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UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title The Protestant Reformation and the English Amatory Sonnet Sequence: Seeking Salvation in Love Poetry Permalink https://escholarship.org/uc/item/16m3x3z4 Author Shufran, Lauren Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ THE PROTESTANT REFORMATION AND THE ENGLISH AMATORY SONNET SEQUENCE: SEEKING SALVATION IN LOVE POETRY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Lauren Shufran June 2017 The Dissertation of Shufran is approved: ____________________________________ Professor Sean Keilen, chair ____________________________________ Professor Jen Waldron ____________________________________ Professor Carla Freccero _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Lauren Shufran 2017 TABLE OF CONTENTS Abstract iv Acknowledgements vi Introduction 1 Chapter 1: “Till I in hand her yet halfe trembling tooke”: Justification in Edmund Spenser’s Amoretti 18 Chapter 2: Thomas Watson’s Hekatompathia: Reformed Grace and the Reason-versus-Passion Topos 76 Chapter 3: At Wit’s End: Philip Sidney and the Postlapsarian Limits of Reason and Will 105 Chapter 4: “From despaire to new election”: Predestination and Astrological Determinism in Fulke Greville’s Caelica 165 Chapter 5: Mary Wroth’s “strang labourinth” as a Predestinarian Figure in Pamphilia to Amphilanthus 212 Chapter 6: Bondage of the Will / The Bondage of Will: Theological Traces in Shake-speares Sonnets 264 iii ABSTRACT THE PROTESTANT REFORMATION AND THE ENGLISH AMATORY SONNET SEQUENCE: SEEKING SALVATION IN LOVE POETRY Lauren Shufran When he described poetry as that which should “delight to move men to take goodnesse in hand,” Philip Sidney was articulating the widely held Renaissance belief that poetry’s principal function is edification. -
Platonism and the Idea of Love in Spenser's Minor Poems
PLATONISM AND THE IDEA OF LOVE IN SPENSER'S MINOR POEMS Santiago Fernández-Corugedo University of Oviedo. Spain I would like to warn the possible audience of these considerations about the fact that I shall be mainly dealing with some very specific shorter poems by Edmund Spenser (*London, circa 1552 - †Westminster, 1599), instead of quoting lavishly from his two longer works as it seems that contemporary readers of English Renaissance poetry appear to delight themselves in the sonnet collections and other shorter poems which thus would enable their readers to appreciate the spark of genius of their authors in very little time, though I would assume as well that they may also consider several of the great poetic achievements of the late Tudor period as rather cumbersome. Cumbersome because in most cases their frequent overwhelming extension hinders the possibility of reading them in just one quiet afternoon or in a dark and stormy night. Caveat emptor & co. Contemporary passion for saving time in any activity in order to devote it to some idle occupations, a passion that Elizabethans shared as well, is not the only reason responsible for the removing of these literary works to rather remote shelves of the present-day everyman’s library of poetic diction, reasonable poetry and sensible taste. I would like to remark that there is a good number of 16th and 17th century poems that constitute quite an ordeal even for the most biased amateur of verse, as these are representative of a world that has been fully discarded by modern fashion and by poetic usage. -
“Her Cruell Hands”: Love As Predation in Amoretti
ঃਆઽࢂٷணপ࠙ 제16권 1호 (2008): 183-200 “Her cruell hands”: Love as Predation in Amoretti Inju Chung (Seoul Women’s University) Edmund Spenser’s sonnet sequence Amoretti has long been considered a personal love song, addressed to his second wife to be, Elizabeth Boyle, whom the poet got married later. And perhaps that is why the work has not received as much attention from the critics as Shepheardes Calender or The Faerie Queene did, for if the work were dealing only with Spenser's private love affair within the convention of sonnet writing, the sequence would hardly be more than a small work of sonnets, which Louis Martz meticulously defines as "intimate little tokens of love made out of ancient materials deriving, primarily, from Italy" (128). Careful examination of the sonnets, however, reveals that the work shows more facets and complexities than critics comfortably put a single label on. Spenser's sonnet sequence has, like Shakespeare’s sonnets, many different faces that demand our careful attention. 184 Inju Chung H. S. V. Jones is among the earlier critics who suggest that the work may have no direct relationship with Epithalamion, the marriage celebration published together with Amoretti in 1595, and therefore the lady in the sonnets may not necessarily be Elizabeth Boyle. He contends that Spenser did not initially mean to publish the two works together, because "the sequence, concluding with the separation of the lovers, does not lead up easily to the marriage hymn" (336). Except for the fact that the lady’s name in the sequence is Elizabeth, he concludes, we do not know for sure who this lady is (337). -
Edmund Spenser's Amoretti and Epithalamion : a Critical Edition
Edmund Spenser's AMORETTI AND EPITHALAMION A CRITICAL EDITION cneOievAL & ReMAissAKice xexTS & STuOies Volume 146 Edmund Spenser's AMORETTI AND EPITHALAMION A CRITICAL EDITION Kenneth J. Larsen (DeOieVAl. & RGMAlSSAMCe TejXTS & STuOies Tempe, AZ 1997 ® Copyright 1997 Arizona Board of Regents for Arizona State University Library of Congress Cataloging-in-Publication Data Spenser, Edmund, 1552P-1599. [Amoretti] Edmund Spenser's Amoretti and Epithalamion: a critical edition / Kenneth J. Larsen. p. cm. — (Medieval & Renaissance Texts & Studies ; v. 146) Includes bibliographical references and index. ISBN 0-86698-186-1 (alk. paper) 1. Love poetry, English-Criticism, Textual. 2. Sonnets, English-Criticism, Textual. 3. Marriage-Poetry. I. Larsen, Kenneth 1552?-1599. Epithalamion. III. Title. IV. J. II. Spenser, Edmund, Series. PR2360.A5 1997 821'.3-dc21 96-53914 CIP ® This book was produced by MRTS at SUNY Binghamton. This book is made to last. It is set in Goudy, smythe-sewn and printed on acid-free paper to hbrary specifications. Printed in the United States of America Contents Introduction 1 An Edited Text of Amoretti and Epithalamion 67 Commentary 121 Textual Notes 255 Appendix 263 Bibliography 276 Index to the Commentary 285 Amoretti: Index of First Lines 290 My gratitude is due to Professor A. C. Hamilton for early encour- agement and later enthusiasm; to my colleagues in the English Depart- ment, University of Auckland; to the staff of the Folger Shakespeare Library for much courtesy and patience; and finally to the fourth Elizabeth of this sequence, my wife, and to Daniel and Alexander, all of whom bore the brunt. Formal acknowledgement is also made to the Master and Fellows of Trinity College Cambridge for their kind permission to reproduce Spenser's Amoretti, 1595: Capell * 18 f.G.3r. -
Femininity in Edmund Spenser's Amoretti
– UNIVERZITA KARLOVA – FILOZOFICKÁ FAKULTA ÚSTAV ANGLOFONNÍCH LITERATUR A KULTUR Femininity in Edmund Spenser’s Amoretti Ženskost v Amoretti Edmunda Spensera BAKALÁŘSKÁ PRÁCE Vedoucí bakalářské práce (supervisor): Helena Znojemská, PhD. Zpracovala (author): Julie Matějková Studijní obor (subject): Anglistika a amerikanistika Praha, srpen 2018 Declaration I declare that the following BA thesis is my own work for which I used only the sources and literature mentioned, and that this thesis has not been used in the course of other university studies or in order to acquire the same or another type of diploma. Prague, 8 August 2018 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu, a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného či stejného titulu. V Praze dne 8. srpna 2018 ……………………………………………………… 1 Acknowledgements: I would like to express my deepest gratitude to my supervisor Helena Znojemská, PhD., for her patience, tolerance and kind guidance during the writing of this thesis. 2 KEYWORDS (ENG) Renaissance literature, Edmund Spenser, femininity, Francesco Petrarch, Samuel Daniel, sonnet, gender, Amoretti, Delia, Canzoniere, Rime sparse KLÍČOVÁ SLOVA (CZE) Renesanční literatura, Edmund Spenser, ženskost, Francesco Petrarca, Samuel Daniel, sonet, gender, Amoretti, Delia, Zpěvník, Canzoniere, Rime sparse 3 ABSTRACT (ENG) This thesis focuses on Edmund Spenser’s sonnet cycle the Amoretti with the aim of highlighting the manner in which its treatment of the Lady of the Sonnet (in this case inspired by Spenser’s second wife Elizabeth Boyle) differs from the common tendencies exhibited by other Petrarchan sonneteers – specifically, that she is allowed to play a comparatively more active role in the cycle’s narrative and engage the speaker more directly, that her personality and opinions are defined with greater clarity, and overall that she displays an atypical amount of independence, considering the genre she appears in. -
The Spenser Project: Significance
The Spenser Project: Significance The Spenser Project has two main components: 1. Oxford University Press (OUP) will publish The Collected Works of Edmund Spenser in six volumes, re-edited from the earliest extant sources with ample consideration given to later editions. 2. The editors will construct a searchable digital Archive containing our fully edited text, allowing readers to examine textual features and scholarly materials in ways not possible with a print edition. The Archive will also contain facsimiles of original materials, including scans of all variant states. A Scholarly Editions Grant will support Professors Loewenstein, Miller, Cheney, and their editorial colleagues in delivering the third, fifth, and much of the fourth volume and in publishing the corresponding digital materials online. By making the resources of a research library generally available, the Spenser Project will make a sizable contribution to humanities scholarship and teaching. Spenser’s texts are central to a literary and philosophical tradition that investigates the political function of private ethics; as such, they take their proper place among the writings of Plato, Cicero, Virgil, More, Milton, Blake, Sartre, Rawls, and Nussbaum. By carefully editing and providing broader access to Spenser’s texts, we hope to strengthen our culture’s engagement with this tradition. This literary- and text-critical undertaking is long overdue. Most editions of Spenser’s poems rely on textual scholarship that is two generations out of date. We are presenting the first detailed edition of Spenser’s lesser known writings, including the Spenser–Harvey Letters and A Vewe of the Present State of Ireland, and are assiduously collating early copies of his more celebrated works: our editorial procedures should provide the most authoritative and complete edition of Spenser to date. -
Edmund Spenser's Amoretti Edmund Spenser Was One of the Greatest Poets of the English Renaissance. He Was Born in London in T
Edmund Spenser’s Amoretti Edmund Spenser was one of the greatest poets of the English Renaissance. He was born in London in the year 1552 or 1553 (little is known about his birth) and died in London on 13th January 1599, and was buried in Poets’ Corner in Westminster Abbey. He is recognized as one of the premier craftsmen of nascent Modern English verse, and is often considered one of the greatest poets in the English language. Spenser published his first volume of poetry, The Shepheardes Calender in 1579, dedicating it to the poet Sir Philip Sidney. His masterpiece is the epic poem, The Faerie Queene, which was written in honor of Queen Elizabeth 1 and in celebration of the Tudor dynasty. The first three books of The Faerie Queene were published in 1590, and a second set of three books were published in 1596. Spenser originally indicated that he intended the poem to consist of twelve books, although it remained incomplete. Spenser published numerous relatively short poems, almost all of which consider love or sorrow. Among these poems Colin Clouts Come Home Again, Fowre Hymns, Complaints poems, Amoretti sonnets, Epithalamion and Prothalamion etc. are worth mentioning. Amoretti is a sonnet cycle written by Edmund Spenser. It is a series of 89 love sonnets dedicated to Elizabeth Boyle, the lady of his dreams whom he pursues and eventually marries in 1594. The term ‘amoretti’ is literally defined as ‘little loves’ or ‘little cupids’. The tradition of writing a sequence of many sonnets, based on the Petrarchan model, was initiated in English by Sir Philip Sidney in Astrophel and Stella in 1580. -
Lecture-5 Sonnet Sequence
1 LECTURE-5 SONNET SEQUENCE A sonnet sequence is a group of sonnets thematically unified to create a long work, although generally, unlike the stanza, each sonnet so connected that it can also be read as a meaningful separate unit. The sonnet sequence was a very popular genre during the Renaissance, following the pattern of Petrarch. Sonnet sequences are typically closely based on Petrarch, either closely emulating his example or working against it. The subject is usually the speaker's unhappy love for a distant beloved, following the courtly love tradition of the troubadours, from whom the genre ultimately derived. An exception is Edmund Spenser's Amoretti, where the wooing is successful, and the sequence ends with an Epithalamion, a marriage song. Although many sonnet sequences at least pretend to be autobiographical, the genre became a very stylised one, and most sonnet sequences are better approached as attempts to create an erotic persona in which wit and originality plays with the artificiality of the genre. Thus one could regard the emotions evoked to be as artificial as the conventions with which they are presented. THE ELIZABETHAN SONNET SEQUENCE The phrase “Elizabethan sonnet sequences” refers to the series of English sonnets written by various prominent practitioners in the Elizabethan era, such as William Shakespeare, Sir Philip Sidney, and Edmund Spenser. Shakespeare’s sonnet sequence includes 154 sonnets. Spenser’s main sonnet series is a collection entitled Amoretti and Sidney’s most famous sonnet series is entitled Astrophil and Stella. The English sonnet sequence became a phenomenon around 1580 and remained a major literary and cultural influence until around 1610. -
Courtly Love and Companionate Marriage in the Poetry of Sir Philip Sidney and Edmund Spenser
Quidditas Volume 32 Article 10 2011 “Mutual Comfort”: Courtly Love and Companionate Marriage in the Poetry of Sir Philip Sidney and Edmund Spenser Amanda Taylor University of Minnesota Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Taylor, Amanda (2011) "“Mutual Comfort”: Courtly Love and Companionate Marriage in the Poetry of Sir Philip Sidney and Edmund Spenser," Quidditas: Vol. 32 , Article 10. Available at: https://scholarsarchive.byu.edu/rmmra/vol32/iss1/10 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Quidditas 172 “Mutual Comfort”: Courtly Love and Companionate Marriage in the Poetry of Sir Philip Sidney and Edmund Spenser Amanda Taylor University of Minnesota The interaction between courtly love poetry and the development of companion- ate marriage has received little critical attention. Rather, critics of courtly love poetry focus on authorial ambition and self-presentation. This paper explores how the revision of the courtly love genre in the poetry of Sir Philip Sidney and Edmund Spenser participated within the societal transformation toward com- panionate marriage. The individualized female characters in their poetry shatter courtly stereotypes, but the relationship options presented either fragment the sequence, as in Sidney’s Astrophil and Stella, or enable it to drive forward to completion, as in Spenser’s Amoretti and Epithalamion. -
Unit -2 Spenser: Amoretti, Prothalamion. the Faerie Queene
Unit -2 qqq Spenser: Amoretti, Prothalamion. The Faerie Queene Structure 2.1 Objectives and Introductions 2.2 Introduction 2.3 Edmund Spenser : Life and Works 2.4 Background 2.5 The Renaissance and The Reformation 2.6 Women : History and Poetry 2.7 Sonnets 2.8 Themes 2.9 Sonnet Structure 2.10 Text: Amoretti 2.10.1 Sonnet IX 2.10.2 Sonnet LXXV (75) 2.10.3 Conclusion 2.11 Text : Prothalamion 2.11.1 Sonnet III 2.11.2 Conclusion 2.12 The Faerie Queene 2.12.1 Plan of the Faerie Queene 2.12.2 Allegory 2.12.3 Excerpt I 2.12.4 Notes 2.12.5 Excerpt II 2.12.6 Books I and II 2.13 Questions 2.14 Reference 34 2.1 qqq Objectives 1. To introduce you to areas you to areas you need to negotiate for a better understanding of a few Spenserian and Shakespearean poems. 2. To acquaint you with Edmund Spenser and help you to understand, analyze and appreciate some of his poems namely, 2 sonnets from his Amoretti, a stanza from his Prothalcunion and 2 excerpts from The Faerie Queene. 3. To acquaint you with William Shakespeare as a poet and help you to understand, analyze and appreciate 6 Shakespearean Sonnets. 4. To increase your awareness of some of the more modern responses to these ‘old’ verses. 2.2 qqq Introduction: This Section takes a close look at some poems of Edmund Spenser (15527-1599) and William Shakespeare (1564-1616), easily two of the greatest and most popular poets not just of their age but of all times. -
Dramatic Unity in Spenser's Amoretti. Anacreontics and Fowre Hymnes
t ,Pl.. ma ; ~,.a; 1F~ , MU 1 :t&L - , , ! DRAMATIC UNITY IN SPENSER'S AMORETTI. ANACREONTICS AND FOWRE HYMNES by Eusebia da Silva Department of English McGill University ) A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts @ Eusebia da Silva, March 1989 1 TABLE OF CONTENTS Page ACKNOWLEDGEMENT i ABSTRACT ii , , RESUME iii INTRODUCTION 1 CHAPTER ONE: THE AMORETTI 9 CHAPTER TWO: THE ANACREONTICS 34 CHAPTER THREE: AN HYMNE IN HONOUR OF LOVE 55 CHAPTER FOUR: AN HYMNE IN HONOUR OF BEAUTIE 71 CHAPTER FIVE: AN HYMNE OF HEAVENLY LOVE 87 CHAPTER SIX: AN HYMNE OF HEAVENLY BEAUTIE 107 CONCLUSION 125 BIBLIOGRAPHY 128 ACKNOWLEDGEMENT l wish to thank Professor Maggie Kilgour for her direction and advice. l am grateful to her too for kindly taking the time during her sabbatical year to read early drafts of the thesis. l thank Professor William Johnson for sending me a copy of his paper "Love 1 s AscentjDescent in Spenser' s Amoretti and Fowre Hymnes." l especially appreciated his letters and helpful suggestions which urged me to enjoy rather than agonize over Spenser. l am grateful to Professor Paul Piehler for teaching me how to read and reread works of literature, for his guidance and his generosity. l valued very much the encouragement and constructive criticism of sister Lorraine Crowe S.N.J .M., Sister Barbara Gooding R.S.M., and Dr. Faith Wallis, who read parts of' various drafts of the thesis. Special thanks to Dr. Nini Pal who read the thesis thoroughly and contributed greatly to the progress of my work. -
Chapter 1 Introduction: Playfulness in the Amoretti
CHAPTER 1 INTRODUCTION: PLAYFULNESS IN THE AMORETTI A Survey of Criticism Regarded as “one of the four founding fathers of modern English literature, along with Chaucer, Shakespeare and Milton” (Hadfield 1), Edmund Spenser has enjoyed a good deal of scholarly interest over the years and “there is no English poet of the period on whom more extended comment would be available” (Cummings blurb). However, the present state of scholarship indicates that Spenser’s sonnet sequence, Amoretti, has not attracted an enthusiastic following. Since its first appearance in 1595, the sequence has been branded as inferior to the sonnet sequences produced by Shakespeare, Sidney, Daniel and Drayton, the other great sonneteers of the Elizabethan era, and Spenser’s reputation as “the most important non-dramatic English Renaissance poet” (Hadfield [i]) has in the past rested largely on his achievement in The Faerie Queene. The Critical Heritage volume on Spenser, which includes a comprehensive collection of Spenser criticism until 1715, has only three references to the Amoretti. In his Conversations with Ben Jonson, William Drummond of Hawthornden described the Amoretti as childish and expressed his belief that they were not written by Spenser at all. As to that which Spenser calleth his Amoretti [sic], I am not of their opinion, who think them his; for they are so childish, that it were not well to give them so honourable a father. (Cummings 140) John Hughes, “the first critic to consider the sum of Spenser’s work and not merely fragments of it” (Mueller 1), devotes a few sentences to the Amoretti in his introduction to the 1715 edition of Spenser’s Works, entitled “An Essay in Allegorical Poetry”.