A Bronx Tale - the Musical

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A Bronx Tale - The Musical Wednesday, May 8, 2019 “WONDERFUL AND REFRESHING! - The kind of tale that makes you laugh and cry.” -The New York Times Broadway’s hit crowd-pleaser takes you to the stoops of the Bronx in the 1960s –where a young man is caught between the father he loves and the mob boss he’d love to be. Bursting with high-energy dance numbers and original doo-wop tunes from Alan Menken (Beauty and the Beast, Aladdin), A BRONX TALE is an unforgettable story of loyalty and family. Academy Award® winner Robert De Niro and Tony® winner Jerry Zaks direct this streetwise musical –based on Academy Award nominee Chazz Palminteri’s story –that a m New York called, “Jersey Boys meets West Side Story.” Dinner enroute to the theater at one of our favorite spots: Blue Canyon Kitchen & Tavern, Twinsburg, Ohio Coach departure time is 4:00 pm from St. Michael’s Church parking lot 3534 St. Michael’s Blvd., Canton, Ohio (off Fulton Road, east of the Fulton/Whipple Ave. intersection). Our return to St. Michael’s is scheduled for 11:30 pm. Your Evening Includes Dinner at one of our favorite restaurants Blue Canyon Kitchen & Tavern in Twinsburg Orchestra seating for A Bronx Tale – The Musical at Conner Palace, Playhouse Square Taxes and gratuities on inclusions Coach transportation with Wi-Fi capability Gratuity to coach captain Deposit: $50 Price: $ 143 per person, Orchestra Full Payment Due: April 2, 2019 Make checks payable to: Palmer Travel Mail to: Palmer Vacations and Destination Planners 5366 Fulton Dr. NW Canton, OH 44718 *Please Note The show date, price and final payment date are subject to change by the theater. If that would happen, you will be notified. Cancellation Policy ▪ Deposit is fully refundable if the cancellation notice from the participant is received on or prior to the final payment date of April 2, 2019 ▪ Unless the participant is able to find a substitute passenger, the total cost of the trip is nonrefundable if canceled after April 2, 2019 Please feel free to contact Pat at 330-704-2802 / [email protected] or Mustafa at 330-966- 2252 / [email protected] if you have questions regarding this trip. Visit www.palmervacations.com for additional trip flyers. Presented by: Palmer Vacations UPSCALE EXCURSIONS AND DISCOVERY TOURS Designed / Managed by: Mustafa Saraclar & Patricia Schrader .

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A-Bronx-Tale---Behind-The-Scenes.Pdf
FINDING THE MORAL RUDDER TO NAVIGATE LIFE IS NEVER EASY WHEN YOU’RE YOUNG. THIS IS A BRONX TALE, AND IT’S 1968. CHAZZ PALMINTERI TELLS THE TALE BEHIND THE TALE IN 1960 IN THE BELMONT AVENUE SECTION OF THE BRONX, I was sitting on my front stoop on 187th Street. A car started backing into a parking space and another car tried to sneak in behind him. One man jumped out of a car with a baseball bat, and a fight broke out. Another man came over to protect his friend, pulled out a gun, and shot the man with the bat. I was maybe ten feet from them. The man stared at me and we were bonded for life. In the days following I got to know the man who pulled the trigger, and I became his friend. How was I to know that this incident would shape my life forever? This was the beginning of A Bronx Tale. “I HAVE THE BEST OF BOTH WORLDS. WITH BOB, I HAVE THE AUTHENTICITY OF THE MOVIE. HE IS VERY ARTICULATE WITH THE WAY CERTAIN THINGS LOOK AND WHERE THE TRUTH IS IN THE CHARACTERS. JERRY IS THE REAL MUSICAL-COMEDY GUY. HE KNOWS STAGE MOVEMENT AND ALL THE NUTS-AND-BOLTS STUFF.” CHAZZ PALMINTERI, BOOK “YOU CAN’T HAVE TWO CONDUCTORS CONDUCTING THE ORCHESTRA AT THE SAME TIME—IT WILL DRIVE PEOPLE CRAZY. BUT YOU CAN HAVE TWO CONDUCTORS DISCUSSING WHAT THEY’VE SEEN AND IMPLEMENTING IT IN THE BEST WAY POSSIBLE. WE’VE WORKED OUT A PRETTY GOOD SYSTEM.
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A Bronx Tale
A Bronx Tale Synopsis A Bronx Tale, a new musical set in the early 1960s, is based on the autobiographical play written by Chazz Palminteri. It tells the coming-of-age story of Calogero Anello, a young boy from a working class family who finds himself caught between his loving father and a charismatic mob boss. In Act One, Calogero witnesses Sonny, the mob boss, murdering someone right in front of his house on Belmont Avenue; Calogero covers for Sonny when questioned by the NYPD. Calogero’s father, Lorenzo, who is an MTA bus driver, wants to instill a strong sense of right and wrong in his son, but Calogero goes against his father’s wishes. After Sonny is released by the police with no charges against him, he takes Calogero under his wing and helps him get involved with the “glamorous” world of organized crime. Sometime later, Calogero is all grown up and a full prodigy of Sonny, but his father has no idea he has continued to see Sonny. Calogero has also developed a group of Italian- American friends that Sonny thinks is a bad influence over him and encourages Calogero to stick to his schoolwork. Calogero meets an African-American girl, Jane, on Webster Avenue which is a very different side of the Bronx than where Calogero lives. He asks his father for advice on what he should do when he and Jane go on a date. Calogero’s father doesn’t exactly approve of him going out with Jane because he is concerned for his son’s safety, considering the high racial tensions on the time period, but Lorenzo still gives him advice.
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Conservatory Artists in Residence
G ’S AC IN AD K E E M H Y T CONSERVATORY of the Arts m e u c s n i a c d th t ea ar tre visual AUDITION SHOWCASE 2016 All students auditoning for principal roles will have the wonderful opportunity to independently work with Broadway stars Mathew James Thomas and Tess Soltau to workshop their individual pieces for the auditons. Mathew and Tess will hold workshops on Thursday, November 3 and Friday, November 4 for all students auditoning. This is sure to be an amazing experience for each of students to gain knowledge and input from these two Broadway veterans. The following are bios for them both: Mathew James Thomas is a Britsh actor and singer who has made appearances Matthew James Thomas in television, flm, and theatre. He is known for his television roles including the BAFTA and Emmy Award-winning, The Lost Prince, and the ITV drama-musical show, Britannia High. Thomas is also recognized for his performance in the ttle role of the 2013 Broadway revival of Pippin, which received a Tony Award for Best Revival Musical. He was also a late additon to the U.S. natonal tour of Pippin in 2014. He had his Broadway debut in 2010 playing Peter Parker in Spider-Man: Turn of the Dark. Thomas trained at the Sylvia Young Theatre School in London and later at the Italia Cont Academy of Theatre Arts also in London. His frst professional actng job came at the age of 8 when he played Kipper in a producton of Oliver.
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London Ew N The
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Hercules Saturday, August 31
PRESS CONTACT: [email protected] // 212-539-8624 THE PUBLIC THEATER BEGINS FREE PERFORMANCES FOR PUBLIC WORKS’ MUSICAL ADAPTATION OF HERCULES SATURDAY, AUGUST 31 Music by Alan Menken Lyrics by David Zippel Book by Kristoffer Diaz Choreography by Chase Brock Directed by Lear deBessonet Seventh Season of Public Works to Feature 200 New Yorkers From All Five Boroughs on The Delacorte Stage with Jelani Alladin, Roger Bart, Jeff Hiller, James Monroe Iglehart, Ramona Keller, Tamika Lawrence, Krysta Rodriguez, and Rema Webb Featuring Special Performance by Broadway Inspirational Voices and Cameo Group Performances by 10 Hairy Legs and Passaic High School Marching Band August 22, 2019 − The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) will begin free performances for Public Works’ musical adaptation of HERCULES, with music by Alan Menken, lyrics by David Zippel, book by Kristoffer Diaz, and directed by Lear deBessonet, on Saturday, August 31. Based on the Disney film written by Ron Clements, John Musker, Donald McEnery, Bob Shaw, and Irene Mecchi and directed by Ron Clements and John Musker, HERCULES will feature over 200 New Yorkers from all five boroughs and features choreography by Chase Brock, as well as additional new songs by Menken and Zippel for this Public Works production, in addition to six songs from the film’s beloved Academy Award-nominated score. A new stage adaptation of the Disney classic, HERCULES will run for seven nights for free, beginning August 31 through September 8, at The Delacorte Theater. The Public Theater’s initiative that invites communities across New York to create ambitious works of participatory theater is closing out the summer in truly epic fashion.
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Low Male Voice Repertoire in Contemporary Musical Theatre: a Studio and Performance Guide of Selected Songs 1996-2020
LOW MALE VOICE REPERTOIRE IN CONTEMPORARY MUSICAL THEATRE: A STUDIO AND PERFORMANCE GUIDE OF SELECTED SONGS 1996-2020 by Jeremy C. Gussin Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee __________________________________________ Ray Fellman, Research Director __________________________________________ Brian Gill, Chair __________________________________________ Jane Dutton __________________________________________ Peter Volpe December 10, 2020 ii Copyright © 2020 Jeremy Gussin iii Preface This project is intended to be a resource document for bass voices and teachers of low male voices at all levels. For the purposes of this document, I will make use of the established term low male voice (LMV) while acknowledging that there is a push for the removal of gender from voice classification in the industry out of respect for our trans, non-binary and gender fluid populations. In addition to analysis and summation of musical concepts and content found within each selection, each repertoire selection will include discussions of style, vocal technique, vocalism, and character in an effort to establish routes towards authenticity in the field of musical theatre over the last twenty five years. The explosion of online streaming and online sheet music resources over the last decade enable analysis involving original cast recordings, specific noteworthy performances, and discussions on transposition as it relates to the honoring of character and capability of an individual singer. My experiences with challenges as a young low voice (waiting for upper notes to develop, struggling with resonance strategies above a D♭4) with significant musicianship prowess left me searching for a musically challenging outlet outside of the Bel Canto aesthetic.
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Playbill.Com
® PHILADELPHIA, PENNSYLVANIA PLAYBILL.COM 11-7 Wal Annie_LIVE.indd 1 10/24/17 10:07 AM PB PROGRAM LOGOS_Layout 1 4/11/13 10:33 AM Page 1 Dear Theatregoer, Welcome to another exciting holiday season at the Walnut! The successes we have celebrated over the past 35 years as a not-for-profit producing theatre company would not be possible without the support of loyal theatregoers like you. We would like to say thank you. You help to make the Walnut the most popular theatre company in Philadelphia and the most subscribed theatre company in the world! My wife and I love spending time with friends and family over the holiday season. I’m thrilled that our production of Annie has brought together so many members of our extended theatrical family to share with us this special time of the year. You’ll recognize many of our actors on stage as they perform the Grammy and Tony Award- winning songs during this heartwarming production. I’m delighted that you’ve taken the time to be with us today. Upstairs in our Independence Studio on 3, we have It’s a Wonderful Life: A Live Radio Play. I hope you’ll join us for this holiday classic, based on the iconic film. Set in a 1940s radio studio on a crisp Photo: Mark Garvin Christmas Eve, we have five enchanting actors and an array of live sound effects captivating audiences nightly with their storytelling. This production is the perfect way to continue to celebrate the season with your loved ones.
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An Evening with Alan Menken a Virtual Fundraising Event Celebrating the Prolific Career of Disney Legend Alan Menken, Featuring Special Guest Lin-Manuel Miranda
PRESS RELEASE The Walt Disney Family Museum presents An Evening with Alan Menken A virtual fundraising event celebrating the prolific career of Disney Legend Alan Menken, featuring special guest Lin-Manuel Miranda San Francisco, July 24, 2020—The Walt Disney Family Museum is delighted to host Oscar®-, Grammy®-, Tony®- and Golden Globe®-winning composer and songwriter Alan Menken for an intimate evening of music and storytelling. Streamed live on Thursday, August 6th, this special event will be presented in two parts—a paid fundraising program followed by a free musical performance. The evening will begin at 5pm PT with a VIP chat, Up Close and Personal with Alan Menken. Menken and his long- time friend and collaborator, music producer Chris Montan, will discuss the milestones and achievements of Menken’s inspiring career. Tickets start at $200 with tiered ticket and sponsorship options and the opportunity to submit questions for Menken, as well as receive exclusive, signed Disney artwork. At 5:30pm PT directly following the program, tune in to a free performance by Menken, showcasing some of his legendary Disney songs, “Under the Sea,” “A Whole New World,” and “Be Our Guest,” and other celebrated classics from his films and Broadway musicals. During the live performance, Menken will be joined by his friend and acclaimed composer and actor, Lin-Manuel Miranda, with whom he is currently writing new music for a live- action reimagining of The Little Mermaid. Event proceeds support The Walt Disney Family Museum's education programs, which provide arts and animation instruction to the next generation of creative talent.
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Dramaturgy Guide a Bronx Tale the National Theatre March 26-31, 2019
Dramaturgy Guide A Bronx Tale The National Theatre March 26-31, 2019 Book by Chazz Palminteri Music by Alan Menken Lyrics by Glenn Slater Based on the play by Chazz Plaminteri Packet prepared by Dramaturg Linda Lombardi ABOUT THE SHOW Based on the critically acclaimed play that inspired the now classic film, this streetwise musical will take you to the stoops of the Bronx in the 1960s—where a young man is caught between the father he loves and the mob boss he’d love to be. For almost 200 years, The National Theatre has occupied a prominent position on Pennsylvania Avenue – “America’s Main Street” – and played a central role in the cultural and civic life of Washington, DC. Located a stone’s throw from the White House and having the Pennsylvania Avenue National Historic Site as it’s “front yard,” The National Theatre is a historic, cultural presence in our Nation’s Capital and the oldest continuously operating enterprise on Pennsylvania Avenue. The non-profit National Theatre Corporation oversees the historic theatre and serves the DC community through three free outreach programs, Saturday Morning at The National, Community Stage Connections, and the High School Ticket Program. These programs provide the greater Washington area with access to high quality performance arts experiences while promoting and employing local and regional artists. Stacy Shaw, Director of Institutional Advancement Olivia Kosciusko Tritschler, Assistant Manager Taylor Coggins, Special Projects Assistant Nicole Geldart, Graphic Design 2 DRAMATURG'S NOTE "The saddest thing in life is wasted talent, and the choices you make will shape your life forever." On Belmont Avenue, working class families and wise guys live side by side.
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A-Bronx-Tale-Program-0F4ae47f5e
TOMMY MOTTOLA THE DODGERS TRIBECA PRODUCTIONS EVAMERE ENTERTAINMENT NEIGHBORHOOD FILMS in association with PAPER MILL PLAYHOUSE present Book by Music by Lyrics by CHAZZ PALMINTERI ALAN MENKEN GLENN SLATER Based on the Play by CHAZZ PALMINTERI with JOE BARBARA RICHARD H. BLAKE JOEY BARREIRO MICHELLE ARAVENA BRIANNA-MARIE BELL ANTONIO BEVERLY FRANKIE LEONI SHANE PRY MIKE BACKES MICHAEL BARRA SEAN BELL JOSHUA MICHAEL BURRAGE JOEY CALVERI GIOVANNI DiGABRIELE ALEX DORF JOHN GARDINER PETER GREGUS HALEY HANNAH KIRK LYDELL ASHLEY McMANUS CHRISTOPHER MESSINA ROBERT PIERANUNZI BRANDI PORTER KYLI RAE PAUL SALVATORIELLO BRITTANY WILLIAMS JASON WILLIAMS Scenic Design Costume Design Lighting Design Sound Design BEOWULF BORITT WILLIAM IVEY LONG HOWELL BINKLEY GARETH OWEN Hair and Wig Design Makeup Design Fight Coordinator Technical Supervision PAUL HUNTLEY ANNE FORD-COATES ROBERT WESTLEY HUDSON THEATRICAL ASSOCIATES Orchestrations Music Direction Period Music Consultant Music Coordinator DOUG BESTERMAN BRIAN P. KENNEDY JOHNNY GALE JOHN MILLER Associate Director Associate Choreographer Company Manager Production Stage Manager STEPHEN EDLUND MARC KIMELMAN JEFF MENSCH KELSEY TIPPINS Production Manager Casting Tour Booking, Marketing & Press General Management NETWORKS PRESENTATIONS TARA RUBIN CASTING BROADWAY BOOKING OFFICE NYC GENTRY & ASSOCIATES WALKER WHITE MERRI SUGARMAN, CSA GREGORY VANDER PLOEG Executive Producers Associate Producer DANA SHERMAN LAUREN MITCHELL SETH WENIG Music Supervision and Arrangements by RON MELROSE Choreography by SERGIO TRUJILLO
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121328005-Bronx-Tale.Pdf
, A BRONX TALE screenplay by Chazz Palminteri -- .."'" REPRESENTATION: william Morris Agency 150 El Camino Drive Beverly Hills, California 90212 (213) 274-7451 : ... t:Zl . D' 4W:* . 5 4aJt $ US.S. Ji@,,""S2'JCU2J1i11lih '" .. - » I EXT. STREET - 187TH AND BELMONT AVE., THE BRONX, NEW YORK - DAY I / LEGEND: THE BRONX, 1960 To the MUSIC of Dion and the Belmonts, a city bus glides down 187th Street and approaches the corner of Belmont Avenue. We see several people on the street: several old Italians sitting at small tables outside a cafe, drinking cappuccino: an old woman with the face of a road map, leaning on her window sill, staring into space: kids playing stickball in the street: at the ,light, four girls in a 1960 Ford convertible, are bopping their heads to the music and flirting with four guys standing on the corner, dressed in sleeveless T-shirts, black chinos and open-toed sandals. NARRATION (V.O.) This is the Belmont district of the Bronx, my home -- a world unto itself. You could get to any borough in fifteen minutes from here, but they might as well be 3,000 miles away• . As the camera continues down the street: ( NARRATOR (V.O.) That's my building•••there's my stoop•••~ used to live right over that drugstore•••two doors down was a bookie joint•••then there was the bakery•••two more doors down was another bookie joint •••then the hardware store•••then two more doors down was another bookie joint•••and on warm summer days, all through the neighborhood, you would hear the sound of youn9 Italian men romancing the1r women •••• A '57 Chevy, slowly rolling down the street with the passenger door open.
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Aldn-Digital-Press-Kit.Pdf
CONTACT DETAILS BridgesPR Email: [email protected] Website: www.bridgespr.com Phone: +61 3 9534 0585 Peter Bridges + 61 417 390 180 Remy Chancerel + 61 403 996 433 To access broadcast quality footage, high-res production shots and audio files please go to: URL: http://www.disney.com.au/ aladdinthemusical/media/index.php Username: MediaUser Password: Al@dd1n AladdinTheMusical.com.au #aladdininaus THE HIT BROADWAY MUSICAL CONTENTS Synopsis 2 Background on Film 5 List of Musical Numbers 6 A Journey to Australia 7 Critical Praise 11 Creative Team Biographies 18 About Disney Theatrical Productions 23 Aladdin Costume Fun Facts 24 Interesting Notes 25 1 SYNOPSIS Act 1 On a desert road, a mysterious traveler welcomes us to the fabled city of Agrabah, where things are indeed “hotter than hot, in a lot of good ways” (Arabian Nights). In the bustling marketplace, Aladdin is shoved out of a bakery, accused of stealing. His ne’er-do-well buddies – Babkak, Omar and Kassim – arrive and stick up for him. Even though Aladdin had promised his dying mother he would stop his thieving ways, Kassim finds a loaf of bread in his bag. The palace guards chase Aladdin, who avoids arrest through cunning and luck (One Jump Ahead). On his way to win the heart of Princess Jasmine, Prince Abdullah confronts Aladdin and calls him an embarrassment to his family name. Hurt and alone, Aladdin vows to make something of his life (Proud of Your Boy). At the palace, Jafar – the Sultan’s royal vizier – and his murder-happy henchman Iago anxiously await news of Abdullah’s meeting with Jasmine.
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