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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
293202846.Pdf
ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ## ## ## ## ### ######## ######## ########³ ³ ## ## ## ## ## ## ## ## ## ## ## ³ ³######### ## ## ## ## ## ## ## ## ## ³ ³ ## ## ## ## ## ## ## ######## ###### ## ³ ³######### ## ## ## ######### ## ## ## ## ³ ³ ## ## ## ## ## ## ## ## ## ## ## ³ ³ ## ## ### ### ## ## ## ## ######## ########³ ³ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁÄÄÄÄÄÄÄÄÄÁÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ This site list brought to you by all of us in ³ ³ the best warez channel on FDFnet, #Warez. ³ ³ ÚÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´irc.fdfnet.netÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÙ ³ ³ Dont be a leech. Contribute! ³ ³ To add a site /msg Balthor SITE xxx.xxx.xxx.xxx /dirs L: & P: ³ ³ For posting you will be +ved until your site is removed. ³ ³ Please only post VERIFIED sites ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ . .. .:ÃNewS´: .. ³ ³ ÀÄÄÄÄÙ ³ ³ 02-15-2002 ³ ³ ³ ³ At long last the OOmpah forums are back! Go ahead, post ³ ³ something at http://oompah.tk/ ³ ³ ³ ³ The list that you are currently viewing is a 6 hour time ³ ³ delayed version of our complete list. Site posters receive ³ ³ access to the complete list which contains ALL of the sites. ³ ³ Upon verifcation of your site post, you will gain access to ³ ³ the current list, access to our !search, and you will also ³ ³ see new sites immediately after they are verified (6 hours ³ ³ before everybody else!). ³ ³ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ . .. .: Other Info : .. ³ ³ ³ ³ PSST! -
Rhino Reissues the Ramones' First Four Albums
2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2. -
1 This Isn't Paradise, This Is Hell: Discourse, Performance and Identity in the Hawai'i Metal Scene a Dissertation Submitte
1 THIS ISN’T PARADISE, THIS IS HELL: DISCOURSE, PERFORMANCE AND IDENTITY IN THE HAWAI‘I METAL SCENE A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEMBER 2012 By Benjamin Hedge Olson Dissertation Committee: Kathleen Sands, Chairperson David E. Stannard Vernadette Gonzalez Roderick Labrador Helen J. Baroni Keywords: metal, popular music, popular culture, religion, subculture, Hawai‘i 2 Abstract The island of Oahu is home to probably the most ethnically diverse metal scene in the United States. Contemporary Hawai`i prides itself on being a “model of multiculturalism” free of the racism and ethnic strife that is endemic to the continent; however, beneath this superficial openness and tolerance exist deeply felt class, ethnic, and racial tensions. The metal scene in Hawai`i experiences these conflicting impulses towards inclusion and exclusion as profoundly as any other aspect of contemporary Hawaiian culture, but there is a persistent hope within the metal scene that subcultural identity can triumph over such tensions. Complicating this process is the presence of white military personnel, primarily born and raised on the continental United States, whose cultural attitudes, performances of masculinity, and conception of metal culture differ greatly from that of local metalheads. The misunderstandings, hostilities, bids for subcultural capital, and attempted bridge-building that take place between metalheads in Hawai‘i constitute a subculturally specific attempt to address anxieties concerning the presence of the military, the history of race and racism in Hawai`i, and the complicated, often conflicting desires for both openness and exclusivity that exist within local culture. -
Uni International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
21 Pilots Heathens the Allman Brothers Melissa Aloe Black I Need
21 Pilots Heathens The Allman Brothers Melissa Aloe Black I Need a Dollar Amy Winehouse Valerie Angus & Julia Stone Big Jet Plane The Animals House of the Rising Sun The Backboners Let it Blow My Way The Beatles Blackbird Come Together Here Comes the Sun Hey Jude In My Life I've Just Seen a Face I Wanna Hold Your Hand Let It Be Lucy in the Sky with Diamonds Norwegian Wood Octopus's Garden Oh Darlin Twist and shout Yesterday Yellow Submarine Bill Withers Ain't No Sunshine Stand By Me Billy Joel Piano Man Bob Dylan Knocking on Heaven’s Door Bob Marley Bob Marley Medley Is This Love No Woman No Cry Redemption Song Three Little Birds Bob Seger Turn the Page Cascada Every Time We Touch Cindy Lauper Girls Just Wanna Have Fun Coldplay Fix You Yellow Common Kings Alcoholic Cream Sunshine of Your Love Crowded House Weather With You DaFt Punk Ft. Pharell Get Lucky/Stronger David Guetta Ft Sia Titanium Death Cab For Cutie I Will Follow You Into the Dark The Decemberists Crane Wife Deep Blue Something Breakfast at Tiffany’s Derek and the Dominos Layla Disney Under the sea Dispatch The General Eagle Eye Cherry/Avicii Save Tonight/Wake Me Up The Eagles Hotel California Elvis Presley Can’t Help Falling in Love Eminem Lose Yourself Eurythmics Sweet Dreams Flight oF the Conchords Rhymnocerous Flobots Handlebars Fountain oF Wayne Stacey's mom George Ezra Budapest Gnarles Barkley Crazy Gotye Somebody I used to know Green Day Basket Case Good Riddance Imagine Dragons Radioactive The Isley Brothers Shout! Jack Johnson Banana Pancakes Jason Mraz I'm Yours Jimi Hendrix All Along the Watchtower Purple Haze Joan Jett I Love Rock and Roll John Paul Young Love is in the Air Johnny Cash Folsom Prison Blues John Lennon Imagine John Mellencamp Jack and Diane Journey Don't Stop Believing K’Naan Waving Flag Kenny Rogers The Gambler Ke$ha Tik Tok The Killers Mr. -
Wildflowers E-Edition
Crawling Back to You A critical and personal breakdown of Tom Petty’s masterpiece, “Wildflowers” by Nick Tavares Static and Feedback editor Static and Feedback | www.staticandfeedback.com | September, 2012 1 September, 2012 Static and Feedback www.staticandfeedback.com ooking at the spine of the CD, it’s would resume, the music would begin, and clear that the color has mutated a I’d lie with my head on my pillow and my L bit through the years, trapped in hands over my stomach, eyes closed. sunbeams by windows and faded from it’s Sometimes, I’d be more alert and reading brown paper bag origins to a pale bluish the liner notes tucked away in the CD’s grey. The CD case itself is in excellent booklet in an effort to take in as much shape save for a few scratches, spared the information about this seemingly magic art cracks and malfunctioning hinges so many form as possible. other jewel boxes have suffered through The first time I listened to Wildflowers, I drops, moves and general carelessness. All was in high school, in bed, laying out in all, the disc holds up rather well. straight, reading along with the lyrics, More often than not, however, it sits inspecting the credits, the thanks and the on the shelf, tucked below a greatest hits photographs included with this Tom Petty collection and above a later album. Thanks solo record. One hour, two minutes and 41 to technology, the more frequent method seconds later, I felt an overwhelming rush, a of play is the simple mp3, broadcasting out warmth that covered my entire body from of a speaker the size of the head of a head to toe and reached back within my pencil’s eraser mounted above the skull to fill my insides. -
Paula Guerra
Paula Guerra Lou Reed: rock and roll is so genial in its conception that some people would be willing to die for it (…). Music gives a pulse that allows you to dream. It’s an entire generation walking to the sound of a Fender bass. It’s necessary that people be willing to die for music, that is all. People die no matter what, so why not music? Die for it. Isn’t it pretty? To want to die for beauty? (McNeil & McCain, 2006: 45). The 1960’s, from an music aesthetic and expression point of view, were marked by an intense creativity that spread throughout all artistic and cultural mediums. We associate this era with a revolutionary mark, be in cultural, moral or social terms, with the importance of figures such as Rimbaud, north American black blues, rock pioneers, beat generation, Henry Miller, Malraux, Baudelaire, Marcuse, Indian gurus, Marx, Trotsky, Mao Tse Tung… (Paraire, 1992: 75-77). In the USA, rock acquired an institutionalization close to that of the traditional star system, with the role of the English pop movement, in particular that of the Beatles, one of the most remarkable in this respect. It will not, then, be out of place to consider that rock music throughout the -------- 1 This text was first published in Portuguese with the following reference: Guerra, P., 2010. A instável leveza do rock. Génese, dinâmica e consolidação do rock alternativo em Portugal. The unstable lightness of rock. Genesis, dynamics and consolidation of alternative rock in Portugal (1980-2010). Faculty of Arts of University of Porto, Porto. -
FROM PASTOR DAVE… I Don’T Know About You but Every Once in a While I Get This Overwhelming Feeling That I Have to Start Getting Into Shape Again
501 NW 16th Street, Grand Rapids, Minnesota 55744 (218) 326-8508 www.saintand.org November 2016 FROM PASTOR DAVE… I don’t know about you but every once in a while I get this overwhelming feeling that I have to start getting into shape again. I know that I might be overly optimistic by even thinking that it’s still possible, but hey – you’ve got to give me some credit! After all “it’s the thought that counts.” And yet, I realize that I have to do more than think about getting into shape, I’ve got to do something too. I’ve got to start getting into shape physically. I’ve been pondering this for some time. My daughter lovingly reminds me that I haven’t lost the measly 4 pounds I wanted to lose about a year ago. About a month ago, I had a sort of wakeup call when my brother Peter had a heart attack and then triple bypass surgery. He’s the closest living thing to me physically and genetically. Both male. Both products of our mom and dad. Yes, I received that wake up call, but will I get up and answer the call? I’m recommitting to eating smaller portions, and not checking out what may be in the church kitchen when I get the munchies. Whenever possible, I’m going home for lunch, and spending time exercising on my NordicTrack ski machine. (I prefer “exercising” to “working out.” The latter sounds too much like work.) It takes about a couple of hours in the middle of my day, to get home, change, exercise, shower, grab a sandwich and get back to the church. -
Songs Always Something There to Remind
Flashback Heart Attack - Songs Always Something There to Remind Me - Naked Eyes Anything Anything – Dramarama Any Way You Want It – Journey Bad Luck - Social Distortion Bizarre Love Triangle - New Order Blister in Sun/Add it Up/Gone Daddy Gone (Medley) - Violent Femmes Blitzkrieg Bop –Ramones Blue Monday - New Order Boys Don’t Cry – The Cure Centerfold - J Giles Band Come on Eileen – Dexies Midnight Runner Dancing w Myself - Billy Idol Destination Unknown – Missing Persons Don’t Change - INXS Don’t Stop Belivin – Journey Don’t You Forget About Me - Simple Minds Don’t You Want Me – Human League Dream Police - Cheap Trick Erotic City - Prince Everybody Wants to Rule the World - Tears for Fears Eyes without a Face – Billy Idol Fascination - Human League Fight for Your Right to Party – Beastie Boys Girls Just Wanna Have Fun – Cyndi Lauper Hungry Like the Wolf – Duran Duran I Love Rock n Roll - Joan Jett I Ran - A Flock of Seagulls In Cars - Gary Newman Jenny Jenny (867-5309) - Tommy Tutone Jesses Girl - Rick Springfield Just Can’t Get Enough - Depeche Mode Just Like Heaven - The Cure Just What I Needed - The Cars Land Down Under – Men at Work Let’s Go Crazy – Prince Live and Let Die – Wings Living on a Prayer – Bon Jovi Mexican Radio – Wall of VooDoo Melt With You - Modern English Metro - Berlin Million Miles Away – The Plimsouls Mirror in the Bathroom – English Beat Modern Love - David Bowie Need You Tonight - INXS Only the Lonely – The Motels Personal Jesus - Depeche Mode Pretty In Pink – Psychedelic Furs Promises Promises – Naked Eyes -
Entertainment Plus Karaoke by Title
Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J.