The Year in Music from COUNTRY N 48 &Nom N MIRK: Around the Globe
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$12.95 (U.S.), $12.95 (CAN.), £9.50 (U.K.), 02,900 (JAPAN) Special Double Holiday Issue! 70910 .13i:i'CR* 902032 -3902 BillT H E I N T E R N A T I O N A L N E W S W E E K L Y O F MUSIC, VIDEO, A N D H O M E E N T E R T A I N M E N T D E C E M B E R 3 0 , 2 0 0 0 00 .. O. O. .. .. 0 W OVER 200 YEAR -END CHARTS CRITICS' CHOICE POLL RESULTS THE YEAR'S TOP STORIES VOCAL PROCESSING: CURSE OR BLESSING? GREAT TRADITIONS OF GARAGE BANDS CLOC LO LEE HE BEATLES. CREED. FAITH HILL. WYCLEF JEAN. DIXIE CHICKS. DESTINY CHILD www.americanradiohistory.com www.americanradiohistory.com There's a reason for two. Balance. Symmetry. Equilibrium. MTV2 embodies the full spectrum of music television, the now and the future, the culture and the technology, the authority of experience and the flexibility of innovation. It's the full music television experience and sensory immersion that our audience is, quite simply, made for. And starting 01/01/01, 30 million households will get to experience it with their own 2 eyes and ears. 12 MUSIC TELDISION IT www.americanradiohistory.com www.americanradiohistory.com THE BillINTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT; DECEMBER 30, 2000 BETWEEN THE BULLETS NEWS ANALYSIS Do Flashy Numbers Do Vocal Effects Go Too Far? SFX Dominates Signal Banner Year? Year In Touring Ability To Perfect Sound Via Technology May Affect Drive To Develop Talent BY RAY WADDELL SONIC BOOMS AND BOTTLE BY CHUCK TAYLOR audio recording software like Digi- create new sounds. NASHVILLE -Hefty ticket ROCKETS: This year's album NEW YORK-The process of re- design v leading Pro Tools (see story, While some in the entertainment prices and the sheer volume of sales made historic noise. There cording vocals has changed dramat- page 88), a ubiquitous element of uahstry view extreme use of the gear tours combined to increase were 18 weeks when The Bill- ically since the days when the Su- today's studia experience. as "cheating," most acknowledge that, gross touring dollars by more hoard 200's No. 1 slot exceeded premes would in limited ikses, it's than 25% in 2000, with total half a million units, including stand in the studio as acceptable and attendance rising a less impres- five different albums that saw and sing a track commonplace sive but still healthy 14 %. again and again sampling instru- Radioheod Leads until the best of ments from a Korg Tina Turner, 7V Sync In Billboard Critics Poll the bunch was keyboard instead Are Top-Grossing Tours Vas. VIE chosen. "You of hiring a horn Peu. II Keep Me Hangin Player. BLACK LUND -THOMAS stsinnc million- plus -unit weeks, while On," indeed. Butthe practice More than $1.6 billion in the Beatles' "1" threatens to In these technology- reliant times, Pro Tools and its digital sisters is creating a dramatic turn in the concert grosses was report- become the sixth to do so. One achieving perfect pitch and adjusting allow a weal to be manipulated in any music industry: Major-label execu- ed to Billboard sister publi- title, 'N Sync's "No Strings the timing of vocal phrases are as number of ways, from the compres- tivesreadly admit that signing an act cation Amusement Busi- (Continued on page 98) easy as punching numbers into a cal- sion and equalization traditionally now is as much about star presence (Continued ou page 78) culator- literally, in fact, with digital achieved on a mixing console or out- ( Continued on page 88) board equipment to far more esoteric applications like pitch correction, the R creation of an entirely new timbre Even For &D Act Destiny's Child, time stretching, and even there After 40 Years, arrangement of audio fragments to 2000 Was A 'Jumpin' ' Year Garage Rock Is Still Roaring BY LARRY FLICK Women Part I," it was also a year BY JIM BESSMAN delic music era, not to mention the NEW YORK-Destiny's Child has spiked with the kind of internal NEW YORK-It was rock from the later punk and grunge rock move- an album still holding steady, at No. strife and change that often 'hood, spawned in places where peo- ments. 32 this issue on The Billboard 200 threatens the future of a promis- ple usually worked under a hood. Many of the seminal garage -rock after a hefty 73 weeks on the chart, ing act. Garage rock, like the '60s genre's groups were signed to local indie with domestic sales "Trust me, the name suggests, labels. Due to the approaching seven - intensity of what's emerged fro fragmented nature times platinum - happened t garages. It s of the '60s record but front woman l'± i cost on me," Beyon- there that young, business, these acts oncé Knowles é says. "I know usually mate teens were largely cr lizes that 2000 i 1 that we're fortu- gathered to form doomed to remain could have ended on nate to still be bands typified by regional favorites at different here. But then Paul Revere & the best, save for the noteodecidedly for the act. , again, giving up Raiders, the few national, most- Although it was ossnur s cnim Stande lls, the MARK LAMA, 6 LOS SIAM! JACKETS ly one -hit wonders a year that saw the opton. Deep down, Seeds, the Music represented in the Columbia vocal group dominate I knew that we were going to make it Machine, the Kingsmen, the Venice, now-classic 1972 "Nuggets" compi- The Billboard Hot 100 and satu- past the humps in the road, and I and hundreds of other knmvns and lation, which Rhino reissued and rate radio airwaves with hits like knew we would be better as a result" unknowns whose raw, primal, pri- expanded into a top -selling four- "Say My Name," "Jumpin', Knowles is referring to the fact marily three -chord, guitar -based disc boxed net two years ago. But Jumpin," and "Independent (Continued on page 871 rock paved the way for the psyche- (Continued on page 90) IN RETAIL NEWS Universal Distribution Every name you need. Virtually. Sued By One -Stop MCM See Page 12 BILLBOARD'S INTERNATIONAL BUYER'S GUIDE IS NOW AVAILABLE ONLINE! Crazy Town Hits No. 1 Fully- searchable and updated weekly Customized reports for download With `Gift Of Game' Set Billboard. See Page 32 For free demo, visit www.billboard.com /directories Dtvéëto /ies ADVERTISEMENT www.americanradiohistory.com celebrating our 5`h anniversary total albums sold: 68 million gold & platinum certification: 58 number of days having fun on the job: 896 breaking new artists: priceless www.americanradiohistory.com www.americanradiohistory.com ABSOLUT SOULE DESIGN ADOPLISSALLISPAPF, AND ASSOLLINODKA CPO ABSO, DP, POOP, Di SWEDEN AO AND SIN PMCSOL SIO AND 100 PRODEI ISO, DION IMPISNM SPOUTS ABSD, SYYPI EY SHAWN MISERERE MOE ODE QUEUTE RESPONSIBLY ARE TRADEMARKS OWNED BY US AIR d SESTEAR 5,2000 MSS VIE A SPREES IMPORTED IM POE SOUSE DE SIP, 'y ',PAPS www.americanradiohistory.com Billboard. George Harrison: All Things' In Good Time "Let me in here/I know I've been here/Let me into your heart," pipes of country & western music. diior in MO: TIMOTHY WHITE sang George Harrison in the opening moments of "All Things Must The amazing thing about "All Things Must Pass" is that it áÉa,W.=aGrr Pose" his fast solo album, which debuted on the Billboard charts in had so many different bends of songs on it "Behind That Locked : ee swlw:"D e ers iate the issue dated Dec. 19,1970. Door" coots have been a country hit Era. s r«nco"miEoÿéó«:,miei:"a:e`;K:I Thirty yews later, "I'd Have You Anytime" (co-written with Bob Yeah. I think that was very much influenced by Bob [Dylan]'s ;"{'ñm'móë äib;"' Dylan) and the rest of Harrison's transcendent 23 -track solo project "Nashville Skyline" [1969] period. I actually wrote that the night (No. I for seven weeks, with three hit singles and sales of 3 mi0ton before the Isle of Wight Festival in [August] 1970. _wïsñ.rn1«1x.91 copies) is back in a newly remastered edition with five bonus tracks, W it a big decision to start the nib, with the song you including "I Live For You," the lovely, previously unissued ballad wrote with Dylan, "I'd Have You n.l Anytime." ea 1 .ssvillel from the original "All Things Must Pass" sessions. It probably was, because it goes, "Let me in here ..." [loughs]. The revamped "All Things Must Pass" emerges as promised (The And maybe sub cos iously I needed of support. I had Eric[Clap ?ELM obit White Paper, Billbomd,June 19, 1999) no part Ma long-term sched- ton] playing the solo, and Bob had helped write it, so it could have HMOs nw.t4a«m.rn eranoc«r, ie'm,n.r. ule of new music and enhanced reissues of Harrison's solo work, and been something to do with that. 1 7 .oe,w i ..61w.wlnaxn.n.l its arrival historesJan. 23 comes on the heel of the Beatles "1 "album The band on this album was the genesis of Derek & the topping the charts in AO countries as the smash of the season. Dominos. oc.s,.aievrúe.siMirá,'oáe".am« Harrison, Billhaanfs 1992 Century Award honoree, It Was! Because the very first session we did [on u'i;`e " uammilmmairlaava",.kóæ1: took a little time out from his own holiday respite to May26, 1970] was Eric and Carl ltadle, the bass play- Dmp discuss a remarkable body of work that has plainly er, and [drummer] Jim Gordon, and [keyboardist] w,c,eümr:co-áós"a"4ssoo never left global music lovers' hearts.