18 CHAPTER V DISCUSSION This Chapter Discusses The
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Final Report of the Program Evaluation of the Action Research for Mino-Pimaatisiwin in Erickson Schools, Manitoba
Final Report of the Program Evaluation of the Action Research for Mino-Pimaatisiwin in Erickson Schools, Manitoba February 2020 Authors: Jeff Smith Karen Rempel Heather Duncan with contributions from: Valerie McInnes Final Report of the Program Evaluation of the Action Research for Mino-Pimaatisiwin in Erickson Schools, Manitoba February 2020 Submitted to: Indigenous Services Canada Rolling River School Division Erickson Collegiate Institute Erickson Elementary School Rolling River First Nation Submitted by: Karen Rempel, Ph.D. Director, Centre for Aboriginal and Rural Education Studies (CARES) Faculty of Education Brandon University Written by: Jeff Smith Karen Rempel Heather Duncan With contributions from: Valerie McInnes Table of Contents Action Research for Mino-Pimaatisiwin in Erickson Manitoba Schools Executive Summary 1 Introduction 4 Process 5 Context of the Evaluators 6 Evaluation Framework 7 Program Evaluation Question 7 Program Evaluation Methodology 8 Data Collection and Assessment Inventory 8 Student Surveys 8 School Context Teacher Interviews 8 Data collection and analysis 9 Organization of this Report 9 Part 1: Introduction 10 Challenges of First Nations, Métis and Inuit Education 10 Educational Achievement Gaps 11 Addressing Achievement Gaps 11 Context of Erickson, Manitoba Schools 12 Rolling River First Nation 12 Challenges for Erickson, Manitoba Schools in the Rolling River School Division 13 Cultural Proficiency: A Rolling River School Division Priority 13 Indigenization through the Application of Mino-Pimaatisiwin -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Pokégnek Yajdanawa Pokégnek Yajdanawa
Pokégnek yajdanawa THE POKAGONS TELL IT Bnakwi gises October 2016 Traditional travels and teachings occupy Pokagon teens in August Inside This Month Page 2 Supporting Boys with Braids. Page 5 Hundreds celebrate Sovereignty Day. Page 14 –19 Eleven boys set out for a two night, three day journey “We had some girls interested in the traditional travels trip, recently to experience the outdoors as their Pokagon but we thought it would be a good idea to separate them Open committee ancestors might have. The trip, organized and chaperoned out, give teachings specific to their roles, give them a chance positions—get by Dan Stohrer, youth services coordinator, Kevin Modlin, to open up,” said Rebecca Williams, the organizer and youth involved! conservation officer, and Tribal Police Officer Eric Shaer, cultural coordinator. acquainted middle and high school boys with canoeing, One of the highlights: the young women practiced outdoor cooking and camping. The group paddled down the traditional cooking methods by cooking a goose and squash Manistee River through the Manistee National Forest. on a spit over an open fire. They also created quill work birch “For some of the kids, canoeing was new,” said Stohrer. “It bark medallions. was good to see them overcoming unfamiliarity and fear, and “It was really nice,” said Jenna Martin, one participant. “My enjoying themselves.” favorite part was when my grandma came to talk to us about Stohrer said the teens had good conversations while moon time, so I’m glad we got to learn about that.” spending time together. For example, as this trip took place She also offered this thought: be careful with porcupine right before the Boys with Braids event, the boys discussed quills, they’re sharp! “But it was fun, you just have to not hair, and their choices to grow it long or keep it short. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Big Bang – Shout out to the World!
Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style. -
Seven Essential Elements of a Lifelong-Learning Mind-Set
Seven essential elements of a lifelong-learning mind-set In a rapidly changing workplace, employees need to keep learning to remain relevant and in demand. Seven practices can help them be mindful in their career path and achieve success. Jacqueline Brassey, Katie Coates, and Nick van Dam FEBRUARY 2019 © Ellagrin/Getty Images Organizations around the world are experiencing culture in which people are encouraged and inspired rapid, sweeping changes in what they do, how they do to continue learning new skills. it, and even why they do it. Increasing globalization and new technologies demand new modes of working But the burden does not fall exclusively on businesses; and talent with new and diverse skills. To flourish in it’s also up to the individual to seize the opportunity this environment, individuals must keep learning new to get ahead. Seven distinctive practices can help skills. In fact, studies show that workers who maintain employees become lifelong learners and remain their ability to learn outpace other professionals.1 relevant in today’s business environment (Exhibit 1). The people who will thrive in the 21st century will be those who embrace lifelong learning and continually 1. Focus on growth increase their knowledge, skills, and competencies.2 Learning starts and ends with the individual. But Learning and development is there a limit to how much a person can learn? Is BuildingLifelong a workforcelearning of mindsets such lifelong learners is critical intelligence fixed at birth or can it be developed? forExhibit organizations 1 of 8 to respond to a changing business In 2008, researchers asked the ten best chess players environment. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
Analysing Korean Popular Music for Global
Analysing Korean Popular Music for Global Audiences: A Social Semiotic Approach Jonas Robertson Paper originally submitted March 2014 to the Department of English of the University of Birmingham, UK, as an assignment in Multimodal Communication, in partial fulfillment of a Master of Arts in Teaching English as a Foreign / Second Language (TEFL / TESL). Assignment: MMC/13/04 Collect between three and five pieces of music that might be taken to represent a particular artist, genre, style, or mood and present an analysis in terms of the social semiotic approach to music. You might like to concentrate on one or more of the following: - Timing - Sound quality - Melody - Perspective - Tagg’s Sign Typology Reflect briefly on how useful you found the framework in identifying how the pieces of music you chose might work to make meanings. 1 Contents 1 Introduction 3 2 Background of Social Semiotics and Music 3 3 Framework for Analysis 4 4 Analysis A: Fantastic Baby by Big Bang 7 5 Analysis B: I Got a Boy by Girls’ Generation 8 6 Analysis C: The Baddest Female by CL 10 7 Analysis D: La Song by Rain 12 8 Discussion 14 9 Conclusion 15 References 17 Appendices 19 2 1 Introduction This paper documents the analysis of four sample selections of Korean popular music (K- pop) from a social semiotic approach to determine what meanings are conveyed musically. Each of these songs have been selected as examples of K-pop that have been designed to be marketed beyond the borders of Korea, targeting an increasingly global audience. Despite featuring primarily Korean lyrics, these major hits remain popular among the millions of fans overseas who cannot understand most of the words. -
YG Entertainment Buy (122870 KQ ) (Maintain)
[Korea] Entertainment May 13, 2021 YG Entertainment Buy (122870 KQ ) (Maintain) Increasing content leverage TP: W56,000 Upside: 25.8% Mirae Asset Securities Co., Ltd. Jeong -yeob Park [email protected] 1Q21 review : Big earnings beat Consolidated revenue of W97bn (+83.9% YoY), OP of W9.5bn (turn to profit YoY) In 1Q21, YG Entertainment proved its enhanced fundamentals by overcoming the absence of offline performances/activities with the release of new content (Rosé and Treasure). Revenue from albums/digital content/goods was up 170.6% YoY, driven by strong sales of albums (980,000 copies; helped by new releases) and goods. Digital content revenue surged 125.6% YoY, boosted by BLACKPINK’s online concert (280,000 paid views and net revenue of around W8bn). Revenue from Google came in strong at W4.5bn (excluding BLACKPINK concert; vs. W2.5bn in 1Q20) on the back of new releases and subscriber growth. Despite constraints on artist activities, management revenue expanded 44.7% YoY, fueled by luxury advertisers’ (Dior, Saint Laurent and Tiffany & Co.) strong preference for YG artists. Elsewhere, the company recorded W15.6bn from TV production (YG Studioplex’s Mr. Queen ) and a valuation gain of roughly W5bn related to Tencent Music Entertainment. Expectations on 2H21 artist Artist activities to gather steam; IP monetization to strengthen on Weverse incl usion activities and Weverse 1) Earnings: During the 2018-20 absence of its main artist group, YG Entertainment built a robust lineup that includes BLACKPINK, Treasure, and iKON. We expect robust ad and appearance income to continue, supported by the growing international profile of the company’s artists. -
ND Sets New Annual Fundraising Record by DAVID ZIRINGER He Credits the Strategic News Writer Moment Campaign As Being an Especially Profitable Source
The Observer VOL. XXIII NO. 71 FRIDAY , DECEMBER 14, 1990 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY’S ND sets new annual fundraising record By DAVID ZIRINGER He credits the Strategic News Writer Moment campaign as being an especially profitable source. Notre Dame received $53.8 The campaign, a five-year ef million as a result of 1990 fort concluding in 1990, has al fundraising, establishing a new lowed the university “to reach record for annual contribu out to many more people,” he tions. said. With the campaign, According to Joseph Sand alumni, 50% of which donate man, director of Development, annually, are personally so students stand to benefit as a licited by phone. result through financial aid. So far, this program alone has The funds will provide amassed over $450 million. “greater support for under “The tremendous enthusiasm graduate scholarships and alumni and friends have for the graduate fellowships,” so stu university is a direct reflection” dents can attend Notre Dame of supporters’ endorsement of “regardless of economic back Notre Dame’s direction, Sand ground,” Sandman said. Many m an said. gifts were restricted to student He said contributors’ gen assistance, he said. erosity reflects “confidence in By enticing graduate students the leadership of the univer with fellowships, Sandman said sity.” . Notre Dame “has the potential to be ranked among the best Corporate and foundation research universities in the donations amounted to $18.5 country.” million, including an unprece Also, contributions will sub dented $2.4 million in corpo sidize professorships and li rate matching funds. Also, the brary endowments as well as Annual Fund and planned-giv- A P P hoto providing $60 million towards ing commitments achieved Directors aplenty university construction, he said. -
1 2004-2005 Prentice-Hall Guide to Finance Faculty Alphabetical by School
Prentice Hall Guide to Finance Faculty by Hasselback 1 2004-2005 PRENTICE-HALL GUIDE TO FINANCE FACULTY ALPHABETICAL BY SCHOOL NAME RANK PHONE E-MAIL TCH RESR Degr/Date/School START Abilene Christian Univ Abilene, TX 79699-9305 (915) Fax=674-2564 2003 Dept of Accounting & Finance College of Business Adm coba.acu.edu BA,BBA Dept Phone: 674-2304 1600 Campus Court Kim Turman Lytle, Richard S. Dean 674-2503 rick.lytle Mktg PHD 94 Ariz St 1991 Fowler, Bill E. C-As 674-2080 bill.fowler 1 MS 83 Walsh 1990 Griggs, Jack A. Prof 674-2244 jack.griggs 23 FMPX PHD 71 Tx-Austin 1-91 Pope, Terry Assoc 674-2570 terry.pope 12 C PHD 69 So Meth 8-92 Stewart, Jonathan Asst 674-2133 jonathan.stewart 13 LMPY PHD 96. Tx Tech 9-96 Adelphi University Garden City, NY 11530 (516) Fax=877-4607 Dept of Banking Econ & Fin School of Business Adm adelphi.edu BBA,MBA,MS Dept Phone: 877-4971 South Avenue Libertella, Anthony F. Dean 877-4690 libertel Mgt PHD 72 Ohio St 2000 Gleicher, David C-Ac 877-4971 gleicher Econ PHD 84 Columbia 1981 Swensen, R. Bruce Assoc 877-4655 swensen 12 M DSW 82 Columbia Heinowitz, Harvey J. Asst 877-4663 heinowit 13 T MBA 75 Adelphi Adrian College Adrian, MI 49221-2575 (517) Fax=264-3331 Finance Faculty Dept of Atg & Bus Adm adrian.edu BBA Dept Phone: 265-5161 110 South Madison Street Bachman, William C-Pr 264-3939 wbachman 35 LNQ ABD 73 Kentucky 8-81 Nalepka, William T.