Basic Collection Soundlist

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Basic Collection Soundlist: 1 2 Cellos 51 Mixed Brass 2 2 2 Trombones – 2 Trumpets 52 Mixed Brass B 3 3 Violins (Studio) 53 MkI CRIMSON Organ (STREETLY Tron’s 50th Anniversary) 4 3 Violins (Vintage 1) 54 MkI Marimba (STREETLY Tron’s 50th Anniversary) 5 Augmented String Section 55 MkII (Lowrey) Church Organ (Studio) 6 Bassoon (Vintage 3) 56 MkII CRIMSON 3 Violins (Vintage 1) 7 Boys Choir (Studio) 57 MkII 3 Violins (Vintage 1) 8 Brass B (Vintage 1) 58 MkII French Accordion 9 Bul-Bul-Tara 59 MkII Harpsichord Effect 10 Celeste 60 Moog Bassnotes 11 Cello (Vintage 1) 61 Moog Brass (Vintage 2) 12 Chamberlin Bass Clarinet (Harry’s Collection) 62 Moog Brass 2 13 Chamberlin Mandolin 63 Moog Taurus / MkII Violins + Brass (Studio) 14 Chamberlin Piano (Harry’s Collection) 64 Mystic Grand Piano 15 Chamberlin Rhythmate 35 (Harry’s Collection) 65 Octave String Section 16 Church Organ (Studio) 66 Optigan Majestic Pipe Organ 17 Church Organ (Vintage 1) 67 Orchestra 2 18 Church Organ revised 68 Paravicini Solo Cello (Studio) 19 Combined Choir 2 69 PE 1000 Pipe Organ 20 Eerie 70 Philharmonic Strings 21 Eminent 310 Equinoxe Strings (Vintage 3) 71 Pro-Soloist French Horn 22 Eminent 310 Equinoxe Strings Low 72 Pro-Soloist Trumpet 23 Farfisa Compact Organ 73 Recorder 24 Female Choir (Studio) 74 Roland Vocoder Plus Choir (Vintage 3) 25 Flute (Studio) 75 Second Flute 26 Flute (Vintage 1) 76 Sigma Double Reed 27 GC 3 Brass (Studio) 77 Sitar + Tambura 28 GENESIS 8 Choir (Studio) 78 Sitar 2 29 GENESIS 8 Choir (Vintage 1) 79 Solina Orchestra 30 Gothic (STREETLY Tron’s 50th Anniversary) 80 Solina String Ensemble Violin 31 Hammond B3 Fast Leslie 81 Solina String Ensemble Violin + Cello 32 Hammond B3 Slow Leslie 82 Sound Effects 2 33 Kalimba 83 Sound Effects 3 34 KS Oboe (Berlin School) 84 Steel Tongue Drum 35 Logan String Melody II ‘Orchestra’ (Vintage 4) 85 String Concert 36 Logan String Melody II Organ 86 String Orchestra (Vintage 1) 37 Logan String Melody II Solo 87 String Section (Viola) (Vintage 1) 38 M 300 Strings B (Vintage 1) 88 Stylophone 39 M 300 Trombone (Vintage 2) 89 Symphony Orchestra 40 M300 Solo Violin 90 TD ARP Pro-Soloist Country Guitar (Berlin School) 41 M300 Vibes 91 TD ELKA Rhapsody 610 Strings/Violoncello (Berlin School) 42 Male Choir (Studio) 92 TD FX People (Berlin School) 43 Male Female Split Choir (Vintage 1) 93 Trombone synthesized 44 Male Oh-Choir Custom (Vintage 2) 94 Tron-Noises 45 Male Solo Voice 95 Trumpet (Vintage 4) 46 Male Voice Custom 96 Trumpet synthesized 47 Male Voices Choir 97 Tubular Bells 48 Mandolin + Clavinet 98 Two Tenor Saxes – Two Alto Saxes 49 Melodica 99 Vox Super Continental Organ (Vintage 4) 50 Mixed Brass 1 100 Wurlitzer Electric Grand Piano (Studio) www.manikin-electronic.com.

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Wednesday-Saturday •March 7-10, 2018
HHH from Washington, DC HHH The United States Army Band “Pershing’s- Own” AMERICAN TROM- BONE- WORKSHOPWEDNESDAY-SATURDAY • MARCH 7-10, 2018 2018 AMERICAN TROMBONE WORKSHOP WORKSHOP COMMITTEE WORKSHOP Chairman MSG Sam Woodhead Assistant Chairman SFC Chris Branagan Jazz Coordinator SFC Victor Barranco Solo Competition Coordinator SSG Omar Dejesus Quartet Competition Coordinator SFC C. Dale Moore Composition Competition Coordinator SFC James Kazik Welcome to the 2018 United States Army Band “Pershing’s Educational Coordinator Own” American Trombone Workshop. This marks the 25th MSG Craig Arnold year “Pershing’s Own” has organized and hosted the American Exhibits Coordinator Trombone Workshop. From its beginning in 1974 as the Eastern SSG Adam McColley Trombone Workshop, hosted by John Marcellus and John Archivist Mellick at Towson University, to today’s ATW, the workshop SFC Trent Stockton continues as an integral event for The U.S. Army Band “Pershing’s Own,” hosting leading soloists, clinicians, and educators, while Webmaster and Video Support also showcasing emerging young performers and trombone choirs SFC Thomas Bratten from all across the country. This year’s headlining artists include ARMY BAND SUPPORT BAND ARMY Boston Symphony Orchestra bass trombonist James Markey; Support Element Leader tenor trombonists Natalie Mannix, Joseph Rodriguez, Mark SGM Craig Lauinger Davidson, and Alex Iles; and the legendary Tom “Bones” Malone Marketing, Public Affairs, and Photography Support of the Blues Brothers and David Letterman’s Late Show Band, Ms. Jen Maly, SFC Chris Branagan, and who will all be performing with the outstanding ensembles of SSG Victoria Chamberlin “Pershing’s Own.” Music Library and Arranging SGM Laura Lineberger, MSG Michael Brown, Among the many ensemble concerts, solo performances, SFC James Kazik, SSG Rogelio Garza, and SSG Sara Corry and competitions, you will be able to see our featured artists Resource Management in masterclasses, lectures, and informative education panel MSG Winston J.
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2064 Congressional Record-Senate. February 12
2064 CONGRESSIONAL RECORD-SENATE. FEBRUARY 12, By Mr. CRUMPACKER: Petitions of 158 pastors of churches, SENATE. Sunday school officers and teachers, of Lafayette, Ind., and citi zens of Jasper County, Ind., to forbid the sale of intoxicating THURSDAY, February 12, 1903. liquors in all Government buildings-to the Committee on Alco Prayer by Rev. F. J. P.R.ETTYMAN, of the city of Washington. holic Liquor Traffic. T~e Secretary proceeded to read the Journal of yesterday s pro· By Mr. DRAPER: Petition of the American Blind People's ceedings, when, on request of Mr. BEVERIDGE, and by unanimous Higher Education and General Improvement Association favor consent, the further reading was dispensed with. ing the higher education of the blind-to the Committee ~n Edu The PRESIDENT pro tempore. The Journal will stand ap• cation. proved. By Mr. FITZGERALD: Resolutions of the American Chamber VETO MESSAGE-KATIE A.. NOLAN. of Commerce, of Paris, France, in favor of the adoption of the metric system in the United States-to the Committee on Coinage, The PRESIDE.NT pro tempore laid before the Senate the fol Weights, and Measures. ' lowing. message from the President of the United States; which By Mr. GOLDFOGLE: Resolutions of United Israel Lodge, was rea-d, and, with the accompanying bill, referred to the Com· No. 182, Order of B'rith Abraham, of New York City, N.Y., re mittee on Post-Offices and Post-Roads: . lating to methods of the Immigration Bureau at the port of New To the Senate: York~to the Con!m.ittee on Immigration and Naturalization.
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De Smet Jesuit High School Fine Arts Department Spring 2021 End Of
De Smet Jesuit High School Fine Arts Department The Star Spangled Banner – Concert Band presents By Jonathan Stafford Smith Spring 2021 End of Semester Instrumental Music Concert Arr. John Phillip Sousa featuring Georgia on My Mind – Honors Jazz Combo By: Hoagie Carmichael and Stuart Gorrell Honors Instrumental Jazz Combo Featured soloists: Matt Licari (piano), Aidan Bartholet (guitar) Aidan Bartholet ’21 – Guitar Matt Licari ’21 – Piano Emmett Concannon ‘22 – Violin Charlie Llorico ’22 – Guitar Eye of the Tiger – Jazz Combo Justin Konieczny ’21 – Trombone Henry Reeder ’21 – Bass By: Frankie Sullivan and Jim Peterik Arr: Dave Wolpe Instrumental Jazz Combo Featured soloist: Liam Weishaar (trumpet) Clark Chamberlin ’24 – Piano Nick Montellano ’23 – Trumpet Andy Cross ’22 – Guitar Will Rasure ’22 – Drums Final Countdown – Concert Band Kalle Evjen ’23 – Alto Sax Rico Struckhoff ’24 – Tenor Sax By: Joey Tempest Drew Hahn ’23 – Bass Gabe Talken ’22 – Trumpet Arr: John Higgins Sebastian Helling ’24 – Adri Theerman-Rodriguez ’23 – Trumpet and Bari Sax Trombone Dominic Ilardi ’22 – Guitar Tyler Tucker ’23 – Bass Over the Rainbow – Honors Jazz Combo Aidan Madigan ’23 – Alto Sax Zach Veluz ’23 – Piano By: Harold Arlen Hudson Miller ’24 – Trumpet Liam Weishaar ’21 – Trumpet Arr: Jamey Aebersold Featured soloists: Aidan Bartholet (guitar), Justin Konieczny (trombone) Jazz Lab Charlie Erker ’24 – Drums Oliver Nichols ’24 – Guitar Dorian Journey – Jazz Lab Brady Govero ’23 – Guitar Nick Phillips ’24 – Guitar By: Doug Beach and George Shutack Tom Hale
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The Celesta Or Celeste Is a Struck Idiophone Operated by a Keyboard
The celesta or celeste is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-oc- tave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small “table-top” design. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, celeste, meaning “heavenly” in French. The celesta is often used to enhance a melody line played by another instrument or section. The delicate, bell-like sound is not loud enough to be used in full ensemble sections; as well, the celesta is rarely given standalone solos. The celesta is a transposing instrument; it sounds one octave higher than the written pitch. Its (four-octave) sounding range is generally considered to be C4 to C8. The original French instrument had a five-octave range, but because the lowest octave was considered somewhat unsatisfactory, it was omitted from later mod- els. The standard French four-octave instrument is now gradually being replaced in symphony orchestras by a larger, five-octave German model. Although it is a member of the percussion family, in orchestral terms it is more properly considered a member of the keyboard section and usually played by a keyboardist.
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Builders of Dreams
THE MAGAZINE OF THE HAAS SCHOOL OF BUSINESS AT THE UNIVERSITY OF CALIFORNIA, BERKELEY University of California, Berkeley Nonprofit Organization Haas School of Business U.S. Postage 545 Student Services #1900 Paid Berkeley, CA 94720-1900 University of California, Berkeley BerkeleyHaasFall 2016 6 SUPERCHARGED 10 LESSONS FROM MT. EVEREST 16 A HEALTHY SUCCESS Quantifying the economic power of reliable Mountaineering illustrates the dangers of Albert Lee, MBA 04, helped make MyFitnessPal energy in developing nations groupthink for workplace teams the world’s leading fitness app · 2 · 1997 002 · 2 992 007 1 · 7 · 20 98 12 1 · · 2 2 0 8 1 9 6 1 · · E 7 M 7 9 April 28-30 B 1 A · 2 2 0 7 1 9 5 1 REUNIONREUNION WEEKENDWEEKEND Business Leaders of the Year 2017 BUILDERS Relive the best of your Berkeley-Haas experience! Catch up with classmates, listen to engaging lectures, make new connections, and bring your OF DREAMS family back to campus. Susan Chamberlin, MBA 87, and her husband, Steve, spent years planning new Everything you loved about business school—without the exams. structures and cityscapes. Now they’re redesigning the world of public education. haas.berkeley.edu/reunion #haasreunion #haasalumni Question the Status Quo Fall 2016 EXECUTIVE EDITOR FEATURES AND DEPARTMENTS The Beyond Yourself Issue Confidence Without Attitude Ute Frey UP FRONT MANAGING EDITOR Students Always Amy Marcott DESIGN Beyond Yourself Cuttriss & Hambleton, Berkeley STAFF WRITERS Berkeley-Haas alumni enjoy 15% off Laura Counts, Kim Girard, open-enrollment programs.
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A History of Sampling
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Optical Turntable As an Interface for Musical Performance
Optical Turntable as an Interface for Musical Performance Nikita Pashenkov A.B. Architecture & Urban Planning Princeton University, June 1998 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Master of Science in Media Arts and Sciences at the Massachusetts Institute of Technology June 2002 @ Massachusetts Institute of Technology All rights reserved MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 7 2002 LIBRARIES ROTCH I|I Author: Nikita Pashenkov Program in Media Arts and Sciences May 24, 2002 Certified by: John Maeda Associate Professor of Design and Computation Thesis Supervisor Accepted by: Dr. Andew B. Lippman Chair, Departmental Committee on Graduate Studies Program | w | in Media Arts and Sciences Optical Turntable as an Interface for Musical Performance Nikita Pashenkov Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on May 24, 2002, in partial fulfillment of the requirements for the degree of Master of Science in Media Arts and Sciences Abstract This thesis proposes a model of creative activity on the computer incorporating the elements of programming, graphics, sound generation, and physical interaction. An interface for manipulating these elements is suggested, based on the concept of a disk-jockey turntable as a performance instrument. A system is developed around this idea, enabling optical pickup of visual informa- tion from physical media as input to processes on the computer. Software architecture(s) are discussed and examples are implemented, illustrating the potential uses of the interface for the purpose of creative expression in the virtual domain.
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Tom Waits 2011.Pdf
WILLISEEYOUTCfNIGHTONADOWNTOWNTRAINEVERYNIGHTISJUSTTHESAMEYOULEAVEMELONELYNOW TOM WAITS BY ROB BOWMAN § IS THE CASE Lord Buckley, and Charles Bukowski; the pri with a select few mal rock & roll crunch of the Rolling Stones; genre-defining the German cabaret stylings of Kurt artists such as Weill; the postwar, alternate world of invented Miles Davis, Bob instruments and rugged individualism o f avant- Dylan, and Joni garde composer Harry Partch; the proto-metal MitcheH,Tom Writs, blues of 1950s and 1960s Howlin’ Wolf and over the course of his nearly forty-year their extension into the w orld o f Captain B eef- career, has operated under the maxim “He heart’s late-i96os avant-rock; the archaic for not busy being born is busy dying.” Refus malism o f 19th-century parlor ballads; Dylan’s ing to stay still and rest on his laurels, Waits early- and mid-sixties transformation of the has continuously sought new influences, possibilities of language in the worlds of both dramatically reinventing himself and his art folk and rock; the elegance of pre-war Irving along the way. In Berlin, Cole Porter, the process, he has WAITS SEEM S and Hoagy Carmichael; forged a highly the sophistication of original, personal, TO HAVE NO postwar Frank Sinatra; and idiosyncratic LIMITS TO HIS and, more recently, the musical lexicon, bone-crushing grooves resulting in one of IMAGINATION of 1980s and 1990s the most distinc funk and hip-hop. In tive, rich, and diverse bodies of recorded deed, the art of Tom Waits has altogether tran work in American popular music history. scended time and, to some degree, place.
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Intercollegiate Orchestra Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 4-7-2004 Intercollegiate Orchestra Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Intercollegiate Orchestra" (2004). Music Department Concert Programs. 313. https://scholarship.richmond.edu/all-music-programs/313 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND LIBRARIES ----- \l\\l\\\l\\\\\\l\l\\\\\l\\\l\\\l\l\\\\l\l\\\\\l\\\l\\\\l\l\\\\\l 3 3082 00873 7768 UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC ••• Intercollegiate Orchestra ••• APRIL 7, 2004, 7:30 PM CAMP CoNCERT HALL, BooKER HALL OF Musrc ... PROGRAM ... On Hearing the First Cuckoo in Spring Frederick Delius (1862-1934) Rounds for String Orchestra (1944) David Diamond I. Allegro, molto vivace (b. 1915) II. Adagio III. Allegro vigaroso · · · INTERMISSION · · · Symphony no. 5 in E minor, op. 64 Peter Ilyitch Tchaikovsky I. Andante- Allegro con anima , (1840-1893) II. Andante cantabile, con alcuna licenza : i) III. Valse; Allegro moderato · · · PERSONNEL · · · Violin 1 Flute Abbey Bourdon, UR Keith Hanlon VCU Megan Haynes, UR Molly McCann, UR KelseyMiller, VCU Stephanie Davenport, VCU Abbie Richardson, UR Adam Sheffield, VCU Oboe Aronne LaFratta, VCU Violin 2 Tara Williford, UR Caitlin Barry, VCU Adam Birce, VCU Clarinet Myra Cardenas, VCU Emily Avesian, VCU Laura Hayes, VCU Adrian Sandi, VCU Gabrielle Sakellarides, VCU Bassoon Viola Josh Krohn, VCU Amanda Ata, VCU Kemi Owens-Hart, VCU Horn Kim Ryan, VCU Amanda Burton, VCU Lindsay Soltow, James River H.S.
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Hydraulophone Design Considerations: Absement, Displacement, and Velocity-Sensitive Music Keyboard in Which Each Key Is a Water Jet
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Mellotron M4000D Soundcard 04, Page 1 of 2
Mellotron M4000D Soundcard 04, page 1 of 2 Here is the sound list for the third Digital Mellotron expansion card, Soundcard 04. Soundcard 01 is the internal card, Soundcard 02 is the first expansion card, Soundcard 03 is the second expansion card Soundcard 04 contains a total of 128 Orchestron, Optigan and Chilton Talentmaker sounds. Orchestron sounds (8 sounds, sampled from instrument): Cello Vocal Choir Flute French Horn Hammond B3 Pipe Organ Saxophone Violins Optigan sounds (61 sounds, sampled from instrument): Scales (21 sounds): B3 number 1 B3 number 2 B3 number 3 B3 number 4 B3 number 5 B3 + Leslie #1 B3 + Leslie #2 B3 + Leslie #3 B3 + Leslie #4 B3 + Leslie #5 Combo Organ #1 Combo Organ #2 Combo Organ #3 Combo Organ #4 Combo Organ #5 Oboe Harmonium Pipe Organ Saxophone Marimba Vocal Choir Mellotron M4000D Soundcard 04, page 2 of 2 Optigan sounds (continued): Chord sets (40 sounds): LoFif from instrument HiFi from mastertapes (4 missing) A01 Banjo Sing-Along A01 Banjo Sing-Along A02 Big Band Beat A02 Big Band Beat A03 Big Organ & Drums A04 Big Top Marching Band A04 Big Top Marching Band A05 Bluegrass Banjo A05 Bluegrass Banjo A06 Bossa Nova Style A06 Bossa Nova Style A07 Cathedral Organ A08 Cha Cha Cha! A08 Cha Cha Cha! A09 Champagne Music A09 Champagne Music A10 Classic Guitar in 4/4 A10 Classic Guitar in 4/4 A11 Country Sunshine A11 Country Sunshine A12 Country Walz A12 Country Walz B01 Dixieland Strut B01 Dixieland Strut B02 Down Home B02 Down Home B03 Easy Does It With Vibes B03 Easy Does It With Vibes B04 Folk & Other Moods Guitar
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