at www.feast.org.au Calendar | 34 HowTicketing to Bookenquiries please telephone: 08 8463 0684 Comedy | 38 Online: Tickets can be purchased 24/7 viaPlease credit note: card Proofat www.feast.org.au of ID, concession or Tours | 40 Ticketingeligibility enquiries for discounts please will telephone: be required 08when 8463 you 0684 enter specific events. Visual Art | 42 Please note: Proof of ID, concession or eligibilityAll tickets for will discounts incur booking will be required Music & Film | 46 whenand transaction you enter specific fees. For events. more Allinformation tickets will please incur booking check Trybooking’s Queer Conversations | 48 andterms transaction and conditions fees. For online more at informationwww.trybooking.com please check the Trybooking’s main ticket Leather & Kink | 52 termscategories and conditions are: online at www.trybooking.comFull Price: People with the no main form ticket of Community | 54 categoriesconcession are: or membership. -
WELCOME to SOUTH AUSTRALIA EVENTS CALENDAR APRIL 2020 | and BEYOND As at 3 April 2020 Adelaide Oval
WELCOME TO SOUTH AUSTRALIA EVENTS CALENDAR APRIL 2020 | AND BEYOND As at 3 April 2020 Adelaide Oval EXPERIENCE| MAJOR SPORTING EVENTS With its thriving Riverbank precinct and renewed venues GOLF EQUESTRIAN such as the Adelaide Oval and the South Australian The ISPS Handa Women’s Australian Open will tee off in Victoria Park is home to the Mitsubishi Motors Australian Aquatic and Leisure Centre, Adelaide is an ideal setting for Adelaide at Royal Adelaide in 2020 and Kooyonga in 2021. International 3 Day Event in November – the only 4 star major sporting events. event in the Southern Hemisphere. AFL CYCLING Adelaide Crows and Port Adelaide will stamp their MOTORSPORT Australia’s biggest cycling race, The Santos Tour Down authority at the Adelaide Oval during the AFL season. The Superloop Adelaide 500 opens the Virgin Australia Under is held annually in January. Supercars Championships in February, the Adelaide SWIMMING Motorsport Festival Adelaide Rally sees 4 days of action in CRICKET December, and The Bend will host the only Australian leg The Australian Open Water Championships will be hosted of the Asian Le Mans Series from January 2020. Fans can soak up the electric atmosphere of the Big Bash, at Brighton Beach, and the Australian Swimming One Day Internationals, and the Test Match, with domestic Championships – the Olympic Trials for Tokyo 2020 - will and international series cricket at Adelaide Oval. now be held in Adelaide in June 2021. NRL Adelaide will host game 2 of the 2020 Holden State of TENNIS Origin Series. Memorial Drive Tennis Centre will host 120 of the world’s best players at the Adelaide International in January. -
You Are the Cheese to My Macaroni Preserving the Archive of Australia’S Oldest Film School Donna L
You are the cheese to my macaroni Preserving the archive of Australia’s oldest film school Donna L. Hensler It has been said that short films are In 2013, in my role as VCA screen just like cheese—they get better with production coordinator, I took on the age.1 Taking this analogy further, good role of distributing the FTV’s short cheese depends on proper care and films, which had generated a buzz storage. It needs to be housed in its beyond academia. It soon became own capacious, gloomy, cheesy cave, apparent that the general vibe among residing at just the right temperature. past and present students was that Attention needs to be given to the the films they directed and produced humidity, and the area should be at the school went into the VCA clean, free of dust, and checked often. vault and died. This is similar to storing celluloid Encouraged by the academic film and magnetic media; unlike chalk staff and the current head of school, and cheese, the moving image and Nicolette Freeman, I became manchego have much in common and interested in helping VCA FTV their similarities go far beyond taste distribute its films online. Following and enjoyment. These living, breathing current digital distribution processes, organisms will alter their state as a which are at the forefront of business consequence of temperature, humidity development in the motion picture and light. It is these reactions that graduates, including directors Gillian and television industries, and with make the preservation and digitisation Armstrong (Little women, Oscar and the aid of the school, I began to of the Victorian College of the Arts Lucinda), Robert Luketic (Legally investigate digital distribution as a Film and Television School (VCA blonde, Monster-in-law), Adam way to disseminate the VCA FTV FTV) audiovisual archive a most Elliot (Harvie Krumpet), Andrew archive holdings. -
THE COMMITTEE MINUTES for the Meeting
THE COMMITTEE MINUTES for the meeting Tuesday 18 June 2019 in the Colonel Light Room, Adelaide Town Hall 1 The Committee Meeting Minutes, Tuesday 18 June 2019, at 5.54pm Present - The Right Honourable the Lord Mayor [Sandy Verschoor]; Councillor Martin (Chair) Councillors Abiad (Deputy Lord Mayor), Abrahimzadeh, Couros, Hou, Hyde, Knoll Moran (Deputy Chair) and Simms. Acknowledgement of Country At the opening of the Committee Meeting, the Chair stated: ‘Council acknowledges that we are meeting on traditional Country of the Kaurna people of the Adelaide Plains and pays respect to Elders past and present. We recognise and respect their cultural heritage, beliefs and relationship with the land. We acknowledge that they are of continuing importance to the Kaurna people living today. And we also extend that respect to other Aboriginal Language Groups and other First Nations who are present today.’ Apologies and Leave of Absence Apologies – Councillors Donovan and Khera. Confirmation of Minutes - 4/6/2019 That the Minutes of the meeting of The Committee held on 4 June 2019, be taken as read and be confirmed as an accurate record of proceedings. Items for Consideration and Recommendation to Council 1. Item 4.1 - Unowned and Semi Owned Cat Management [2009/00929] [TC] THAT THE COMMITTEE RECOMMENDS TO COUNCIL That Council: 1. Notes that a city-wide unowned and semi-owned cat colony audit has been undertaken and one colony has been located. 2. Notes the discussion paper, Attachment A to Item 4.1 on the Agenda for the meeting of The Committee held on 18 June 2019 and actions listed in the paper for implementation through existing Council service delivery and the 2019-2024 Dog and Cat Management Plan. -
Ozasia-Brochure-2008.Pdf
Oz FESTIVAL Presented by Adelaide Festival Centre 14῏28 September theatre ῏ dance ῏ music ῏ visual arts & design ῏ fi l m῏ food adelaidefestivalcentre.com.auadelaidefestivall BOOK AT 131 246 Last year’s inaugural OzAsia Festival highlighted how South Australia is celebrating CONTENTS and strengthening the cultural and artistic links that exist between our nation and Asia. 4 Moon Lantern Festival One of the Festival’s most signifi cant features is that it not 6 Shaolin in Wind only engages members of our broad Asian communities, 7 Chika but it excites interest among children, families, academics, 9 travel enthusiasts and artists from a range of backgrounds. Once Upon a Midnight Th e South Australian Government is a proud supporter 11 Th e Tale of Haruk of the OzAsia Festival, and I urge you to be a part of the 12 Daorum celebrations at the free Moon Lantern Festival, 13 Take me to Paradise and to engage with this enriching and entertaining 15 Shastriya Syndicate cultural event at the Adelaide Festival Centre. 17 Ecstatic Dances MIKE RA NN 18 Two Chefs & 100 Cultures Premier of South Australia 19 OzAsia on Screen Minister for the Arts 21 Ose Tara Lia 22 Home Sweet Home & Indonesian Storytelling 23 Confl uence 23 Ikebana Demonstrations 24 OzAsia Symposium 26 Booking & Access Information 28 Catering, Carpark & Transport As the Lieutenant Governor of South Celebrating the richness and diversity Welcome to the second annual OzAsia Australia and Chairman of the South of our Australasian culture, the 2008 Festival. We continue to celebrate Australian Multicultural and Ethnic Aff airs OzAsia Festival presents work from cultural exchange with our regional Commission (SAMEAC), I'm proud to be Australians who identify with an Asian neighbours through an array of moving the Patron of the OzAsia Festival.