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DESTE Foundation Project Space Slaughterhouse, Hydra Duration
Ίδρυµα ∆ΕΣΤΕ Εµ. Παππά & Φιλελλήνων 11. 142 34 Νέα Ιωνία ΑΘήνα Ελλάς DESTE Foundation 11 Filellinon & Em. Pappa St. 142 34 Nea Ionia Athens Greece WWW . DESTE . GR T — 30 210 27 58 490 F — 30 210 27 54 862 DESTE Foundation Project Space Slaughterhouse, Hydra Duration: June 21 – September 30, 2016 Opening Hours, Monday - Sunday: 11:00 - 13:00 & 19:00 – 22:00 Tuesday Closed — Project Coordinator: Marina Vranopoulou [email protected] — Media Contact: Regina Alivisatos [email protected] — Page 1 of 3 Ίδρυµα ∆ΕΣΤΕ “PUTIFERIO” Εµ. Παππά & Φιλελλήνων 11. A Project by Roberto Cuoghi 142 34 Νέα Ιωνία ΑΘήνα Ελλάς Candidates from the deep water DESTE Foundation Clashed with wasps they came to slaughter 11 Filellinon & Em. Pappa St. 142 34 Nea Ionia Pinching here, biting there, Athens Greece Oh my fellows please beware! WWW . DESTE . GR Smoke and flames, stink and froth, T — 30 210 27 58 490 F — 30 210 27 54 862 Splashing in a sulfurous broth Fished out at the seaside Unarmed, more dead than alive The candidates in the eventide Took your logic for a ride Internationally renowned Italian artist Roberto Cuoghi will be carrying out a major exhibition on the island of Hydra. Cuoghi was commissioned by the DESTE Foundation in the context of an exhibition program specially designed for the Foundation’s Project Space in the island’s former Slaughterhouse. Cuoghi’s exhibition is entitled “Putiferio”, in Latin "to bring the stink". “Putiferio” may also signify chaos or a small taste of hell. During the opening, the artist will transform the area around the Slaughterhouse into a camp to experiment archaic firing techniques for ceramic. -
Training Course
KA1 – MOBILITY OF YOUTH WORKERS 2019-2-EL02-KA105-005118 TRAINING COURSE “European Values Equalizers” Trikala, Greece 25 Aug – 3 Sep 2021 ABOUT THE PROJECT The project "European Values Equalizers" is a residential Training Course that will take place in the city of Trikala, Greece, between 25 August to 3 September 2021, with the participation of 10 partner organizations from Greece, Croatia, Italy, North Macedonia, Serbia, Bosnia & Herzegovina, Belarus, Armenia, Georgia and Ukraine. The project will include 30 youth workers and youth leaders (3 participants per country), 2 trainers and 2 support staff. SUMMARY In today’s society very often we are dealing with the discussions about what are European values, what defines us as Europeans, do we talk about values which are practiced and respected only in European Union or in Europe in general? As this is the topic which is very often and which very often confuse young people but also about which we don’t care enough, especially today in time of globalization. If we take a look in knowledge which young people are gaining through the formal education in their schools and universities, mostly they don’t even mention European values as something on what we should pay attention and something what we should promote and use in our everyday life. On the other side, if we open media articles today, we will find a lot of significant titles related with discrimination, radicalization and violence of human rights all around the world. If we start to work with young people on education about European values and promotion of European values such as tolerance, respect of human rights, antidiscrimination, equality, democracy and rule of law, we are sure that we can prevent youth radicalization, discrimination and violence of human rights but also we can take part in creation of better future of our common European society. -
(212) 577-1201 [email protected] JANNIS VARELAS Born
JAMES FUENTES 55 Delancey Street New York, NY 10002 (212) 577-1201 [email protected] JANNIS VARELAS Caliban Case Kirkhoff Gallery, Copenhagen Born 1977 2004 Juvenile, Gazon Rouge, Athens Lives and works in Athens and Vienna 2003 Karikomoontes, Gallery 7, Athens Education Selected Group Exhibitions 1998- 2003 Athens School of Fine Arts 2015 Ametria, Benaki Museum, Athens, Based on an idea 2001 University of Fine Arts, Barcelona by Roberto Cuoghi, organized by the DESTE Foun- dation in collaboration with the Benaki Museum 2004- 2006 Royal College of Arts, London Dio Horia, Mykonos, Greece Solo Exhibitions Hort Family Collection, Annual Hang, New York 2014 Hort Family Collection, Annual Hang, New York 2016 Common People, James Fuentes, New York Eye Know, curated by Amir Shariat, Hochhaus Her- New Flags for A New Country, Destroying Elvis, per- rengasse, Vienna formance at the Onassis Cultural Centre, Athens Painting Today, Vogiatzoglou Art Space, Athens 2015 New Flags for a New Country, The Breeder, Athens See What Sees You, curated by Franz Graf, 21er 2014 Solo Show (with Hugo Canoilas), Franz Josefs Kai 3, Haus, Vienna Vienna, Austria curated by Katharina Schendl 2013 Hell As Pavillion, Palais de Tokyo, Paris, curated by 2011 The Oblong Box, Kunsthalle Athena, Athens Nadia Argyropoulou The Oblong Series, The Breeder, Athens Paper, works from the Saatchi Collection, Saatchi Gallery, London 2010 Brandybell Series, Autocenter, Berlin CHICKEN OR BEEF?, Curated by Jesper Elg, The 2009 Blue Soldier-Opera Costumes, The Breeder, Athens Hole, -
“Fighting Youth Unemployment Through Social Entrepreneurship During & After COVID-19”
INFO PACK “Fighting Youth Unemployment through Social Entrepreneurship during & after COVID-19” Erasmus+ KA 1 Training Course 10-17 September Megara, Greece THE TRAINING COURSE Dear Partners, We are excited to invite you to participate in the multinational training course “Fighting Youth Unemployment through Social Entrepreneurship during & after COVID-19” that will take part in Megara, Greece. For 6 training days (+2 travel days), 28 youth workers from 8 countries (Poland, Romania, Lithuania, Croatia, Spain, Italy, Greece and Malta) will come together to discover social entrepreneurship opportunities, to explore what it takes to be an entrepreneur, to get familiar with the ‘Dеsign Thinking’ process, by creating business ideas inspired from prе- dеfinеd challenges in their local communities, and learn how to foster the employability and sense of initiative with the young people that they work with. Warm regards, The Youth Horizons Team THE TRAINING COURSE The participants will: •Get hands on thе ‘Dеsign Thinking’ process, and learn how to create business ideas inspired from prе-dеfinеd challenges in thеir local communities. •Learn what it takes to be an entrepreneur and how to manage risk taking. •Learn on the topics of leadership, Self-empowerment, time management, risk assessment and team work which are all essential in the area of entrepreneurship. •Get more experience on the Canva business model and how to adapt the Canva business model for the planning of a social enterprise. •Up-skill their skills and ability to foster the employability and sense of initiative with the young people that they work with. Methodology: All the planned activities will be using non-formal methods of education to implement the sessions. -
4Th Deste Prize 2005 Athens, 3Rd May 2005 The
4th Deste Prize 2005 Athens, 3rd May 2005 The opening of the 4th Deste Prize exhibition will take place on Thursday, 19th May, at 8.30 pm, at the Deste Foundation’s Centre for Contemporary Art. The Deste Prize is awarded every two years to a Greek artist living and working either in Greece or abroad. The exhibition, scheduled to run until Saturday, 29th October, will be presenting works of the six (6) short-listed artists that have been unanimously selected by the Selection Committee, which convened especially for this purpose on 22nd March 2005. The six (6) short-listed artists: Dora Economou, Dimitris Foutris, Christodoulos Panayiotou, Poka-Yio, Stefanos Tsivopoulos and Kostis Velonis, are now in the process of preparing the work they will be presenting to the public. The Selection Committee, consisting of Orestis Doumanis – Publisher-Director, Design + Art in Greece & Architecture in Greece, Christoforos Marinos – Art Critic- Curator, Gregory Papadimitriou – Collector, Maria Papadimitriou – Artist, Yiannis Toumazis – Director, the Nicosia Municipal Arts Centre and Augustine Zenakos – Art Critic, To Vima Newspaper, unanimously noted the high standard of nominations, which is telling of contemporary art’s dynamic prospects in Greece. An international five-member Jury, consisting of distinguished museum directors, curators, art critics, as well as Mr. Dakis Joannou, President of the Deste Foundation, will select and announce the winner of the Prize in mid-September 2005. The Deste Prize is accompanied by a grant of €10.000. In his foreword to the exhibition’s catalogue, Mr. Dakis Joannou, President of the Deste Foundation, notes: “This year marks the fourth presentation of the DESTE Prize. -
Eddie Martinez, 1977 —
Eddie Martinez, 1977 — Eddie Martinez has gained international recognition for his extraordinary use of line and manipulation of colour, which he applies aggressively and in vividly contrasting combinations to his paintings and sculptures. His style draws from a deep understanding of painting’s histories, filtered through personal experience, popular culture and sport. Described as “indomitable” by Interview magazine, Martinez has recently attracted attention for his “exceptional gifts as a painter and draftsman, which he exuberantly combines.” (Roberta Smith, New York Times). Martinez’s paintings incorporate coarse brushwork and bold contours through the combination of mediums such as oil, enamel and spray paint, and often include collaged found objects. Martinez has had solo exhibitions at Drawing Center, New York; Davis Museum at Wellesley College, Massachusetts; Peres Projects, Berlin; Half Gallery, New York; The Journal Gallery, Brooklyn; and ZieherSmith, New York. His work has been included in the group exhibitions New York Painting, Kunstmuseum Bonn (2015); Body Language, The Saatchi Gallery, London (2013–2014); New York Minute, Garage Centre For Contemporary Culture, Moscow (2011); Not Quite Open for Business, The Hole, New York (2010); Draw, Museo de la Cuidad de México, Mexico City (2010); So Wrong, I’m Right, Blum & Poe, Los Angeles (2007); Mail Orders and Monsters, Deitch Projects, New York (2007); and Panic Room: Works from the Dakis Joannou Collection, Deste Foundation Centre for Contemporary Art, Athens (2006). Martinez had his first solo museum exhibition in September 2017 at the Davis Museum, Wellesley, MA. The exhibition featured large-scale paintings from the Mandala series and recent bronze sculptures. In October 2017, The Drawing Center in New York presented a show of drawings and sketches from the artist’s studio. -
Introduction from the Chair COMCOL - Guardian Åsa Stenström 1 New COMCOL Workgroup: Sharing Collections
No 31 november 2017 International Committee for Collecting Västerbottens museum. Introduction from Photo: Västerbottens museum/Anders Björkman. the Chair Åsa Stenström Contents Introduction from the Chair COMCOL - Guardian Åsa Stenström 1 New COMCOL workgroup: Sharing Collections. of Collecting Do museums imprison objects or set them free? Helene Vollgraaff 3 This year´s COMCOL annual conference and meeting Sweeter than Honey, better than Gold – A hive-minded approach to collections mobility will take place in Umeå, Sweden 5–9 December. It will Fabiola Fiocco and Carla-Marinka Schorr 5 be hosted by the Västerbottens museum and is a close The importance of private collections of modern and collaboration together with Contemporary Collecting contemporary art in the shaping of the museological Sweden (DOSS, the successor of Swedish Samdok), landscape in Greece Norsam – Nordic collaboration for contemporary Elisabeth Bargue 9 collecting and research at museums, and ICOM Editorial 13 1 COMCOLnewsletter / No 31/ November 2017 2 Sweden. The theme for the conference is The Guardians of Contemporary Collecting and Collections – working with (contested) collections and narratives, a theme that is very suitable for COMCOL and its collaborators to take on. Curators and researchers all over the world, working with contemporary collecting and collections in the museums or in research at the universities, are really the safe-keepers and guardians of collecting of our time, handling existing collections and developing them through collecting practices from different perspectives. At the up-coming conference a special focus is put on contemporary collecting, an important focal point in Sweden since the creation of Samdok in the 1970’s. -
Artnet.Com October 19, 2011
ARTNET.COM OCTOBER 19, 2011 REMAP ATHENS: ATHENIAN RHAPSODY by Kimberly Bradley Nicolas Party in the bathroom Greece is obviously still the word in the Eurozone, for reasons that go way beyond the art world. Rehashed every couple of months, the country’s dire financial situation is looking worse than ever. Yet, in the midst of it all, ReMap 3, Sept. 12-Oct. 30, 2011, launched in Athens last month, is infusing one of inner city Athens’ roughest neighborhoods, Kerameikos-Metaxourgeio, with a buzzing energy. For the third time, the biannual event -- not really a biennale, definitely not a fair, but far more than just an exhibition -- brought more than 50 separate exhibitions to town for six weeks, most of them into the area’s otherwise unoccupied buildings, storefronts, spaces and lots. A temporary art squat, so to speak, that has a bit of a history. A decade ago, ReMap founder Iasson Tsakonas, a 39-year-old Cornell-educated entre- preneur, bought a building on Kerameiko Street (the area was where the city’s ceramic potters lived in the classical era, and part of the district holds Athens’ ancient cemeteries). It’s now a spacious headquarters for his company, Oliaros, in an area that is still 46 percent unoccupied. He would know, since he literally mapped out the neighborhood as he slowly purchased more buildings and founded the nonprofit KM Protypi Geitoni to focus on urban renewal research and projects as well. Tsakonas is also an avid art collector, and in the mid-2000s, dealer Javier Peres asked Tsakonas if he could run his gallery, Peres Projects, out of one of his Athens spaces for the summer while his Los Angeles and Berlin galleries were under renovation. -
ANDRO WEKUA Education Awards & Grants Solo Exhibitions
ANDRO WEKUA Born 1977 Sokhumi, Georgia Lives and works in Berlin and New York Education 1991 National Art School, Sokhumi, Georgia 1994 Studied at Phil. Institute “Gogebashvili,” Tbilisi, Georgia 1999 Visual Art School, Basel, Switzerland Awards & Grants 2011 Nominated for National Gallery Prize for Young Art, Berlin, Germany 2006 Manor Art Award, Zürich, Switzerland 2005 Kiefer Hablitzel Foundation Prize 2004 Artist in Residence for city of Zürich, Zürich, Switzerland 2003 Swiss Federal Award for Fine Arts, Zürich, Switzerland 2002 Binz 39 Foundation Studio Grant, Zürich, Switzerland Solo Exhibitions 2019 “Andro Wekua,” Gladstone Gallery, New York 2018 “Andro Wekua: All is Fair in Dreams and War,” Kunsthalle Zürich, Zürich, Switzerland [traveled to: Sprüth Magers, Berlin, Germany (2019)] “Andro Wekua,” Sprüth Magers, Berlin, Germany “Andro Wekua. Dolphin in the Fountain,” Garage Museum of Contemporary Art, Moscow, Russia 2017 “A Dog’s Fidelity,” Gladstone 64, New York 2016 “Andro Wekua – Anruf,” Kölnischer Kunstverein, Cologne, Germany “Andro Wekua: Some Pheasants In Singularity,” Sprüth Magers, London, United Kingdom 2015 “Andro Wekua,” 032c Workshop, Berlin, Germany 2014 “Some Pheasants in Singularity” Sprüth Magers, London, United Kingdom “Andro Wekua: Pink Wave Hunter,” Benaki Museum, Athens, Greece 2012 “Dreaming Dreaming,” Gladstone Gallery, New York 2011 “Never Sleep With a Strawberry In Your Mouth,” Kunsthalle Wien, Vienna, Austria “Pink Wave Hunter,” Kunsthalle Fridericianum, Kassel, Germany “A Neon Shadow,” Castello di Rivoli, Torino, Italy 2010 “Gott ist tot aber das Mädchen nicht,” Schinkel Pavillon, Berlin, Germany “Books, Editions, and the Like,” Swiss Institute, New York “1995,” Gladstone Gallery, Brussels, Belgium 2009 “Workshop Report,” Wiels, Brussels, Belgium “28. August,” Galerie Peter Kilchmann, Zürich, Switzerland “Workshop Report,” Museion, Bolzano, Italy 2008 “My Bike and Your Swamp,” Camden Art Center, London, United Kingdom [traveled to: De Hallen, Haarlem, Netherlands] “Sunset. -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
Annual Report 2007
1 ANNUAL REPORT 2007 Personal thoughts and feelings of real people. A random moment of your life on a piece of paper. Drawings, forms and colors representing joy, anger, fullfilment, loneliness, silence, cries, anything. You need to express yourself and the urge you have to communicate. This is what makes our work worthwhile and this is the message of this report. You. THE ΟΤΕ GROUP WHO: STELIOS WHEN: SATURDAY WHERE: ATHENS WHO: VASSILIKI WHEN: ΤUESDAY WHERE: ΤΟΚIΟ WHO: MANOS WHEN: FRIDAY WHERE: ATHENS THE OTE GROUP 12 THE OTE GROUP ROMANIA SERBIA BULGARIA FYROM ALBANIA GREECE THE OTE GROUP 13 GREECE Fixed-line and mobile telephony Fixed-line subscribers: 5,854,000 ADSL subscribers: 825,000 Mobile telephony subscribers: 6,269,000 ROMANIA Shareholder Structure Fixed-line and mobile telephony May 15, 2008 Fixed-line subscribers: 3,035,000 35.3% ADSL subscribers: 360,000 International Institutional Investors Mobile telephony subscribers: 3,616,000 BULGARIA 28.0% Mobile telephony Hellenic State Subscribers: 3,873,000 20.0% ALBANIA Deutsche Telekom Mobile telephony Subscribers: 1,195,000 FYROM 9.8% Mobile telephony Greek Institutional Investors Subscribers: 593,000 6.8% Other Since 2006, the OTE Group owns 90% of GERMANOS S.A., the largest distributor of technology-related products in Southeast Europe with 769 stores. SERBIA Fixed-line and mobile telephony OTE owns 20% of Telekom Srbija THE OTE GROUP 14 GROUP STRUCTURE Fixed-Line Telephony Mobile Telephony OTE SA 100% ΟΤΕGLOBE Greece Greece Other Operations 100% ΟΤΕNET Greece 100% 54% Cosmote RomTelecom 100% ΟΤΕestate Greece Romania Greece AMC 82% 100% Globul 99% Hellas Sat Albania Bulgaria Greece Cosmofon 100% 70% Cosmote Romania 94% ΟΤΕSat-Maritel FYROM Romania Greece 90% Germanos 100% ΟΤΕplus S.E. -
Greece National Report on the Implementation of the Beijing
GREECE NATIONAL REPORT ON THE IMPLEMENTATION OF THE BEIJING PLATFORM FOR ACTION June 1999 General Secretariat for Equality Ministry of Interior, Public Administration and Decentralisation • The material posted here was provided to the Division for the Advancement of Women by the Government in response to the Secretary- General's Questionnaire on Implementation of the Beijing Platform for Action. It has been made available in electronic format from the form received. In cases where it was not possible to reproduce charts and tables supplied, these can be obtained by contacting the Division for the Advancement of Women directly. 1. WOMEN AND POVERTY ..............................................................................................................................2 POLICY FRAMEWORK...................................................................................................................................7 CURRENT SITUATION...................................................................................................................................7 Population over 65 years of age....................................................................................................................8 Pensioners.......................................................................................................................................................8 Pensions for farmers .....................................................................................................................................................8