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Johnnie to Kei-Fung's
JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest. -
Bibliography
BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G. -
TT-980403-Section 2-P17-TV Guides-IB
A R O U N D T O W N 發光的城市 17 TAIPEI TIMES • FRIDAY, APRIL 3, 2009 aving built a reputation as a articulate genre director H through works such as One Nite in Mongkok (旺角黑夜, 2004) and Protege (門徒, 2007), Derek Yee (爾冬 SHINJUKU INCIDENT 陞) returns with Shinjuku Incident (新宿事件) (新宿事件), a crime drama about the plight of Chinese illegal immigrants DIRECTED BY: DEREK YEE (爾冬陞) in Japan that has been banned in China for its violent scenes. STARRING: JACKIE CHAN (成龍) AS Yee’s first collaboration with Jackie STELLHEAD, DANIEL WU (吳彥祖) AS JIE, Chan (成龍) is being hyped as the XU JINGLEI (徐靜蕾) AS XIU XIU, MASAYA action star’s first attempt at serious This time, Jackie Chan KATO AS EGUCHI, NAOTO TAKENAKA acting, as Chan plays a character AS KITANO fighting to survive in a dark, grimy and morally complex underworld. LANGUAGE: IN MANDARIN, Set in the 1990s, the film begins CANTONESE AND JAPANESE WITH when Chinese refugees are swept CHINESE AND ENGLISH ashore on a Japanese beach. Among RUNNING TIME: 119 MINUTES them is Steelhead (Chan), a simple, isn’t joking honest mechanic from northern TAIWAN RELEASE: TODAY China who has come to find his long- The Hong Kong funnyman and martial arts star’s first foray into lost love, Xiu Xiu (Xu Jinglei, 徐靜蕾). From migrant workers toiling Steelhead joins hometown pal serious acting has been banned in China for its gruesome scenes in sewer drains and landfills to the Jie (Daniel Wu, 吳彥祖) and other turf wars between rival gangsters, illegal immigrants in Tokyo’s BY HO YI each segment of this bulky narrative Shinjuku district, where they eke STAFF REPORTER is strong and gripping. -
IFFAM 2943 – East & West Masterpieces on the Big Screen
SUPPLEMENT THU 07.12.2017 SHOWING INSIDE Crossfire Special Presentation Flying Daggers FAQs II Int’l Film Festival EAST & WEST MASTERPIECES ON THE BIG SCREEN he Crossfire feature of the IFFAM, described by organizers as a “retrospective” element of the festival, will showcase six master films selected by renowned filmmakers. From the black and white motion pictures of the 1940s to Kubrick’s sci-fi masterpiece “2001: Space Odyssey” of the 60s and the psychological thriller “Silence of the Lambs”, the genre films hail from THollywood and Asia, the latter represented with seminal works from Kurosawa, Johnnie To and Derek Yee. International Film Festival & Awards Macao CROSSFIRE: A RETROSPECTIVE OF CINEMA FROM KUBRICK TO KUROSAWA The Crossfire feature of the IFFAM will showcase six master films selected by renowned filmmakers. The pictures will be shown on the big screen at The Cinematheque Passion, from December 8 to 12 ONE NITE IN MONGKOK Mongkok, Hong Kong: a densely populated hot- KIND HEARTS AND CORONETS MAD DETECTIVE bed of criminal activity. Mainland Chinese farm Hotshot Inspector Ho seeks out his former boss Bun boy Lai Fu is a hired killer who enters the neon-lit English actors Dennis Price and Sir Alec Guinness underbelly of this infamous district. When he res- star in this 1949 black comedy. Price plays the for help in cracking a serial murder case. Bun, a gifted criminal profiler, went mad years ago and now lives cues a call girl from gangsters, the two must go lead role of Louis d’Ascoyne Mazzini, ninth in line on the run from policemen and triads alike. -
Filmart 2014 №1
DAILY MARCH 24, FILMART 2014 №1 THR.COM/FILMART China_3D_cover_Day1.indd 1 3/21/14 3:18 PM ASIAN PREMIERE INTERNATIONAL MARKET PREMIERE Mon, 24th Mar. Mon,/ 16:00 24th /Mar. AMC / 16:00 Pacific / AMC 4 Pacific/ By Invitation4 / Market (BY INVITATION ONLY) Tue, 25th Mar. / 10:00 / AMC Pacific 1 / By Invitation Tue, 25th Mar. / 10:00 / AMC Pacific 1 / Market (BY INVITATION ONLY) Fortissimo Films HKIFF + HK Filmart Booth: 1E - B09 To set up a meeting with us, please e-mail to [email protected] HK 2014_THR_another me.indd 1 2014/3/19 �� 8:32 Fortissimo FP_Day1.indd 1 3/19/14 11:18 AM MARCH 24, 2014 THR.COM/FILMART FILMART №1 HONG KONG TODAY TOMORROW WEATHER AND HIGH 73° F 71° F TEMPS 23° C 22° C IP MAN 3 Chinese Movie Boom Boosts Filmart KICKS INTO An increased presence from the Mainland sparks optimism among dealmakers hoping to HIGH GEAR grab a larger slice of the world’s fastest-growing film marketBy Clifford Coonan and Karen Chu By Karen Chu ong Kong Filmart is already Asia’s largest wait and see. It’s a curtain raiser for Cannes and egasus Motion Pictures film market in terms of exhibitor numbers, advance showcase for upcoming projects, and it is will begin filming Ip H but coming shortly before Cannes, it is increasingly well attended.” P Man 3 in early 2015. an annual challenge to convince buyers to open But the growing allure of Chinese-language With a budget of $30 mil- their wallets in Asia, rather than wait for the bigger movies makes Filmart ever more important to lion, the finale of the trilogy, European platform. -
The Founder of the Brothers of the Christian School, Patron of All
The Hong Kong Lasallian Story 1875-2007 Our Founder The Founder of the Brothers of the Christian School, St. John Baptist de La Salle (1651-1719), was an extraordinary man. Perhaps you could call him a man of surprises. For purposes of this chapter, we highlight two. Firstly, although De La Salle himself was a priest, he would not permit the members of the Institute he founded to become priests lest they should be turned aside from their principal function, and he was convinced that their vocation could lead them to authentic sanctity1. Secondly, members of his Institute were to be called Brothers. They were to be Brothers first among themselves and also elder brothers to the students confided to their care. To them, to be a Brother is a profession as well as a vocation. The mission as he saw it was to give a human and Christian education to the young, paying particular attention to the poor and the needy. He had walked the streets of his native city, Reims, in France, and saw first hand the dire need for this work. The children were wandering around the streets aimlessly or mixing with bad company and getting into trouble with the law. Their parents were working all day and so had little time to take care of them. As a very practical man, he realized that the key to success lay with finding and forming good teachers, not an easy task in those days. He believed that ‘good teachers make good schools’. Throughout his life, and despite great opposition from both Church and State, he worked tirelessly to establish quality Christian schools. -
Election (18) 黑社會 MON 21 MAR, 18:10 Dir Johnnie To/2005 HK/100
Election (18) 黑社會 MON 21 MAR, 18:10 Dir Johnnie To/2005 HK/100 mins/Cantonese, Mandarin, English with Chinese and English subtitles/ Simon Yam, Leung Ka-fai, Louis Koo, Nick Cheung Johnnie To entered the Hong Kong film industry in the late 1980s after a short career in television and quickly rose to fame as a director of great flexibility. To works out of his own production studio, Milkyway Image, which he established in 1996 with his long time collaborator Wai Ka-fai. While the rest of the industry slowed down amid the social and economic anxiety surrounding the handover to China in 1997, To continued creating films at an alarming pace: directing and producing 33 between 1997 and Election's release in 2005. He became known internationally during this time for his contemplative and morally ambiguous crime films that have earned frequent comparisons to French cinema and the work of director Jean-Pierre Melville but within Hong Kong To is equally well known for his diverse commercial productions from unbeatable rom-coms like Needing You... (2000) to the unique Buddhist-murder-mystery, Running on Karma (2003). To's footing in Hong Kong's popular cinema is evident in Election through its star-studded cast. The calm and collected Lok, vying for his place as chairman of the triad, is played by Simon Yam. Yam began his film career in the late 1980s as a regular player in Hong Kong's “Category III” exploitation movies and, thanks in part to his roles in Johnnie To films, was one of many to find crossover success in the mainstream film industry during the 1990s. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema. -
A Different Brilliance—The D & B Story
1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From -
2006011979.Pdf (147.0Kb)
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ This is the publisher’s copyrighted version of this article. The original can be found at: http://www.realtimearts.net/article/issue85/9026 © 2008 Open City Inc., publisher of RealTime Published version of the paper reproduced here in accordance with the copyright policy of the publisher. Personal use of this material is permitted. However, permission to reprint/republish this material for advertising or promotional purposes or for creating new collective works for resale or redistribution to servers or lists, or to reuse any copyrighted component of this work in other works must be obtained from the publisher of RealTime. This document is a copy of the original html. article which can be found at http://www.realtimearts.net/article/issue85/9026 realtime 85 June-July 2008 last man standing mike walsh on new films by hong kong’s johnnie to Mike Walsh THE HONG KONG FILM INDUSTRY, LIKE THE CITY ITSELF, CHANGES CONVULSIVELY. GONE ARE THE DAYS OF A VIBRANT COMMERCIAL INDUSTRY BASED ON EXUBERANT GENRE FILMS. IF THE LOCAL PANORAMA SECTION AT THE RECENT HONG KONG INTERNATIONAL FILM FESTIVAL IS ANYTHING TO GO BY, THE POSSIBILITIES HAVE POLARISED INTO BIG BUDGET HACK-AND-SLASH HISTORICAL EPICS CO-PRODUCED ON THE MAINLAND OR SMALL CITY-SPECIFIC YOUTH FILMS MADE CHEAPLY BY FILM SCHOOL GRADUATES. It seems that the last man standing in the commercial cinema is Johnnie To Kei-fung. He had three films screening in and around this year’s festival and, at the time of writing, several attempts are underway to bring these films (and the man himself) to Australian cinemas. -
Title Call # Category Lang./Notes
Title Call # Category Lang./Notes Da Ali G show (Seazon 1) 39216 - 39217 Da Ali G show (Seazon 2, 2 separate discs) 42979 Da hong deng long gao gao gua = Raise the red lantern 35831, 41274 Man/ Chinese subtitles Da nei mi tan ling ling = Forbidden City cop 46757 Drama Cant/Man Da Vinci Code 43419 g̲ Da zhi lao = Running on Karma 39984 Action Chi Daag = Dā ẖa 34081 Romance Hin Daddy long legs (Fred Astaire,Leslie Caron) 43820 Daddy-long-legs (Mary Pickford) 31268 Dagon, H. P. Lovecraft's 47960 Dai-bosatsu tôge = Sword of doom 39888 Action Jpn Daimajin 34762 Fantasy Jpn Daisy Kenyon 47924 Dallas 44562 Damage 29478 Dames 42287 Dames du Bois de Boulogne = Ladies of the Bois de Boulogne 35770 Romance Fre Damn Yankees 38729 Damned 37166 Damned don't cry! 41595 Dance of the dead 44463 Dance or exercise on the perimeter of a square 47159 Dance, girl, dance 46187 Dancehall queen 38389, 43801 Dancer in the dark 32087 Dancer upstairs 36442 Dances with wolves 30646 Dancing at the Blue Iguana 40775 Dancing lady 43058 Dangerous acts 48146 Drama Heb Dangerous liaisons 32248 Dangerous living : Coming out in the developing world 41017 Dangerous moves 36307 Dangerous when wet (Esther Williams collection) 46335 Danh nhân đất việt. 46173 Shorts Vie Daredevil 36363 Daremo shiranai = Nobody knows 41053 Drama Jpn Darfur diaries 43464 Darfur's skeleton 47296 Darjeeling Limited 46279 Dark circle 46188 Dark city 31447 Dark days 33556 Dark hours 42973 Dark passage (Bogart, Becall) 36603 Dark shadows special edition 30664 Dark side 45812 Dark Star 35445 Dark victory 31763 Dark water 40752 Horror Jpn Darling 36742 Darling Lili 41346 Darr 33797 Thriller Hin Darwin's dangerous idea 44554 Darwin's nightmare 43375 Dastak = Dastaka 34250 Drama Hin Dateline Afghanistan 45930 Daud = Fun on the run 33808 Musical Hin Daughter of Keltoum 43793 Daughter of Tong 40644 Daughters of Afghanistan 39772 Daughters of the dust 31213 Dave Chappelle's Block party 42739 David and Bathsheba 42238 David and Lisa 45393 David Attenborough wildlife specials 47723 David Copperfield (BBC) 44438 David Copperfield (W.C. -
Da Zhi Lao Running on Karma
50 Da zhi lao Running on Karma Regie: Johnnie To, Wai Ka Fai Land: Hong Kong, China 2003. Produktion: Milkyway Image Ltd. (Hong Note Kong), Youth Film Studio (Beijing). Regie: Johnnie To, Wai Ka Fai. The Cantonese title of the film is ‘Daai chek liu’. The Eng- Buch: Wai Ka Fai, Yau Nai Hoi, Au Kin Yee, Yip Tin Shing. Regieassi- lish translation of the original title means ”Big Guy”. stenz: Albert Mak. Kamera: Cheng Siu Keung (H.K.S.C.). Visual Effects: Stephen Ma. Ton: Lee Sin Kwok. Tonschnitt, Mischung: Martin Chappell. Synopsis Musik: Cacine Wong. Ausstattung: Raymond Chan. Kostüme: Stepha- Cop Yee arrests Biggie because of his public striptease nie Wong. Martial-Arts-Choreographie: Yuen Bun. Schnitt: Law Wing show. During his escape, Biggie accidentally hinders the Cheong. Produzenten: Johnnie To, Wai Ka Fai. Administrative Produ- police in arresting a murderer. Thus, Biggie is said to be zentin: Tiffany Chen. involved in the murder and is arrested. Yee helps Biggie Darsteller: Andy Lau (Biggie), Cecilia Cheung (Lee Fung Yee), Cheung since she believes that he has no connection with the murder. Siu Fai, Chun Wong, Karen Tong, Yu Wen Zhong, Hou Lian Sheng, He Yee discovers from police records that Biggie is from main- Sheng Wei, Zhang Meng. land China and was formerly a Buddhist monk. Biggie thinks Format: 35mm, 1:1.85, Farbe. Länge: 93 Minuten, 24 Bilder/Sek. that Yee is a kind person, so he tells her that he would be Sprache: Chinesisch (Kantonesisch). able to arrest the murderer in exchange for his release. Uraufführung: 27.