Ubc Media Group Plc Annual Report & Accounts 2005
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Transforming the Way We Listen to Radio… ANNUAL REPORT and ACCOUNTS 2003
UBC MEDIA GROUP PLC ANNUAL REPORT UBC AND 2003 MEDIA ACCOUNTS REPORT PLC ANNUAL GROUP Transforming the way we listen to radio… ANNUAL REPORT AND ACCOUNTS 2003 UBC MEDIA GROUP PLC 50 LISSON STREET LONDON NW1 5DF T. 020 7453 1600 F. 020 7723 6132 www.ubcmedia.com PRINCIPAL SUBSIDIARIES Unique is the largest independent Classic Gold Digital is one of Unique Facilities operates UBC’s Unique Interactive specialises in the producer of customised audio the most successful ‘gold’ radio analogue and digital radio facilities development and sale of software content in the UK. The company formats in the UK. Classic Gold and provides broadcast services for the management and delivery ranks as a leading supplier of both Digital is broadcast on both for both the Group’s internal use of media content to both the commissioned programmes to the analogue and digital platforms, and for external clients. analogue and digital radio sectors. BBC and syndicated programmes and ranks amongst the largest to the commercial radio sector. formats on digital radio. PRINCIPAL JOINT VENTURES UBC holds a 50% interest in UBC is a member of the MXR Oneword Radio. The Sony Radio consortium, which operates Academy Award-winning station regional digital radio multiplexes is the only national commercial covering North East and North digital radio station dedicated West England, the West Midlands, to the spoken word. South Wales and the Severn Estuary and Yorkshire. Group Turnover Operating Profit/(Loss)* 2001– 2003 2001– 2003 (£million) (£'000) 10.32 9.19 73 6.18 -210 -519 01 02 03 *Operating profit/(loss) before 01 02 03 goodwill and development. -
The Digitalisation of Radio
The digitalisation of radio How the United Kingdom has handled the rollout of digital radio – lessons for New Zealand. A report for the Robert Bell Travelling Scholarship University of Canterbury Kineta Knight May 2009 CONTENTS Introduction 3 DAB – an overview 5 Part One – New Zealand media figures react to DAB 6 Part Two – DAB in the United Kingdom DAB terminology 8 Introduction 9 Establishing DAB in the UK: the benefits 13 Barrier to not adopting DAB 16 Launching DAB 17 Cost of DAB 19 Logistics of starting up DAB 20 Promoting DAB 21 Consumer uptake of DAB sets 22 Downfalls of DAB 24 The infamous pulling-out GCap 28 Internet streaming vs. DAB 30 Part Three – Current state of DAB in the United Kingdom Introduction 32 How the recession has affected DAB 33 Channel 4 35 DRWG – the way forward 38 DAB’s future in the UK 40 DAB+ for the future? 42 Part Four – Would DAB+ work in New Zealand? 44 Conclusions and recommendations 46 Works cited 48 2 Introduction Digital technology is now at the forefront of international media, quickly leaving the analogue medium behind. With the evolution of television in New Zealand moving into the digital age, such as Sky Television and the introduction of Freeview, the switching of radio from analogue to a digital form promises to follow closely behind. The reason digital radio is of major interest in New Zealand is because the Government, along with a digital service provider and some of the nation’s major broadcasters, have been trialling a digital service. But, for New Zealand there are still uncertainties over which digital option to choose, how best to introduce it and control growth, what impact it will have on existing stations, and what will happen to the current market when new stations are established? New Zealand broadcasting and telecommunications company Kordia has already trialled a digital service, Digital Audio Broadcasting (DAB), but the Government is yet to commit to a long-term rollout of the technology. -
Annual Report and Accounts 2003 1 Introduction
Guardian Media Group plc Annual Report and Accounts 2003 1 Introduction 2 Chairman's statement 4 Guardian Media Group plc Board of directors 5 Guardian Media Group plc structure 6 Chief Executive’s review of operations 10 The Scott Trust 12 Social responsibility 16 Financial review 17 Corporate governance 20 Report of the directors 23 Independent auditors’ report 24 Group profit and loss account 25 Group balance sheet 26 Company balance sheet 27 Group statement of total recognised gains and losses 28 Group cash flow statement 29 Cash flow reconciliations 30 Notes relating to the 2003 financial statements 51 Group five year review 52 Corporate directory Guardian Media Group plc is a UK media business with interests in national newspapers, community newspapers, magazines, radio and internet businesses. The company is wholly-owned by the Scott Trust. The Scott Trust was created in 1936 to secure the financial and editorial independence of the Guardian in perpetuity. Financial highlights 2003 73.5 68.2 67.3 526.0 50.1 47.4 456.4 439.0 437.4 411.1 36.9 29.4 29.8 9.8 1.6 1999 2000 2001 2002 2003 1999 2000 2001 2002 2003 1999 2000 2001 2002 2003 Turnover including share of Total group operating profit Profit before taxation. £m joint ventures and associates. £m including share of joint ventures and associates. £m 193.5 175.5 164.3 161.4 356.7 327.6 332.8 136.7 285.0 235.3 1999 2000 2001 2002 2003 1999 2000 2001 2002 2003 Group net assets. -
UBC Media Group Plc Annual Report and Accounts 2008
UBC Media Group plc Annual Report and Accounts 2008 UBC Media Group plc UBC Media Group plc 50 Lisson Street 50 Lisson Street London NW1 5DF London NW1 5DF t: 020 7453 1600 t: 020 7453 1600 f: 020 7723 6132 f: 020 7723 6132 www.ubcmedia.com www.ubcmedia.com Chairman’s statement 2 I believe UBC has reached a watershed in its development and the next the service, which will instead be made available as a business solution few months will see profound changes to the Group and its operations. to digital radio manufacturers. This is clearly a disappointing outcome, A number of factors have combined to make this so; some of these are but the Board believes that the decision to stop the current high levels of particular to UBC, whilst others reflect issues affecting the wider commer- investment required by Cliq as a consumer service is in the best interests cial radio industry. I set out below how I believe these changes will impact of shareholders. on the Group and also the Board’s strategy for the future. On behalf of my fellow directors, I would like to pay tribute to all the staff Firstly, however, I am pleased to report that in the year to 31 March 2008 at UBC for their hard work and commitment during what has been a UBC performed well, with revenues for the Group up 17.3% at £15.54 challenging and difficult period for the Group. million (2007: £13.25 million). As a result of writing off the costs relating to Should the sale of the Commercial Networking division go ahead, the Group the Group’s investment in Cliq, the Group reported a loss after taxation from will be significantly different. -
2009 Annual Report
UBC Media Group plc Annual Report and Accounts 2009 UBC Media Group plc 50 Lisson Street London NW1 5DF t: 020 7453 1600 f: 020 7723 6132 www.ubcmedia.com Contents Chairman’s statement 1 Chief Executive’s review 2 Financial review 3 Board of Directors 4 Directors and advisers 4 Directors’ report 5 Corporate governance statement 7 Statement of Directors’ responsibilities 9 Directors’ remuneration report 10 Independent auditors’ report 11 Consolidated income statement 12 Consolidated balance sheet 13 Cash flow statement 14 Consolidated statement of changes in net equity 14 Notes to the financial statements 15 Parent company balance sheet 36 Parent company reconciliation of shareholder’s funds 36 Notes to the parent company financial statements 37 Notice of Annual General Meeting 41 Chairman’s statement My first report to shareholders is in respect of a year in which the world all management and staff (some of whom have left with, or as a result 1 has experienced one of the most extraordinary financial crises in a of, the sale of the Commercial division) for their professionalism, hard century, the consequences of which are still extremely uncertain as to work, commitment and sheer tenacity during what has been a very breadth, depth and length of economic decline and pace of subsequent unsettling period. There have been a number of Board changes during recovery. It is therefore encouraging that, despite such turmoil and future the year and on behalf of the Board I would like to thank John Hodson, economic and political uncertainty, your Company has been able to John Quinn, Gavin Rigby and Simon Howell, for their significant deliver strong profits due to the profound changes to the Group contribution to the Group over the years. -
RFI20110554 (Original Request RFI20100457)
8th June 2011 Request for Information – RFI20110554 (Original Request RFI20100457) Thank you for your request of 11 May 2011 under the Freedom of Information Act 2000 (‘the Act’) seeking the following information (narrowing your original request RF120100457): Can I please have a full list of your suppliers in spend for those suppliers with spend over £25,000 in the financial year 10/11 excluding spend in the production resources category (as these suppliers provide services relating to our programme making therefore the information for them is highly likely not to be covered by the Act)” order (starting with the largest). The reference number for your request is RFI20110554. Please find in the enclosed document the information you requested. Please note that the BBC considers a ‘supplier’ as an external provider of services or goods to the BBC in response to a purchase order and is paid through the accounts payable system. The external suppliers of goods and services in the attached appendix 1 includes all suppliers that the BBC traded with during the 12 months 1st April 2010 – 31st March 2011 where the spend during that period was £25,000 or greater. We have excluded the names of approximately 19 individuals who have received payments from the BBC. It is highly likely that the majority of these individuals were not external providers of goods or services to the BBC and therefore do not fall within the definition of ‘supplier’ outlined. However it is possible that a small number of these individuals would fall within the definition outlined above. I estimate that to identify whether these individuals constitute external providers of goods and services (and to therefore identify whether their names were information relevant to your request) would take more than two and a half days because it would require us to drill down into purchase order and/or invoicing paperwork associated with the payment in order to identify the reason for the payment; under section 12 of the Act, we are allowed to refuse to handle the request if it would exceed the 'appropriate limit'. -
The Relationship Between the BBC and the Commercial Radio Sector
The Relationship Between the BBC and the Commercial Radio Sector in promoting DAB (Digital Audio Broadcasting) in the United Kingdom. John P Devlin A thesis submitted in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy November 2015 ABSTRACT The place of Digital Audio Broadcasting (DAB) in the UK provides an interesting area of study. As of 2015, it is a platform which has been in existence for twenty years. During that time its position has been nebulous. It represents only one method of listening to radio output in a digital format but one in which the BBC, and latterly, the commercial radio sector, placed a huge degree of trust. It has however not become the standard mode of radio listening. One can argue that after much proactive effort from within the UK radio industry, its position may be beginning to falter somewhat in the commercial sector while remaining a paramount policy objective for the BBC. The aim of this thesis is to account for the emergence of DAB and its impact on the relationship between the BBC and the commercial radio sector. It examines the separate and joint roles of each in promoting DAB and highlights how this led to a unique period of cooperation between the two. A historical backdrop is necessary in order to establish the previous state of relations, before embarking upon the core of the thesis which argues that both parties adopted significant changes of posture in order to promote DAB. I argue that the implementation of DAB as a new radio technology represents a marked period of institutional change within the UK radio industry.