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4^1"0W TUNE of the WEEK Alternative. Bjwo Gems Irom Iheir

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4^1 4^1"0W BIGFOOT&SHANKS'SWEETLIKECHOC OLATE' (CHOCOLATE BOY) (GARAGE) TUNE OF THE WEEK From the same stable that brought us 1 chyear's is already chart hit experiencing 'Straight From big demandThe inHearf spécialist by Doolally. record cornesshops. this It opens offenng witl wo-step percussion and some deep orchestral stabs, then in cornes a lodicchocolaté" bassline sticks with in some the head incredibly and gives thiscatchy track vocals, huge The crossover vocal hook, potential. "Sweet • ' MYA 'WIOVING ON' (UNIVERSAL) Blackstreet, Mya takes her solo(R&B) Aftercareer her into recent perspective collaboration with positivity with Pras t the prime factor. There are two mixes to choose from, the first being the album ubtleix which keys boastsfor the ultra-slickundervybes, hi-hat leaving and kick-drum programming with sweethe spotlig — The University mix features Raekwon ....dMya's Noreaga, delicate and vc is totally revocalled ig interpolations of Rose-Royce's ■Wishing On A Star'. An impressive pac! 9e. •••• RH KLESHAY 'RUSH' (JERV) (HOUSE) MADONNA 'NOTHING REAILY MATTERS' (WEA) Currently riding high in its R&B mi h very good radio support too, Jerv This fourth single to be taken from the triple platinum 'Ray Of Light' album targets the club market with these i/ersions.■forward' Stevebassline, 'Silk' with Hurley the Rawprovides House was originally a solid William Orbit production but now gets magnificently mixbolh perhaps mixes here, sounding which better feature thanks a 'broug j piano content. •••• CF etherealenhanced vocal by Club drops 69 and and SharpKruder percussive & Oorfmeister. breaks The over former a spiritual combines synth- downbounding remixes pace, for whereas their fair the share Viennese of major-league duo, who, inartisls, the past have have created turned an THE ROOTS FEAT ERYKAH BADU 'YOU GOT ME' (WICA) (HIP HOP) aurai masterpiece clocking in at just over 11 minutes. Starting with an anRustle incredible up a live nubian hip hop soul supergroup diva and a withmouthwatering, a side order head-nodding, of sweet and sultry foot- vox by twangingechoing "The soundscape, future" vocal the Krudersample & over Dorfmeister pendulum-ticking, mix builds slow into bass-a swirling stomping, finger-snapping joint is what's served. The Roots' silky smooth mix. surrounded by slick and sensual hip-hop beats. Unlike Club 69, it's a coolproduction acoustic-based always sees groove off manywhich imitators, sees Badu and contributing they corne to through the chorus again vocal with a shameloo impraclical that Kruder a thing & Dorfmeister to ask. » •have • •done • no radio edit; perhaps it's just chores and a nice little rap verse. Three minutes into the track the boys - being theirdrum abstract, pattern which expérimental works neatly selves and - décidé has you to wantingswitch to much a drum more & bass-styleby the time SUPERCAR 'TONITE' (PEPPER) (HOUSE) the fadeout kicks in. A mad nice collaboration. • • • • • RH Anotheronto most charmed radio playlists. filtered discoThere's house nol apiece great that deal has of workedinformation its way available very swiftly on the track's background, but in général it's the one that has the hard-to-distinguish ThisEYE houseW1TNESS track 'HAPP1NESSis currently causing HAPPENI z rémendouslING' (WHITE buzz andLABEL) attracting lots(HOUSE) of offer,main samplethe extended line spread version over is thedisco most strings effective. and aThis funky should beat. giveOf the Pepper four mixesanother on big-label inleresl. Ail the commotion it lifned at the Lange remix, which edges large hit. • • • • • CF towardschord sequencing a Space Brothers at the break sound which at its \ iifdn'teak, combining sound out that of placewith thein adark game moody of ERIC BENET FEAT. FA1TH EVANS 'GEORGY PORGY' (WEA) (R&B) anticipationDoom. The smoothly-tonguedas everything builds female to thi isiveat the kick-in main piercingstops provides synths hugewhich do coverOriginally gets. recorded Nobody byexecutes Luther aVandross vocal better and thanCharmé ol' tasty in 1981, tonsils this Luther, isas good but this as a ail the damage. Another 'Dut Of The Blu iare we say? O o c G o CF versionopportunity is bad. to bagFor thosethis beautiful who missed R&B outmonster on it firstproduced lime round,by Something here is aFor golden The SOURCE DIRECT 'IVI1ND WEAVER' [SCIENCE) (DRUM & BASS) productionPeople. Eric and and the Faith song harmonise still easily in standsa heavenly the testfashion of time. over Incredible! the phal SFTP And watch returnIt's been with a weea new while album, but the"Exorcise unmissable The •jjartnership ' ofthis Jim one-sided Baker and piece Phil ofAslet out for the forthcoming album 'A Day In The Life'. • • • • • RH varionsscience, beats'Mmd into Weaver' one phat is a melting pot. alternative. eerie parts pulsing and basslines letting n. Sign up today, • • • • DM BIG(VC/JUNIOR) ROOM GIRL FEAT. DARRYL PA NDY'RAISEYOUR HANDS' (HOUSE) Bjwo gems Irom Iheir forthcoming album 'Beaucoup Fish' andCreated first byreleased the Rhythm on Junior, Masters, this iivocals gets a byfull Chicago release legendthrough Darryl Virgin. Pandy The ^^BFÎRSA RN'n!EMOODCu!?(LARKI^^^^^^^ main hooks on new mixes from the Rhwtlj m Masters are Pandy's shouts and the i£tMMK "Qrthern™ soul stomper oui ot Dublin wilh a twist ol 1999. phasing piano loop repeat, which togetl i ; dominate proceedings, w ! 'içi ÎANI Island tone down the brashness for thei CF CHER 'STRONG ENOUGH' (WARNE 1) (HOUSE) ■HflstrlH It's always a tough job to follow the bes' elling single of the previous year, but CherBop. Thesticks former to her is guns a take well no-risks here, empli ng mixes from Marc Andrews and D- ■SU commercial club style that is il ejp, radio producing favourite. a compétent The D-Bop song mix inisn'ta a " ross ailen thegreat production déviation onfrom the the whole first is nowherea, f Dugh the vocal content is minimal and m being somewhat more approachable. • ••near as harsh as previous D-Bop mixes,CF =s QJ cco S co2 o 3 eoo Z< CJ BC a=> O z o T") >1 œ 2 a: 1 £ 5 1 5z C3 | ■ fsl PO m r-s 00 O ol (£> P"» prrmT— 1■ .
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