The Case Study of the Spiteful Tots Community Terri Chih-Yin

Total Page:16

File Type:pdf, Size:1020Kb

The Case Study of the Spiteful Tots Community Terri Chih-Yin CORE Metadata, citation and similar papers at core.ac.uk Provided by White Rose E-theses Online Enacting Privacy and Everydayness online: The case study of the Spiteful Tots community Terri Chih-yin He Mphil 2008 Abstract This thesis focuses on an online Taiwanese community named the Spiteful Tots. The long-term participants are mainly gay men, with several lesbian women, bisexual, transgender (LGBT) and heterosexual people. The community, whilst accessible by anyone via a registered screen ID name, operates like a private club. As a part of this community from its beginning in 2000, I am interested in the community in this particular location, not least because of my own affiliation with Taiwan, but because of the cultural specificity of Taiwan as non-Western and yet Westernised. My research methodology is based on approaches inspired by ethnography. I observe the dynamics, participate in the community, collect data, and visit online and offline sites to formulate ideas in relation to both the inside and outside of the community. I use knowledge and experience gained from my interaction with the Spiteful Tots participants and with the wider Taiwanese society. I locate the community within the culture of contemporary Taiwan, utilising and critiquing previous literature on the politics of sexuality, gender theories, and critical analyses of heteronormativity. My findings are: a) the Spiteful Tots participants carefully negotiate ways of maintaining privacy within the group, and do not ‘come out’ in recognised LGBT ways; b) the Spiteful Tots community focuses on discussion of mundane everyday life, rather than on sexual politics. My findings have the following implications: a) privacy and everydayness enables the Spiteful Tots participants to assert 'freedom from scrutiny and created a zone of "relative insularity"' (Cohen 2000); b) a rejection to heteronormativity is enabled by (re)asserting the right of privacy and validating everyday life as a gay or queer subject, and c) therefore, there needs to be consideration and recognition of gay or queer subjects’ right of privacy, as well as academic and political attention to the representation of sexual minorities’ everydayness. Keywords: everydayness, LGBT, online communities, privacy, Spiteful Tots, Taiwan ii List of Contents List of Figures, Illustrations and Tables ....................................................................v Author’s Declaration ..................................................................................................vi Chapter One | Enacting Privacy and Everydayness Online ....................................1 Spiteful Tots ..........................................................................................................5 Non-tongzhi? ................................................................................................7 Coming Out ........................................................................................................11 A Gender Imbalance?........................................................................................18 Key Inquiries ......................................................................................................22 Chapter Two | Taiwan in Context.............................................................................29 The Position of Taiwan ......................................................................................32 Ethnic Conflicts..........................................................................................35 International Status ...........................................................................................49 Sexualities ...........................................................................................................53 The Tongzhi Movement .............................................................................57 Tongzhi, Ku’er and Tongxinglian .............................................................65 Chapter Three | Literatures Review and Theoretical Formulation ......................73 The Problematics of Queer Visibility ...............................................................75 The Paradigm of the Closet.......................................................................81 Chinese Culture and Sexuality .........................................................................87 Norms and the Everyday...........................................................................90 Performativity and Naturalisation ...................................................................97 To Be or Not to Be an Activist.........................................................................101 Concluding remarks ........................................................................................107 Chapter Four | Methodologies and Methods.........................................................109 Researching an online community .................................................................110 Internet research ethics ...........................................................................112 The Spiteful Tots BBS site...............................................................................127 The researcher in the community...........................................................128 Situating the Spiteful Tots community...........................................................144 WWW and BBS........................................................................................146 Understanding the Spiteful Tots: Tools and Methods...................................167 Boundaries redrawn and redefined........................................................170 Everyday internet.....................................................................................180 The continuum of private and public.....................................................183 Gender and Sexuality ..............................................................................188 Concluding remarks ........................................................................................192 iii Chapter Five | Privacy and Visibility .....................................................................196 Why Privacy Matters.......................................................................................199 Privacy in the Spiteful Tots community.................................................208 What is online privacy?...........................................................................219 Where Visibility Comes into Play...................................................................237 Visibility, presence and display...............................................................244 Concluding remarks ........................................................................................274 Chapter Six | Textualised Records of Everyday Life ............................................278 The Everyday ...................................................................................................280 What kind of everyday? ..........................................................................280 Why everyday?.........................................................................................286 The theorisation of the everyday ............................................................288 Textuality about the everyday.................................................................293 Space and Place................................................................................................298 Black Box ..................................................................................................299 Qiaojia.......................................................................................................305 Banality .....................................................................................................313 What kind of resistance? .................................................................................315 Political correctness .................................................................................317 Everyday non-tongzhi..............................................................................322 Reloading the theoretical power of the everyday..........................................328 Chapter Seven | Research Limitation and Future Direction of the Research ....335 Limitation of Research ....................................................................................342 Directions for Future Research.......................................................................346 Appendix...................................................................................................................348 Bibliography .............................................................................................................370 iv List of Figures, Illustrations and Tables Chapter Two Table LGBT sites in contemporary Taiwan 59 Chapter Four Figure 1 adapted from Sveningsson, 2004: 56 119 Figure 2 reproduced from McKee and Porter, 2008: 732, based on their adaptation of Sveningsson 120 Figure 3 my addition of the numbered boxes, based on McKee and Porter’s adaptation of Sveningsson 121 Figure 4 photo taken from McKee and Porter 2009: 21 123 Figure 5 my addition of Spiteful Tots to Fig 4 129 Screenshot Image (i) PTT 153 Screenshot Image (ii) PTT sexuality boards 154 Screenshot image (iii) KKcity accessed via KKman Screenshot image (iv) The Main Menu of KKcity Table comparing and contrasting the Spiteful Tots community and PTT boards 156 Copied
Recommended publications
  • Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
    Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below.
    [Show full text]
  • Warriors As the Feminised Other
    Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle.
    [Show full text]
  • All the Feff Stars 2017
    ALL THE FEFF STARS 2018 Brigitte LIN Ching Hsia, actress, Outside the Window, Cloud of Romance, Red Dust, Dragon Inn, Bride with White Hair, Chungking Express *Golden Mulberry for Lifetime Achievement Award CHINA DING Sheng, director, A Better Tomorrow 2018 ZHANG LinZi, director, Transcendent LIANG Shuang, sound designer, Transcendent FENG Jian, line producer, Transcendent CUI Hongtao, project-in-charge, Transcendent XIN Yukun, director, Wrath of Silence SUN Pei , DJ Pei HONG KONG Nansun SHI, producer Kim ROBINSON, hair-stylist and artist Chapman TO, director, The Empty Hands John SHAM, producer, My Heart is That Eternal Rose Derek CHIU, director, No. 1 Chung Ying Street Johnnie TO, director, producer, Throw Down YEH Ka-lun, director, Fresh Wave: Bright Spring Days HO Chung-ken, director, Fresh Wave: Fires LAM Hei-chun, director, Fresh Wave: Goodbye INDONESIA Arya VASCO, actor, My Generation George TIMOTHY, co-producer, My Generation Emil HERALDI, director, Night Bus JAPAN HIROKI Ryuichi, director, Side Job. TODA Akihiro, director, The Name YOSHIDA Daihachi, director, The Scythian Lamb OOKU Akiko, director, Tremble All You Want UEDA Shinichiro, director, One Cut of the Dead ICHIHASHI Koji, producer, One Cut of the Dead ICHIHARA Hiroshi, actor, One Cut of the Dead OSAWA Sinichiro, actor, One Cut of the Dead SHUHAMA Harumi, actress, One Cut of the Dead TAKEHARA Yoshiko, actress, One Cut of the Dead YOSHIDA Miki, actress, One Cut of the Dead Adam TOREL, representative, One Cut of the Dead TAKAMIYA Eitetsu, DJ THE PHILIPPINES Rae RED, director,
    [Show full text]
  • TAIWAN BIENNIAL FILM FESTIVAL 2019 FILM INFORMATION/TIMELINE October 18, 2019 7:30 Pm
    TAIWAN BIENNIAL FILM FESTIVAL 2019 FILM INFORMATION/TIMELINE October 18, 2019 7:30 pm – Opening Film HEAVY CRAVING Billy Wilder Theater In a special celebration, UCLA Film & Television Archive and Taiwan Academy in Los Angeles are excited to accompany the North American premiere of the film with a guest appearance by the film’s acclaimed Director/Screenwriter Hsieh Pei-ju, who will participate in a post-screening Q&A. HEAVY CRAVING (2019) Synopsis: a talented chef for a preschool run by her demanding mother, Ying-juan earns praise for her culinary creations but scorn for her weight. Even the children she feeds have dubbed her “Ms. Dinosaur” for her size. Joining a popular weight loss program seems like an answer but it’s the unlikely allies she finds outside the program—and the obstacles she faces in it—that help her find a truer path to happiness. Writer-director Hsieh Pei-ju doesn’t shy away from the darker sides of self-discovery in what ultimately proves a rousing feature debut, winner of the Audience’s Choice award at this year’s Taipei Film Festival. Director/Screenwriter: Hsieh Pei-ju. Cast: Tsai Jia-yin, Yao Chang, Samantha Ko. October 19, 2019 3:00 pm – “Focus on Taiwan” Panel Billy Wilder Theater Admission: Free With the ‘Focus on Taiwan’ panel UCLA Film & Television Archive and Taiwan Academy in Los Angeles are thrilled to present a curated afternoon of timely conversations about issues facing the Taiwan film industry at home and abroad, including gender equality and inclusion of women and the LGBTQ community on screen and behind the camera, the challenges of marketing Taiwanese productions internationally and more.
    [Show full text]
  • Labor Chief Speeds up Work Permit Procedure
    Ad-Phuket dot com K. Anna AV Volume 13 Issue 18 News Desk - Tel: 076-236555May 6 - 12, 2006 Daily news at www.phuketgazette.net 25 Baht The Gazette is published in association with Labor Chief Crowne Plaza speeds up work permit IN THIS ISSUE procedure NEWS: THAI and Bangkok Air- sold for B3.7bn By Natcha Yuttaworawit ways sign deal; Beware of fakes cops, Police Chief By Gazette Staff PHUKET CITY: Work permits warns. Pages 2 & 3 are being renewed in just 15 min- INSIDE STORY: Rising oil KARON: The Crowne Plaza utes and new work permits ap- prices and the knock-on effect Karon Beach Phuket resort has proved faster than ever thanks for Phuket. Pages 4 & 5 been bought by Dubai-listed ho- to streamlining of procedures at AROUND THE ISLAND: If the cap tel and resort investment com- the Phuket Provincial Employ- fits… Page 8 pany Kingdom Hotel Invest- ment Office (PPEO). AROUND THE REGION: Revis- ments (KHI), which is headed by PPEO Chief Boonchok iting the Khao Lak blues. Saudi Arabia’s Prince Alwaleed Maneechot explained that before Page 9 Bin Talal Bin Abdul Aziz Al-Saud. implementing the new proce- PEOPLE: Off The Wall. KHI paid US$98.5 million dures he had consulted with em- Pages 10 & 11 (3.7 billion baht) for the property, ployment officers for a month in including US$30.5 million (1.1 order to determine the most effi- LIFESTYLE: Summer fashion. billion baht) in debt. cient way to process work per- Pages 12 & 13 Prince Alwaleed was listed mits.
    [Show full text]
  • Chungking Express.Pdf
    Chungking Express BEFORE VIEWING – BEFORE READING SYNOPSIS TASK ■ With a partner, discuss and record your expectations of a film called Chungking Express which has been made in Hong Kong. After viewing the film you should compare notes with your partner to see how many of your expectations have been confirmed or contradicted. SYNOPSIS Cult Hong Kong filmmaker Wong Kar Wai’s Chungking Express is a stylish combination of romance, dead-pan comedy and film noir set in and around Hong Kong’s notorious Chunking Mansions, a complex of shabby hostels, bars and clubs teaming with illegal immigrants. The story centres on a small takeaway stall, the Midnight Express, which is frequented by two lovelorn Cops (223, Takeshi Kaneshiro and 633, Tony Leung Chiu Wai). They become involved with a mysterious drug dealer dressed in a blonde wig and sunglasses (Brigitte Lin), on the run from drug traffickers, and an impulsive young dreamer (Faye Wong) who works behind the counter of the Midnight Express. The central concerns of the film are identity and our reluctance to show, or to accept, who we truly are. The Brigitte Lin character wears a wig and sunglasses to hide her true self. Cop 223 refuses to accept the fact that his girlfriend has left him. The waitress (Faye Wong) secretly cleans the apartment for Cop 633 who avoids reading a goodbye note from his ex- girlfriend and is unable to realise that his apartment is getting cleaner and cleaner. BACKGROUND FOR WONG KAR WAI Wong Kar Wai belongs to the mid-1980s Second New Wave of Hong Kong filmmakers who continued to develop the innovative approaches initiated by the original Hong Kong New Wave, which included directors such as Tsui Hark, Ann Hui and Patrick Tam.
    [Show full text]
  • Shanghai and Beijing Travel Report 2010
    Shanghai International Film Festival and Market, Shanghai and Beijing meetings Report by Chris Oliver and Ross Matthews To report that the China screen landscape is undergoing change is not new news. All facets of the screen industry development, production, distribution, exhibition and broadcasting are going through change – a change that is in a positive direction. The change in the way the Chinese industry is engaging with the rest of world’s screen industries, including the way Government instrumentalities are relating to other countries (eg treaties) will be of real benefit to the Chinese and the international screen industry. Australia is well placed to benefit from those changes if (that’s capital IF) Australian producers/players understand the rules of engagement with Chinese producers, broadcasters and exhibitors and the Chinese government departments involved in implementing government policy. Why should Australia engage with China? There are obvious commercial reasons. Firstly, the Chinese gross box office (GBO) has increased by at least 30 per cent in the last year to US$909 million – and has now surpassed Australia to be number six in the world. According to those we had discussions with in China and what can be gleaned from the screen press, the China GBO will grow by at least a further 40 per cent in the 2010 calendar year! Secondly, China’s population has an ever-increasing level of Abbreviations disposable income to underpin AIDC Australian International Documentary Conference the cinema ticket price of $6–10: CCTV China Central Television TRAVELREPORT it’s been reported that middle CFCC China Film Co-production Corporation class numbers will exceed those CFGC China Film Group Corporation in the US by 2020.
    [Show full text]
  • Sheung Shui Got T Alent Olympic Spirit
    Who wants to be Hong Language matters Secondary School Musical Kong's next top model? 普通話 To switch or not to switch Back C2 YP Issue No.3 All Write Summer 2008 Fung Kai Liu Man Shek Tong Secondary School see updates at www.fklmstss.edu.hk Sheung Shui Got Talent Olympic Spirit Two cats from Sheung Shui spring surprise at the 59th Hong Kong K.Y. Kong Speech Festival. If you think the Olympics are for sports enthusiasts only, take a look at this school where language learners share the passion too. Reuters in the N.T. FKLMSTSS held an English Week from 14th to 18th April featuring the A highlight of this year’s Speech Festival, held between 28 November and 19 December, was the immensely competitive event, dramatic duologue. The adjudicator had a hard Olympics. During the week, time choosing the winner but was particularly impressed with the stunning performance different activities were delivered by two Form Four students from a CMI school in Sheung Shui, Fung Kai Liu organized for students to have Man Shek Tong Secondary School. Lam Hui Tung and Yip Chun Chun staged an episode fun and learn more about of the all-time favourite musical Cats, capturing the audience with their incredibly lively the Games. For example, acting and fabulous costumes. Lam and Yip were awarded second place with only one Form Four and Six students mark separating them from the champion. Their trainer Mrs Lui was very proud of the operated a number of game duo, who shone amongst the 23 teams which were mostly from EMI schools in the city.
    [Show full text]
  • UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická Fakulta Katedra Asijských Studií
    UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra asijských studií MAGISTERSKÁ DIPLOMOVÁ PRÁCE Specifika čínského lexika na internetových diskuzích Specifics of chinese internet discussions lexicon OLOMOUC 2011 Michal Sikora vedoucí diplomové práce: Mgr. Ondřej Kučera 1 2 Prohlašuji, že jsem diplomovou práci vypracoval samostatně a uvedl veškeré použité prameny a literaturu. Olomouc, 12. srpna 2011 3 Rád bych poděkoval vedoucímu mé práce Mgr. Ondřeji Kučerovi za cenné rady a připomínky při zpracování tématu. 4 OBSAH 1. EDIČNÍ POZNÁMKA...........................................................................................6 2. ÚVOD....................................................................................................................7 3. MATERIÁLY A METODY....................................................................................8 4. INTERNETOVÁ NEOLOGIE..............................................................................10 4.1. TERMINOLOGIE...................................................................................10 4.2. PŘÍMÉ VÝPŮJČKY Z ANGLIČTINY..................................................20 4.3. PŘÍMÉ VÝPŮJČKY Z JAPONŠTINY..................................................23 4.4. NOVÉ IDIOMY, NOVÁ 成语 CHÉNGYŬ..........................................25 4.5. INTERNETOVÉ MEMY........................................................................33 5. SPECIFICKÉ METODY ZÁPISU ČÍNŠTINY NA INTERNETU.......................44 5.1. VYUŽITÍ HOMOFONIE ZNAKŮ.........................................................45
    [Show full text]
  • Product Guide
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
    [Show full text]
  • Brigitte Lin Receives the Golden Mulberry Lifetime Achievement Award at FEFF20 the 20Th Udine Far East Film Festival
    Brigitte Lin Receives the Golden Mulberry Lifetime Achievement Award at FEFF20 The 20th Udine Far East Film Festival (FEFF20) was held earlier during 20-28 April 2018, with the Opening Ceremony held on 21 April. Over the years, FEFF has been keen on promoting Asian cinema in Europe and has elevated Udine from a small Italian city to the European epicenter of Asian cinema with an international industry event held annually. To celebrate its milestone twentieth year, FEFF had announced earlier that Brigitte LIN Ching Hsia, who is considered the goddess of the Chinese-language cinema, would be receiving the Golden Mulberry Lifetime Achievement Award. The organizer described Brigitte LIN as a respected actress in Chinese language cinema. Although having stepped away from the glamourous industry for years, her films are still very much loved by audience and considered greatly influential. In 1973, LIN shot to fame for her stunning performance in director SUNG Tsun-Shou’s “Outside the Window”, and continued to charm audiences around the world through the many classic roles she played. From the early 70s up to the mid 90s, she had built a truly impressive filmography of over 100 films. Her versatility ranges over various film genres, from sentimental melodramas, wuxia titles to thrillers; The cool, blonde assassin behind sunglasses in “Chungking Express” and the androgynous martial arts monarch in “Swordsman II” were the two roles which made her known to the European audiences. Apart from the Golden Mulberry Lifetime Achievement Award, the organizer also presented an intimate, precious retrospective of LIN’s filmography at the Visionario; selected works included “Red Dust” (1990) directed by YIM Ho, “The Bride with White Hair” (1993) directed by Ronny YU, “Chungking Express” (1994) directed by WONG Kar-wai and “New Dragon Gate Inn” (1992) directed by Raymond LEE.
    [Show full text]
  • On the Precipice of Change by Marta Kubacki
    On The Precipice Of Change by Marta Kubacki A thesis presented to the University of Waterloo in fulfillment of the thesis requirements for the degree of Master of Architecture Waterloo, Ontario, Canada, 2014 © Marta Kubacki 2014 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis will be made electronically available to the public. iii Abstract Situated centrally, two blocks north of strengthened the identity of the Chinese People’s Square, in Zhabei District of people at a critical point in their history, is Shanghai, China, Sihang Warehouse is a now in disrepair and soon to be assimilated place steeped in time. In 1937, during the into a more modern and gentrified vision Sino-Japanese War, when this building was of the new Zhabei District. still one of Shanghai’s tallest structures, it Sihang warehouse is an integral part briefly slowed down the ruthless onslaught of Shanghai’s collective cultural memory of Japanese troops. As a result, it provided and, arguably, a part of Shanghai’s identity. a moment of hope and pride for the Because Zhabei stands at the precipice demoralized Chinese. of change, the memories of the events Though deeply ingrained in Chinese that shaped Shanghai’s history are under history and culture through its wartime story, threat of voluntary amnesia. With many the structure has received little attention of Shanghai’s historic districts erased from the general public, local government, due to rapid expansion, it is crucial to re- and investors since the war and through the establish this building as a relevant edifice push for rapid development of Shanghai in its changing context.
    [Show full text]