John Leguizamo Schools Audiences in Latin History for Morons • Robin F. Williams: Formal Virtuosity With Sly Social Criticism ®
OCTOBER 4-10, 2019 / VOL. 41 / NO. 46 LAWEEKLY.COM
On the heels of her true- to-self role as a nightclub singer on Goliath, Lynda Kay is back as both the rootsy, Memphis-style Woman in Black and lush, orchestral Lady in Gold on her new opus Black & Gold.
LADY IN GOLD,
WOMANBy Brett Callwood IN BLACK 2 WWW.LAWEEKLY.COM | O - , | LA WEEKLY C10-0000178-LIC, C10-0000426-LIC, C10-0000499-LIC, C10-0000421-LIC, C10-0000498-LIC, C10-0000177-LIC, C10-0000378-LIC, C10-0000379-LIC, C10-0000442-LIC, C10-0000425-LIC, C12-0000144-LIC Now delivers. Now MedMen.com/Delivery PHX Airport North Scottsdale Talking Stick Arizona To stores openingsooninyourarea, seelistings of visitMedMen.com. Keep reach children. outof For ageandolder. useonlybyadults21years of Free for alimited time. Delivery availableinCalifornia. LAX Downtown LA Beverly Hills Abbot Kinney California Shop now at Monterey Bay San Jose Kearny Mesa Santa Ana West Hollywood Venice Beach Torrey Pines West Palm Key West Florida Oak Park Illinois LVSpring Valley LV Paradise LV Downtown Nevada Galeville NYC BryantPark Lake Success Williamsville New York 3 LA WEEKLY | O - , | WWW.LAWEEKLY.COM WE NOW DELIVER!! DELIVER!! WE NOW 4 WWW.LAWEEKLY.COM | O - , | LA WEEKLY Not recommended for children under 13. under children for recommended Not WHERE WHERE KNOTTSSCARYFARM.COM Select Nights Sept. 19 –Nov. 2 GET YOUR TICKETS AT YOUR TICKETS GET NIGHTMARES 2019 Cedar Fair, L.P. KB19-296 2019 Cedar NEVER END. NEVER Contents L express written permission of publisher, the Weekly, LA 724S.Spring St., Angeles, Los CA90015. by Weekly LA LP. No portion may reproduced be inwhole or by inpart any means, including electronic systems, retrieval without the one copy of Weekly eachLA issue. For back-issue information 310-574-7100. e entire call contents of Weekly LA are Copyright 2014 contractors or Weekly’s LA authorized distributors. No person may, without prior written permission of Weekly, LA more take than Angeles County, single-copy the cost of Weekly LA Weekly is $1.LA may distributed be only by Weekly’s LA authorized independent Additional copies of current the issue of Weekly LA may purchased be for $1,payable inadvance at Weekly LA the o ce. Outside Los Periodicals postage paid at Angeles, Los Weekly CA.LA is available of free charge Angeles inLos County, limited to one copy reader. per WEEKLY (ISSN #0192-1940&USPSL.A. 461-370)is published weekly by Weekly LA LP, 724S.Spring St., Angeles, Los CA90015. informs, educates and, most of entertains. all, John Leguizamo’s Morons for History Latin with eating disorders. creationsculinary to his family’s struggle LN2’s Robbins Chris dedicates his craft and CALLWOOD.BRETT BY opus and lush, orchestral on inGold Lady her new rootsy,the Memphis-style Woman inBlack talented contralto Lynda Kay is back as both Lynchian nightclub singer on Goliath heelsOn the of her true-to-life role as a to week. doand inL.A.this see Carsthe &Fashion Runway Show, and more strollspooky through historic Olvera Street, A two-holidays-for-the-price-of-one a fiesta, Various Fires Small demonstrates formal Robin F. Williams’ current exhibition at LECARO.JOHN BY with late the rock legend Lemmy Kilmister. ARTS...17 CULTURE...18 EATDRINK...14 & FEATURE...11 LA...6 GO Black Gold & , which features, which aduet BY AUTHOR. BY , multi- October 4-10, 2019 //Vol. 41//No. 46// MAXWELL. criticism. providingvirtuosity while sly but keen social Lucy in the Sky. week,this including striking visually the photography by Danny Liao this week.this guideto music best Our the shows inL.A. a refreshing on take vampires that tale scary, is not very a scary and triumph from Jim the Henson Company, In edition this of UnBinged: Avisual eponymous star in Judy performance on and offstage the as the ZellwegerRenee gives atour deforce On The Cover: The On NATHANIELBELL BULLETIN BOARD REAL ESTATE EMPLOYMENT CLASSIFIED ADVERTISING MUSIC...24 TELEVISION...23 FILM...21 ...26 BY PAULBYMAZIAR. ...26 ...26 ...27 explores movies the opening . BY ASHER LUBERTO.ASHER BY laweekly.com BY ERIN BY 11 5 LA WEEKLY | O - , | WWW.LAWEEKLY.COM LICENSED CULTIVATOR: LICENSE #: PML18-0001689 OG Kush. OG Kush. BOSIM 1628 MANAGEMENT COMPANY LLC 1628 MANAGEMENT COMPANY BOSIM A California Original Since 1996 Since Original A California
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CULTIVATE CARE • ENJOY RESPONSIBLY • 21+ ONLY RESPONSIBLY • ENJOY CARE CULTIVATE 11 BY BY ERIN laweekly.com BY ASHER LUBERTO. BY ASHER LUBERTO. . explores the movies opening opening the movies explores ...27 ...26 ...26 ...26 BY PAUL MAZIAR. BY PAUL ...26 ADVERTISING ADVERTISING TELEVISION...23 TELEVISION...23 MUSIC...24 FILM...21 CLASSIFIED EMPLOYMENT ESTATE REAL BOARD BULLETIN NATHANIEL BELL NATHANIEL On The Cover: In this edition of UnBinged: A visual UnBinged: of this edition In Company, Henson the Jim from triumph and a scary very not is scary, tale that vampires take on a refreshing in L.A. shows theOur best music guide to this week. Renee Zellweger gives a tour de force de force a tour gives Renee Zellweger the as the off stage and on performance in Judy star eponymous photography by Danny Liao Danny by photography this week, including the visually striking including this week, . Sky the in Lucy virtuosity while providing sly but keen social keen but sly whilevirtuosity providing criticism. MAXWELL. October 4-10, 2019 // Vol. 41 // No. 46 // 46 // No. 41 // // Vol. 2019 4-10, October , multi- BY BY AUTHOR. , which features a duet a duet , which features Black & Gold Black ARTS...17 ARTS...17 GO LA...6 FEATURE...11 & DRINK...14EAT CULTURE...18 with the late rock legend Lemmy Kilmister. Kilmister. Lemmy legend rock the late with Robin F. Williams’ current exhibition at at exhibition current Williams’ F. Robin formal demonstrates Small Fires Various BY BY JOHN LECARO. (ISSN #0192-1940 & USPS 461-370) is published weekly by LA Weekly LP, 724 S. Spring St., Los Angeles, CA 90015. Los Angeles, St., 724 S. Spring LP, LA Weekly by weekly published 461-370) is L.A. #0192-1940 & USPS (ISSN WEEKLY per reader. copy one to limited County, in Los Angeles charge free of available is CA. LA Weekly Los Angeles, at paid postage Periodicals Los Outside o ce. the LA Weekly at in advance $1, payable for be purchased may LA Weekly of issue the current of copies Additional independent authorized LA Weekly’s by only be distributed may $1. LA is Weekly LA Weekly of cost the single-copy County, Angeles than take more LA Weekly, of permission written prior without may, person No distributors. authorized LA Weekly’s or contractors 2014 Copyright are LA Weekly of contents call entire 310-574-7100. e information back-issue For issue. each LA Weekly of copy one the without retrieval systems, electronic including means, any in part by or in whole be reproduced may portion No LP. LA Weekly by CA 90015. Los Angeles, St., Spring 724 S. LA Weekly, the publisher, of permission written express A two-holidays-for-the-price-of-one fiesta, a A two-holidays-for-the-price-of-one Street, Olvera historic through spooky stroll more and Show, Runway & Fashion the Cars see and in L.A. this do week. to a as role true-to-life her of On the heels Goliath on singer nightclub Lynchian both as back is Kay Lynda contralto talented in Black Woman Memphis-style the rootsy, new her Lady in Gold on orchestral lush, and opus BY BRETT CALLWOOD. and craft his dedicates Chris Robbins LN2’s struggle family’s his to culinary creations disorders. eating with Latin History for Morons Leguizamo’s John all, entertains. of most and, educates informs, L Contents 6 WWW.LAWEEKLY.COM | O - , | LA WEEKLY 628-2725, livetalksla.org/events/debbie-harry. 4,8p.m.;downtown; Fri., Oct. $20-$100.(213) Roth. with moderator books their discuss Rob Giger. andDavid Chic Bowie, H.R. e duo with e Ramones, John Waters, Pop, Iggy paniment to Harry’s stories about interacting an atmospheric and evocative accom visual - New York City and the Punk, provides Scene Stein’s 2018photo Point book, of View: Me, her music. Meanwhile, Blondie guitarist Chris attemptsbold to mixhip-hop and into jazz photographic muse for Andy Warhol, and her to her success singer as lead of Blondie and a boy Bunny and waitress at Max’s Kansas City recounts her evolution from working as aPlay- Sylvie Simmons, insightfully vocalist pop the twin festivitiestwin of National Taco Day and Tacos and Tito’s Tequila to celebrate today’s Tito’s Fiesta Mexicana brings together Tito’s great tastes always that will taste great together, You got your tequila inmy two Like tacos! Hey! You got your inmy tacos tequila! Hey! Holiday Mashup FOOD&DRINK It Face in reading about. of e best worlds both aligns historieswith personal dull that aren’t worth arepaper Others bag. eloquent wordsmiths adventures but can’t write way their out of a musicians have of hadlives fantastic full When it comes to rock autobiographies, some Best ofBoth Worlds BOOKS/MUSIC fri FALLING JAMES GO GO Debbie’s Harry fascinating memoir, new LA Aratani eatre, 244 S.San Pedro St., (Dey Street). (Dey With help the of co-writer 10/4 DAVID COTNER penterarts.org. St., Long Beach; 5,8p.m., Sat., Oct. $55.car State University Long Beach, 6200Atherton Bowie. 2016 tribute to music the and genius of David returnthe of STARDUST, Rhoden’s popular Diplo and others. e second work marks a remix of music from Kendrick Lamar, Drake, response to with to dailysegments the news set WOKE year.this premiere e SoCal visit this is inNew season anniversary York25th earlier launched as they when ensemble’s the reviews troupe brings two works that strong earned has more than 80dances under his belt, the by choreographer Led who Rhoden, Dwight Company arrives forBallet one night only. abilities of its dynamic dancers, Complexions as welltemporary dance as for with ballet the Known for its ability to seamlessly blend con- Stay Woke DANCE sat (310) 391-5780,titos estamexicana.com. Place, Culver 4,2p.m.; Fri., Oct. City; $25. salt shaker at. Tito’s Tacos, 11222Washington inebriationjocular than you can feebly shake a tiple Tito’s mariachi tacos, music, and more Tito’s tequila-based specialty cocktails, mul- stand.taco What you get: three handmade out onto singularity the of Culver this City emptyingdimensions goodness of culinary overloadaclysm of revealing in nite sensory National Vodka Day, creating one titanic cat- Studios Licensing LLC Licensing Studios Universal of Courtesy Creature. the sketches Patrick Milicent Designer Scary of Science The Horror: of History Natural , described by Rhoden as aphysical by Rhoden , described Carpenter Performing Arts Center, Cal 10/5 ANN HASKINS - p.m.; free. (213)485-6855,olveraevents.com. Angeles St., downtown; 5, 10a.m.-7 Sat., Oct. more. Muerte, Danza dela performingBarrio La and Mexicano,Orgullo Hora La Feliz, Teatro del Mexico, Folklorico Grupo deLMU, Cayambe, Hamilton Folklorico, High School Mi Lindo Totec Palmas Aztec Dancers, Las Folklorico & Vida,la Palms Tlaliyoyo, MiddleSchool, Xipe ment year this includes: Mariachi de Alegria troupesschool plaza. the Entertain — lls - sic and dance —much of it courtesy of local available be will for purchase, as folkloric mu- accessories, clothing, facepainting and more landmark downtown Artwork, locale. jewelry, artists together for stroll aspooky along the vendors, performers, and dozens of local festive way to o kick bringing season, the Olvera Street Muertos and is afun Artwalk “spirit.”in the Celebrating its year, sixth the no shortage of Angelenos want who to get muerto not Angeles. inLos especially Macabre and In October, don’t dead the rest inpeace, Take aSpooky Stroll CULTURE layers of screen-printing, drawn and painted interconnected prismatic panels, with dense up pop-culture Awrapping spectacle. helix of common with an ayahuasca tent than amped- installation in town, but Shapiro’s artist Laurie gallery ere’s immersive anew experience art theRainbowDown Rabbit Hole ART LINA LECARO Olvera Street, NAlameda St. &NLos (dead) stu is everywhere and there’s stu (dead) is everywhere Alchemy Tunnel has more in NA NYS DAMBROT FOOD&DRINK/CULTURE rymanarts.org. 6,11a.m.-4p.m.;Oct. free. (213)629-2787; Park, 200N.Grand Ave., downtown; Sun., ofmode transportation accordingly. Grand by Grand Park, adjust so your and perspective Bonus/warning, CicLAvia the route right goes includesalso music and of trucks. course food onbe hand for guidance, and event free this eager sketchpads. Ryman students Arts will painters and of pencils amid sharpened asea lawnsthe of Grand Park with literal Sunday initiative, as Make Your Mark inthePark lls public Today’s spaces. event is largest the of the and prompts at some of L.A.’s most intriguing across city, the o ering drawing free sessions L.A. is happening throughout and October e monthlong festival all-city eBig Draw How To Draw aCity ART sun 10/6 available;also free. radiantspacela.com. noon-3 p.m., through Nov. 23,ticketed events opening reception: 5,8-10p.m.; Sat., Oct. Sat., Space, 1444N.Sierra Bonita Ave., Hollywood; are encouraged, noare shoes allowed. Radiant for on free Saturdays, daydreams and while dinner and music. e installation art is open including comedy, theater, sound baths, vegan and alive; as aplace, it hosts ticketed events it resembles afantastic dream, luminous lighting motherboard. As an environment, images, and stitching, is activated with aLIFX SHANA NYS DAMBROT SHA 7 LA WEEKLY | O - , | WWW.LAWEEKLY.COM 5/9/2019 4:32:03 PM Marc Souza Marc Manager Lending Area 510-710-3636 [email protected] citi.com/marcsouza NMLS# 1098596 1
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Uncover discounts on a mortgage discounts Uncover LA Weekly 05092019.indd 1 SHA SHANA NYS DAMBROT NYS SHANA FOOD&DRINK/CULTURE e Big Draw e Big all-city festival monthlong e October and throughout happening L.A. is sessions free drawing o ering the city, across intriguing most L.A.’s of some at prompts and the of the largest is event spaces. Today’s public lls in the Park Mark Your Make as initiative, Sunday literal with Park Grand of the lawns a sea sharpened amid of pencils and painters will Arts students Ryman sketchpads. eager this free event and guidance, for hand be on food course trucks. of and music also includes goes right route the CicLAvia Bonus/warning, perspective and your so adjust Park, Grand by Grand accordingly. transportation mode of Sun., downtown; Ave., 200 N. Grand Park, (213) 629-2787; free. Oct. 6, 11 a.m.-4 p.m.; rymanarts.org. sun 10/6 ART a City Draw How To images, and stitching, is activated with a LIFX with activated is stitching, and images, environment, an As motherboard. lighting luminous dream, fantastic a resembles it events ticketed hosts it a place, as alive; and vegan baths, sound theater, comedy, including open is art installation e music. and dinner while and daydreams Saturdays, free on for Radiant allowed. shoes no are encouraged, are Hollywood; Ave., Bonita N. Sierra 1444 Space, Sat., Oct. Sat., 5, 8-10 p.m.; reception: opening events 23, ticketed Nov. through p.m., noon-3 radiantspacela.com. free. also available; NA NYS DAMBROT NYS NA has more in more has Tunnel Alchemy (dead) stu is everywhere and there’s everywhere is (dead) stu there’s and Olvera Street, N Alameda St. & N Los St. N Alameda Street, Olvera LINA LECARO LINA ART Hole Rabbit Down the Rainbow art experience a new immersive ere’s gallery Laurie artist Shapiro’s but in town, installation amped- than tent ayahuasca an with common of helix spectacle. A wrapping pop-culture up dense with panels, prismatic interconnected painted and drawn screen-printing, of layers CULTURE Stroll a Spooky Take in peace, rest the dead don’t October, In and Macabre especially in Los Angeles. not muerto get to who want Angelenos of shortage no the sixth year, its Celebrating in the “spirit.” Artwalk a fun is and Muertos Street Olvera the season, bringing kick o to way festive local of dozens and performers, vendors, the along a spooky stroll for together artists jewelry, locale. Artwork, downtown landmark more and face painting clothing, accessories, - mu folkloric as purchase, for will be available local of courtesy it of — much dance sic and - — lls Entertain the plaza. school troupes Alegria de Mariachi includes: this year ment Xipe Middle School, Tlaliyoyo, Palms la Vida, & Folklorico Las Dancers, Aztec Palmas Totec Lindo Mi School High Folklorico, Hamilton Cayambe, de LMU, Grupo Folklorico Mexico, del Teatro Feliz, La Hora Orgullo Mexicano, and Barrio La performing de la Danza Muerte, more. Oct. Sat., 5, 10 a.m.-7 downtown; St., Angeles (213) 485-6855, olveraevents.com. free. p.m.; - ANN HASKINS ANN 10/5 Carpenter Performing Arts Center, Cal Center, Arts Performing Carpenter , described Rhoden by a physical as Natural History of Horror: The Science of Scary Designer Milicent Patrick sketches the Creature. Courtesy of Universal Studios Licensing LLC sat DANCE Woke Stay - con blend seamlessly to ability its for Known the ballet with for as dance temporary well as Complexions dancers, dynamic its of abilities only. night one Ballet for arrives Company Dwight Rhoden, whoLed choreographer by the belt, his under 80 dances than more has earned strong that works two brings troupe reviews the ensemble’s whenthey as launched earlier 25th York anniversary season in New is this visit SoCal e premiere this year. WOKE set news the daily segments to with to response Drake, Lamar, Kendrick from music of a remix marks second work e others. and Diplo popular , Rhoden’s STARDUST of the return David of genius and the music to 2016 tribute Bowie. 6200 Atherton Beach, Long University State $55. car Oct. Sat., 5, 8 p.m., Beach; Long St., penterarts.org. DAVID COTNER DAVID - cat titanic one creating Day, Vodka National sensory in nite revealing of aclysm overload culinary of goodnessdimensions emptying City this Culver of the singularity onto out handmade three get: you What taco stand. - mul cocktails, specialty tequila-based Tito’s more and music, tacos, mariachi Tito’s tiple a shake feebly can you than jocular inebriation 11222 Washington Tacos, Tito’s at. shaker salt $25. City; Oct. Fri., 4, 2 p.m.; Culver Place, (310) 391-5780, titos estamexicana.com. 10/4 (Dey Street). With the help of co-writer of the help With (Dey Street). Aratani eatre, 244 S. San Pedro St., Pedro 244 S. San eatre, Aratani LA ’s fascinating new memoir, new memoir, fascinating Harry’s Debbie GO FALLING JAMES FALLING Sylvie Simmons, the pop vocalist insightfully Simmons, Sylvie - a Play as working from evolution her recounts City Kansas Max’s at waitress and Bunny boy a and Blondie of lead as singer success her to her and Warhol, Andy for muse photographic jazz into and mix hip-hop to bold attempts Chris guitarist Blondie Meanwhile, music. her Me, View: of book, Point 2018 photo Stein’s Scene, provides Punk the and City York New - visual accom evocative and atmospheric an interacting about stories Harry’s to paniment Iggy Pop, Waters, John Ramones, e with duo e H.R. Bowie, ChicDavid and Giger. Rob discuss their books moderator with Roth. $20-$100. (213) Oct. Fri., downtown; 4, 8 p.m.; 628-2725, livetalksla.org/events/debbie-harry. FOOD&DRINK Mashup Holiday Hey! tequila! tacos in my your got You Hey! tacos! Like two in my tequila your got You together, great taste will that always tastes great Tito’s together brings Mexicana Fiesta Tito’s today’s celebrate to Tequila Tito’s and Tacos and Day Taco National of twin festivities fri BOOKS/MUSIC Worlds of Both Best some autobiographies, rock to comes it When full fantastic had lives of have musicians a of out their way write can’t but adventures wordsmiths eloquent bag. paper Others are worth aren’t that dull personalwith histories aligns both worlds best e of about. reading in Face It 8 WWW.LAWEEKLY.COM | O - , | LA WEEKLY BEST OFL.A.FOOD Donath, Shirley Ju, Beige Luciano-Adams, Shirley Ju,Beige MattDonath, Miner, Lily TO ADVERTISE: [email protected] Michael Cooper, Alex Destefano, Derrick, Lisa Jessica 230 N.MarylandAve. Behavioral ResearchSpecialists, LLC Moayeri, Jordan Riefe, NickWalker,Moayeri, Jonny Whiteside Suite 207,Glendale, CONTRIBUTING WRITERS PUBLISHES: OCTOBER 17 PUBLISHES: CULTURE & ENTERTAINMENT EDITOR CA 91206 High Cholesterol-Inpatient-PhaseI-IVPediatrics -PTSDRestlessLeg Opiate Addiction -DiabetesInsomnia Asthma - ADHD -Hypertension Depression - Anxiety -BipolarSchizophreniaPain - Alzheimer’s EDITOR-IN-CHIEF AND CREATIVE DIRECTOR Psychic/Metaphysical HealingFair Ann Haskins, JohnPayne,Ann Haskins, Jason Roche ARTS EDITOR LISTINGS FOOD EDITOR MUSIC EDITOR Siran Babayan, David Cotner, SVP SALES: Peek intotheFuture.... 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9 LA WEEKLY | O - , | WWW.LAWEEKLY.COM o ect Ma a e R A RN ER REYNOL S M R T:4.7 in T:4.7 FIL NAM SI LAYO T Discussion / Book Signing Discussion October 12th, 5pm Saturday, Angeles (323) 525-0270 Los Drive, 189 Grove from stories in this novel overlapping Ten the finalist explore the National Book Award after-school journeys of a collection themes of teenagers—and the universal that connect them. JASON REYNOLDS in REYNOLDS JASON BURTON with LeVAR conversation Get more info and get to know your favorite writers at BN.COM/events so please contactAll events subject to change, the store to confirm. THE POWER OF
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LA EE LY LA REG PACIFICOAKS.EDU M COMMUNITY CLOS A CLOS A N O O A S A A O A S LICA ION CO N C ARAC R A ORS N M R OF O AL LINA LECARO LINA 10/10 SIRAN BABAYAN SIRAN FALLING JAMES FALLING Natural History Museum, 900 Exposition 900 Exposition Museum, History Natural CULTURE (Back)Stories Horror we TV and on in movies, reigns and Horror be especially to scared, year. this time of love monsters classic some how ever wondered But Museum’s History Natural e created? were Horror: of History “Natural exhibit, latest — the origins explains e Science Scary of ,” icons, horror four — of true, myths some some Dracula, leg- from derived which was namely diseases throughout spread vampires that end based the excavation on Mummy, e Europe; inspired Frankenstein, tomb; Tut’s King of known doctor Italian an Galvani, Luigi by electricity; animal with experimenting for Lagoon, taken, the Black from Creature and amphibious an thein part, story of from display e in the Amazon. living humanoid from items lm footage, props, movie features areas, interactive and holdings the museum’s a reanimate can you where a “lab” including frog. 9:30 a.m.-5 p.m., daily, Park; Exposition Blvd., & students, 19; $32, $29 seniors April through 763-3466, (213) 2 free. under $20 children, nhm.org. thu MUSIC the Future With an Ear Toward marked L.A. Philharmonic Over the year, past 100th a spectacular anniversary with its season much as new music daring emphasized that the orchestra As classical music. traditional as the asks season, 101st it its on now embarks and next?” Music “What’s question, musical Dudamel Gustavo artistic director/conductor the Americas, a From Music with responds futuristic L.A. Phil’s reinforces that program by works will Dudamel mindset. While imbue his with Copland Aaron and Chávez Carlos also he touch, nuanced and passion trademark Sergio Tiempo pianist Argentine guides stylish - pre the world through the orchestra and concerto , a piano in nitos Universos of miere past composer’s e Benzecry. Esteban by lyrical strangeness, fused beauty, have works in equal artiness parts. Walt and eloquence down- Ave., 111 S. Grand Disney Concert Hall, Oct. Sun., Oct. 10-12, 8 p.m.; town; u.-Sat., $20-$222. (323) 850-2000, laphil. 13, 2 p.m.; com. - , a con Close Up Personal and Smith, Patti the with have she’ll the project about versation for only not fans, for miss a can’t is L.A. Times to the chance for the book, but around context and work her into delve legend this living hear does eatre, she best. what Alex It’s herself. Oct. 9, Wed., Glendale; Blvd., Brand 216 North reserved- seat $100 (VIP orchestra 7 :30 p.m.; $40 (GA Seating or book) a pre-signed and ing alextheatre. book). the of copy unsigned and org/event/los-angeles-times-ideas-exchange- presents-patti-smith.
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Greek the Valley, and Pasadena 10 WWW.LAWEEKLY.COM | O - , | LA WEEKLY 11 LA WEEKLY | O - , | WWW.LAWEEKLY.COM , . , , wanted to , wanted Goliath hen Lawrence Trilling, di- Trilling, Lawrence hen TV the Amazon of rector series cast a nightclub singer for for singer a nightclub cast would scenes that some By Brett Callwood Brett By GOLD new opus Black & Gold Anyone who seen has her the 2013 video for Anyone a carries has a vibe she that addition, In provide lyrical exposition and an emotional emotional an lyrical and exposition provide star on, goings the crime-drama to backdrop that away knew straight ornton Bob Billy be would the perfect chanteuse Kay Lynda the job. for a Spell Put “I Hawkins’ Jay Screamin’ of cover a soulful is Kay also. it know would You” on Americana R&B and with pop singer classic rare a blessed sultrya with and roots, voice and both is mesmerizing that range contralto expressive. incredibly in a sinister, Not it. about darkness of bit little way. in a Lynchian rather but way, unpleasant — important is reference Lynch e David when he envisioning was Trilling what that’s get we what the that’s part, and considered sway- singer, club background A Kay. from ink wailing. and crooning in turn, and, ing also the likes , but Peaks Cruise in Twin Julee Dick from Mahoney Breathless Madonna’s of W Danny Liao Danny by Photography LADY IN LADY Goliath on singer a nightclub as On the heels of her true-to-self role true-to-self her role of On the heels WOMAN lush, orchestral Lady in Gold on her her Lady in Gold on orchestral lush, Memphis-style Woman in Black and and in Black Woman Memphis-style is back as both the rootsy, both as the back rootsy, is Kay Lynda IN BLACK IN 12 WWW.LAWEEKLY.COM | O - , | LA WEEKLY at meeting, and the what was that I realized career for you,” she says. “I went, sat down something that would right the of kind be from determine FBI, the ifit to basically was at my law to with a school representative meet heavy. though, alife of solving was crimes just too in people, madeits way into Ultimately her art. tion with crime, an exploration of darkness the joining FBI. the Maybe some of that- fascina entertainer.” I’m noton an being that Ifocused seriousso a lawyer or an FBI agent. And Irealized then and thought Ireally then that Iwas gonna be studied theater and arts studied singing alittle, and such,” she says. “When Iwent to college I throughI sang and school all choir, church had for her art. cause of it passion the speaks that she’s always Ifwalking. that’s hyperbole, we’ll allow it- be singing before and dancing talking before her momremember; told her that she was own. it She Lynda the calls Kay sound. simultaneously, she’s found asound of her and culture pop references scream out but, Tracy “ ey hadan opportunity“ ey for students the at’s right, Kay studied law and considered “I guesssinging Istarted young really — Kay singing for has been as long as she can and Jessica even Rabbit. noir e lm — will you— will sing us another at song?’ never wrong for but part the your voice is amazing shethen turned to me and said, ‘You’re totally centerlady inthe around looked at everybody, really say anything. just ey stared at me. One my piece. When I nished singing, didn’t they ing directors. had me come ey inand sing serious one with apianist and apanel of cast- “I came in for audition the and it was a very went to an audition for amusical,” Kay says. happening. started shethough, auditioning started and things former. than the views litical Once inL.A. latter, she says, to closer aligns her own- po previously moved to from Austin; Dallas the an actor— not an uncommonstory. She had that on adaily basis.” that Idon’t have that inme, able to be to do thattake on as a position I just because realized stories.’ Ihave alot of for respect peoplethat day pictures andthose tragic hear those every division, and Iwas like ‘Oh god, Ican’t at look attorney’strict o ce rape intheir and assault had apotential position working dis inthe - arguing and Ihate keeping I secrets. serious time Igraduated, that Irealized Idon’t like undercover incostume than anything. By the I was more fascinated of withidea the going “I hadn’t here long been for I when very So, Kay moved from Texas to L.A. to become 1996 and producing started then for them the produces my music too. We like to hang out.” together. It’s thing we do, agood he because at’sbooks. my side. serious We have ablast product genius. My job is to keep an on eye the business together. Jonny’s amarketing and glamourthe ghoul from 1954. We the run and Jonny also owns rights the to Vampira, of 2005.We co-own business the Case, Co n restthe was history. We got inAugust married backstage and we contact. made eye Really playing for party. this We were hanging out stage. ere was ashow with some supergroup NAMM convention,” she says. “It was- back working books. the guitar Kay cases. Case Co n helps himout, husband Jonny owner Co n, and creator of in hersettled Venice home Beach with her Burnett-esque variety show. For now, she’s outside endeavors. She has dreams of aCarol singer rst. Of course, there’s room still for that point on, Kay has considered herself a career comedy.” inhigh should focusing on be my voice instead of a behind. Ijust took that as ahuge that sign I might as well leave print shoe their on your happens. If you’re wrong for they part, the Jonny in cases the making started Co n “Jonny and Imet in January in 2002 at the that’sSo what she did. Pretty much from late Lemmy Kilmister of Motörhead (above). Motörhead of Kilmister Lemmy late the with duet acountry Mask,” “The features top) cover, (album &Gold Black Kay’s Lynda for him.” and that with business the changed everything he built it up. He got aGuitar Center account He got many so comments on it —that’s why co n.’ Alight bulb went on and that was it. and drew it out and said, ‘Oh cool, it’s like a out Laid he madehimself acase. his guitar a carpenter, that was one of his early jobs, so in his garage. and He case he’s anew needed product,” Kay says. “He madehis rst one Cash. likesthe of Slash, Keith Richards and Johnny meanwhile, cases, ose have madefor been about relationship, their partnership. their Kay’s and also Cases music volumes speaks at pair the work together Co n with both isthough this clearly ateam endeavor now. public in2000,two years before meeting Kay, she says. “I feel like I’ve found right the center eters, if I can and go to higher even lower,” see expand my range vocal and testing its param- in her voice.time has been and Kay feels that biggest the change inthat studio solo is her fourth oering, full-length Darling Darling My some Spurs. Her debut album, solo Dream Slim Jim Phantom) Lone- as aduo called also of e Headcat featured (which Lemmy and Spurs some In Lone 2006,Kay an album called released “He’s touched alot of people with that “I have done agreat of to deal work to try came in2009. is year’s Gold & Black with rockabilly guitarist Danny B - a show at Whisky. the I parked in a lot and had that night. at same night, Jonny was seeing play me some of them.’ We recorded aduet got some reallygreat songs —why don’t you there one night and Billy said, ‘I heard you’ve I was totally with that. cool Iwas hanging out I was Angie the Dickinson to Rat Pack. their hang to out joke used time —they there the all recording studio to basement. inthe Iused Hills,house and inBeverly Slash hadbuilt a and at so time he the was living inSlash’s old of incommon. friends We reallyconnected, says. “Billy and I gured out that we have alot side of album. the and Kilmister, third the track on Black the recorded ballad byis sweet country the Kay ofmasses fans, here. Mask” as is case the “ e obviously going of to be huge interest to his musicunreleased featuring great the man is nearly four been ally years?) Any previously of course realm in2015.(Has le this it re- for a erparty.” the is dinner the album, and Black the album. e way at Ilook it is, Gold the a musician coming together on one double do an amalgam sidesof of both me sorts, as that as another and sign as an opportunity to with Lemmy Kilmister of Motörhead. Itook song acountry lease that I wrote and recorded happened was, Iwas given permission to re- envelopethe on e other those. thing that ing my roots country and I wanted to push says. “But Idiscovered that Iwas reallymiss- where Iwasn’t doing any music,” country she personality. much are side. of Both tral parts very Kay’s is lush, the Gold orcheswhile string- lled - says, is rootsy, the country, Memphis side, soul Johnny and Cash) e Lady in Gold. Black, she Women in Black out to seems call (which to intended two to separate be release — e erately split into twowere which parts initially where that happens naturally.” I’m to hit it not — nding trying range the to hit my scratchy range but Idobetter when last ten years. Ilove Janis Joplin and Iwould try I started working on that really seriously inthe made it to a point nd my to try proper range. that with started operaand music. classical I couraged to sing range. highest intheir I think that is,” Kay says. “I women think are o en en- Rey. Del include Brandy, Fiona Apple, and Cher Lana Carpenter, famous non-operatic contraltos voice for type females. As well and as Cline strings.” and since 2008I’ve playing been Gretsch six- Iwas then playingBack afour-string guitar at Iwould say is biggest the change vocally. some Spurs, Ihave three more octave ranges. Patsy and Cline Karen Carpenter. Since Lone- of my voice is which contralto, same the as “In ornton,” 2009,Imet Billy Bob Kay at brings all us neatly to Lemmy, who of for time years was aperiod several “ ere album e new Black delib- &Gold is very “It’s rare and very Idon’t know why exactly Contralto is as lowest de ned the singing album is album album and management, and we couldn’t more be yearthis to release track the from his estate Motörhead. We up ended getting permission dierent than his fantastic in gnarly vocals revealing andso emotional —it’s completely says. “It a proper needed space. He sounds ty to release Lemmy it was alive. while “ e Mask.”“ e Sadly, there wasn’t opportuni the tween Motörhead sessions, and that became nished writing it together, recorded it- in-be of asong that he in1979. e hadstarted pair and Lemmy out pulled rough the beginnings me, and says ‘When are we gonna doaduet?’” poker machine,video turns around, at looks ornton.’Billy Bob He stops at looking his Isaid, ‘I was justbeen?’ recording aduet with Lemmy. He me and says sees ‘Hey, where you by Iwentto Rainbow walk so the into say hito “You can’t push something like that,” Kay So they did. e got next they week they together So - LYNDA KAY the location.the Plus Billy is not only afriend ofis part Iappreciated our so neighborhood, Pier,ica which and Boardwalk everything the I loved it it because always Santa had the Mon show,”the she says. “I about knew show the and requested that Irecord some cover songs for Kay, as nightclub the singer, is playing herself. ( ornton) to himself pull up. back trying azon show about adown-on-his luck lawyer Kay is now working with on Goliath with another handy transition. It is he that & Order, or he would read poetry.” him and watch rock documentaries and Law she says. “I miss himalot. Iwould hang with impeccable,” was so his delivery me because knew, and Iwould make himrepeat jokes to absolutely hysterical, storyteller I best ever wonderful gentleman. ple have already told that Lemmy was a warm, was one of them.” grateful to for them that. If it wasn’t his last, it MOTÖRHEAD.” GNARLY VOCALS IN HIS FANTASTIC DIFFERENT THAN COMPLETELY IT’S AND EMOTIONAL SOUNDS SO REVEALING PROPER SPACE. HE THAT. IT NEEDED A SOMETHING LIKE “YOU PUSH CAN’T “I am playing my songs, have and they then at ornton Billy Bob provides link us “He was an incredibly gracious human, Kay con rms stories the that countless- peo
, the Am, the - - da Kay on Goliath anything she can’t do? musician at same the time.” dierentthese tones, afantastic being while well,” so does of all needle the he says. “ read bit kitschy but fantastic also and that’s what she in there, and is which cool and spooky alittle herself.”“being ing her performance alittle to simply say she’s ing says inconclusion, it’s perhaps- undersell — that’s pretty great.” exciting. To show playing inaTV be yourself and letme dowhat also Ido, is which very joy to work with. He gave me great direction another is a vision.ful ll e director Larry I got Iam who to on be stage. Ididn’t have to and my presence that of is part exposition. the a line or two, I don’t know. Mostly it’s my lyrics that scene I’mevery inBilly is in.Imay have she says. “I am performing inavenue, and andseries, they’ve got cast season,” this a killer “I’mpart. of grateful part fantastic so to this be share music her new she when was given the just reached point the where she was ready to able to just draw on her catalog.” with covers, the winks and other times we were wheretimes we were doing little cinematic Dreams’ was from Blue Velvet. there were So was from e Big Lebowski. [Orbison’s] ‘In Kennythe Rogers ‘Just Dropped In’ song, that ing says. “When we rst her, meet she’s singing cinematic references to movies we like,” Trill- bison and things where we wanted to make dierent we selected also covers like Roy Or hatthe to some favorite movies and shows. plot-wise. It oers also opportunity the to tip somevides exposition to what is going on Black available is & Gold October Lyn 4.See - Singer, actress, business owner —is there “We were tone for looking particular areally It really is, and As she part. the Trill nailed - It worked all out for perfectly Kay, had who “We were able to draw on her catalog, and vitally important,vitally as it pro- perfect.’ He right.” was dead Lynda Kay for —she this is he said ‘We have got to get read script, the as Billy Bob to casino. the vibe As soon and na give right the mood house band that was gon- we were for looking the Lynch-likevid casino and surrealistic,- this almost Da Goliath ing about of our season new ornton. ly Bob ing met Lynda through Bil exciting.”very casting director, that so was show inthe me be by the got contacted about having I had to check it out. Jonny but aphenomenal actor so now, on Amazon Prime. The choice of music is “When- we think started Director LawrenceTrill - , we wanted to have - - LA WEEKLY WWW.LAWEEKLY.COM
13 | O - , | - - , we wanted to have have to wanted , we - Trill Lawrence Director started think we - “When is music of choice The now, on Amazon Prime. Amazon on now, but a phenomenal actor soactor a phenomenal but Jonny out. it check to had I having about contacted got the by beme in the show was so that director, casting very exciting.” Bil through Lynda met ing Bobly ornton. new season our of about ing Goliath Da almost this- surrealistic, and casino vid Lynch-like the looking for were we - gon was that band house moodthe right na give and soon As vibe the casino. to Bob Billy as the script, read get to got have ‘We said he is this — she for Kay Lynda dead was right.” He perfect.’ - pro it as vitally important, “We were able to draw on her catalog, and and catalog, her on draw to able were “We who had Kay, perfectly for out all worked It - nailed Trill thepart. she As and really is, It a really particular looking for tone were “We there — is owner business actress, Singer, - 4. See Lyn October Gold & is available Black vides some exposition to what is going on on going is what to exposition vides some tip to the opportunity also oers It plot-wise. shows. and movies favorite some to the hat Or Roy like covers also selected we dierent make to wanted we where things and bison - Trill like,” we movies to references cinematic singing she’s meet her, rst we “When says. ing that song, In’ Dropped ‘Just Rogers the Kenny ‘In . [Orbison’s] Lebowski Big e from was So were there Velvet. Blue from was Dreams’ cinematic little doing were we times where were we times other and winks the covers, with catalog.” her on draw just to able to ready was she where the point reached just the given was when she new her music share be this to so fantastic part grateful of part. “I’m killer a this season,” cast got they’ve series, and and in a venue, performing am “I says. she have in. I may is in Billy every I’m scene that lyrics my it’s Mostly know. don’t I two, or line a the exposition. part is of that presence my and to have I didn’t stage. be on to who I am I got Larry director e ful ll vision. a is another direction great me gave He with. work to joy very which is I do, also do what let me and yourself beTV in a playing show To exciting. great.” pretty — that’s undersell- perhaps it’s in conclusion, says ing she’s say simply to a little performance her ing “being herself.” a little spooky and cool which is and in there, she what that’s and also fantastic but kitschy bit “ read says. he the needle all of does so well,” while being a fantastic tones, these dierent time.” the same at musician do? can’t she anything Goliath on Kay da - - , the Am
“I am playing my songs, and then they have then they and have songs, my playing am “I Kay con rms the stories that countless peo- countless that the stories con rms Kay human, gracious incredibly an was “He us link provides Bob Billy ornton at “YOU CAN’T PUSH “YOU LIKE SOMETHING A NEEDED IT THAT. HE SPACE. PROPER REVEALING SO SOUNDS EMOTIONAL AND IT’S COMPLETELY THAN DIFFERENT FANTASTIC HIS IN VOCALS GNARLY MOTÖRHEAD.” azon show about a down-on-his luck lawyer lawyer luck a down-on-his about show azon trying backup. pullhimself to ( ornton) herself. playing is singer, the nightclub as Kay, for songs cover some I record that requested and the show knewabout “I says. she theshow,” Mon the had Santa always because it it loved I the everything Boardwalk and which ica Pier, neighborhood, so our I appreciated partis of a friend only not is Billy Plus the location. grateful to them for that. If it wasn’t his last, it it last, his wasn’t it If that. them for to grateful them.” of one was warm, a was Lemmy that told already have ple gentleman. wonderful ever I best storyteller hysterical, absolutely to jokes him repeat make I would and knew, becauseme delivery his so was impeccable,” with hang I would him a lot. miss “I says. she Law and documentaries rock watch him and poetry.” read would he , or & Order that he is It transition. handy another with Goliath on with working now is Kay LYNDA KAY LYNDA - “You can’t push something like that,” Kay Kay that,” like something push can’t “You So together they week they next got e did. ty to release it while alive. was it Lemmy release ty to sounds He space. needed proper a “It says. completely — it’s emotional so and revealing vocals gnarly in fantastic his than dierent permission getting ended up We Motörhead. estate his the from track release to this year be more couldn’t we and management, and to walk by the Rainbow so I went in to say hi to say in to the so walk Rainbow to I went by you where ‘Hey, sees says and me He Lemmy. with a duet recording been?’ just was ‘I I said, his looking at stops He BobBilly ornton.’ looks at around, turns video machine, poker do a duet?’” gonna we are ‘When says and me, beginnings the rough pulled out Lemmy and pair had started in 1979. e he that a song of in-be- it recorded together, it writing nished became that and sessions, Motörhead tween the opportuni wasn’t there Sadly, “ e Mask.”
album album is album at all brings us neatly to Lemmy, who Lemmy, to neatly us all brings at Kay Bob Billy 2009, I met ornton,” “In Contralto is de ned as the lowest singing singing the de ned lowest as is Contralto exactly why know don’t I very and rare “It’s very is & Gold - delib Black new e album “ ereseveral a periodwas years time for of is the dinner album, and the Black and album, the dinner is the a erparty.” for - re it le this in 2015. (Has realm course of previously Any years?) ally been four nearly is man the great featuring unreleased music his to interest huge be to of going obviously “ e the case is as Mask” here. fans, masses of Kay the country sweet is by ballad recorded the Black on track the third Kilmister, and the album. side of a lot have we that out I gured and “Billy says. really connected, We friends in common. of old in Slash’s living was the he time so at and a had built Slash in Beverly and house Hills, I used in the basement. to studio recording all there the — they time used joke out to hang their Pack. Rat to Dickinson the Angie I was out hanging I was cool that. with totally I was you’ve heard ‘I said, Billy and night one there you don’t — why songs really great some got a duet recorded We them.’ of some me play seeing was Jonny night, same at night. that had and lot a in parked I the Whisky. at show a of my voice which is contralto, the same as the same contralto, which is voice my of - Lone Since Carpenter. Karen Cline and Patsy ranges. octave more three I have Spurs, some vocally. change the biggest is say I would at guitar a four-string Back playing then I was six- Gretsch been playing 2008 I’ve since and strings.” Cline as and well As females. type for voice contraltos non-operatic famous Carpenter, Lana Cher and Apple, Fiona Brandy, include Del Rey. en- o en are think women “I says. Kay is,” that think I in their highestrange. sing to couraged I classical music. opera and started with that range. proper try to my nd point a to it made in the seriously really that on working I started try I would and Joplin Janis I love years. ten last when I do better but range scratchy my hit to therange trying — nding not it hit to I’m naturally.” happens that where initially parts which two were into split erately — e release be separate to two intended to (which seems call to out Black in Women she Black, . Gold in Lady e Cash) and Johnny soul side, Memphis country, the rootsy, is says, - string- lledwhile orches Gold the lush, is Kay’s very partstral Both of side. are much personality. she country music,” any doing I wasn’t where - really miss I was that I discovered “But says. push to I wanted and country roots my ing that thing those. other e on the envelope - re to permission given I was was, happened recorded and wrote I that lease a country song I took Motörhead. of Kilmister Lemmy with to opportunity an as sign and another as that as sorts, me both of sides of amalgam do an double one on together coming a musician the Gold is, it I look at way e album. 14
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House / Jackie Robinson Community Pasadena–City Hall/ The Gamble instagram.com/artnight_pasadena twitter.com/ArtNightPas facebook.com/artnightpasadena artnightpasadena.org information. in Pasadena. Check metro.net for Gold Line to MemorialPark Station Attend by ArtNight takingtheMetro METRO GOLDLINE tion at cityofpasadena.net/artsbus. Green Street until8p.m. informa- along Colorado Boulevard and Pasadena ARTS Route 10 runs ARTS BUS any venue andrideto others. with stops at each venue. Park at will loop throughout theevening Free shuttles, running 6–10 p.m., FREE SHUTTLES Pacific Asia Museum Street Projects /Sp[a]ce)USC History /Red HenPress /Side of Music/Pasadena Museumof Library /Pasadena Conservatory One Colorado /Pasadena Central Day One/Norton SimonMuseum/ Museum /Light Bringer Project @ Center /KidspaceChildren’s Boston Pasadena Court /City of Design/artWORKS Teen Center / for /ArtCenter College theArts A Room to Create Center /Armory PARTICIPATING INSTITUTIONS of of I ARTS the groundthe and her tongue is in her cheek. atlook society. Her feet are planted on rmly that’s never overshadowed by akeen critical dynamism of her approach: formal virtuosity of its idiocy. Williams’ attribute best is the pleasure of world visual the withe ects the various that scenarios aesthetic the balance tures throughout show the depicts gures in meaning of that phrase. Fires owns up to its title, ifyou subvert the Williams’ current exhibition at Various Small worldthe With becomes. Pleasure, Robin F. more pronounced more the acutely mediated ordeep surface, and its advantages the all seem expression and imagination, it be something Painting means has always a powerful of been perpetuate quest the for perfection. aesthetic BY PAUL MAZIAR andrepurposes subverts famous images from popculture Robin F. Williams’ exhibition thrilling at Various Fires Small WITH PLEASURE SOCIAL CRITICISM, Some of paintings the here, her rst solo of 11large,Each the brightly hued pic- Weathervane F. Williams Robin 2018 to profusion the of that feeds visual andmedia symbol-driven messaging you from look, are social everywhere totally image driven. Examples of this t’s commonly assumed people today are
head, looks peculiarly hand-drawn, peculiarly head, looks and the with that swirl of oil beneath man’s the tion of paint Her is a thrill. mark-making, and Williams’tive is bewildering applica- they’re- to take. willing e chosen perspec positionthe they’re in, or how much more no one knows why they’ve up signed for is them clearlybeneath enjoying himself, adding to impression the man that the while aformalbear modeling that’s almost cubist, brace. willingly they by fall dope whose the a care, to and totally subservient impressed analogous positions appear jubilant, without from 1970s,wherein the two women intheir a reimagining of a Newport Cigarettes ad workthan is pleased. oil and is acrylic two the women while grin stand there less He’s with adimwitted inaheadstand pose women steady aman by nude. also his ankles, sure blue (2019).Onacalm shore, two nude example title the painting, Alive With- Plea or widely-distributed else images. Take for exhibition on West the refer Coast, to famous In Williams’ facesof scene, the women the (2019) — coupled with the stylized aspect in (2019) —coupled aspect stylized with the saturated quality —for example, Ice Queen paintings.these With that smoothed-out, cation might confound an of online view paintthe airbrushed looks on. is appli - ofuse color inDelacroix. In areas, certain stain on raw canvas, or masterful else the vokes Helen Frankenthaler, with soak-or- gree that you want to reach out and touch it. work is lushly-applied, textured to de- the not conventional at In all. some places, this erly rendering, but Ihasten to addthat she’s liams is inher versed form. Imention paint- somehow and exacting both playful. Wil - painterly rendering, with depictions that are byterized an obvious joy incolor and its paintings of work body inthis are charac- Williams, of heavy-handed—all never the to ground the at any moment, probably will. positions.their could throw ey guy this more skepticism intheir powerful relative shared.to be Her female nudes are much andcentury there are perspectives new all foregrounded content. by deeper It’s anew sex-appeal, apainting can feature nude forms Newport’s and of misogyny were inservice oldthat advertising while campaigns like eling viewer, with the an acknowledgment send-up. To me, is this an important- lev suits, three are all nude inWilliams’ painted cigarettethe adhas bathers the - clad inswim gaze. privilegingWhile male the speci cally product’sthe relation and to sex sexuality, raneous beer-hawking promotions, gure reinforces strangeness the of such ascene. vibrant of neon thiswork’s aspect palette From painting to painting, Williams in- criticism is, —which for social Beyond cigarette ese ads, alot like contempo- Robin FWilliams Robin Eye on the Time the on Eye 2018 through October 26;vsf.la/rw-with-pleasure. Ave., Hollywood; Tue.-Sat., 10 a.m.-6 p.m., hadinalittlebe subversion. You it. can trust in painting. ereespecially is pleasure to Happy-go-lucky can o en come o suspect, of female dissent, or abit of ambivalence. haps even more relatable due to a motif considered, labored over, complete. styled, canvas.the inch Every of her surfaces are ice additive texturizeto highly area this of most palpable. Here, Williams apum- used at storm cloud invokes that’s agloom - al byfazed approaching the storm. coal-black unprecarious, poised, self-possessed, un- in1972.Butback Williams’ is gymnast thatinjury took her out of Olympics the at same the time. Rigby hadsustained an a physique that’s realistic and oddly alien of Williams’ characters, she’s nude and with from image. beam the original the other Like upon aroof, pose in abalance to as opposed to back gaze viewer, the de antly, resolutely, of show. the has turned her gymnast Our magazine in1972. is is most the stunning Cathygymnast Rigby, from cover the of Life featuring a gure coming famous the a er: ly horror inthe lm. the category beside of Williams’ right- led scene keeps the caller Rosemary’s Baby raving; the eyes inthe look lariously reimagines from ascene lm the patricentricity. for Siri Calls Help (2018)hi- well-known subjects: Kool-Aid, pay-phones, assistants,virtual cold brew —and other strangethe or tropes vaping, banal of today: removed from source those contexts, involve sure star famous gures and that, scenes when paintings, hadn’t Ireally at them seen all. simply not due. Having pictures seen of these aside from show the seeing will inperson necessity of exhibition. the Any experience rendered.digitally for is case makes the the dra ingthe of her gures, works certain look Various Small Fires, 812N.Highland e paintings inWith Pleasure are per Weathervane (2018)is another painting ofOther paintings the inAlive With- Plea Cold Brew Williams Robin F Robin 2018
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2018 Robin F Williams Cold Brew Cold Other of the paintings in Alive With Plea- With in Alive the paintings Other of painting another (2018) is Weathervane per are Pleasure in With paintings e 812 N. Highland Fires, Small Various the dra ing of her gures, certain works look certain works gures, her of the dra ing the the makes case is for digitally rendered. experience Any the exhibition. of necessity in person will seeing the show from aside these of seen pictures Having due. not simply all. seen themat I really hadn’t paintings, when scenes that, and gures famous star sure involve contexts, those source from removed today: of banal vaping, tropes or the strange other — and brew cold virtual assistants, pay-phones, Kool-Aid, subjects: well-known hi- (2018) Help Calls Siri for patricentricity. the lm a scene from reimagines lariously look in the eyes ; the raving Baby Rosemary’s caller thekeeps scene led - right Williams’ of beside category the lm. in the horror ly a er: the famous coming a gure featuring Life of the cover from Rigby, gymnast Cathy stunning the most is in 1972. is magazine Our gymnast her turned has the show. of resolutely, de antly, the viewer, gaze back to opposed as to in a balance pose a roof, upon Like other the originalthe beam image. from with and nude she’s characters, Williams’ of alien oddly and realistic that’s a physique an had sustained Rigby time. the same at the Olympics of out her took injury that gymnast is Williams’ back in 1972. But un- self-possessed, poised, unprecarious, coal-black storm. the approaching fazed by al- a gloom that’s invokes cloud storm at used- a pum Williams Here, palpable. most of thisarea highly to texturize ice additive are surfaces her of Every inch the canvas. styled, complete. over, labored considered, motif a to due relatable more even haps ambivalence. of a bit or dissent, female of suspect, o come o en can Happy-go-lucky to pleasure is especially ere in painting. trust can it. You subversion. be had in a little p.m., a.m.-6 10 Tue.-Sat., Hollywood; Ave., vsf.la/rw-with-pleasure. 26; October through
2018 Eye on the Time RobinWilliams F Beyond social criticism — which is, for Beyond social for — which is, criticism in- Williams painting, to painting From - contempo like lot a ads, esecigarette to be shared. Her female nudes are much much are nudes female Her beto shared. relative powerful in their skepticism more this guy ey throw could their positions. will. probably moment, any at the ground to the never heavy-handed—all of Williams, - charac are in this body work of paintings its and in color joy obvious an terized by are that depictions with rendering, painterly - Wil playful. both exacting and somehow - paint I mention form. versed in her is liams she’s add that to I hasten but rendering, erly this places, some all. In at conventional not the- de to textured lushly-applied, is work it. touch and out reach to want you that gree soak-or- with Frankenthaler, Helen vokes the else masterful or canvas, raw on stain certain areas, In in Delacroix. color use of - appli is on. looks airbrushed the paint view online of an confound might cation smoothed-out, that With these paintings. Queen Ice example, — for quality saturated the with stylized aspect(2019) — coupled in vibrant neon aspect of this work’s palette palette aspect this work’s neon of vibrant a scene. such of the strangeness reinforces gure promotions, beer-hawking raneous sexuality, sex to and relation the product’s speci cally the male While privileging gaze. swim in clad - the bathers ad has the cigarette painted in Williams’ nude all are three suits, lev- important an this is me, To send-up. acknowledgment an the with viewer, eling like campaigns while advertising that old in service were misogyny of and Newport’s forms nude feature can a painting sex-appeal, a new It’s deeper by content. foregrounded all new perspectives are there century and In Williams’ scene, the faces of the women the women the scene, faces of Williams’ In exhibition on the West Coast, refer to famous famous to Coast, refer the West on exhibition for Take images. else widely-distributed or Plea- With Alive painting, the title example nude two shore, (2019). On a calm blue sure ankles, his also nude. by a man steady women pose in a headstand a dimwitted with He’s less there stand grin whilewomen the two acrylic is and oil pleased. is than work ad Cigarettes Newport a of a reimagining in their women two the 1970s, wherein from without jubilant, appear positions analogous impressed subservient totally and to care, a the whose dope fallby they willingly brace. cubist, almost that’s modeling bear a formal while the that man the impression to adding himself, enjoying beneath clearly them is for signed up they’ve why knows one no more much how or in, they’re the position perspec chosen e willing take. to - they’re - applica bewildering is tive Williams’ and mark-making, thrill. a is Her paint of tion the man’s beneath oil of swirl that with the and lookshead, peculiarly hand-drawn,
t’s commonly assumed people today are are today people assumed commonly t’s this of Examples driven. image totally everywhere socialare look, from you messaging symbol-driven media and visual feeds that of the profusion to
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WITH PLEASURE WITH SOCIAL CRITICISM, SOCIAL BY PAUL MAZIAR PAUL BY Robin F. Williams’ thrilling exhibition at Various Small Fires Various at thrilling exhibition Williams’ F. Robin culture pop from images famous subverts repurposes and perpetuate the quest for aesthetic perfection. for the quest perpetuate been of a powerful always has means Painting something be it imagination, and expression seem all the advantages its and surface, deep or mediated acutely the more pronounced more F. , Robin Pleasure becomes. With the world Small Various at exhibition current Williams’ the subvert if you title, its to up owns Fires phrase. that of meaning in gures depicts the show throughout tures balance the aesthetic scenarios that various the with e ects the visual world of pleasure the is best attribute Williams’ idiocy. its of virtuosity formal approach: her of dynamism critical a keen by overshadowed never that’s rmly on planted are feet Her society. look at cheek. her in is tongue her and theground
ARTS I 18 WWW.LAWEEKLY.COM | O - , | LA WEEKLY SPORTS ·WELLNESSCULTURE ·CANNABIS Sponsored by: October 20,2019,SantaMonicaPier Come play. Comewatch.Joinus. civilizedgames.com Sign upforfree J CULTURE “nobody knows what that fuck it is,” Leguizamo and black, remaining with the 20percent, well, direction. inanew taken go, mambo, cumbia, etc.) we are immediately (reminding audience the brought who you tan- backgroundthe are fantastic, and as he dances sound system along withlighting the in eects over,takes is which o en, quality the of the board, chairs and shelves. When music the room and classroom, aschool with ablack- information. from he which quotes relevant the but limited audiencethe by showing actually us books the He proceeds to share his own education with wrote who those namely, them: white America. U.S. have written been to t narrative the of for know, as we all inthe books history the formation on And subject. this that is not easy, that mightand books provide all accurate in- to dosome homework,decided reading any about as taught history Leguizamo inschool? Carlos SantanaLopez, —to refer to, but what plenty of musicians and popstars —Jennifer proud of his heritage. Latin Ofcourse, there are father to share many the reasons he should be names like “beaner,”called inspires which his and bullied has son been who school middle won’tyou forget. soon educates and, most of entertains all, inways mo displays he informs, talents while these all currently at Ahmanson the eatre,- Leguiza In his one-man play, Morons, for History Latin awaretruly of of scope man’s the the talents. dancing, and impersonations, doyou become until you himlive on see stage, doing comedy, BY JOHNLECARO How John Leguizamo’s one-man show us schools all LATINO LESSONS Latinos are for most Spanish, the part Indian e stage resembles acombination of aliving e premise of play the concerns actor’s the Morons for History Latin in Leguizamo John cent Net ix hit When Us ey See . But not to’s Way to’s movie Carli roles already know —From ofthing all us who’ve and his TV seen ohn Leguizamo’s for gi is acting some- to to Moulin Rouge ERto re to the - -
PHOTO BY MATTHEW MURPHY group.org/visit/ahmanson-theatre. dierently —and he did. was glad about his ownerything heritage, but found out from man aLatin thought- who ev he knew applyindeed to most of us… and comes this we come to that realize word the “moron” does it to light, to create change. As play the ends, termsno uncertain and by hopefully bringing informed. hopes Leguizamo to convey in this Hispanics U.S., inthe most of us are not well itwhen comes to many the contributions of tothanks our current government —is that Morons frantic stand-up. Robin recalling best, par Williams’ with the topthe of his head, and comic the timing is on his material appears and delivery to come o ix), but of from audience, the perspective the a version last year, he lmed currently on Net- (you structure basic the of can show see the in planned to ow keep the of show the going that feel fresh and improvised. with conversation and thoughtful questions to hold our attention completely, engaging us zamo, nor do we wish we did, for he manages orwe hear see from anyone- other than Legui other actors on stage. hadbeen At no timedo man show, it more is infact engrossing than if bored during two-hour the show. As a one- changes extremely enjoyable. Not once was I audience interaction and laughter. Ifound these bounces past, the around with music, props, with and various recreations lled dialects from formation, and Leguizamo’s style, fast-talking brought over mostly diseases. and muchthesia so more, Europeans the while tomatoes, potatoes, chocolate, tobacco, anes- he sharesZinn, that Latinos gave America For more information, goto centertheatre- takeaway e nal from Obviously, guidelines are and segways pre- e play is continuously moving with in- — which is — which more relevant than ever in this country.”in this made to feel invisible and yet, “we are o en valor and courage, decorated group for were most the also greater numbers and disproportionately in Americanin the wars that fought Latinos notes. He reminds us States United the of tory book Referring to the Latin History for for History Latin A People’sA His by Howard Howard by - LA WEEKLY WWW.LAWEEKLY.COM
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(310) 478-3836, showtimes; 4, various laemmle.com. derball straight-laced cop who holds a second job in job a second who holds cop straight-laced Corps Reserve.the Marine brother his A er Cal’s him in prison, puts that in a brawl gets Enlisting the test. to put is the law to loyalty to resolves he buddies, Marine his of the help from brother his liberate to a scheme organize - faith “always means ” “Semper the slammer. tricky thismorally for title clever a it’s and ful,” honor. of the limits and thriller family about an (who garnered Henry-Alex Rubin Director the documentary for Mur nomination Oscar only problem is that she can neither dribble nor dribble neither can she that is problem only aof seek leads to the is her tutelage shoot. anMiller), and (Romeo teenager street-smart Miller Romeo blossoms. friendship unlikely this to the original score provide P Master and Lae - Susman. John by directed indie budget low Beverly Blvd., 9036 Wilshire Hall, Music mmle $9-$12. showtimes; Oct. various 4, Fri., Hills, (310) 478-3836, laemmle.com. Limited 4 October Friday, new her boss whiz impress whose to e orts basketball the company for up signing involve e player. the sole is female which she of team, - is the hotly anticipated rst installment rst anticipated the hotly is Joker original movie a Hulu is Monsters Little of fancy visual motifs.of to Bros. Warner by attempt DC an of Black, the utilizing lms a series standalone of launch lm e the took DC company. Comics stock folks and Film Festival the Venice at prize top to “frontrunner” like words using already are Todd prospects. 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refers to Lucy Cola (Natalie Cola Lucy to (Natalie refers Sky the in Lucy LOST IN SPACE LOST house gems and classics to popcorn-perfect to classics and gems house buzz. garnering new movies and blockbusters your make every you Check here before week screen plans. big Opening wide Oct. 4 Friday, a er home who returns astronaut an Portman), and mentally her leaves that mission long a toward gravitates She vulnerable. emotionally and spaceman, fellow a Hamm), (Jon Mark her him, alienating with a air an into enters begins shi to Mark When family. her from she woman, another to attention romantic his based is character main e unglue. starts to ocer ight the naval Lisaloosely Novak, on U.S. of kidnapping the attempted with charged in 2007. Colleen Captain Shipman Force Air subjectivity stresses direction Hawley’s Noah bag magician’s a through disorientation and BY NATHANIEL BELL NATHANIEL BY Also: e closing days of Beyond Fest of days Also: closing e
FILM W 22 WWW.LAWEEKLY.COM | O - , | LA WEEKLY W FILM mistic it madeMissouri like aplace look in icon of American cinema. Later, she starred as Technicolor, and her Dorothy an became 22. greatestthe by made lms ever age the of backing Renée Zellweger’sbacking Renée tour deforce performance Judy BY ASHERLUBERTO RAINBOW OVER THE SOMEWHERE Meet Me in St. Louis, a musical opti so - Judy Renée inZellweger In e Wizard of, she Oz was as bright features astrong script and supporting cast tress starred intwo of Award-winning ac- dance and Academy land do?The singer/ hat couldn’t Judy Gar - one has it gured out. all at for goes the assume have they it gured out. all But no ty —or someone with fame or riches —and relatable. feel — make someone is a“one who of akind” movie inwhat its genre every hopes to do From tender to start awless nish, it does end’s life, is suitably adept and multifaceted. acclaimed about new movie about leg- the might wanteveryone to vacation. In L.A.,it’s acelebri to easy - see especially Judy , the the , own, and she’s got chops. the Garland achance to do some singing of her it’s wonderful. It gives actress the also playing self,” it’s aweight o of all our shoulders and exciting. When she belts out nally My “Be - minutes into and is suspenseful lm) the have she still Does kids? it inher mid-40s? in Britain. What she have does without her — England! At rst she’s reluctant to perform place that treats old stars like her as royalty what it to So, be. used she to goes only the is biting at her heels for custody. Money isn’t hers for long. Her alcoholic ex(Rufus Sewell) adorable But kids. she’s won’t worried they be out over last the year of her life. She has two on aPeterbased theater Quiller piece, plays 1969. e place is London. And story, the brick road. bottom.the We’re along way from yellow the actress’ climb to top the and later, to her fall facets of stardom, Judy icling glitzy the and glamorous, aspirational sions) successful. Instead of atimeline chron- Star (Garland Born is Gaga’s and Lady ver days. He’s gutted formula the that madeA with her larger-than-life or persona glory the charisma and for gi song projects. intheir wanted1939 to 1961,everyone her beaming on toShe be top seemed of world. the From for goes even asuperstar like Judy Garland. folks down you walking street, the and see it e buildup to rst the performance (45 at starts e journey end. the e timeis But director isn’t Rupert Goold concerned mostly focuses on mostly an focuses - — inBridget Jones, better. brilliant e actress has been before go as planned, Zellweger’s couldn’t going be a near cloning of Garland’s image. Jany Temime’s fab costumes, provide which to hair the and makeup designers, as well as o at any moment. Just like Judy. Shout out slouched it as ifher looks dress could slip expressive and eyes shoulders lips, teary so careers. She slips into role the seamlessly — inlater behind both le them phases of their ing an excess of almost talent, industry the have incommon that, is asense despite hav- choice. e only thing Zellweger and Garland onboth and o stage. the She may an odd be Zellweger gives atour deforce performance, like Garland. like that there’s no place like home, and no one from along, exhausting trip. It’s areminder “real”the Judy —is like coming home back bow.” with back Judy Being if it —even isn’t stage singing “Somewhere Rain the Over resolution. What’s more, to nd it on the iconthe relatable —the icon — nd that really matters inlife. And it’s to see thrilling thatall matters. controlled her into that thinking stage the is you,” he growls at 8-year- the old Judy. He’s there’s prettier agirl than you, than thinner (MGM) from resonating. town “In every Weinstein-likewith the B. Louis Mayor atoverused device. doesn’t stop scenes search for human connection. Yes, it’s an ashbacks as ameans to elicit her endless for inthem. for inJudy, just as she nds what she’s looking courage. nd what all they’re ey looking (Jessie and Buckley) agay couple need who (Finn Wittrock), an agent aheart needs who stops include: a husband a brain needs who courage.a lion needed In one, this pit the abrain, and aheart needed man atin needed Oz of bene ts by following path asimilar to Wizard other biopics playing across It hall. the also sure, though no less anachronistic than the noteworthy. is old e story fashioned, to be team eort. Tom Edge’s script is particularly gests aone-woman-show, Judy much is a very an Oscar buzz here. Despite a title that sug- two other times, isn’t only the one worthy of tain for Supporting Best Actress Moun inCold Sinatra’s here?” world,”in the to she which replies, “Frank introduces her as “the greatest entertainer her image inpublic, she’s quite funny. Aman into adowner. When she’s to keep up trying ing on pills inahotel, Zellweger shape-shi s onebeing or other. the When she’s overdos - and instead whimsical, of weary both justbe broadness of role. the With Garland she can guire Although Garland’s comeback tour didn’t What you’ve hearing Renée is true. been By end, the she comes to terms with what enough smart to e is lmmaker also use Zellweger, won who an Academy Award back in 2004 and has been nominated in2004andback has been . What’s here new is award-worthy the . In that picture seminal a scarecrow Chicago Jerry Ma Jerry and - - - LA WEEKLY | O - , | WWW.LAWEEKLY.COM 23
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What’s back in 2004 and has been nominated been has back in 2004 and nominated Zellweger, who won an Academy Award Award Academy an who won Zellweger, use lmmaker also e is to smart enough what with terms to comes she the end, By What you’ve beentrue. is Renée hearing you’ve What didn’t tour comeback Garland’s Although guire can she Garland With the role. of broadness be just both weary of whimsical, instead and - overdos she’s When the other. or being one shape-shi s Zellweger in a hotel, pills on ing trying up keep to she’s When a downer. into A man funny. quite she’s in public, image her entertainer greatest “the as her introduces “Frank replies, which she to in the world,” here?” Sinatra’s in Cold Moun Actress Best Supporting for tain of worthy one the only isn’t times, other two - sug that a title Despite here. buzz Oscar an very a is much Judy one-woman-show, a gests particularly is script Edge’s Tom eort. team be to fashioned, story e old is noteworthy. the than anachronistic less no though sure, also the hall. 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Over the Rain “Somewhere singing stage isn’t — even if it Being Judy back with bow.” back home coming like — is Judy the “real” reminder a It’s trip. exhausting a long, from one no and home, like place no there’s that like Garland. Zellweger gives a tour de force performance, performance, de force a tour gives Zellweger be odd an may She thestage. o and both on Garland and Zellweger thing only e choice. - hav despite a sense is that, in common have the industry talent, almost of excess an ing their of phases le them both behind in later — seamlessly the role into slips She careers. so teary lips, shoulders eyes and expressive slip could dress looks if her as it slouched out Shout Judy. like Just moment. any at o as well as designers, makeup and the hair to which provide costumes, fab Temime’s Jany image. Garland’s of cloning a near be going couldn’t Zellweger’s planned, as go before been has actress e brilliant better. , Jones — in Bridget - mostly focuses on an focuses an mostly on e buildup to the rst performance (45 (45 performance the rst to buildup e But director Rupert Goold isn’t concerned concerned Goold Rupert isn’t director But time is e the end. journey e starts at place that treats old stars like her as royalty royalty as her like stars old treats that place perform to reluctant she’s rst At — England! her without does have she What in Britain. mid-40s? in her it kids? Does still she have the lm) suspenseful is and into minutes - “Be My nally out belts she When exciting. and shoulders our all o of a weight it’s self,” playing alsothe actress gives It wonderful. it’s her of singing some do to a chance Garland the chops. got she’s and own, folks you see walking down the street, and it it see and the street, walking you down folks Garland. Judy like a superstar even goes for From the world. of seemed top beShe to on beaming her 1961, everyone1939 to wanted in their projects. song gi for and charisma the glory persona or larger-than-life her with A made that the formula gutted He’s days. ver Ladyand Gaga’s is Born (Garland Star - chron a timeline of Instead successful. sions) aspirational glamorous, and the glitzy icling Judy stardom, facets of fall her to later, and the top to climb actress’ the yellow from way a long We’re the bottom. road. brick the story, And London. is place 1969. e plays piece, Quiller theater based a Peter on two has She life. her of year the last over out be they worried won’t she’s kids. But adorable Sewell) ex (Rufus alcoholic Her long. for hers isn’t Money custody. for heels her at biting is the only goes to she used be. So, to it what ,the Judy In L.A., it’s especially see- easy to a celebri L.A., it’s In everyone might want to vacation. vacation. to everyone want might the leg- about movie new about acclaimed multifaceted. and adept suitably is life, end’s does it nish, awless start to tender From do to hopes every genre what its in movie a kind” of who a “one is someone — make feel relatable. — and riches or fame with someone ty — or no But all out. it gured they have assume the goes for at all out. gured it has one - hat couldn’t Judy Gar Judy couldn’t hat singer/ do? The land Academy and dance ac- Award-winning of in two starred tress features a strong script and supporting cast supporting and script a strong features , she was as bright bright as was Oz, she of Wizard e In Renée Zellweger in Zellwegerin Renée Judy - so opti musical a , Louis St. in Me Meet SOMEWHERE THE OVER RAINBOW Judy performance force de tour Renéebacking Zellweger’s ASHER LUBERTO BY the greatest lms ever made by the age of of the age ever lms made by the greatest 22. became an Dorothy her and Technicolor, as starred she Later, cinema. American of icon in look a place like made Missouri it mistic FILM W 24 WWW.LAWEEKLY.COM | O - , | LA WEEKLY JERRY’S MIDDLEFINGER SHWAYZE HOLIDAY SHOW www.LiveFromMalibu.com BRANDON JENNER& Tickets available at FRIENDS RACKETS GRATEFUL DEAD GRATEFUL DEAD MARK MCKINNIS LED ZEPAGAIN TRIBUTE BAND TRIBUTE BAND TRIBUTE BAND FRIDAY OCT4,11 WEDNESDAY NOV 27 LED ZEPPELIN SATURDAY NOV 30 SATURDAY NOV 9 SATURDAY OCT5 (310) 456-1999 LITTLE DUM CUBENSIS FRIDAY OCT18 NO COVER and “Lonely Girl.” and harmonies on such punky tracks as “Sludge” intertwine with Goodman’s bass lines melodic a fuzzed-out backdrop for which her hazyvocals, mone’s sheets of jangling, droning guitar provide have broadened even impact. As in their ever,- Ra powers collective their intact are and fully still outside his front violent door inthe streets of his Jake Burns found plenty inspiration of lyrical just midstthe of Troubles, the and singer-guitarist formed Northern inBelfast, Ireland, in1977 about Sti Little group Fingers. e were ery image, there was never anything inauthentic bellowed showily inattempting to adopt aradical While some British punk bands blustered and TheAvengersSti Little Fingers, play. Frenzy, Prima Donna Rising and Witch also back. e Hard Way, Angeles, Stonebreed, Shock hardkiller rock tracks. We’re delighted they’re string of great hard rock albums crammed with to Casablanca day, inthe back and a released ered by Kiss bassist Simmons, Gene Angel signed company.good are, e facts having discov - been Frank at Angel fun poked so e Beatles are in onlooks song the “Punky’s Whips.” But old then, at fun poked who pa Meadows’ apparently girly were hated by by critics and Frank ridiculed Zap- years, they mid-’70stoin their mid-’80sglory touring bandthe has been hard since. ever Back DiMino o cially reformed Angel last year and ing with other, each Meadows Punky and Frank A er years of shows solo and guest occasionally - Angel album, OnVivian Sera. as La guise Girls’ comeback new forher gi writing catchy indie-pop songs inher and bassistCoast, Katy demonstrated Goodman Ali Koester played with Upset drums and Best worked with Kevin Morby as e Babies, while RamoneCassie recorded two albums solo and various and solo side projects. Singer-guitarist for joining a spell, other groups and engaging in of Brooklyn the went trio separate their ways A er Vivian Girls broke up in2014,members Vivian Girls fri MUSIC @ @ @ HEAR GO THE REGENT THEATER HOUSE OF BLUES ANAHEIM GO AGO WHISKY THE BRETT CALLWOOD Memory 10/4 , the three, the musicians revealthat FALLING JAMES tracks they le o oftracks they last year’s Marauder year’s Interpol remains Interpol, on this as evidenced Morrissey’s prodigious ear for songwriting. good head-spinningacteristically turns courtesy of Happiness Forgets” by Dionne Warwick inchar elbowsrub with “Loneliness Remembers What Son covers he’s recorded on year’s this California terously unlikely career, as well as some of the Morrissey play will assorted hits from his prepos- and yearning As and possibly such, unfullled. Nostalgianostalgia. inits rawest form, aching songs emanate into great the beyond that is for Morrissey and many great and singular pop Vision and devotion Interpol when collide opens Interpol, Morrissey sat “Paint It Black.” in Me” and asavage evisceration of e Stones’ anthems “We Are One” the American and “ e Ingraham’s relentless guitar on riotous original Houston’s with Greg yearning, vocals searing band combine who proto–riot Penelope grrrl e Avengers, confrontational the San Francisco band’s early lineup. ey’re well matched with Mordie are only the remaining members of the today,erful although Burns and bassist AliMc- Soldiers” and “Suspect Device” sound pow- still hometown.divided Such explosive tracks as “Tin @ FIVEPOINT AMPHITHEATRE Too Many Zooz Too Many LP. Songs like Jobriath’s “Morning Starship” A Fine Mess EP, arecord comprised of 10/5 FALLING JAMES LP P. L - a telling punch line: “ at’s my trouble.” Marsden album, h Love Is All You Love, before he drops tarist Russell Marsden exults on Band of Skulls’ “I’m inlove, I’m inlove, I’m inlove,” singer-gui- Band ofSkulls sun 10/6 BRETT CALLWOOD lineup spread over three stages, get so there early. ly band e Polecats. at’s amouth-watering rocking, as is Tim Polecat of British rockabil - Kats. And it on. goes Shattered Faith are still Australia’s e Living End and Michigan’s Ko n chobilly vets Nekromantix, Chicago’s Dwarves, ies, DI and Agent Orange, as well as Danish psy- punklive). favorites en we get SoCal Dick the - minus(still Jello, but by accounts all kicking ass Suicidal Tendencies plus Kennedys Dead the heavyweights include crossover hardcore crew end. At totime very the top the end of bill, the the unrelentingly brilliant from 11a.m.kick-o the punk and rockabilly of bill that mostly is locals Portthe us treated Angeles of see Los to will a What fresh inthe air open of fall Early abill! SoCal Hoedown succor. something that only music and can nostalgia music hits you, you dofeel actually apain — And fans the remain fans, the when because @ @ THE MAYAN PORT OF LOS ANGELES DAVID COTNER PHOTO COURTESY OFTHEARTIST CALLWOOD play, for lucky those enough to get in. Similarly-minded Toronto rockers Valley also out if you’re a fan of alt-rock with giant hooks. and “Daphne Blue” are video worth checking ey’re working hard and “Honest” the single playing two sold-out shows eatre. at Rey El the being amaster’sbeing level education genre. inthe latertheir work such as 2017’s Atonement iconic display of brutality, sheer metallic and ofDawn Possession standing still strong as an of annihilation, death metal 1991debut their New Yorkers Immolation just celebrated 30years houses join forces for an evening of bludgeoning. Two generations of power death high-end metal Immolation wed 10/9 Lonely Streets play also on Wednesday. e Lawrence Arms and Greg Antista & the Murderthe Police play also on Tuesday, while 9. e Lawrenceber Arms and Davis Emily & to document that shit. Also, Wednesday,- Octo 2019 current a airs, and there is no better band titlethe track o er accurate commentaries of Tomorrow Brings/ e Kids are Alt-Right” and “Do Paranoid the Style,” “End of History,” “What to arms. Songs such as “Chaos From Within,” It’s amuch-needed jolt, ashot to arm, the acall they’ve put out under current the administration. is rst their insixyears and, therefore, rst the said, year’s this fantastic Age of Unreason album current events inquite as e ective amanner. at no punk bands capable of molding songs out of year40th of existence next year, and yet there are that said.Religion to Bad celebrate needs be their unbergta and Religion Bad to say everything With world the burning around us, it’s le to Gre- Religion Bad tue next big thing” by Billboard a “breakoutthem act,” “rock’s they’ve called been at a er grammy.com Lollapalooza, which named couple of independent performed releases. ey with majors) and put out tryhard the EPa er a Records inMay of year this sign bands (yeah, still ers e Band Camino, with Elektra signed who It’s abig year been for Memphis, Tennessee rock- The BandCamino mon 10/7 mob Happy. Band of Skulls are at billed Mayan the - with De rewards on low-key songs like “Sound of You.” experimentation yield some does occasional aLot.” “ anks electronica-laced e musical tles,” glitzy dance the number “Gold” and the less-compelling numbers like “Cool Your Bat- ing IKnow” rest alongside uneasily poppy and as “Carnivorous” and “Not Kind the of Noth - straightforward, ri -twisting hard-rock tracks impact varies widely on record. new the Such themes of love and war, although musical the and bassist EmmaRichardson on take mighty CALLLWOOD @ @ @ WHISKY A GO GO AGO WHISKY THE OBSERVATORY EL REY 10/8 FALLING JAMES , and now, they’re BRETT BRETT still - drives as them well. raw that propels energy death still best the metal and more inuenced, science- ction but the History of the Human Race —is more quirky bolsteredbe by upcoming their album, Hidden Starspawn genrethe to thanks 2016debut their full-length deared themselves to most the demanding fans of extremethe scene, but metal have already en- Denver’s Incantation Blood is anewer force in aching phrasing. tyingBoys, it together all with her glimmering, KanyeBeach, West, and David Bowie e Beach cord, she drops allusions to Sylvia Plath, Long beautiful, and I’m insane.” roughout re the - reverentially coos Rey before disclosing, “You’re Paint me happy and blue, Norman Rockwell,” Del me Hallmark/One dream, one life, one lover/ like an engrossing nine-minute dream. “Give icating psychedelic folk-pop reverie that expands ice Bitch,” despite which, its title, is agently intox- song “Mariners Apartment Complex” and “Ven- on enigmatic, the ruefully role-reversing love pop star. Her grand, expressive singing unfurls mind than behaving like apredictable, obedient chanteusemoody has far greater things on her ing Rockwell! —didn’t already make it clear, the York City native’s latest album —Norman Fuck unusual Rey. Del than Lana If title of the New the Pop divas don’t come any more provocative and Rey Del Lana stateside. ninth studio album. It’ll great be them to see gone away, and last year’s Away Blaze is their had many covered. bases ey’ve never really bands like Oasis and e Stone they so Roses, Massive Attack, Orton and Madchester Beth folk and indie-rock infans pulled of likes the of ’98. e band’s e ective blend of trip-hop, soul, Calm mid-‘90s years, as Big didthe in ’96took Brit the festivals by storm inthose since 1995. eir Who Can You Trust? debut fresh as adaisy but have around been actually group Morcheeba, have who a sound that’s as It’s caught to easy be out by British electronic Morcheeba thu tunes Eilish’s as Billie “Bad Guy.” remakefar as them they behind such unexpected Many leave world the Zooz of traditional jazz with amanic,perform nonstop energy. Too is anything but and clinical as academic they New York, and mixture their of and jazz funk playing impromptu insubway sets stations in trumpeter Matt “Doe” Muirhead got start their Parks, baritone saxophonist Pellegrino Leo and brass house. David Drummer “King of Sludge” they’ve invented own their genre that call they dance music compulsive is so that and peculiar e trio’s combination house of and funk, jazz, but there are few bands too like Too Many Zooz. insensitive voyeur-dullards —on planet, this for cheap the amusement of tourists and other intelligent animals languish inconcrete prisons ere are many too — places where zoos sentient, Too Many Zooz @ @ @ THE HOLLYWOOD BOWL REGENT TERAGRAM BALLROOM BRETT CALLWOOD 10/10 . eir on take genre the to —soon FALLING JAMES JASON ROCHE FALLING JAMES follow up in - None
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, 2019 , Miles for every dollar you give. Miles for every dollar you give. ® TH Whitaker, Eric / eric.whitaker Cyan, PMS 641 C, Magenta, PMS 7545 C, Yellow, PMS Black, Fonts & Images Fonts Helvetica Neue (Regular, Medium, Bold) Images AA_SU2C_PRINT_ PSA_Master.psd (RGB; 865 ppi; 55.68%), AA-SU2C-Lockup.eps (28.85%) Inks 7620 C by T:4.48” 1822 Sunset Blvd, 1822 Sunset Blvd, Los Angeles, CA 90026 CA Los Angeles, None None A Moncure S Mitchell M Miller FRIDAY, OCT 11 FRIDAY, Art Director Copywriter Account Mgr Studio Artist Proofreader LANDLA-NMX1629 Pictured: American Airlines team members surviving and co-surviving cancer with American Pictured: Tim McGraw SU2C ambassador, Approvals Notes None Join American Airlines and Stand Up To Cancer in our mission to help make Join American Airlines and Stand Up To and Donate $25 or more everyone diagnosed with cancer a long-term survivor. American Airlines 10 AAdvantage receive you’ll Visit StandUpToCancer.org/AmericanAirlines to learn more. FELA KUTI PARTY TRIBUTE from THE ORIGINAL N FUNK : THEJUMP ORIGINAL Stand Up To Cancer is a division of the Entertainment Industry Foundation, a 501(c)(3)charitable organization. Cancer is a division of the Entertainment Industry Foundation, a 501(c)(3)charitable organization. Stand Up To marks of American Airlines, Inc. ©2019 American Airlines, Inc. All rights reserved. Design are American Airlines, the Flight Symbol logo and the Tail - follow up in up follow FALLING JAMES FALLING 9-25-2019 12:41 PM SU2C_AA_McGraw SU2C Page Ad None 4.48” x 5.23” None None SU2C_AA_McGraw_PSA_2019_4.48x5.23_NSP_4C.indd JASON ROCHE JASON FALLING JAMES FALLING Job Client Media Type Live Trim Bleed Pubs Job info Saved at 1 . eir take on the genre — soon to the genre takeon . eir 10/10 BRETT CALLWOOD BRETT THE HOLLYWOOD BOWL HOLLYWOOD THE REGENT TERAGRAM BALLROOM TERAGRAM @ @ @ Lana Del Rey and provocative more any come don’t divas Pop the New the of title If Lanathan Del Rey. unusual Fuck — Norman album latest native’s City York the clear, it make already — didn’t Rockwell! ing her on things greater far has moody chanteuse obedient a predictable, like behaving than mind unfurls singing expressive grand, Her pop star. love role-reversing ruefully the enigmatic, on - “Ven and Complex” Apartment “Mariners song - intox a gently is title, its which, despite ice Bitch,” expands that reverie folk-pop psychedelic icating “Give dream. nine-minute engrossing an like lover/ one life, one dream, Hallmark/One me Del Rockwell,” Norman blue, and happy me Paint “You’re disclosing, before Rey coos reverentially - the re roughout insane.” I’m and beautiful, Long Plath, Sylvia to allusions drops she cord, Beach e Bowie David and West, Beach, Kanye glimmering, her with all together Boys, it tying phrasing. aching thu Morcheeba electronic British by out be easy to caught It’s as that’s sound a who have Morcheeba, group actually been around have but a daisy as fresh debut Trust? You Can Who 1995. eir since in those storm by festivals the Brit in ’96 took did the Big as mid-‘90s years, Calm soul, trip-hop, of blend e ective band’s ’98. e of the likes of pulled in fans indie-rock and folk Beth Madchester and Orton Attack, Massive Roses, so they Stone e Oasis and like bands really never ey’ve bases covered. had many their is Blaze Away year’s last and away, gone see to them be great It’ll album. studio ninth stateside. Too Many Zooz Many Too sentient, zoos where places — too many are ere prisons in concrete languish animals intelligent other and tourists of amusement the cheap for thisplanet, — on voyeur-dullards insensitive Zooz. Many Too like too bands few are there but jazz, funk, and of house combination trio’s e peculiar and that so is compulsive music dance they call that genre their own invented they’ve Sludge” of “King Drummer David house. brass and Leo Pellegrino saxophonist baritone Parks, their start got Muirhead “Doe” Matt trumpeter in stations sets in subway impromptu playing funkjazz and of theirmixture and York, New they academic as clinical and but anything is Too energy. nonstop perform a manic, with jazz traditional of Zooz the world leave Many unexpected such behind they them as far remake Guy.” “Bad Billie as Eilish’s tunes Denver’s Blood Incantation is a newer force in force a newer is Blood Incantation Denver’s en- already have metal but scene, the extreme of fans demanding the most to themselves deared full-length their 2016 debut thanksto the genre Starspawn Hidden Hidden album, their upcoming by be bolstered quirky more — is Race Human the of History the but science- ction inuenced, more and metal the best still death energy propels that raw well. them as drives - still still BRETT BRETT BRETT BRETT , and now they’re they’re , now and FALLING JAMES FALLING 10/8
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FALLING JAMES FALLING , the three musicians reveal that reveal that , the musicians three 10/4 Memory BRETT CALLWOOD BRETT HOUSE OF BLUES ANAHEIM ANAHEIM BLUES OF HOUSE THE REGENT THEATER THEATER REGENT THE THE WHISKY A GO GO GO HEAR @ @ @ Sti Little Fingers,Sti Little The Avengers and blustered bands punk British some While a radical adopt to in attempting showily bellowed inauthentic anything never was there image, ery were e Fingers. group Little Sti about in 1977 in Ireland, in Belfast, Northern formed singer-guitarist and the Troubles, of the midst just lyrical of inspiration plenty found Burns Jake his of streets in the door violent front his outside MUSIC fri Vivian Girls in 2014, members up broke Girls Vivian A er ways their separate trio went the Brooklyn of in engaging and groups other spell,a joining for Singer-guitarist projects. side solo and various and solo albums two recorded Cassie Ramone whileBabies, e as Morby Kevin with worked Best and drums Upset with played Ali Koester Goodman demonstrated Katy Coast, bassist and in her songs indie-pop catchy writing gi her for new comeback Girls’ guise La as Sera. On Vivian album, Angel - occasionally guest and solo shows of years A er Frank and Punky Meadows each other, with ing and year last Angel reformed o cially DiMino Back ever since. hard been has the band touring glory mid-’80s in their mid-’70s to they years, - Zap ridiculed Frank and critics by by hated were girly apparently Meadows’ pawho poked funat then, old But Whips.” “Punky’s the song looks on in are Beatles e so poked fun Angel at Frank been- discov having facts e are, good company. signed Angel Gene Simmons, bassist Kiss by ered released a and back in the day, Casablanca to with crammed albums rock hard great of string they’re delighted We’re tracks. rock killer hard Shock Stonebreed, Angeles, Way, Hard e back. also Witch and Rising Donna Prima Frenzy, play. their collective powers are still fully and are intact theircollective powers Ra - ever, theirin As impact. even broadened have provide guitar droning jangling, of sheets mone’s hazy vocals, her which for backdrop a fuzzed-out melodic lines bass Goodman’s with intertwine “Sludge” as tracks punky such on harmonies and Girl.” “Lonely and 26 26 WWW.LAWEEKLY.COM | O - , | LA WEEKLYWEEKLY 213.436.8804 213.915.0382 4214 BEVERLY BLVD. 7 days 9am-9pm 7 days #203 Adult Massage Adult 915 Jades SensualMassage Beautiful blondeCaucasian. 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