Jazz at Lincoln Center Orchestra with Chick Corea

Total Page:16

File Type:pdf, Size:1020Kb

Jazz at Lincoln Center Orchestra with Chick Corea Thursday, March 22, 2018, 8pm Zellerbach Hall Jazz at Lincoln Center Orchestra with Chick Corea Jazz at Lincoln Center Orchestra Chick Corea , piano Ryan Kisor, trumpet Kenny Rampton, trumpet Marcus Printup, trumpet Vincent Gardner, trombone Chris Crenshaw, trombone Elliot Mason, trombone Sherman Irby, alto and soprano saxophones, flute, clarinet Ted Nash, alto and soprano saxophones, flute, clarinet Victor Goines, tenor and soprano saxophones, clarinet, bass clarinet Walter Blanding, tenor and soprano saxophones, clarinet Paul Nedzela, baritone and soprano saxophones, bass clarinet Carlos Henriquez, bass Marion Felder, drums Tonight’s program will be announced from the stage. Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. ABOUT THE ARTISTS The Jazz at Lincoln Center Orchestra (JLCO) (1993); and Portraits by Ellington (1992). For comprises 14 of the finest jazz soloists and en - more information, visit jazz.org. semble players today. Under the direction of Wynton Marsalis, Jazz at Lincoln Cen ter’s man - Jazz at Lincoln Center is dedicated to inspiring aging and artistic director, this remarkably ver - and growing audiences for jazz. With the satile orchestra performs a vast repertoire world-renowned Jazz at Lincoln Center Or - ranging from original compositions and Jazz at ches tra and a comprehensive array of guest Lincoln Center-commissioned works to rare artists, Jazz at Lincoln Center advances a unique historic compositions and masterworks by Duke vision for the continued development of the art Ellington, Count Basie, Fletcher Henderson, of jazz by producing a year-round schedule of Thelonious Monk, Mary Lou Williams, Dizzy performance, education, and broadcast events Gillespie, Benny Goodman, Charles Mingus, for audiences of all ages. These productions in - and many others. The JLCO has been the Jazz at clude concerts, national and international tours, Lincoln Center resident orchestra since 1988, residencies, weekly national radio programs, performing and leading educational events in television broadcasts, recordings, publications, New York, across the United States, and around an annual high school jazz band competition the globe. Alongside symphony orchestras, bal - and festival, a band director academy, jazz ap - let troupes, local students, and an ever-expand - preciation curricula for students, music pub - ing roster of guest artists, the JLCO has toured lishing, children’s concerts and classes, lectures, over 300 cities across six continents. Guest con - adult education courses, student and educator ductors have included Benny Carter, John Lewis, workshops, a record label, and interactive web - Jimmy Heath, Chico O’Farrill, Ray Santos, Pa - sites. Under the leadership of managing and quito D’Rivera, Jon Faddis, Robert Sadin, David artistic director Wynton Marsalis, chairman Berger, Gerald Wilson, and Loren Schoenberg. Robert J. Appel, and executive director Greg The JLCO has been voted Best Big Band in the Scholl, Jazz at Lincoln Center produces thou - annual DownBeat Readers’ Poll for the past sands of events each season in its home in New four years (2013–2016). In 2015 Jazz at Lincoln York City, Frederick P. Rose Hall, and around Center announced the launch of Blue Engine the world. Records, a new platform to make its archive of recorded concerts available to jazz audiences Chick Corea (piano ) has attained iconic status everywhere. The first release from Blue Engine in music. The keyboardist, composer, and Records, Live in Cuba, was re corded on an his - bandleader is a DownBeat Hall of Fame mem - toric 2010 trip to Havana by the JLCO and was ber and NEA Jazz Master, as well as the fourth- released in October 2015. Big Band Holidays most-nominated artist in Grammy Awards was released in December 2015, The Abyssinian history, with 63 nods—and 22 wins, in addition Mass came out in March 2016, and The Music of to a number of Latin Grammys. From straight- John Lewis came out in March 2017. Handful of ahead to avant-garde, bebop to jazz-rock fu - Keys , featuring a group of all-star guest pianists, sion, children’s songs to chamber and arrived in September 2017. To date, 14 other symphonic works, Corea has touched an as - recordings featuring the JLCO have been re - tonishing number of musical bases in his career leased and distributed internationally: Vitoria since playing with the genre-shattering bands Suite (2010); Portrait in Seven Shades (2010); of Miles Davis in the late 1960s and early 1970s. Congo Square (2007); Don’t Be Afraid… Yet Corea has never been more productive The Music of Charles Mingus (2005); A Love than in the 21st century, whether playing Supreme (2005); All Rise (2002); Big Train acoustic piano or electric keyboards, leading (1999); Sweet Release & Ghost Story (1999); multiple bands, performing solo, or collaborat - Live in Swing City (1999); Jump Start and Jazz ing with a Who’s Who of music. Underscoring (1997); Blood on the Fields (1997); They Came this, he has been named Artist of the Year three to Swing (1994); The Fire of the Fundamentals times this decade in the DownBeat Readers Opposite: Chick Corea. Photo courtesy of Chick Corea Productions. 6 ABOUT THE ARTISTS Poll. Born in 1941 in Massachusetts, Corea re - he moved with his family to New York City; mains a tireless creative spirit, continually rein - by age 16, he was performing regularly with his venting himself through his art. As the New parents at the Village Gate. Blanding attended York Times has said, he is “a luminary, ebullient LaGuardia High School of Music & Art and and eternally youthful.” Performing Arts and continued his studies at Corea’s classic albums as a leader or co-leader the New School for Social Research, where he include Now He Sings, Now He Sobs (with Miro - earned a bachelor’s degree in 2005. His 1991 slav Vitous and Roy Haynes), Paris Con cert debut release, Tough Young Tenors , was ac - (with Circle: Anthony Braxton, Dave Holland, claimed as one of the best jazz albums of the and Barry Altschul), and Return to Forever year, and his artistry began to impress listeners (with Return to Forever: Joe Farrell, Stanley and critics alike. He has been a member of the Clarke, Airto Moreira, and Flora Purim), as Jazz at Lincoln Center Orchestra since 1998 and well as Crystal Silence (with Gary Bur ton), My has performed, toured, and/or recorded with Spanish Heart , Remembering Bud Powell , and his own groups and with such renowned artists Further Explorations (with Eddie Gomez and as the Cab Calloway Orchestra, Roy Hargrove, Paul Motian). Hilton Ruiz, Count Basie Orchestra, Illinois An adventurous collaborator, Corea has Jacquet Big Band, Wycliffe Gordon, Marcus teamed with a wide range of artists, from jazz Roberts, Wynton Marsalis Quintet, Isaac Hayes, legend Lionel Hampton to new-generation pi - and many others. Blanding lived in Israel for anist Stefano Bollani, from banjoist Béla Fleck four years and had a major impact on the music to vocal superstar Bobby McFerrin. His duo scene while touring the country with his own partnerships with Gary Burton and Herbie ensemble and with US artists such as Louis Hancock have endured decades. Hayes, Eric Reed, Vanessa Rubin, and others in - Corea’s Trilogy album, from 2014 , a live vited to perform there. He taught music in sev - triple-disc set with bassist Christian McBride eral Israeli schools and eventually opened his and drummer Brian Blade, won two Grammy own private school in Tel Aviv. During this pe - Awards. The album documents this trio inter - riod, Newsweek International called him a “Jazz preting classic Chick compositions (such as Ambassador to Israel.” “Spain”), plus previously unreleased pieces by the pianist (“Piano Sonata: The Moon”), an Chris Crenshaw (trombone ) was born in array of jazz standards, and even a piece by Thomson, Georgia on December 20, 1982. Alexander Scriabin. All About Jazz noted: “This Since birth, he has been driven by and sur - one certainly ranks among his most memorable rounded by music. When he started playing trios…. [Corea] has never been more active— piano at age three, his teachers and fellow stu - and with albums as superb as Trilogy … clearly dents noticed his aptitude for the instrument. at the top of his game.” This love for piano led to his first gig with Corea’s latest release, Chinese Butterfly , is Echoes of Joy, his father Casper’s gospel quartet the culmination of 50 years of musical kinship group. Crenshaw started playing the trombone with the legendary drummer Steve Gadd. at age 11, receiving honors and awards along He and Steve went into the studio with Lionel the way. He graduated from Thomson High Loueke, Steve Wilson, Carlitos Del Puerto, and School in 2001 and received his bachelor’s de - Luisito Quintero. You need to hear what they gree with honors in jazz performance from came out with: a nonstop musical rush, full of Valdosta State University in 2005. He was joy and beauty. awarded Most Outstanding Student in the VSU music department and College of Arts. In 2007 Walter Blanding (tenor and soprano saxo - Crenshaw received his master’s degree in jazz phones, clarinet) was born into a musical family studies from the Juilliard School, where his on August 14, 1971 in Cleveland, Ohio and teachers included Dr. Douglas Farwell and began playing the saxophone at age six. In 1981 Wycliffe Gordon. He has appeared as a sideman 6B PLAYBILL ABOUT THE ARTISTS on fellow JLCO trumpeter Marcus Printup’s 2000, and then joined the Jazz at Lincoln Center Bal lads All Night and on Wynton Marsalis and Orchestra. Gardner has served as an instructor Eric Clapton Play the Blues. In 2006 Crenshaw at the Juilliard School, as visiting instructor at joined the Jazz at Lincoln Center Orchestra and Florida State University and Michigan State in 2012 he composed God’s Trombones, a spiri- University, and as adjunct instructor at the New tually focused work that was premiered by the School.
Recommended publications
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • Wynton Marsalis Happy Birthday Transcription Pdf Free
    Wynton Marsalis Happy Birthday Transcription Pdf Free 1 / 4 Wynton Marsalis Happy Birthday Transcription Pdf Free 2 / 4 3 / 4 Print and download Caravan sheet music by Wynton Marsalis arranged for Trumpet or Piano. Instrument/Piano/Chords, and Transcribed Solo in Bb Major. Your high-resolution PDF file will be ready to download in the original published key . Song Spotlight Signature Artists Sales and Promotions Free Sheet Music.. Sep 6, 2018 . Marsalis at the Oskar Schindler Performing Arts Center Seventh Annual Jazz Festival in 2009. Background information. Birth name, Wynton.. essential and the necessary references are in general noted in the pdf. to present this unique collection of transcriptions which he has compiled over a span of . Several years before Wynton Marsalis gained headlines for helping to revive . Baker took the Armstrong role, comfortably confounding the date on his birth.. Transcription of Wynton Kelly's piano solo on the Bb blues tune "Kelly Blue" from . Wynton Marsalis and the Jazz at Lincoln Center Orchestra Monday, March 18, . Father of Jazz Though the precise birth of jazz is still shrouded in mystery,.. Chords for Wynton Marsalis Playing Happy Birthday - transcription of the improvisation. Play along with guitar, ukulele, or piano with interactive chords and.. Amazon.com: Wynton Marsalis - Omnibook: for B-flat Instruments . members save up to 20% on diapers, baby food, & more Baby Registry Kids Birthdays . on orders over $25or get FREE Two- Day Shipping with Amazon Prime . Trumpet Omnibook: For B-Flat Instruments Transcribed Exactly from Artist Recorded Solos.. 12 2016 . Wynton Marsalis - Moanin Trumpet Solo [Free PDF] 02:22 .
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • Hybridity and Identity in the Pan-American Jazz Piano Tradition
    Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory.
    [Show full text]
  • 2009 Tour Dates
    Randy Brecker 2009 Tour Dates Website: http://www.randybrecker.com/ Email: [email protected] January 20 Special Guest with Saleno Jazz Orchestra Salerno, Italy January 28-31 w/Marc Copland, Dave Liebman and others Birdland, NYC February 3 Manhattan School of Music Interactive Clinic to be broadcast live to Toronto Schools February 4 Piano Jazz w/Marian McPartland taping February 6 Randy Brecker Quintet 11 AM - 12 NOON - Children's Concert Tribute to Miles Kimmel Center for the Perfoming Arts 260 S. Broad St. Philadelphia, PA February 7 Randy Brecker Quintet 7:30 PM - Randy Brecker Quintet Kimmel Center for the Perfoming Arts 260 S. Broad St. Philadelphia, PA February 8 West Chester State Trumpet Festival w/ Bobby Shew,Chase Sanborn, Criterions Jazz Ensemble and others February 13 Featured guest with Richard Sussman Trio Riverspace Jazz Cafe, Nyack NY February 15 Special guest w/Dave Liebman Group Baltimore, Maryland February 20 - 21 Special guest w/James Moody Quartet Burmuda Jazz Festival March 1-2 Northeastern State Universitry Concert/Clinic Tahlequah, Oklahoma March 6-7 Concert/Clinic for Frank Foster and Break the Glass Foundation Sandler Perf. Arts Center Virginia Beach, VA March 17-25 Dates TBA European Tour w/Lynne Arriale quartet feat: Randy Brecker, Geo. Mraz A. Pinciotti March 27-28 Temple University Concert/Clinic Temple,Texas March 30 Scholarship Concert with James Moody BB King's NYC, NY April 1-2 SUNY Purchase Concert/Clinic with Jazz Ensemble directed by Todd Coolman April 4 Berks Jazz Festival w/Metro Special Edition: Chuck Loeb, Dave Weckl, Mitch Forman and others April 11 w/ Lynne Arriale Jazz Quartet Ft.
    [Show full text]
  • Notre Dame Collegiate Jazz Festival Program, 2005
    Archives of the University of Notre Dame Archives of the University of Notre Dame ro WEDNESDAY, FEB. 23, 2005 Preview Night. LaFortune Ballroom. FREE .-> 8:00 p.m. University of Notre Dame Jazz Band II and Jazz Combo -I-J (J) FRIDAY, FEB. 25, 2005 Evening concert block. Washington Hall. FREE for Students; Non-students $3 for 1 night, $5 for both nights OJ U­ 6:00 p.m. Oberlin College Small Jazz Ensemble N N 6:45 p.m. Western Michigan UniversityCombo ro 7:30 p.m. University of Illinois Concert Jazz Band --, 8: 15 p.m. Oberlin College Jazz Ensemble 9:00 p.m. Western Michigan UniversityJazz Orchestra OJ 9:45 p.m. Judges' Jam ro-I-J :Jro Frank Catalano (saxophone) c·­ Andre Hayward (trombone) cO) Lynne Arriale (piano) <{OJ Jay Anderson (bass) ...c:= Steve Davis (drums) ~O ~U SATURDAY, FEB. 26, 2005 Clinic. Notre Dame Band Building. FREE 2-3:00 p.m. Meet in main rehearsal room. Evening concert block. Washington Hall. Free for Students; Non-students $3 for 1 night, $5 for both nights 6:00 p. m. University of Notre Dame Jazz Band I 6:45 p.m. Middle Tennessee State UniversityJazz Ensemble I 7:30 p.m. Jacksonville State UniversityJazz Ensemble I 8: 15 p.m. Carnegie Mellon University 6:30 Jazz Ensemble 9:00 p.m. University of Notre Dame Brass Band 9:45 p.m. Collegiate Jazz Festival Alumni Combo Archives of the University of Notre Dame Festival Director: Greg Salzler OJ Assistant to the Director: WillSeath OJ ~ Festival Graphic Designer: Melissa Martin ~ Student Union Board Advisor: Erin Byrne ,­ Faculty advisorto the festival: Larry Dwyer E SUB E-Board: Jimmy Flaherty E Patrick Vassel e Lauren Hallemann u - HeatherKimmins ro John McCarthy > Caitlin Burns .- ~ MarkHealy (J) OJ (J) 1 Jazz Festival Committee Special Thanks to: Ourguests L.L.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • The Jazz Record
    oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year.
    [Show full text]
  • Jazz Quartess Songlist Pop, Motown & Blues
    JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly
    [Show full text]
  • Celebrating Diversity
    Celebrating Diversity - Overcoming Adversity part 2: Marcus Roberts by Valerie Etienne- Leveille Marcus Roberts, 1963 – present: Musician, composer, arranger Marcus Roberts was born on August 7th, 1963 in Jacksonville, Florida. He grew up listening to his mother’s gospel singing and the music of the local church. These exposures to music had a lasting impact on his musical style. Marcus began teaching himself to play the piano at the age of five after losing his sight due to glaucoma (1)(2). At the age of ten in 1973, Marcus entered the Florida School for the Deaf and Blind (FSDB). Marcus did not receive formal piano lessons until he was 12 but he progressed very quickly through hard work and good teachers (2). In the 10th grade, he was mainstreamed in the local St. Augustine high school in the morning, and he went to FSDB in the afternoon for music (3). After graduating from FSDB, Marcus went on to study classical piano at the Florida State University (FSU) with Leonidas Lipovetsky (2). Marcus has won many awards and competitions over the years, but the one that is most personally meaningful to him is the Helen Keller Award for Personal Achievement. Marcus Roberts is known for his ability to blend the jazz and classical idioms, which focus on specific technical features, to create something new. He is also well-known for his development of an entirely new approach to jazz trio performance (2). His recordings reflect his artistic versatility and include pieces such as solo piano, duets, trio arrangements of jazz standards, large ensembles, and symphony orchestra (3).
    [Show full text]
  • Short Version
    Wynton Marsalis Wynton assembled his own band in 1981 and hit the road, performing over 120 concerts every year for 15 consecutive years. With the power of his superior musicianship, the infectious sound of his swinging bands and an exhaustive series of performances and music workshops, Marsalis rekindled widespread interest in jazz throughout the world. Students of Marsalis’ workshops include: James Carter, Christian McBride, Roy Hargrove, Harry Connick Jr., Nicholas Payton, Eric Reed and Eric Lewis, to name a few. Classical Career At the age of 20, Wynton recorded the Haydn, Hummel and Leopold Mozart trumpet concertos. His debut recording received glorious reviews and won the Grammy Award® for “Best Classical Soloist with an Orchestra.” Marsalis went on to record 10 additional classical records, all to critical acclaim. Wynton performed with leading orchestras including the New York Philharmonic, Los Angeles Philharmonic, Boston Pops, The Cleveland Orchestra, Saint Louis Symphony Orchestra, ynton Marsalis is an internationally acclaimed English Chamber Orchestra, Toronto Symphony Orchestra and musician, composer, bandleader, educator and a London’s Royal Philharmonic, working with an eminent group of Wleading advocate of American culture. He is the conductors including: Leppard, Dutoit, Maazel, Slatkin, Salonen world’s first jazz artist to perform and compose across the full and Tilson-Thomas. Famed classical trumpeter Maurice André jazz spectrum from its New Orleans roots to bebop to modern praised Wynton as “potentially the greatest trumpeter of all jazz. By creating and performing an expansive range of brilliant time.” new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has The Composer expanded the vocabulary for jazz and created a vital body of To date Wynton has produced over 70 records which have work that places him among the world’s finest musicians and sold over seven million copies worldwide including three Gold composers.
    [Show full text]
  • BRANFORD MARSALIS Band, and We Got out of It What We Needed 10 Jazz Records
    JULY/AUGUST 2012 ISSUE MMUSICMAG.COM JULY/AUGUST 2012 ISSUE MMUSICMAG.COM MUSICIAN Why the provocative title? in 2001, we were huffing and puffing when ESSENTIAL MARSALIS I actually didn’t want to call the record that. it was over. I bit through my lip—there was Every time I make an album, I never come up blood all over my mouthpiece. I’m blessed with a title, and my management company that I don’t have a fear of sounding bad in THE BEAUTYFUL presses me for one. To buy time, I come front of people. When I listen to early jazz ONES ARE NOT up with the stupidest title I can think of. So and read about it, there wasn’t a fear of YET BORN when they asked this time, I told them. They failure. Cats would just go out and play. Now (1991) said, “That’s great!” I said, “Not great. You guys practice, practice, practice, then they It took Marsalis several can’t use that!” Yes, I’ve got a potty mouth, rehearse for six days, then they make the years to find his way as but I don’t just put it out there. But they ran record and it sounds like a bulwark against a leader, and it wasn’t until this release, with it. Usually they’re telling me, “You can’t the possibility of something spontaneous seven years after his solo debut, that he use that.” But this time they loved it, so I said, actually happening. left no doubt he was to be a major player.
    [Show full text]