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The War on Terror and the Problematique of the War Paradigm
H UMAN R IGHTS & H UMAN W EL F A R E The War on Terror and the Problematique of the War Paradigm By Dino Kritsiotis Confronting Global Terrorism and American Neo-Conservatism: The Framework of a Liberal Grand Strategy . By Tom Farer. Oxford, UK: Oxford University Press, 2008. This volume is not for the faint-of-heart. In Confronting Global Terrorism and American Neo- Conservatism: The Framework of A Liberal Grand Strategy (2008), Tom Farer reaches deep into psyche and soul of “a nation’s humanistic culture” (79), 1 and examines the “fateful decision” of the Bush Administration after September 11, 2001, “to pursue its ends unconstrained by conventional interpretations of the applicable law” (82). He argues that “it would strain credulity if someone suggested that [the torture memoranda] were spontaneously generated by mid-level officials” and locates the heart of decision-making in the White House of the Bush Administration who, Farer writes, “requested legal advice both to determine the limits imposed by acts of Congress and the risk of criminal liability particularly for persons not in a position to deny responsibility if they went outside statutory law and their actions became public” (85). There is no mincing of words here, no recoiling from the charges or criticisms made, and it is a process that comes with its unflattering and hard-hitting historical parallels (64). Yet, it is also the case that a strong sense takes hold in Confronting Global Terrorism that the path trodden by the United States in these years need not have been so—that this particular democracy need not have compromised its moral standing and its authority, or its commitment to the rule of law. -
Ulating the American Man: Fear and Masculinity in the Post-9/11 American Superhero Film
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2011 Remas(k)ulating the American Man: Fear and Masculinity in the Post-9/11 American Superhero Film Carolyn P. Fisher College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Recommended Citation Fisher, Carolyn P., "Remas(k)ulating the American Man: Fear and Masculinity in the Post-9/11 American Superhero Film" (2011). Undergraduate Honors Theses. Paper 402. https://scholarworks.wm.edu/honorstheses/402 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Remas(k)ulating the American Man: Fear and Masculinity in the Post-9/11 American Superhero Film by Carolyn Fisher A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Philosophy from The College of William and Mary Accepted for _________________________________ (Honors, High Honors, Highest Honors) ______________________________________ Dr. Colleen Kennedy, Director ______________________________________ Dr. Frederick Corney ______________________________________ Dr. Arthur Knight Williamsburg, VA April 15, 2011 Fisher 1 Introduction Superheroes have served as sites for the reflection and shaping of American ideals and fears since they first appeared in comic book form in the 1930s. As popular icons which are meant to engage the American imagination and fulfill (however unrealistically) real American desires, they are able to inhabit an idealized and fantastical space in which these desires can be achieved and American enemies can be conquered. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES English Behind Apocalypse The Cultural Legacy of 9/11 by Matthew Stuart Leggatt Thesis for the degree of Doctor of Philosophy May 2013 UNIVERSITY OF SOUTHAMPTON ABSTRACT HUMANITIES English Doctor of Philosophy BEHIND APOCALYPSE THE CULTURAL LEGACY OF 9/11 by Matthew Stuart Leggatt ‘Part One: 9/11 and the Death of the Capitalist Utopia’ focuses on how 9/11 has been memorialised, mythologised, and mobilised by contemporary culture. It examines a range of cultural materials from literature, film, and architecture, to 9/11 in the media. The section discusses, through a fusion of cultural and political thought, how the War on Terror became the inevitable continuation of the binary rhetoric of good and evil perpetuated since 9/11. -
The West Wing’
Dr Jack Holland, University of Surrey Final revisions for MJIS, April 6th 2010. ‘When you think of the Taleban, think of the Nazis’: Teaching Americans ‘9-11’ in NBC’s ‘The West Wing’ Abstract1 Only three weeks after the events of September 11th 2001, Aaron Sorkin’s ‘The West Wing’ delivered a special one off episode, outside of usual storylines. The episode, titled ‘Isaac and Ishmael’, is interesting because it adopts an explicitly pedagogical theme to teach viewers how to think about the event of 9-11. The episode can thus be read as an instance in the wider construction of the meaning of those events. In this respect, this article argues that the production of the episode contributed to notions of rupture and exceptionalism. In addition, despite the potentially ‘liberal’ and ‘academic’ lessons given by the show’s stars, the extensive contextualisation of the previously incomprehensible events for a dominantly American audience actually relayed, amplified and reinforced the emerging dominant discourses of the Bush Administration. Accepting and repeating official tropes, The West Wing ultimately served to further limit space for debate in the wake of 9-11. 1. Introduction On October 3rd 2001, three weeks after the events of September 11th, episode 0 series 3 of NBC’s The West Wing aired in the United States. Attempting to confront the events of September 11th head on, this episode was remarkable in a number of ways. First, the show’s creator, Aaron Sorkin, deemed it necessary to produce an episode (the only episode ever) that did not follow the ongoing plotlines of the popular series. -
“The Superman Exists, and He Is American”: Graphic Novel Film Adaptations and Masculine Heroism in Post-9/11 Culture
Connecticut College Digital Commons @ Connecticut College Film Studies Honors Papers Film Studies Program 2010 “The upS erman Exists, and He is American”: Graphic Novel Film Adaptations and Masculine Heroism in Post-9/11 Culture Richard Charles Abate Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/filmhp Part of the American Film Studies Commons, American Popular Culture Commons, and the Film and Media Studies Commons Recommended Citation Abate, Richard Charles, "“The uS perman Exists, and He is American”: Graphic Novel Film Adaptations and Masculine Heroism in Post-9/11 Culture" (2010). Film Studies Honors Papers. 2. http://digitalcommons.conncoll.edu/filmhp/2 This Honors Paper is brought to you for free and open access by the Film Studies Program at Digital Commons @ Connecticut College. It has been accepted for inclusion in Film Studies Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. “The Superman Exists, and He is American”: Graphic Novel Film Adaptations and Masculine Heroism in Post-9/11 Culture An Honors Thesis presented by Richard Charles Abate to The Department of Film Studies in partial fulfillment of the requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2010 Acknowledgements I would like to thank Professor Nina Martin for advising me throughout this project and for introducing me to the wonderful world of film theory. I would also like to thank my readers, Professor Simon Hay and Professor David Greven, for taking the time to read over drafts of this thesis and for their invaluable comments and constructive criticisms. -
Watchmen (Zack Snyder, 2009)
IN FOCUS: The Long Shadows of 9/11 Science Fiction, Thrillers, and the War on Terror Introduction by WILL BROOKER, editor eptember 11, Jacques Derrida observed, had by October 2001 already become “a date or a dating that has taken over our pub- lic space and our private lives.” The very process of naming transformed the attacks of the previous month into “an event that truly marks, that truly makes its mark, a singular and . unprec- Sedented event.”1 Ten years later, the terrain has changed. It is harder now simply to repeat the mantra “9/11,” like a recurring nightmare or a conjuring spell, “over and over again as if its singularity were so absolute that it could not be matched.”2 Two important recent books on the im- pact of September 11 on fi lm and popular culture—Stephen Prince’s Firestorm and Jeff Birkenstein, Anna Froula, and Karen Randell’s Re- framing 9/11—demonstrate even in their subtitles that the single date is no longer enough to capture the complexity of the United States’ relationship with terror over the past decade, and that the black-and- white signifi er of “9/11,” its digits so neatly recalling both the phone number for US emergency services and the formerly standing tow- ers, is no longer enough to contain all the ethically gray areas within and around that opposition.3 Prince’s volume covers not just 9/11 but “American Film in the Age of Terrorism,” while Reframing 9/11 reposi- tions the once-monumental, singular date in broader terms of “Film, Popular Culture and the ‘War on Terror.’” From the cover onward, those quotation marks around “war on terror” retain a skeptical dis- tance from the Bush administration’s attempt to narrate and justify its actions in terms of military urgency. -
The Naturalization of “Good” Violence in Recent Films
THE NATURALIZATION OF “GOOD” VIOLENCE IN RECENT FILMS ABOUT THE WAR ON TERROR by Alejandro Botia A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Media and Communication Middle Tennessee State University May 2017 Dr. Jane Marcellus, Chair Dr. Sanjay Asthana Dr. Robert Kalwinsky To my sons Martin, Simon and my beloved wife Carolina ii ACKNOWLEDGEMENTS First of all, I would like to thank Middle Tennessee State University for giving me the opportunity of pursuing my postgraduate studies and experiencing again the fresh air of the academic environment. I would also like particularly to express my gratitude to Dr. Jane Marcellus, my thesis advisor and Committee Chair, whose guidance, support and encouragement were a constant source of motivation and an invaluable input for the achievement of this research. Special thanks to Dr. Sanjay Asthana and Dr. Robert Kalwinsky, the other two committee members, for their suggestions, ideas and materials that enriched the scope of this study. Last, but not least, my gratitude to the Writing Center at MTSU and all the editors (Jamie, Austin, Jane, Ellie, Stacey, Erica, Jency) who correct my grammar and made these pages more readable. iii ABSTRACT This thesis undertakes a narrative analysis of three recent films about the war on terror: Olympus Has Fallen (2013), American Sniper (2014) and London Has Fallen (2016) to study how these movies produce meaning with regard to the worldwide fight against terrorism and the wars in Iraq and Afghanistan. Drawing on Barthes´ theory of semiotics and Foucault´s notion of Subjectification and Knowledge/power, this research explores the construction of the terrorist character and the Arab enemy in fictional narratives and how those meanings produce a body of knowledge which defines the imaginary space to think and talk about such phenomena. -
Unscripted Autumn -Winter 2020-2021 About
UNSCRIPTED AUTUMN -WINTER 2020-2021 ABOUT CBC & Radio-Canada Distribution is the international content licensing arm of the Canadian Broadcasting Corporation - Canada’s English language national public broadcaster and Radio-Canada - Canada’s French language national broadcaster. Driven by the experiences and perspectives of some of the world’s best storytellers, our catalogue of festival selected and award winning titles offers a cinematic journey unlike any other. From forward-thinking artistry, science, and innovation, to never-before- seen natural wonders, and groundbreaking current and historical events; our high-end, factual content pushes boundaries, promotes discourse, and provides a stage for the moments and movements that continue to change the way we think and live. As the global content market continues to evolve, we are excited to be diversifying both our offerings and our approach to content sales. We look forward to forging new ground with our global partners. Explore CBC & Radio-Canada Distribution, where there is a story for everyone. FRIDGE WARS Competition, Format | 6 x 44 What happens when two celebrity chefs are forced to race against the clock and make an extraordinary meal using only the ingredients taken from the fridges of two everyday families? FRIDGE WARS! Hosted by comedian Emma Hunter, each episode of this cutthroat culinary format begins in the family’s home where Emma conducts a surprise fridge raid, taking everything from last week’s leftover lasagna to the condiments. With the ingredients in hand, the competition heats up in the studio where two of the country’s best chefs are given 45 minutes to create a 5-star dish using ingredients they’ve never seen. -
Percy Jackson Read Alikes
Percy Jackson Read Alikes A Select List of Brown County Library Children’s Books inspired by myths and legends Upper Elementary – Middle School Click on each title below to see the library's catalog record. Then click on the title in the record for details, current availability, or to place a hold. For additional books and items on this theme, ask your librarian or search the library’s online catalog. Series by Rick Riordan Percy Jackson and the Olympians – Rick Riordan Heroes of Olympus – Rick Riordan Trials of Apollo – Rick Riordan Magnus Chase - – Rick Riordan Kane Chronicles – Rick Riordan Riordan Presents - Series Pandava Series - Roshani Chokshi Aru Shah and the End of Time Aru Shah and the Song of Death Aru Shah and the Tree of Wishes Sal and Gabi - Carlos Hernandez Sal and Gabi Break the Universe Sal and Gabi Fix the Universe The Storm Runner Series - J.C. Cervantes The Storm Runner The Fire Keeper Tristan Strong Series - Kwame Mbalia Tristan Strong Punches a Hole in the Sky Riordan Presents - Stand Alone Titles Dragon Pearl - Yoon Ha Lee Race to the Sun - Rebecca Roanhorse Series Blackwell Pages - Kelly Armstrong Loki’s Wolves Odin’s Ravens Thor’s Serpents Charlie Hernández - Ryan Calejo Charlie Hernández & the League of Shadows Charlie Hernández & the Castle of Bones The Jumbies Series - Tracey Baptiste The Jumbies Rise of the Jumbies The Jumbie God's Revenge Kiranmala and the Kingdom Beyond - Sayantani DasGupta The Serpent's Secret Game of Stars The Chaos Curse Pegasus Series - Kate O’Hearn Page 1 http://tinyurl.com/BCLReadsKids The Flame of Olympus Olympus at War The New Olympians Origins of Olympus Rise of the Titans The End of Olympus Sea of Trolls Trilogy - Nancy Farmer Sea of Trolls The Land of the Silver Apples The Islands of the Blessed Skeleton Man Books - Joseph Bruchac Skeleton Man Skeleton Man Returns The Tapestry - Henry H. -
Dijkstra Agency Hot List
DIJKSTRA AGENCY HOT LIST Fall 2018 — Winter 2019 Sandra Dijkstra Elise Capron * Jill Marr * Thao Le Andrea Cavallaro * Roz Foster Jessica Watterson * Suzy Evans Jennifer Kim www.dijkstraagency.com NEW IN PAPERBACK FROM BESTSELLING AUTHOR AMY TAN WHERE THE PAST BEGINS: Memory and Imagination Amy Tan (Ecco, Paperback edition October 2018) A New York Times and Indie bestseller Longlisted for the 2018 Andrew Carnegie Medal for Excellence in Non-Fiction “The best new memoir I’ve read in a decade is Amy Tan’s breathtaking high- wire act of memory and imagination. We knew she could conjure ghosts from air, but her powers of memory and her detective’s appetite for rummaging through a lifetime of boxed memorabilia truly astonished me. A must-read for the ages.”—Mary Karr, author of The Art of the Memoir “Raw and immediate..."—Washington Post “[Where the Past Begins is] the most complete and intimate record of [Amy Tan’s] life that her fans and readers will get.”—New York Times "[Where the Past Begins] captures [Amy Tan's] humor, her compassion, her stunning facility with metaphor, her deep sense of wonderment."—San Francisco Chronicle "[R]ichly varied, thought-provoking...Where the Past Begins will surely gratify Tan's many fans, and likely win her numerous new ones."—USA Today "A fascinating look at the relationship between memory and creativity, delivered in lyrical prose."—People "In her ambushing and revealing memoir, beloved novelist Tan chronicles with striking candor, sharp wit, and storytelling magic stranger-than-fiction traumas….[Where The Past Begins] is electric with her forensic curiosity and extraordinary ability to extract from suffering startling insights into the mind-body connection, inheritance, memory, and creativity. -
9781368044943-1.Pdf
CONTENTS Aru Shah and the End of Time Title Page Copyright Dedication Introduction Chapter 1 Chapter 2 The Storm Runner Title Page Copyright Dedication Introduction Chapter 1 Chapter 2 Dragon Pearl Title Page Copyright Dedication Introduction Chapter 1 Chapter 2 About the Authors BY NEW YORK TIMES BEST-SELLING AUTHOR ROSHANI CHOKSHI A PANDAVA NOVEL BOOK ONE ROSHANI CHOKSHI Disney • HYPERION LOS ANGELES NEW YORK Copyright © 2018 by Roshani Chokshi Introduction copyright © 2018 by Rick Riordan Cover art © 2018 by Abigail L. Dela Cruz Cover design by Phil Caminiti All rights reserved. Published by Disney • Hyperion, an imprint of Disney Book Group. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from the publisher. For information address Disney • Hyperion, 125 West End Avenue, New York, New York 10023. ROSHANI CHOKSHI ISBN 978-1-368-01738-1 Visit www.DisneyBooks.com Follow @ReadRiordan To my sisters: Niv, Victoria, Bismah, Monica, and Shraya We really need a theme song. Aru Shah Is About to Explode Your Head ave you ever read a book and thought, Wow, I wish I’d written that!? For me, Aru Shah and the End of Time is one of those H books. It has everything I like: humor, action, great characters, and, of course, awesome mythology! But this is not a book I could have written. I just don’t have the expertise or the insider’s knowledge to tackle the huge, incredible world of Hindu mythology, much less make it so fun and reader-friendly. -
4Th - 6Th Summer Reading List
4th - 6th Summer Reading List ● Ms. Bentley’s Favorites: ○ Echo by Pam Munoz Ryan ○ The Watsons Go To Birmingham by Christopher Paul Curtis ○ Rules by Cynthia Lord ○ What The Moon Saw by Laura Resau ○ Walk Two Moons by Sharon Creech ○ The Miraculous Journey of Edward Tulane by Kate DiCamillo ○ Inside Out and Back Again by Thanhhai Lai ○ Jeremy Fink and The Meaning of Life by Wendy Mass ● CYRM Nominees for 2019-2020 ○ It Ain’t So Awful, Falafel by Firoozeh Dumas (Middle School) ○ Refugee by Alan Gratz (Middle School) ○ When Friendship Followed Me Home by Paul Griffin (Middle School) ○ The Detective’s Assistant by Kate Hannigan (Intermediate) ○ The Losers Club by Andrew Clements (Intermediate) ○ The War I Finally Won (Sequel to The War That Saved My Life) by Kimberly Brubaker Bradley (Intermediate) ○ Malala’s Magic Pencil by Malala Yousafzai (Picture Books for Older Readers) ○ Lillian’s Right to Vote by Jonah Winter (Picture Books for Older Readers) ○ Her Right Foot by Dave Eggers (Picture Books for Older Readers) ● Popular at STEAM ○ The Lightning Thief by Rick Riordan ○ Amulet Series by Kazu Kibuishi ○ Diary of a Wimpy Kid series by Jeff Kinney ○ Dork Diaries series by Rachel Renee Russell ○ The One and Only Ivan by Katherine Applegate ○ Smile; Sisters; and Drama by Raina Telgemeier ● NEW Books ○ The First Rule of Punk by Celia Perez ○ Merci Suarez Changes Gears by Meg Medina (2019 Newbery Winner) ○ The Storm Runner by J.C. Cervantes ○ Sal and Gabi Break the Universe by Carlos Hernandez ○ Dragon Pearl by Yoon Ha Lee ○ Aru Shah And The End of Time by Roshani Chokshi ○ Hurricane Child by Kheryn Callendaer ○ The Truth As Told By Mason Buttle by Leslie Connor ○ Squirm by Carl Hiaasen ○ The Parker Inheritance by Varian Johnson ○ Small Spaces by Katherine Arden ○ Out of the Wild Night by Blue Balliett ○ The Serpent’s Secret by Sayantani DasGupta .