Haarlem, the Birthplace of Printing, Not Mentz
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Gazette of the Grolier Club
GAZETTE OF THE GROLIER CLUB Number 4—N ovember, 1922 CONTENTS Honorary Membership.—A Bequest to the Club.— The House.—The Blake Bibliography.—Publication Com- mittee Notes.—The Library.—Exhibitions.—Machiavelli on Books. —Adam von Bartsch. —Early Printed Books, Part 11. —A Bibliographical Study of Robert Browning’s'Paracelsus, Part I. Honorary Membership. -At the October meeting of the Council, Geoffrey Keynes, author of the “Bibliog- raphy of William Blake,” lately published by the Grolier Club, was elected an Honorary Foreign Cor- responding member of the Club. A Bequest to the Club. -One of the chief interests of the late Hamilton B. Tompkins was the collection of prints suitable for extra-illustrating “Franklin in France” by Edward E. Hale and Edward E. Hale, Jr. 74 In his will he bequeathed the work, which he had en- larged to six volumes, to the Club, together with a sum of money for binding it suitably. The books have recently arrived and, as soon as they have been bound, will be on exhibition in the Library. They will be greatly valued, not only as an important possession, but as a token of the donor’s regard and thought for the Club. Mr. Tompkins had been a member since 1887. The House. Beyond a rearrangement of the Books in the Library and Print Room, the replacing of the descriptive labels for the Club’s collection of Bindings and the usual cleaning, there have been other im- provements during the summer. The walls and ceil- ings of the Club Room have been thoroughly cleaned and the ceilings of the Hall and Librarian’s room have been recalcimined. -
SOKOL BOOKS LTD • LIST for the NEW YORK ANTIQUARIAN BOOK FAIR 3Rd - 6Th APRIL 2014 BOOTH NUMBER: A14
SOKOL BOOKS LTD • LIST FOR THE NEW YORK ANTIQUARIAN BOOK FAIR 3rd - 6th APRIL 2014 BOOTH NUMBER: A14 Park Avenue Armory, 643 Park Avenue, New York, NY 10065 Email: [email protected] Website: www.sokol.co.uk FAIR OPENING TIMES: Preview: Thursday 3rd April • 5-9pm Friday 4th April • 12pm - 8pm Saturday, 5th April • 12pm - 7pm Sunday, 6th April • 12pm - 5pm And do visit our shop in Chelsea at: 239A Fulham Road London SW3 6HY ... where we offer both our customary early books and a wider antiquarian stock. Opening times: Tuesday - Saturday, 11am - 7pm. Office telephone number: 0207 499 5571 Shop telephone number: 0207 351 5119 We wish to purchase English and European books & manuscripts before 1640, later collections (large or small) and interesting or unusual maps, prints, pictures and artefacts. AUTHOR TITLE PLACE PUBLISHER DATE STOCK_ PRICE HEADER NO ACCOLTI, Pietro Lo Inganno de gl'Occhi Florence Pietro Cecconcelli 1625 L822 $25,000.00 17thC SPANISH CRIMSON MOROCCO GILT. AESOP Vita & Fabulae… Venice Apud Aldum 1505 L1283 $100,000.00 AESOP Aesopus moralistus n.pl., n.pr. [Johannes 1497 L1731 $16,000.00 WITH EXTENSIVE INTERLINEAR [Augsburg] Schönsperger] COMMENTARY AGRICOLA, De re metallica libri XII. Basel Hieronymus Froben 1561 L1730 $21,000.00 IN USE AFTER 400 YEARS Georgius ALESSIO The secretes of the reuerend Maister London London, by Ronland Hall, for 1562 L1633 $10,000.00 RARE AND VALUABLE Piemontese. Alexis of Piemont. Nycolas England COLLECTION [RUSCELLI Girolamo] ALPINI, Prospero De medicina Aegyptiorum Venice Francesco de Franceschi 1591 L888 $8,500.00 ONE OF THE EARLIEST EUROPEAN STUDIES OF NON- WESTERN MEDICINE ALVERNUS, De fide De legibus [Augsburg] [Günther Zainer] 1475 L1342 $23,000.00 ESOTERICA, SEX & DEMONS Guillelmus [ANONYMOUS] CLOSET for Ladies and London Printed by John Hauiland 1627 L1415 $8,000.00 UNUSUALLY WELL PRESERVED Gentlevvomen. -
Haarlem Zegeviert
Haarlem zegeviert de Costerfeesten van 1823 en 1856 in lokaal perspectief Carolien Boender s0839213 RM-thesis Eerste lezer: prof. dr. Henk te Velde Tweede lezer: Anne Petterson MA 23-01-2014 Vraag: Bestaan er meerdere Sinterklazen? Antwoord: Er bestaat slechts één Sinterklaas, doch in meerdere personen. Godfried Bomans, ‘Kleine catechismus van St. Nicolaas’, in: Kopstukken, 129. If history has any meaning or value, as we must assume it does, given our tendency to reach back into the past (or what we assume to have been the past) to account for present problems, then it matters to get it right, insofar as we can. Marylinne Robinson, The death of Adam, 11. 2 Inhoud Inleiding ................................................................................................................................................... 4 Definities van de natie en de regio ...................................................................................................... 4 De natie versus de regio ...................................................................................................................... 6 Initiatiefnemers ................................................................................................................................... 8 Literatuur over Nederland ................................................................................................................... 9 De Costerfeesten in de geschiedschrijving ........................................................................................ 11 H 1 Organistoren -
Anuscripts on My Mind
anuscripts on my mind News from the No. 23 January 2018 ❧ Editor’s Remarks ❧ Exhibitions ❧ Queries and Musings ❧ Conferences and Symposia ❧ New Publications, etc. ❧ Editor’s Remarks ear colleagues and manuscript lovers: My best Greetings and Happy 2018! I begin this issue with Da question to all paleographers and codicologists who may chance to read it: in your opinion, how con- temporary with the manuscript itself is the mend and text replacement on the image at right? Would it coin- cide with the addition of the gloss? How skillful is/are the scribe(s) who have imitated the gloss script in the lower portion of the mend; were the replacement let- ters done by the original gloss scribe, or by a later indi- vidual? Did the tear that occasioned the repair occur at the time the gloss was being written? I am trying to un- derstand the medieval criteria for making repairs. It is in- teresting that the repairer restored not only a tie mark for the gloss, but also the decorative bracket alongside 6 lines of gloss text in the lower righthand gloss column. Have you any ideas, observations, or technical input? Is there any bibliography on medieval repair practices for Vienna, ÖNB, Cod. 2109, fol. 30r the manuscript page? Please send me thoughts or infor- Justinian, Institutes mation you might have by email: [email protected] The deadline for submission of proposals to the Sixth Annual Symposium on Medieval and Renaissance Stud- ies, June 18–20, 2018, at Saint Louis University has been extended to the end of January, as has the deadline for the 45th Saint Louis Conference on Manuscript Studies that will take place within it. -
Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection
Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection Finding Aid by: Samantha Cairo-Toby Finding Aid date: November 2018 Book Arts & Special Collections San Francisco Public Library 100 Larkin Street San Francisco 94102 (415)557-4560 [email protected] Summary Information: Repository: Book Arts & Special Collections Creator: Grabhorn, Robert Title: Finding Aid for the Grabhorn Letterpress Printing Ephemera Colletion Finding Aid Filing Title: Grabhorn Letterpress Printing Ephemera Collection ID: BASC 1 Date [inclusive]: 950 CE-2018 (bulk 1890-2018) Physical Description: 230.4 linear feet (300 boxes) Physical Location: Collection is stored on site. Language of Material: Collection materials are primarily in English, but includes French, German, Dutch, Italian, Latin, Welsh, Russian, Greek, Spanish, and Chinese. Abstract: The collection contains ephemeral materials printed with metal or wood type using a letterpress. Ephemeral materials include: prospectuses, notices, fliers, postcards, broadsides, bookmarks, chapbooks, pamphlets and small books/accordion fold books. The collection dates range from 950 CE (China) to present, with the bulk of the collection ranging from 1890 CE to present. Additions to the Collection are ongoing. The earliest printed materials in the collection come from China and Europe, but the bulk of the collection is from California and the United States of America printed in the 20th century. Preferred Citation: [Identification of item/Title of folder], Grabhorn Letterpress Printing Ephemera Collection (BASC 1), Book Arts & Special Collections, San Francisco Public Library. Custodial History: Ephemera has been part of Book Arts & Special Collections since 1925 when William Randolph Young, a library trustee, was instrumental in establishing the Max Kuhl Collection of rare books and manuscripts, after the destruction of the Library’s collection in the 1906 earthquake and fire. -
236 Reviews Like This Will Be Obvious
236 Reviews like this will be obvious. The half-flaw concerns the complexity of nomenclature for hands; as a result of Saenger's elaborations on T.J. Brown's improvements on the system originally advanced by Neil Ker, we have such terminology as a mid- twelfth-century Reading Abbey hand's being called 'proto-gothic textualis media formata' (p. 23). Is this truly progress? But no catalogue of manuscripts is perfect, and it is worth pointing out these deficiencies only in the hope that future enterprises may avoid them. Any such Downloaded from https://academic.oup.com/library/article/s6-16/3/236/965982 by guest on 24 September 2021 enterprises will also do well to emulate the many excellencies of Saenger's work — above all in the painstaking identification of texts, which reaches its climax with MS 102.2, a Jerome, Epistolae, written in Ancona in 1459, where no fewer than 189 items (many, of course, not by Jerome) are identified, with incipits and explicits. If it is primarily the year of publication which links these two works, there is also an obvious connection in the nature of the libraries concerned. Enviable as their buildings and their collections are in both cases, students of medieval and Renais- sance manuscripts will find them equally enviable in these catalogues which now display their riches so amply to the world of scholarship. Oh that the British Library were anything like as well supplied! Chapel Hill RICHARD W. PFAFF Splendours of Flanders: Late Medieval Art in Cambridge Collections. By ALAIN ARNOULD and JEAN MICHEL MASSING, with contributions from PETER SPUFFORD and MARK BLACKBURN. -
Continental Books
CONTINENTAL BOOKS CATA LOGU E 1448 MAGGS BROS LTD 1 continental books & manuscriPts MAGGS BROS ltd 2 1 ALBERTUS MAGNUS, ST De laudibus beatae virginis Mariae. [Cologne, Ulrich Zell, not after 1473]. Folio (274 x 200mm) 165 leaves (of 166, lacking final Sacramentum mundi, ed Karl Rahner, 1975, p 903.) blank). Gothic type, 36 lines, double column. 2-4 line Only relatively recently has Albertus Magnus’ Maggs Bros Ltd, 50 Berkeley Square, London W1J 5BA initial spaces, alternating spaces filled in red, red authorship been challenged, see A Fries, Die unter Tel 020 7493 7160 paragraph marks, underlining and capital strokes. Single dem Namen des Albertus Magnus überlieferten Fax 020 7499 2007 pinhole visible in the lower margins. Early 19th-century mariologischen Schriften (1954) pp5-80, 130-131, Email [email protected] ochre paper boards, red spine label lettered in gilt, red and A Kolping, in Recherches de théologie ancienne Opening hours Monday to Friday 9.30am–5pm edges (spine darkened, a little soiled and marked). £15,000 et médiévale 25 (1958) pp 285-328 (Sack Freiburg). By 1473, it was rare for a pinhole to still be Bank account Allied Irish (GB), 10 Berkeley Square, London FIRST EDITION. A fine wide-margined copy with visible in the lower inner margin as found here. In W1J 6AA deep impressions of the types on remarkably 1466 and 1467 all of Zell’s books had four Sort code 23-83-97 fresh paper, printed by the prototypographer of pinholes on each page but this was soon reduced Account no 47777070 Cologne, Ulrich Zell. -
Mise En Page 1
1 3 Précieuse et rarissime édition originale incunable de six sermons de Saint-Augustin imprimée vers 1469-1470 par Ulrich Zell, premier imprimeur de Cologne. 1 AUGUSTINUS AURELIUS HIPPONENSIS (354-430). D E FUGA MULIERUM . D E CONTINENTIA . DE CONTEMPTU MUNDI . E PISTOLA AD PAULINUM PRESBYTERUM . S ERMO DE VITA ET MORIBUS CLERICORUM . SERMO SECUNDUS DE VITA ET MORIBUS CLERICORUM . Cologne, Ulrich Zell, c. 1469-1470. In-4 de (24) ff. ; complet, minimes restaurations de papier sans atteinte au texte à l’angle supérieur de huit feuillets, rubriqué en rouge. Vélin ivoire moderne. 210 x 150 mm. ÉDITION ORIGINALE RARISSIME DE SIX SERMONS DE SAINT -A UGUSTIN IMPRIMÉE PAR ULRICH ZELL VERS 1469-1470. ISTC, Ia01279000 ; GW, 2955 ; Hain HC, 1962 ; Goff, A-1279 ; Pellechet, 1470 ; Proctor, 861 & BSB-Ink C-32 ; CIBN A-733 ; IGI, VI 1000-A ; Oates, 358-9 ; Sheppard, 647-8 ; Rosenthal, 6144 ; Voulliéme, Köln, 212. Plusieurs des sermons de Saint-Augustin comptent parmi les plus belles exégèses que possède l’Eglise. Saint Augustin est des Pères de l’Eglise celui autour duquel le monde chrétien a le plus âprement disputé : catholiques et protestants, jansénistes et jésuites se sont également abrités derrière son autorité pour faire triompher leurs doctrines. L’humanité est aux yeux de saint Augustin si radicalement enfoncée dans le péché que sa nature lui interdit toute aspiration vers le bien. Le salut ne peut donc être que l'œuvre de Dieu seul. (Michèle Federico Sciacca). Ulrich Zell apprend la technique de la typographie à Mayence dans l’atelier de Peter Schoeffer et Johann Fust, et doit sans doute quitter la ville comme beaucoup d’autres imprimeurs, après le sac de la ville, dans la nuit du 28 octobre 1462, par les troupes de l’archevêque Adolphe de Nassau. -
Printers and Typography As Agents of Cultural Exchange in Fifteenth- Century Europe
Movable Type, Movable Printers: Printers and Typography as Agents of Cultural Exchange in Fifteenth- Century Europe Jacob A. Gibbons S1433725 Book and Digital Media Studies MA Thesis Supervisor: Dr. Erik Kwakkel Second Reader: Prof. Paul Hoftijzer Date of completion: 28 July, 2014 Word Count: 19.896 1 Table of Contents Chapter 1: Introduction 3 Chapter 2: Typographic Exchange within Cities 15 Chapter 3: Intra-regional Typographic Exchange 25 Chapter 4: Trans-European Typographic Exchange 36 Chapter 5: Conclusions and Looking Forward 46 Works Cited 52 2 Chapter 1: Introduction From its birth in Mainz in the 1450s, printing and the printers who implemented it spread rapidly through Europe, reaching Italy by 1465, Paris in 1470, the Low Countries by the early 1470s1, Poland by 1473, and by way of Flanders England in 14762. Printing was immediately a highly desirable technology, able to meet the fifteenth century’s growing demand for books of all kinds3 by mass-producing the codex form and all that could be included between its two covers. There already existed international markets in Europe for other goods that were traded abroad by merchants, but print functioned differently as a commodity. Whereas wool could be brought to the nearest port for export overseas and simply sold there, handed off to the merchant who would then travel to the next port and sell the product there, a printing press or a fount of type were not simply exchanged for a sum of a money in fifteenth-century Europe4. Printing entailed a crucial difference: its novelty required a very specific and very rare expertise, which meant that those who exported print from its home in Germany very often went with it to its new home in a new culture. -
Incunabulainuniv00univ.Pdf
LIBRARY OF THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAICN 3..016. 093 Un3i cop. 3 Rare Book & Special Collections Library INCUNABULA IN THE UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN To ROBERT BINGHAM DOWNS Director of the University Library Dean of Library Administration 1943-1971 In appreciation of his interest and perseverance in building the university's collection of incunabula INCUNABULA IN THE UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN compiled by Marian Harman Robert B. Downs Publication Fund No. 5 The University of Illinois Library and The Graduate School of Library Science Distributed by the UNIVERSITY OF ILLINOIS PRESS Urbana Chicago London Library of Congress Cataloging in Publication Data Illinois. University at Urbana-Champaign. Library. Incunabula in the University of Illinois Library at Urbana-Champaign. (Robert B. Downs Publication Fund ; no. 5) Bibliography: p. Includes index. 1. Incunabula Bibliography Catalogs. 2. Illinois. University at Urbana-Champaign. Library Catalogs. I. Harman, Marian, 1899- II. Title. III. Series: Robert B. Downs Publication Fund series ; no. 5. Z2 1+0. 135 1979 016.093 79-17355 ISBN 0-252-00789-1 uiucr 5v./ This publication has been made possible through the generosity of the University of Illinois Library Friends at Urbana-Champaign, and in particular, of MRS. WILLIAM E. KAPPAUF >n CONTENTS Introduction iii List of Abbreviations v Symbols v Incunabula in the University of Illinois Library 1 Indexes : 1) Titles 192 2) Printers, Publishers, and Places 205 3) Printing by Country, City, and Printer 211 U) Chronological Index by Printing Date 236 Concordances: 1) Goff 2U2 2) Gesamtkatalog der Wiegendrucke 2hh 3) Hain 2h$ U) Proctor 21*8 5) Copinger 250 6) Reichling 2l INTRODUCTION In 19l*9, the late Christopher U. -
A Concise Timeline of Printing Milestones
A Concise Timeline of Printing Milestones ________________________________________________________________ -3500 Sumerians use cuneiform alphabet, pressed in clay with a triangular stylus. Clay tablets were dried and/or fired for longevity. Some even had clay envelopes,' which were also inscribed. Some people consider them to be the earliest form of the book. -2500 Animal skins are used for scrolls in Western Asia. -2400 Date of the earliest surviving papyrus scroll with writing. -1900 Hittites, from between 1900 and 1200 BC, left appr. 15,000 clay tablets -1800 Book of the Dead, Egypt -1500 The 'Phaistos disc', found on the island of Crete in 1908, was produced by pressing relief-carved symbols into the soft clay, then baking it. Although it contains the germ of the idea of printing, it appears to be unique. -950 Leather is made and used for scrolls and writing. -800 Moabite stone is created with one of the finest specimens of Phoenician writing. The letters resemble Greek. -650 Papyrus. First rolls arrive in Greece from Egypt -650 Papyrus. First rolls arrive in Greece from Egypt -600 6th C. BC General agreement among Mediterranean cultures on left- to-right writing and reading. Before that, there was L-R, R-L, top-to- bottom, and boustroph edonic (back-and-forth). The Hebres kept R-L. -500 Lao-Tze's lifetime, was said to have been archivist of the imperial archives -431 Xenophon. (431-352 BC) author of Anabasis and Memorabilia. -295 King Ptolemy I Soter enlisted the services of the orator Demetrios Phalereus, a former governor of Athens, and empowered him to collect, if he could, all the books in the inhabited world. -
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Het ]BiLlderdiLjkm ]BiLlderdiLjkm Mededelingenblad van de Vereniging `Het Bilderdijk-Museum' Redactie: J. de Bruijn, Ton Geerts, M. van Hattum (secr.) en Peter van Zonneveld Redactie-adres: Fokkerlaan 36, 1185 JC Amstelveen Het Bilderdijk-Museum verschijnt een maal per jaar. De redactie behoudt zich te allen tijde het recht voor om ingezonden kopij te weigeren. Het lidmaatschap van de Vereniging `Het Bilderdijk- Museum' bedraagt f 20,00 per jaar. Leden ontvangen dit tijdschrift gratis. Men kan zich opgeven als lid bij de secretaris van de Vereniging, Fokkerlaan 36, 1185 JC Amstelveen. `Sint Koster' . Willem Bilderdijk over de uitvinding van de boekdrukkunst` Toen Willem Bilderdijkk zich in 1806 na een elfjarige Amsterdam (een zestiende-eeuws grensteken in de vorm uitlandigheid eindelijk weer vrij in eigen land kon bewe- van een standbeeld, dat tot 1774 aan de Nieuwezijds gen, werd hij ongetwijfeld geconfronteerd met verande- Kolk heeft gestaan), 3 en het bekende Rotterdamse Eras- ringen in zijn leefomgeving. Het is de vraag of die hem musbeeld van 1622. door Hendrick de Keyser. Het Cos- allemaal bevielen; in elk geval was er één bij waar hij terbeeld op de Grote Markt is overigens in 1856 op zijn geen goed woord voor over had. De Grote Markt in oude plek teruggezet om plaats te maken voor het huidige Haarlem, in de ogen van Bilderdijk een van de mooiste bronzen standbeeld door Louis Royer. pleinen van het land, bleek ontsierd te zijn door een De datering van de door Bilderdijk gehekelde beelden foeilelijk beeld dat men er tijdens zijn afwezigheid ge- in drie verschillende eeuwen rechtvaardigt nauwelijks plaatst had.