Dmitri Smirnov (*1948) Tiriel, Op

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Dmitri Smirnov (*1948) TIRIEL, Op. 41 [1985] Opera in 3 acts (9 scenes) by Dmitri Smirnov based on a poem by William Blake English – German by Paul Esterházy full eve Tiriel, an old, blind king ........................... baritone Har, his father ................................. tenor Heva, his mother .............................. soprano Ijim, his brother ................................ tenor Zazel, his brother ................................ bass Hela, his daughter ............................. soprano Mnetha, Hars and Heva’s nurse ........................ contralto Myratana, Tiriel’s wife ............................ silent role Tiriel’s sons (and daughters) ................. men‘s choir/mixed choir ad lib. Zazel’s sons ............................... men's choir Nightingale, tiger, birds and flowers........................ ballet 3(picc).3(ob d’amore, cor anglais).3(bass clar).soprano sax. baritone sax.3(db bn) – 4.3.3.1 – 4-5 perc (timp, tgl, jingles, crot, claves, guiro, flex, 3 temple bl, 2 wood bl, 2 bongos, 5 tom-t, tamb, side dr, field dr, bass dr, cym, susp.cym, sizzle cym, bells, 3 gongs, tam-t, glsp, xyl, vibr, lion’s roar). harp. cel. strings King Tiriel, his dying wife Myratana in his arms, returns to his former palace. After he had become blind, his sons had rebelled against him. Tiriel then went with his wife into the wilderness, where he hoped in vain for the destruction of his sons. Myratana dies and her sons bury her. Tiriel holds them responsible for the death of their mother, but the curse he pronounces over them has no effect. Tiriel goes wandering again and ends up in the valley of the river Har, where he has been brought up. Without recognising him, his parents Har and Heva ask him to stay. Tiriel continues his travels, however, and meets his brother Iyim in the forest. When he sees Tiriel, Iyim thinks he is beholding an evil apparition and leads his brother to his palace. Tiriel’s sons are disgusted over the return of their father. Frightened, Iyim returns to the forest. The blind king repeats his curse, however, which this time has a terrible effect; only his daughter Hela is unaffected by it. He forces her to lead him to his parents. Agitated by her hate, he also curses his daughter; snakes begin to grow in her hair. Travelling, he encounters his other brother Zarel and his sons, once his slaves, who now mock him. Having arrived at his parents’, he curses them as well, but the curse spoken against his father turns back on him, and everything is destroyed with him..

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Tiriel the DEATH of a CULTURE
Tiriel THE DEATH OF A CULTURE By L. H. ALLEN* When Nations grow old the Arts grow cold Blake was born in 1757, the year which Swedenborg announced as beginning the Last Judgment. In The Marriage ofHeaven and a Hell Blake pronounced that new heaven had begun. The Marriage was evidently itsmanifesto,1 and Blake itsprophet. "Whenever any individual rejects error and embraces truth a last Judgment passes upon that individual."2 It is the passing of old values, the finding of new; and Blake has expanded the theme in his Vision of thehast Judgment. We may call it the death of a culture and the birth of a new one; or, variantly, the passing of an epoch in a culture and the birth of its successor. This, in the main, is the theme of Tiriel, and I shall give, as brieflyas I can, the story:Old Tiriel stands before his ruined palace which once dominated theWestern Plains. In his arms is the dying Myratana, his wife?"soul, spirit, fire." He calls on his rebellious sons, the eldest of whom mocks him, saying that,until they rebelled, theywere the slaves of his cruelty. Tiriel curses them, accusing them of having drained theirmother dry, and declaring that he will bury her. But his sonHeuxos calls on a son of Zazel, TiriePs brother, to dig the grave, reviling his fatherbecause he has enslaved ZazePs sons and rejected his own. Tiriel replies: "Bury your mother, but you cannot bury the curse of Tiriel." over Thereupon he wanders the "dark and pathless mountains," with blinded eyes, being aware of the sun, but unable to feel the in * Professor of English literature, University College, Canberra.
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