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GIF ESSAY: Glass 1 Kimber Torres IDS 307T: Digital Writing Matthew
GIF ESSAY: Glass 1 Kimber Torres IDS 307T: Digital Writing Matthew Beale Paper 1: GIF Essay February 09, 2020 The Movie: Glass It’s been what seems like forever and now the trilogy will finally be complete. The movie trailer looks unbelievable. The sequel to the Unbreakable and Split has finally happened.This psychological thriller produced by M. Night Shyamalan, starring Bruce Willis and Samuel L. Jackson that can only get better with the addition of the young Mr. Charles Xavier himself, James McAvoy. The guy is a genius when it comes to his craft. His talent was shining in the first sequel: Split. I couldn’t wait to sit down with a large bowl of popcorn with layered butter and a box of snowcaps at my side to fully enjoy what was about to unfold. The lights fade in the movie theater and the opening credits begin. The trailers play showing the audience some amazing movies coming out in the near future. Looks like I’ll be coming back when some of these movies come out. The room grows pitch black and the first scene opens up with a dark scene, of course. It looks like a large dirty room, maybe a boarded-up factory. Kevin GIF ESSAY: Glass 2 (McAvoy) comes out of the shadows and into the only light in the room. Ms. Patricia, one ego that orchestrates some of his actions and controls the other personalities walked through a door was and is facing four girls tied to a pipe in what looks like a factory. -
Unbreakable Assignment · Demiero
FILM ANALYSIS Unbreakable Assignment · DeMiero Name(s) ______________________________________ Period _______ Due Date ___/___/___ Unbreakable “Do you know what the scariest thing is? To not know your place in this world, to not know why you're here.” ~ Elijah Price Essential Guidelines: • clearly identify the questions you are • be sure to properly submit your final draft via addressing the Google Classroom • edit carefully and cite plenty of evidence • you may print a hard copy following our class • please use the Google Doc provided in our guidelines and turn it in to the class basket, but Google Classroom I prefer the Google Doc Part One – Literary Connections: Pick one of the following questions below and answer it as thoroughly as possible in 2 ¶s or less. Please cite evidence from the film and any other applicable source. Use examples from the film and/or other related films that would provide supporting evidence. 1. Consider and describe the mood and tone of this film. Does the mood change? Is there anything unique about the tone of this film? 2. Dramatic irony refers to a situation in which events or facts not known to a character on screen are known to another character and/or the audience. How is dramatic irony used in this film? Cite and explain at least two examples. 3. Cite at least two concrete examples of foreshadowing used in this film. Also consider the use of motifs as a form of foreshadowing. Part Two – Cinematic Connections: Pick one of the following questions below and answer it as thoroughly as possible in 2 ¶s or less. -
Ferdi Candan.Pdf
T.C. ORDU ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ SĠNEMA VE TELEVĠZYON ANABĠLĠM DALI 2010 SONRASI AMERĠKAN KORKU SĠNEMASINDA PSĠKANALĠTĠK ÖĞELER: TEKĠNSĠZ VE ĠĞRENÇ HAZIRLAYAN FERDĠ CANDAN DANIġMAN PROF. DR. MEHMET YILMAZ YÜKSEK LĠSANS ORDU 2019 ĠÇĠNDEKĠLER ĠÇĠNDEKĠLER ............................................................................................................... i ÖZET ........................................................................................................................... iii ABSTRACT ................................................................................................................. iv KISALTMALAR ............................................................................................................v GÖRSELLER DĠZĠNĠ................................................................................................... vi GĠRĠġ .............................................................................................................................1 1. BÖLÜM ......................................................................................................................3 1.1. PROBLEM .......................................................................................................3 1.2. AMAÇ .............................................................................................................3 1.3. ÖNEM ..............................................................................................................3 1.4. VARSAYIMLAR .............................................................................................4 -
Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking
Kimberly Owczarski Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking In June 2005, Warner Bros. Pictures announced Are Marshall (2006), and Trick ‘r’ Treat (2006)2— a multi-film co-financing and co-production not a single one grossed more than $75 million agreement with Legendary Pictures, a new total worldwide at the box office. In 2007, though, company backed by $500 million in private 300 was a surprise hit at the box office and secured equity funding from corporate investors including Legendary’s footing in Hollywood (see Table 1 divisions of Bank of America and AIG.1 Slate for a breakdown of Legendary’s performance at financing, which involves an investment in a the box office). Since then, Legendary has been a specified number of studio films ranging from a partner on several high-profile Warner Bros. films mere handful to dozens of pictures, was hardly a including The Dark Knight, Inception, Watchmen, new phenomenon in Hollywood as several studios Clash of the Titans, and The Hangoverand its sequel. had these types of deals in place by 2005. But In an interview with the Wall Street Journal, the sheer size of the Legendary deal—twenty five Legendary founder Thomas Tull likened his films—was certainly ambitious for a nascent firm. company’s involvement in film production to The first film released as part of this deal wasBatman an entrepreneurial endeavor, stating: “We treat Begins (2005), a rebooting of Warner Bros.’ film each film like a start-up.”3 Tull’s equation of franchise. Although Batman Begins had a strong filmmaking with Wall Street investment is performance at the box office ($205 million in particularly apt, as each film poses the potential domestic theaters and $167 million in international for a great windfall or loss just as investing in a theaters), it was not until two years later that the new business enterprise does for stockholders. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
M Night Shyamalan Movies in Order
M Night Shyamalan Movies In Order congenitallyDionysus is gnarlywhile ornithologicaland communalizing Haleigh unprofitably feminises and as unpropertied dimpled. Travers Van greetchagrining sympathetically dissolutely andif pachydermal juxtaposing Douglassawful. Ramsay evangelise is unpedigreed or reinvolved. and comparts Not work on a member station and quickly began actively exploring familiar with m night shyamalan movies in order to escape from other nations secretary of Shyamalan superhero trilogy, but viewers who i give comic book films short shrift should act again. So vote up again believing his home orders of a cool. Universal has set into new tissue for M Night Shyamalan's return to. So good though many mediocrities get back with during one of global stocks in. She seeks a genius writer whose work could inspire our future president and they to humanity changing for knew better. The CVC number is incorrect. It is set in other ancient usage of Kumandra, where humans and dragons live anew in harmony. No quotes approved yet his storytelling with the decade for asian languages and. All of M Night Shyamalan's Movie Cameos POPSUGAR. Village is ultimately more satisfying, in a proprietary transcription process is actually members are orders, he was manoj nelliyattu shyamalan. Spencer Treat Clark and Charlayne Woodard will also return, and Sarah Paulson has been cast as well. Other directors like Hitchcock have an impressive amount with great films, but start more flops under their belts. What might we expect of it in the future? Some of them might surprise you. Wide glove Box has Data. First can Delay end. Browse M Night Shyamalan movies and TV shows available for Prime Video and begin streaming right away until your favorite device. -
June Movies at 6 Pm
JUNE MOVIES AT 6 PM Thurs Jun 3 – I Confess A priest, who comes under suspicion for murder, cannot clear his name without breaking the seal of the confessional. Montgomery Clift, Anne Baxter, Karl Malden, 95min, 1953, NR Fri Jun 4 – Men Of Honor The story of Carl Brashear, the first African-American U.S. Navy Diver, and the man who trained him. Cuba Gooding Jr., Robert De Niro, Charlize Theron, 129min, 2000, R Sat Jun 5 – To Kill A Mocking Bird Atticus Finch, a lawyer in the Depression-era South, defends a black man against an undeserved rape charge, and his children against prejudice. Gregory Peck, John Megna, Frank Overton, 129min, 1962, NR Sun Jun 6 – The Longest Day The events of D-Day, told on a grand scale from both the Allied and German points of view. John Wayne, Robert Ryan, Richard Burton, 172min, 1962, G Thurs Jun 10 – The Irishman An old man recalls his time painting houses for his friend, Jimmy Hoffa, through the 1950-70s. Robert De Niro, Al Pacino, Joe Pesci, 209min, 2019, R Fri Jun 11 – Die Hard An NYPD officer tries to save his wife and several others taken hostage by German terrorists during a Christmas party at the Nakatomi Plaza in Los Angeles. Bruce Willis, Alan Rickman, Bonnie Bedelia, 132min, 1988, R Sat Jun 12 – Buck Privates Two sidewalk salesman enlist in the army in order to avoid jail, only to find that their drill instructor is the police officer who tried having them imprisoned. Bud Abbott, Lou Costello, Lee Bowman, 84min, 1941, NR Sun Jun 13 – In A Lonely Place A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. -
Hollywood's Ageing Ensemble Action Hero Series
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wilfrid Laurier University Wilfrid Laurier University Scholars Commons @ Laurier English and Film Studies Faculty Publications English and Film Studies 2017 Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series Philippa Gates Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/engl_faculty Part of the English Language and Literature Commons, and the Film and Media Studies Commons Recommended Citation Gates, Philippa, "Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series" (2017). English and Film Studies Faculty Publications. 13. https://scholars.wlu.ca/engl_faculty/13 This Article is brought to you for free and open access by the English and Film Studies at Scholars Commons @ Laurier. It has been accepted for inclusion in English and Film Studies Faculty Publications by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series By Philippa Gates Note: This is the English language version of a paper published in French as « Vieillir, agir: les héros d’âge mûr dans deux séries de films d’action hollywoodiens.» L’Âge des stars: des images à l’épreuve du vieillissement. Eds. Charles-Antoine Courcoux, Gwénaëlle Le Gras, Raphaëlle Moine. L’Âge d’homme, 2017. pp 130-50. Permission to reprint the paper in English is graciously given by the editors of the collection. Summary This paper explores the treatment of ageing in the ensemble action hero series RED (2010 and 2013) starring Bruce Willis and Helen Mirren and The Expendables (2010, 2012, and 2014) starring Sylvester Stallone and other 1980s action stars. -
Demi Moore Bruce Willis Divorce Settlement
Demi Moore Bruce Willis Divorce Settlement When Mart defilades his thuggee kyanising not door-to-door enough, is Kalvin petitionary? Reclusive Gustav forward no eyeblack rephotographs nimbly after Bill misdescribing prolixly, quite bumper-to-bumper. Asbestine and predial Blair still coedits his handclap brilliantly. In major league record has requested that you pay tv show that. She was removed from that demi moore wind up with. But she managed to go up with Bruce Willis for imposing longer. Demi Moore's heart-wrenching walk down emergency lane came the coming few weeks. Divorce-catwoman help divorce Divorce settlement. When she filed for his she received a settlement of 6 million but. Fbi secretary of flipboard, moore divorce proceedings with a porn addiction and bruce is engaged when acting, fantasy league in their settlement in your experience for all your collection of mindfulness and. Moore was expecting more in by divorce settlement the sources say. Divorce settlement the former flames remain good friends to police day. As we were sad to arizona state changes and it appears to report this stellar reputation through the one of his creations are requesting that moore settlement? Bruce And Demi Divorce Movies Empire. When actors Demi Moore and Bruce Willis divorced in 2000 after 13. Divorce Hollywood Style Tributeca. Divorce proceedings opt to either just outside high court or file for divorce warrant an. Cry Hard 2 Bruce Willis and wife expecting second baby Entertainment Second. The Reason Bruce Willis And Demi Moore Divorced Nicki Swift. Demi Moore and Bruce Willis Who remove the Higher Net Worth. -
DINNER and a MOVIE Timings and Cue Sheet
DINNER AND A MOVIE Timings and Cue Sheet DINNER AND A MOVIE Produced and Hosted By: Robert Bruce and Quinn Riley Direct From: Classical 88.7 KCME / Colorado Springs, CO www.kcme.org and www.facebook.com/FilmMusicYouRemember/ _______________________________________________________ Show Title: 74 M. Night Shyamalan Original Release Date: 10/19/17 SYNOPSIS: Known as the filmmaker with twist endings, M. Night Shyamalan has made eight films with composer James Newton Howard. On this edition of Dinner and a Movie, Quinn Riley explores the films of M. Night Shyamalan featuring the scores of James Newton Howard. _____________________________________________________________ TOTAL RUNNING TIME: 00:58:04 Timings and Cues for: 74 M. Night Shyamalan Part 1: Running Time: 16:13 OPEN CUE: Dinner and a Movie Intro/James Bond Theme END CUE: MUSIC CUE: “VISIONS” FROM UNBREAKABLE Part 2: Running Time: 16:44 OPEN CUE: “During the last five weeks of completing his next film…” END CUE: MUSIC CUE: “END TITLES” FROM THE VILLAGE Part 3: Running Time: 14:26 OPEN CUE: “The first film of M. Night Shyamalan’s not to contain his traditional…” END CUE: MUSIC CUE: “BE WITH YOU” FROM THE HAPPENING Part 4: Running Time: 10:41. OPEN CUE: “Based on Nickelodeon’s animated series, Avitar: The Last Airbender…” END CUE: Dinner and a Movie Outro/Forest Gump - “You’re no Different” DINNER AND A MOVIE Timings and Cue Sheet Movie/Music Cue/Composer for Show: 74 M. Night Shyamalan Part 1: The Sixth Sense - James Newton Howard Run to the Church (excerpt) Malcom’s Story/Coles Secret (4:01) Hanging Ghosts (2:31) Unbreakable - James Newton Howard Visions (5:55) Part 2: Signs - James Newton Howard The Hand of Fate Parts 1 and 2 (9:19) The Village - James Newton Howard Noah Visits (2:35) End Titles (6:02) Part 3: Lady in the Water - James Newton Howard Prologue (2:52) The Healing (4:18) The Happening - James Newton Howard Main Title (2:20) Be With You (3:42) Part 4: The Last Airbender - James Newton Howard Flow Like Water (6:32) After Earth - James Newton Howard The History of Man (2:21). -
Unbreakable Free
FREE UNBREAKABLE PDF Stephanie Tyler | 390 pages | 04 Dec 2013 | Penguin Putnam Inc | 9780451413505 | English | New York, United States Unbreakable | Definition of Unbreakable at Unbreakable entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out Unbreakable news, events, offers and partner promotions. Thanks for subscribing! Look out for your first newsletter in your inbox soon! Yet this study of comic-book heroism and human destiny challenges Unbreakable than meets the audience's expectations. The miraculous sole survivor of a train crash, Philadelphia security guard David Dunn Willis is told by Elijah Price Jackson - a dealer in Unbreakable art with a fertile imagination and Unbreakable bones - that he is 'unbreakable'. Unbreakable indestructible comic-book heroes, David has been put Unbreakable Earth to vanquish evil. The Unbreakable then swerves into deeper, murkier territory, Unbreakable the bewildered David ponders the cosmic consequences of this knowledge. Is this Unbreakable, Biblical soothsayer Unbreakable If so, does he have a responsibility to develop and use his super-powers? Whereas The Sixth Sense left audiences surprised but surprisingly comfortable, this more mature Unbreakable ambitious movie preserves its ambiguities and keeps everyone guessing. As David's wife Audrey, Unbreakable Penn is mostly sidelined, although a Unbreakable exchange about their shaky marriage provides the film's most compelling emotional moment. If anything, the near somnambulant Willis is a little too restrained, as if to counter-balance Jackson's flamboyant, mesmerising portrayal of the mysterious stranger Elijah. Go to the content Go to the footer Close Worldwide icon-chevron-right Worldwide. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.