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Bibliography BIBLIOGRAPHY BOOKS AND CHAPTERS IN EDITED COLLECTIONS Adorno, Theodor. 1991. The Culture Industry: Selected Essays on Mass Culture . Edited by J. M. Bernstein. London: Routledge. Albertine, Viv. 2014. Clothes Music Boys . London: Faber. Althusser, Louis. 2008. On Ideology . London: Verso. Anderson, Perry. 1983. In the Tracks of Historical Materialism . London: Verso. Bakhtin, Mikhael. 1981. The Dialogic Imagination . Edited by Michael Holquist. Austin: University of Texas Press. Barthes, Roland. 1975. The Pleasure of the Text . Translated by Richard Miller. New York: Hill and Wang. Bayton, Mavis. 1998. Frock Rock: Women Performing Popular Music . Oxford: Oxford University Press. Bennett, Andy, Barry Shank, and Jason Toynbee, eds. 2006. The Popular Music Studies Reader . London: Routledge. Benson, Richard. 2010. The Wit and Wisdom of Margaret Thatcher and Other Tory Legends . Chichester: Summersdale. Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste . Translated by Richard Nice. London: Routledge and Kegan Paul. CCCS. 1978. On Ideology . London: Hutchinson. Clarke, John. 1977. “Skinheads and the Magical Recovery of Community.” In Resistance Through Rituals: Youth Subcultures in Postwar Britain , edited by Stuart Hall and Tony Jefferson. London: Hutchinson. © The Editor(s) (if applicable) and The Author(s) 2016 205 D. Wilkinson, Post-Punk, Politics and Pleasure in Britain, DOI 10.1057/978-1-137-49780-2 206 BIBLIOGRAPHY Cobb, W. Mark. 2004. “Diatribes and Distortions: Marcuse’s Academic Reception.” In Herbert Marcuse: A Critical Reader , edited by John Abromeit and W. Mark Cobb. London: Routledge. Cowling, Maurice. 1978. “The Present Position.” In Conservative Essays , edited by Cowling. London: Cassell. Derrida, Jacques. 1995. “A ‘Madness’ Must Watch Over Thinking.” Interview with Francois Ewald, Le Magazine Litteraire , March 1991 in Elizabeth Weber (ed.), Points … : Interviews 1974–1994 , translated by Peggy Kamuf. Stanford: Stanford University Press. Doggett, Peter. 2008. There’s a Riot Going On: Revolutionaries, Rock Stars and the Rise and Fall of ‘60s Counter-Culture . Edinburgh: Canongate. Dworkin, Dennis. 1997. Cultural Marxism in Postwar Britain . Durham: Duke University Press. Eagleton, Terry. 1976. Criticism and Ideology . London: New Left Books. Eagleton, Terry. 1990. The Ideology of the Aesthetic . Oxford: Blackwell. Eagleton, Terry. 2003. After Theory . London: Penguin. Ford, Simon. 2003. Hip Priest: The Story of Mark E. Smith and The Fall . London: Quartet. Foucault, Michel. 1998 [1976]. The History of Sexuality: Volume One—The Will to Knowledge . Translated by Robert Hurley. London: Penguin. Frith, Simon, and Howard Horne. 1987. Art into Pop . London: Methuen. Gildart, Keith. 2015. “From ‘Dead End Streets’ to ‘Shangri Las’: Negotiating Social Class and Post-War Politics with Ray Davies and the Kinks.” In Youth Culture, Popular Music and the End of ‘Consensus’ , edited by The Subcultures Network, 9–34. London: Routledge. Gitlin, Todd. 1997. “The Anti-Political Populism of Cultural Studies.” In Cultural Studies in Question , edited by M. Ferguson and P. Golding, 25–38. London: Sage. Goddard, Michael, and Benjamin Halligan, eds. 2010. Mark E. Smith and The Fall: Art, Music and Politics . Farnham: Ashgate. Goodyer, Ian. 2009. Crisis Music: The Cultural Politics of Rock Against Racism . Manchester: Manchester University Press. Gorman, Paul. 2001. In Their Own Write: Adventures in the Music Press . London: Sanctuary. Gorz, André. 1989. Critique of Economic Reason . London: Verso. Graves, Robert. 1961. The White Goddess: A Historical Grammar of Poetic Myth . London: Faber and Faber. Hall, Stuart. 1988. The Hard Road to Renewal: Thatcherism and the Crisis of the Left . London: Verso. Hall, Stuart, and Martin Jacques, eds. 1983. The Politics of Thatcherism . London: Lawrence and Wishart. Hebdige, Dick. 1979. Subculture: The Meaning of Style . London: Methuen. Hesmondhalgh, David. 2007. The Cultural Industries . 2nd ed. London: Sage. BIBLIOGRAPHY 207 Hesmondhalgh, David. 2013. Why Music Matters . Oxford: Wiley Blackwell. Heylin, Clinton. 2007. Babylon’s Burning: From Punk to Grunge . London: Penguin. Hindess, Barry, and Paul Hirst. 1977. Mode of Production and Social Formation . London: Palgrave Macmillan. Hope, Donna P. 2001. Inna Di Dancehall: Popular Culture and the Politics of Identity in Jamaica . Kingston: University of the West Indies Press. Jackson, Ben, and Robert Saunders, eds. 2012. Making Thatcher’s Britain . Cambridge: Cambridge University Press. Jones, Owen. 2011. Chavs: The Demonisation of the Working Class . London: Verso. Jones, Paul. 2004. Raymond Williams’ Sociology of Culture . Basingstoke: Palgrave Macmillan. Kellner, Douglas, ed. 2005. Herbert Marcuse: The New Left and the 1960s . London: Routledge. Lachman, Gary. 2001. Turn Off Your Mind: The Mystic Sixties and the Dark Side of the Age of Aquarius . London: Sidgwick and Jackson. Laclau, Ernesto, and Chantal Mouffe. 1985. Hegemony and Socialist Strategy . London: Verso. Laing, Dave. 1985. One Chord Wonders: Power and Meaning in Punk Rock . Milton Keynes: Open University Press. Lester, Paul. 2008. Gang of Four: Damaged Gods . London: Omnibus. Marcus, Greil. 1994 [1980]. “It’s Fab, It’s Passionate, It’s Intelligent! It’s the Hot New Sound of England Today!.” In In the Fascist Bathroom: Writings on Punk 1977–1992 , 128–129. London: Penguin. Marcuse, Herbert. 1970. “The End of Utopia.” In Five Lectures: Psychoanalysis, Politics, and Utopia , translated by Jeremy J. Shapiro and Shierry M. Weber, 64–67. London: Allen Lane. Marcuse, Herbert. 1972a. An Essay on Liberation . Harmondsworth: Pelican. Marcuse, Herbert. 1972b. Counterrevolution and Revolt . Boston: Beacon Press. Marcuse, Herbert. 1991 [1964]. One Dimensional Man . London: Routledge. Marx, Karl. 1975. Early Writings . Harmondsworth: Penguin. Marx, Karl. 1976 [1867]. Capital Volume 1 . Translated by Ben Fowkes. Harmondsworth: Pelican. McGuigan, Jim. 2009. Cool Capitalism . London: Pluto. McRobbie, Angela. 2006. “Post-Feminism and Popular Culture: Bridget Jones and the New Gender Regime.” In Media and Cultural Theory , edited by James Curran and David Morley, 59–69. London: Routledge. Medhurst, John. 2014. That Option No Longer Exists: Britain 1974–76 . Alresford: Zero. Middles, Mick, and Mark E. Smith. 2003. The Fall . London: Omnibus. Middleton, Richard. 1990. Studying Popular Music . Milton Keynes: Open University Press. 208 BIBLIOGRAPHY Miles, Barry. 2010. London Calling: A Countercultural History of London since 1945 . London: Atlantic Books. Milne, Seumas. 1994. The Enemy Within: The Secret War Against the Miners . London: Verso. Milner, Andrew. 2002. Re-Imagining Cultural Studies: The Promise of Cultural Materialism . London: Sage. Moi, Toril. 1999. “What is a Woman?” In What is a Woman? And Other Essays , 3–120. Oxford: Oxford University Press. Monem, Nadine, ed. 2007. Riot Grrrl: Revolution Girl Style Now! London: Black Dog. Mulhern, Francis. 2000. Culture/Metaculture . London: Routledge. Naylor, Liz. 2007. “Must the Haçienda Be Built?” In New Perspectives in British Cultural History , edited by Rosalind Crone, David Gange, and Katy Jones, 255–265. Newcastle: Cambridge Scholars Publishing. Naylor, Liz. 2010. “Various Times.” Unpublished MA thesis quoted in Owen Hatherley, A Guide to the New Ruins of Great Britain , Verso, London. Neal, Charles. 1987. Tape Delay . Harrow: SAF. Negus, Keith. 1996. Popular Music in Theory . Cambridge: Polity. Negus, Keith. 1999. Music Genres and Corporate Cultures . London: Routledge. Neville, Richard. 1970. Play Power . London: Jonathan Cape. Nice, James. 2010. Shadowplayers: The Rise and Fall of Factory Records . London: Aurum. Niven, Alex. 2012. Folk Opposition . Winchester: Zero. Nuttall, Jeff. 1970. Bomb Culture . London: Paladin. O’Brien, Lucy. 2002. She Bop II: The Defi nitive History of Women in Rock, Pop and Soul . London: Continuum. Ogg, Alex. 2009. Independence Days: The Story of UK Independent Record Labels . London: Cherry Red. Ouspensky, P. D. 1949. In Search of the Miraculous. New York: Harcourt, Brace and Company. Petley, Julian. 2005. “Hit and Myth.” In Culture Wars: The Media and the British Left , edited by James Curran, Ivor Gabor, and Julian Petley, 85–107. Edinburgh: Edinburgh University Press. Pimlott, Herbert. 2015. “Militant Entertainment? ‘Crisis Music’ and Political Ephemera in the Emergent ‘Structure of Feeling’, 1976–1983.” In Fight Back: Punk, Politics and Resistance , edited by The Subcultures Network, 268–286. Manchester: MUP. Pollock, Griselda. 1987 [1982]. “Theory and Pleasure.” In Framing Feminism , edited by Rozsika Parker and Griselda Pollock. London: Pandora. Quilley, Steve. 2002. “Entrepreneurial Turns: Municipal Socialism and After.” In City of Revolution: Restructuring Manchester , edited by Jamie Peck and Kevin Ward, 76–94. Manchester: Manchester University Press. BIBLIOGRAPHY 209 Reddington, Helen. 2012. The Lost Women of Rock Music: Female Musicians of the Punk Era . Bristol: Equinox. Renton, Dave. 2006. When We Touched The Sky: The Anti-Nazi League 1977– 1981 . Cheltenham: New Clarion Press. Reynolds, Simon. 1990 [1985]. “New Pop and Its Aftermath.” In On Record: Rock, Pop and the Written Word , edited by Simon Frith and Andrew Goodwin, 466–471. London: Routledge. Reynolds, Simon. 2005. Rip It Up and Start Again: Postpunk 1978–1984 . London: Faber. Reynolds, Simon. 2009. Totally Wired: Post-Punk Interviews and Overviews . London: Faber. Reynolds, Simon. 2011. Retromania: Pop Culture’s
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