DOCSLIB.ORG

The Amity Affliction Return with This Could Be Heartbreak

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE AMITY AFFLICTION RETURN WITH THIS COULD BE HEARTBREAK NEW SINGLE “I BRING THE WEATHER WITH ME” STREAMING NOW WITH OFFICIAL VIDEO AT WWW.THEAMITYAFFLICTION.NET LIMITED EDITION BUNDLES AVAILABLE FOR PRE-ORDER TODAY THIS COULD BE HEARTBREAK ARRIVES AUGUST 12TH WATCH THE OFFICIAL VIDEO FOR “I BRING THE WEATHER WITH ME” (LINK / SCREENSHOT) May 18, 2016 – Roadrunner Records’ group, The Amity Affliction, have announced details of their widely anticipated new album. THIS COULD BE HEARTBREAK, the platinum-certified Australian band’s new LP will arrive on August 12th (see attached album art / tracklisting). The band - Joel Birch [Vocals], Ahren Stringer [Bass, Vocals], Ryan Burt [Drums] and Dan Brown [Guitar] - detailed the new material in a press conference earlier today hosted by former Triple J radio host / Frenzal Rhomb guitarist, Lindsay McDougall which can be viewed on the band’s Facebook (LINK). THIS COULD BE HEARTBREAK is available now for pre-order in a variety of limited edition physical bundles via www.theamityaffliction.net, with all DSP pre-orders going live Thursday, May 19th at 12:00AM local time. All digital pre-orders will receive an instant download of the album’s gripping first single, “I Bring The Weather With Me” which debuted today along with the track’s official music video. “I Bring The Weather With Me” is streaming now at www.theamityaffliction.net and on the band’s official YouTube channel, www.youtube.com/amityofficial. Furthermore, The Amity Affliction have announced a run of Australian headline shows taking them back to venues they haven’t played in over 4 years. After a massive arena tour in December 2015, these new dates will see The Amity Affliction getting up close and personal with their Australian fans in smaller and more intimate venues. Tickets for the upcoming dates will only be available for purchase with pre-orders of THIS COULD BE HEARTBREAK at www.24hundred.net through Sunday, May 22nd with a limited amount of tickets released to the general public the following week. This summer, The Amity Affliction will head to the UK where they will embark on a series of festival dates and headline shows with highly anticipated sets slated for the United Kingdom’s Slam Dunk Festival and Download Festival. Following the UK run The Amity Affliction will then touch down in the US for a string of stateside festival dates kicking off September 10th at Denver, Colorado’s High Elevation festival. For complete details and ticket information, please see www.theamityaffliction.net/tour. Deeply personal and emotionally wrenching, THIS COULD BE HEARTBREAK is The Amity Affliction’s most transformative and revealing record yet. Recorded by producer and longtime collaborator Will Putney at Melbourne’s Holes and Corners with additional drum tracking done at Sing Sing Studios, the album finds The Amity Affliction evolving their signature powerful and cathartic song craft. Both ambitious and grand, album standouts “This Could Be Heartbreak” and “All Fucked Up” are equal parts heavy and hopeful, fueled by frontman Joel Birch’s desperation which achieves extraordinary transcendence through radical honesty and absolute power. THIS COULD BE HEARTBREAK follows The Amity Affliction’s ARIA platinum-certified #1 album, LET THE OCEAN TAKE ME, which proved an to be an international breakthrough for the group. LET THE OCEAN TAKE ME marked The Amity Affliction’s second consecutive time topping the ARIA Album Chart following 2012’s gold-certified CHASING GHOSTS. More recently, the band released SEEMS LIKE FOREVER, the #1 ARIA gold-certified documentary chronicling The Amity Affliction’s history up through their epic “Let The Ocean Take Me World Tour,” which saw the band performing in front of capacity crowds around the globe, including sold-out shows at New York City’s Irving Plaza and London’s KOKO. Furthermore, the band’s most recent single, “Shine On” came in at #25 on Triple J’s “Hottest 100” of 2016. For more than a decade, The Amity Affliction has confronted the very darkest edges of man’s existence through their music and with SEVERED TIES, 2008’s full-length debut, and 2010’s ARIA gold-certified follow-up, YOUNGBLOODS, The Amity Affliction instantly established themselves as leading force in the heavy music world. THE AMITY AFFLICTION THIS COULD BE HEARTBREAK RELEASE DATE: AUGUST 12TH 1. I Bring The Weather With Me 2. This Could B Heartbreak 3. Nightmare 4. Tearing Me Apart 5. O.M.G.I.M.Y. 6. All Fucked Up 7. Fight My Regret 8. Some Friends 9. Wishbone 10. Note To Self 11. Blood In My Mouth ### For more information: www.theamityaffliction.net www.facebook.com/theamityafflictionofficial www.twitter.com/amityaffliction www.roadrunnerrecords.com Contact: Ross Anderson 212-707-3066 [email protected] .
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
  • Vans Warped Tour Deck

    Vans Warped Tour Deck

    IN PARTNERSHIP WITH WIFI HOTSPOT SPONSORSHIP OPPORTUNITY BRANDED WIFI LOUNGE “Verizon Zone” Pepsi Zone” etc. THE WARPED AUDIENCE///////////////////////////// The Warped fan is a highly sociable, tech savvy and influential young adult. Attendees are utilizing social networking to communicate their concert experiences to friends across the globe. The average attendee has been to Ages 15 ‐25 make up 91% Diversity Warped Tour 3 years and nearly of the VWT audience 90% of festival goers visit the sponsor and non-‐profit village 62% 22% ////////////////////////////////////////// 39% 52% 98% of fans take home everything // WHITE/ // LATINO they get from the tour CAUCASIAN // 15-17 // 18-25 ////////////////////////////////////////// 10% 6% Overall, 82.6% of fans are more Average Age: 17.9 years old likely to purchase or try a sponsor’s product due to their association // AFRICAN- with Warped Tour, indicating // ASIAN AMERICAN positive brand awareness. 47.9% 52.1% // MALE // FEMALE 2015 ROUTING///////////////////////////////////////// 6/19 // Pomona, CA 7/7 //Charlotte, NC 7/24 // Detroit, MI 6/20 // San Francisco, CA 7/8 // Virginia Beach, VA 7/25 // Chicago, IL 6/21 // Ventura, CA 7/9 // Pittsburgh, PA 7/26 // Shakopee, MN 6/23 // Mesa, AZ 7/10 // Camden, NJ 7/27 // Maryland Heights, MO 6/24 // Albuquerque, NM 7/11 // Wantagh, NY 7/28 // Milwaukee, WI 6/25 // Oklahoma City, OK 7/12 // Hartford, CT 7/29 // Noblesville, IN 6/26 // Houston, TX 7/14 // Mansfield, MA 7/30 // Bonners Spring, KS 6/27 // Dallas, TX 7/15 // Darien Center, NY 8/1 // Salt Lake City, UT 6/28 // San Antonio, TX 7/16 // Cincinnati, OH 8/2 // Denver, CO 7/1 // Nashville, TN 7/17 // Toronto, ON 8/5 // San Diego, CA 7/2 // Atlanta, GA 7/18 // Columbia, MD 8/7 // Portland, OR 7/3 // St.
  • Roadrunner Records

    Roadrunner Records

    WHO'S WHO AT ROADRUNNER RECORDS After 17 years with Phonogram Int'l. in international A&R, Gees Wessels joined RCA as Managing Director of the Dutch com- pany. In 1981 Gees left to establish Roadrunner Records in Amsterdam. The label began by specializing in UK-Punk Music and then heavy metal. One of the company's first signings was a group called Merciful Fate, which later became King Diamond. Gradually, through licensing UK heavy metal product, Roadrunner became one of the premiere distributors of that type of music throughout Europe. In 1986 the company opened offices in the U.S. and a year later in the U.K.. They are currently in the process of opening an office in Cologne, W.Germany as we go to print. In the U.S., Roadrunner has established four different labels: ROADRACER - specilizing in Metal and distributed through MCA, the company is presently 'New On The Charts' with the King Diamond LP "Them". EMERGO - a Progressive Rock label distributed by MCA. HAWKER - Hard Core Rock independently distributed. RC RECORDS - Heavy Metal independently distributed. ROADRUNNER RECORDS - U.S. Staff: DOUGLAS KEOGH - General Manager Douglas began work in the music business at jazz-R&B station WYBC-FM as DJ and Music Director. After promoting :^jjHj^ jazz concerts in New Haven, he moved to New York in 1979 to work as a booking agent with Rasa Artists. He then co- founded Outward Visions, a booking-management service company for new music in the jazz tradition. After design- W^ -i ing and administering a music education program for incarcerated youth in NYC and organizing free neighborhood concerts as part of the outreach program he accepted his first record company position at Europa Records as General Manager.
  • ARIA VINYL ALBUMS CHART WEEK COMMENCING 22 FEBRUARY, 2021 TW LW TI HP TITLE Artist COMPANY CAT NO

    ARIA VINYL ALBUMS CHART WEEK COMMENCING 22 FEBRUARY, 2021 TW LW TI HP TITLE Artist COMPANY CAT NO

    CHART KEY TW THIS WEEK LW LAST WEEK TI TIMES IN HP HIGH POSITION ARIA VINYL ALBUMS CHART WEEK COMMENCING 22 FEBRUARY, 2021 TW LW TI HP TITLE Artist COMPANY CAT NO. 1 NEW 1 1 CHASING GHOSTS The Amity Affliction RR/WAR 1686176588 2 NEW 1 2 EVERYTHING IS TENUOUS Luca Brasi CVA/ORCH CVLP100B 3 R/E 2 2 NO WAY TO TREAT AN ANIMAL Spacey Jane AWAL/INE SPACJ007LP 4 NEW 1 4 0202 The Rubens IVY/UMA IVY651 5 1 2 1 MEDICINE AT MIDNIGHT Foo Fighters RCA/SME 19439788362 6 R/E 3 4 ST. LEONARDS Slowly Slowly UNFD/SME UNFD111 7 R/E 3 4 SEVERED TIES The Amity Affliction BTC/SME BTR036 8 4 47 1 IGOR Tyler, The Creator COL/SME G010004091543B 9 R/E 33 1 FINE LINE Harry Styles COL/SME 19439705122 10 NEW 1 10 LOVE IS THE KING Jeff Tweedy ADA/WAR 0051497218461 11 5 146 1 GREATEST HITS Queen UNI/UMA 2758364 12 NEW 1 12 TYRON Slowthai UNI/UMA MTHDVC002 13 7 76 3 THE DARK SIDE OF THE MOON Pink Floyd COL/SME 88875170912 14 R/E 14 9 WHATEVER PEOPLE SAY I AM, THAT'S WHAT I'M NOT Arctic Monkeys DOM/EMI 3578692 15 19 62 3 LEGEND: THE BEST OF BOB MARLEY AND THE WAILERS Bob Marley And The Wailers ISL/UMA 5489042 16 14 76 2 WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Billie Eilish INR/UMA B002972702 17 10 155 3 MTV - UNPLUGGED IN NEW YORK Nirvana GEF/UMA GEFD24727 18 R/E 4 1 HOLY HELL Architects UNFD/ORCH UNFD100 19 11 32 1 THE SLOW RUSH Tame Impala ISL/UMA 7757960 20 9 3 9 BREAKFAST FOR PATHETICS Tired Lion DEW/UMA DEW9001262 © 1988-2021 Australian Recording Industry Association Ltd.
  • Why the Hell Am I Doing This?

    Why the Hell Am I Doing This?

    The Origin of the Toilet Paper: How Soul on Fire Came To Be In January of 2013, I spent an hour on the phone with Darcie Rowan, Peter’s niece. The most memorable portion of this call was her words telling me, "Peter was clean and sober when he died, and he didn't die of a heart attack. We want your book to set the record straight." To say my heart quickened was an understatement. What had happened to Peter Steele? Darcie and I confirmed my trip to NY and NJ to meet with Peter Steele’s surviving sisters on Feb.9th. It was to be a day full of questions, laughter, tears and some great Italian food! While I was to be in the area, I would also meet with Monte Conner and Mark Abramson of Roadrunner Records. It is exciting and bittersweet all at once. At this point, I was merely dipping my toe into the Green Man’s life but I could already sense a presence of sorts. Maybe it was just imaginary, or maybe this is what happens when you become someone’s biographer. For the next 2 years, I would be eating, sleeping and drinking green and black. Back in NY and NJ everyone is gathering together their memorabilia and best memories of Peter. Back in NC I am busy organizing the book in my head, and preparing interview questions. Why the hell am I doing this? First, because I have been a fan of Peter’s special, singular creative vision since that great first Carnivore album was released in 1986.
  • The Amity Affliction Feature

    The Amity Affliction Feature

    70 { Words by: SOPHIE BENJAMIN | Photo By: BEN CLEMENTS } FEATURE || australianhysteria.com.au THE AMITY AFFLICTION AMITY THE australianhysteria.com.au australianhysteria.com.au || 71 FEATURE THE AMITY AFFLICTION he Amity Affliction are the worst-known NORTHLANE successful band in Australia. It’s been two T years since their breakthrough album Youngbloods debuted at number six on the ARIA chart, but shows on the launch tour for their upcoming album Chasing Ghosts have already SUCCESS VS sold out. Even Reece Mastin, the teenage winner of the last season of The X Factor, performs at SELLING OUT Westfield shopping malls around the country clothed in Amity merch. TroY: It takes so long for people to “I was getting Oporto the other day and the get anywhere in music and people get girl next to me was wearing an Amity shirt,” frustrated after a couple of years of doing Amity were one of the very first bands that I says guitarist Troy Brady, laughing. “She had no it. I look fifty and I’m only 28! I can’t get really got behind when I was a kid, I remember idea who I was, but that’s what happens when those long nights back. All that time seeing them play my local youth centre to you have a bass player as pretty as ours. I’m the we spend awake when everyone else about 50 people just after High Hopes came out. merch guy. Story of my life!” is sleeping … it adds up. We’re not fools, Back then they weren’t the juggernaut they are “I never thought we’d be the kind of band we see the internet, we see people that now but I did instantly realise how special they that sells out multiple nights at [Brisbane’s] The associate success with selling out or were as a band.
  • Warner Music Group Corp. WMG Acquisition Corp

    Warner Music Group Corp. WMG Acquisition Corp

    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): December 18, 2006 Warner Music Group Corp. (Exact name of Co-Registrant as specified in its charter) Delaware 001-32502 13-4271875 (State or other jurisdiction (Commission File Number) (IRS Employer of incorporation) Identification No.) 75 Rockefeller Plaza, New York, New York 10019 (Address of principal executive offices) (Zip Code) Co-Registrant’s telephone number, including area code: (212) 275-2000 WMG Acquisition Corp. (Exact name of Co-Registrant as specified in its charter) Delaware 333-121322 68-0576630 (State or other jurisdiction (Commission File Number) (IRS Employer of incorporation) Identification No.) 75 Rockefeller Plaza, New York, New York 10019 (Address of principal executive offices) (Zip Code) Co-Registrant’s telephone number, including area code: (212) 275-2000 Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the Co-Registrants under any of the following provisions: ¨ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ¨ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ¨ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ¨ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) ITEM 8.01. OTHER EVENTS. On December 18, 2006, Warner Music Group Corp.
  • Record of the Week ��Music� Retail Survey Suggests Continued Importance of Ownership and Physical Formats

    Record of the Week Music Retail Survey Suggests Continued Importance of Ownership and Physical Formats

    issue 573 / 17 April 2014 TOP 5 MUST-READ ARTICLES record of the week Music retail survey suggests continued importance of ownership and physical formats. i wanna Feel (RotD) Secondcity Ministry Of sound/speakerbox Pono’s Kickstarter round May 25 closes with $6.2m raised. (Billboard) There’s no question whatsoever that 2014’s musical land- of Zane lowe’s Hottest records in The World at radio 1. A recent Cool Cuts No.1 and currently in shazam’s pre- Syco Entertainment house anthems dominating the top end of the singles chart. release Top 10, we’ve heard Annie Mac, Mistajam, skream CEO Charles Garland Here’s the next club classic in the making. secondcity has an and loads more falling over themselves to declare their love stepping down. (Billboard) element of mystery surrounding him but what we do know so for this tune and now the stage is set for this to be another far is that he was born in Chicago but moved to london at the Spotify expected to age of 12, hence his stage name. Already on board at radio where it’s likely to sit comfortably all summer long. Keep ‘em announce US carrier deal with upfront additions to their playlists are 1Xtra, Capital and coming. with Sprint. (Recode) Capital Xtra, Kiss and Kiss Fresh plus the track has been one See page 13 for contact details Sajid Javid named CONTENTS as Culture Secretary. (Guardian) P2 Comment: Pono P3 Wide Days report P8 TGE panels focus P3 Review: Wide Days P6 The Griswolds P9 Aurora P10 Sync of the Week Plus all the regulars worldwide sales including 6am, Word On, Business News, Media marketing and Watch and Chart Life distribution 1 comment david balfour questions whether pono is the right way forward for high quality audio Neil Young’s pono high resolution audio see many people warming to them or proudly project this week completed its funding round minimum standard.
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai

    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai

    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
  • A&R Update December 1-2-3-4 GO! RECORDS 423

    A&R Update December 1-2-3-4 GO! RECORDS 423

    A&R Update December 1-2-3-4 GO! RECORDS 423 40th St. Ste. 5 Oakland, CA 94609 510-985-0325 E-mail: [email protected] Web: www.1234gorecords.com 4AD RECORDS 17-19 Alma Rd. London, SW 18, 1AA, UK E-mail: [email protected] Web: www.4ad.com Roster: Blonde Redhead, Anni Rossi, St. Vincent, Camera Obscura Additional locations: 304 Hudson St., 7th Fl. New York, NY 10013 2035 Hyperion Ave. Los Angeles, CA 90027 825 RECORDS, INC. Brooklyn, N.Y. 917-520-6855 E-mail: [email protected] Web: www.825Records.com Styles/Specialties: Artist development, solo artists, singer-songwriters, pop, rock, R&B 10TH PLANET RECORDS P.O. Box 10114 Fairbanks, AK 99710 E-mail: [email protected] Web: www.10thplanet.com 21ST CENTURY RECORDS Silver Lake, CA 323-661-3130 E-mail: [email protected] Web: www.21stcenturystudio.com Contact: Burt Levine 18TH & VINE RECORDS ALLEGRO MEDIA GROUP 20048 N.E. San Rafael St. Portland, OR 97230 503-491-8480, 800-288-2007 Website: www.allegro-music.com Genres: jazz, bebop, soul-jazz 21ST CENTURY STUDIO Silver Lake, CA 323-661-3130 Email Address: [email protected] Website: www.21stcenturystudio.com Genres: rock, folk, ethnic, acoustic groups, books on tape, actor voice presentations Burt Levine, A&R 00:02:59 LLC PO Box 1251 Culver City, CA 90232 718-636-0259 Website: www.259records.com Email Address: [email protected] 4AD RECORDS 2035 Hyperion Ave. Los Angeles, CA 90027 Email Address: [email protected] Website: www.4ad.com Clients: The National, Blonde Redhead, Deerhunter, Efterklang, St.
  • Das Musikbusiness Funktionsweise, Eigenarten Und Untergang

    Das Musikbusiness Funktionsweise, Eigenarten Und Untergang

    Das Musikbusiness Funktionsweise, Eigenarten und Untergang Eine Zusammenstellung von Fakten, Hintergründen und Möglichkeiten zum Thema Musikproduktion und -publikation von Andy Stamm Inhaltsverzeichnis Inhaltsverzeichnis Inhaltsverzeichnis Einleitung Wie man mit Musik Schutz von Musik – Zukunft – Ideen und Was ist Musik? 4 etwas verdient 42 Wer hats geschrieben? 92 Möglichkeiten 148 Weshalb man sich als Künstler Gedanken Ja, aber dann gehen wir doch Vorteile der Lizenzentrennung 150 einfach online! 44 Suisa zum Musikbusiness machen sollte 5 Die Aufteilung der Musiklizenzen, Einleitung 96 Über den Inhalt 7 Kunst oder Kommerz? 46 nur sonen Gedanke 152 YouTube 49 Vorteile der Suisa 98 Das Musikbusiness Nachteile der Suisa 99 Copyright, Lizenzen und Beispielrechnung für eine Band 52 Urheber – Begriffserklärungen Was es ist und wie es funktioniert 8 Konkrete Zahlen 102 im Rechtewirrwarr Bandnamen 54 Tschüss Suisa 104 Die Tonträgerproduktion Was ist kommerzielle Musik? Was ist eine Plattenfirma? Tonträger, von analog über Die Radiolandschaft Schweiz 106 Was ist das Urheberecht? 158 digital bis gestreamt 58 Wie lässt sich Musik schützen? Was ist ein Labelcode? 10 Die knappen Frequenzen Die Geschichte des Tonträgers 60 Was ist eine Lizenz? 159 Was ist ein Plattenvertrag? 11 Die unerreichbaren Konzessionen 107 Was ist ein analoger Tonträger? 62 Urheberrecht: nicht Was ist Promotion? 12 Die einseitige Kulturförderung 108 Was ist ein digitaler Tonträger? 64 unbeschränkt haltbar 160 Wie funktioniert eine Plattenfirma? 14 Die Beamtenbremse 111 Der Durchbruch der CD und damit Die weitere Entwicklung des Externe Stellen 15 des digitalen Tonträgers 70 Das nicht vorhandene Feedback 112 Urheberrechts 163 Die grossen Plattenfirmen 18 Alben, Singles und Strategien Die Radiotauglichkeit 113 Creative Commons – Liste der «Big Three» und ihrer der Majors 71 Berieselung – die Hauptsendezeit 114 Sublabels und Musiker 20 die CC-Lizenzen 166 MP3 & Co.
  • How to Play Metalcore on Guitar

    How to Play Metalcore on Guitar

    How to Play Metalcore on Guitar And Getting Familiar with the Genre A Matura Paper by Yannic Kuna, 2013/2014 In collaboration with Beat Hüppin www.metalcoreonguitar.wordpress.com Contents 1. Acknowledgement ............................................................................................................................... 3 2. Introduction ............................................................................................................................................ 3 3. What is Metalcore? .............................................................................................................................. 5 4. August 2010 (about the author)................................................................................................... 7 5. Before it starts ....................................................................................................................................... 8 5.1 Guitar ............................................................................................................................................................ 8 5.2 Pick (Plectrum) ...................................................................................................................................... 10 5.3 Metronome .............................................................................................................................................. 10 5.4 Tuning .......................................................................................................................................................