GSI Newsletter October, 2017
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Media – History
Matej Santi, Elias Berner (eds.) Music – Media – History Music and Sound Culture | Volume 44 Matej Santi studied violin and musicology. He obtained his PhD at the University for Music and Performing Arts in Vienna, focusing on central European history and cultural studies. Since 2017, he has been part of the “Telling Sounds Project” as a postdoctoral researcher, investigating the use of music and discourses about music in the media. Elias Berner studied musicology at the University of Vienna and has been resear- cher (pre-doc) for the “Telling Sounds Project” since 2017. For his PhD project, he investigates identity constructions of perpetrators, victims and bystanders through music in films about National Socialism and the Shoah. Matej Santi, Elias Berner (eds.) Music – Media – History Re-Thinking Musicology in an Age of Digital Media The authors acknowledge the financial support by the Open Access Fund of the mdw – University of Music and Performing Arts Vienna for the digital book pu- blication. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data are available in the Internet at http:// dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-NoDeri- vatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial pur- poses, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contacting rights@transcript- publishing.com Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. -
The Strange and Curious History of the Law Used to Prosecute Adolf Eichmann
Loyola of Los Angeles International and Comparative Law Review Volume 34 Number 3 Spring 2012 Article 7 Spring 2012 The Strange and Curious History of the Law Used to Prosecute Adolf Eichmann Michael J. Bazyler Chapman University School of Law Julia Y. Scheppach UOP McGeorge School of Law, 2009 Follow this and additional works at: https://digitalcommons.lmu.edu/ilr Part of the Law Commons Recommended Citation Michael J. Bazyler and Julia Y. Scheppach, The Strange and Curious History of the Law Used to Prosecute Adolf Eichmann, 34 Loy. L.A. Int'l & Comp. L. Rev. 417 (2012). Available at: https://digitalcommons.lmu.edu/ilr/vol34/iss3/7 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles International and Comparative Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. The Strange and Curious History of the Law Used to Prosecute Adolf Eichmann MICHAEL J. BAZYLER* AND JULIA Y. SCHEPPACH** I. INTRODUCTION The modern State of Israel was born of two powerful impulses. First was the dream of the Zionist pioneers, starting in the late nineteenth century, to return to the ancient Jewish homeland, cultivate the land, and create a new kind of Jew—strong and proud—in an independent state of their own.1 Second was the growing need for a place of refuge in the land of Zion for persecuted -
The Eichmann Trial the Eichmann Trial
The Eichmann Trial The Eichmann Trial EUROPEAN JEWRY BEFORE AND AFTER HITLER by SALO W. BARON A HISTORIAN, not an eyewitness or a jurist, I shall concern myself with the historical situation of the Jewish people before, during, and after the Nazi onslaught—the greatest catastrophe in Jewish history, which has known many catastrophes. A historian dealing with more or less contemporary problems con- fronts two major difficulties. The first is that historical perspective usu- ally can be attained only after the passage of time. The second is that much relevant material is hidden away in archives and private collec- tions, which are usually not open for inspection until several decades have passed. In this instance, however, the difficulties have been re- duced. The world has been moving so fast since the end of World War JJ, and the situation of 1961 so little resembles that of the 1930's, that one may consider the events of a quarter of a century ago as belonging almost to a bygone historic era, which the scholarly investigator can view with a modicum of detachment. In fact, a new generation has been growing up which "knew not Hitler." For its part, the older generation is often eager to forget the nightmare of the Nazi era. Hence that period has receded in the consciousness of man as if it had occurred long ago. This article is based on a memorandum that Professor Baron prepared for himself when he was invited to testify at the Eichmann trial, in April 1961, on the Jewish communities destroyed by the Nazis. -
The Trial of Adolf Eichmann and the Quest for Global Justice
Buffalo Human Rights Law Review Volume 8 Article 3 9-1-2002 Genocide: The Trial of Adolf Eichmann and the Quest for Global Justice Matthew Lippman University of Illinois at Chicago Follow this and additional works at: https://digitalcommons.law.buffalo.edu/bhrlr Part of the International Law Commons, and the Military, War, and Peace Commons Recommended Citation Matthew Lippman, Genocide: The Trial of Adolf Eichmann and the Quest for Global Justice, 8 Buff. Hum. Rts. L. Rev. 45 (2002). Available at: https://digitalcommons.law.buffalo.edu/bhrlr/vol8/iss1/3 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Buffalo Human Rights Law Review by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. GENOCIDE: THE TRIAL OF ADOLF EICHMANN AND THE QUEST FOR GLOBAL JUSTICE Matthew Lippman* INTRODUCTION This essay revisits the Israeli prosecution of Adolf Eichmann, a central architect of Nazi Germany's Final Solution of the Jewish question. The Eichmann trial stands as a seminal step in the development of interna- tional human rights and humanitarian law and presents the profound juris- prudential issue as to whether legal standards and procedures may be compromised in an effort to achieve a desired and deserved criminal conviction.' Professor Lon L. Fuller composed the hypothetical, The Problem Of The Grudge Informer, to highlight the central issues raised in Eichmann and in other post-World War H war crimes prosecutions. -
Presenting Eichmann: One Man, Many Murders
Chapman University Chapman University Digital Commons War and Society (MA) Theses Dissertations and Theses Summer 8-2021 (Re)Presenting Eichmann: One Man, Many Murders Nina Handjeva-Weller Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/war_and_society_theses Part of the Holocaust and Genocide Studies Commons, Other Film and Media Studies Commons, and the Political History Commons Recommended Citation Handjeva-Weller, Nina. "(Re)Presenting Eichmann: One Man, Many Murders." Master's thesis, Chapman University, 2021. https://doi.org/10.36837/chapman.000303 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in War and Society (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. (Re)Presenting Eichmann: One Man, Many Murders A Thesis by Nina Handjeva-Weller Chapman University Orange, CA Wilkinson College of Arts, Humanities, and Social Sciences Submitted in partial fulfillment of the requirements for the degree of Master of Arts in War and Society August 2021 Committee in charge: Stephanie Takaragawa, Ph.D., Jeffrey Koerber, Ph.D. Nam Lee, Ph.D. The thesis of Nina Handjeva-Weller is approved. Stephanie Takaragawa, Ph.D., Chair Jeffrey Koerber, Ph. D Nam Lee, Ph.D. July 2021 (Re)Presenting Eichmann: One Man, Many Murders Copyright © 2021 by Nina Handjeva-Weller III ABSTRACT (Re)Presenting Eichmann: One Man, Many Murders by Nina Handjeva-Weller This thesis argues that the act of recording the trial of Adolf Eichmann was an interpretation by director Leo Hurwitz, and that at the time it was recorded, and since then, the material has been used by different actors for different purposes. -
The Eichmann Show Il Processo Del Secolo
presenta THE EICHMANN SHOW IL PROCESSO DEL SECOLO un film di PAUL ANDREW WILLIAMS scritto da SIMON BLOCK prodotto da LAURENCE BOWEN E KEN MARSHALL PER FEELGOOD FICTION interpretato da MARTIN FREEMAN ANTHONY LAPAGLIA USCITA EVENTO 25 - 27 GENNAIO 2016 i materiali stampa del film sono scaricabili da www.luckyred.it/press ufficio stampa Via Chinotto, 16 tel +39 06.3759441 fax +39 06.37352310 Alessandra Tieri (+39 335.8480787 [email protected]) Georgette Ranucci (+39 335.5943393 [email protected]) Olga Brucciani (+39 388.4486258 [email protected]) SINOSSI Martin Freeman (Lo Hobbit, le serie TV Sherlock e Fargo) e Anthony LaPaglia (Lantana, la serie TV Senza traccia, ) sono i protagonisti di questo film di 90 minuti sulla trasmissione televisiva del processo ad Adolf Eichmann, uno dei principali responsabili dell'Olocausto. Definito il ‘processo del secolo’, venne mandato in onda in 37 Paesi e per la prima volta l'orrore dei campi di sterminio venne raccontato in diretta dalle vittime. La messa in onda di quel processo rappresenta il primo evento televisivo globale e il film racconta la straordinaria storia del team di produzione che dovette superare ostacoli di ogni tipo per poter catturare la testimonianza di uno dei più noti criminali nazisti. La vicenda si svolge a Gerusalemme nel 1961, quando il geniale produttore televisivo Milton Fruchtman (Martin Freeman) assume il regista Leo Hurwitz (Anthony LaPaglia) per occuparsi delle riprese del processo. Hurwitz, regista molto amato dalla critica e pioniere nell'uso di diverse macchine da presa per le riprese in studio, era finito nella 'lista nera' di McCarthy dove era rimasto per un decennio. -
Hannah Arendt, "Eichmann in Jerusalem"
Note to the Reader This is a revised and enlarged edition of the book which first appeared in May, 1963. I covered the Eichmann trial at Jerusalem in 1961 for The New Yorker, where this account, slightly abbreviated, was originally published in February and March, 1963. The book was written in the summer and fall of 1962, and finished in November of that year during my stay as a Fellow of the Center for Advanced Studies at Wesleyan University. The revisions for this edition concern about a dozen technical errors, none of which has any bearing on the analysis or argument of the original text. The factual record of the period in question has not yet been established in all its details, and there are certain matters on which an informed guess will probably never be superseded by completely reliable information. Thus the total number of Jewish victims of the Final Solution is a guess - between four and a half and six million - that has never been verified, and the same is true of the totals for each of the countries concerned. Some new material, especially on Holland, came to light after the publication of this book, but none of it was important for the event as a whole. Most of the additions are also of a technical nature, clarifying a particular point, introducing new facts, or, in some instances, quotations from different sources. These new sources have been added to the Bibliography and are discussed in the new Postscript, which deals with the controversy that followed the original publication. -
Deliverable D2.4 As
Ref. Ares(2021)220364 - 11/01/2021 Deliverable D2.4 Database of Films, Artworks, and other Visual Culture Products Lead-beneficiary OFM Work Package No. and Title WP2 Curation and advanced digitization of assets Work Package Leader OFM Relevant Task Task 2.8 Curation and advanced digitization of popular culture content Task Leader HUJI Main Author(s) HUJI (Tobias Ebbrecht-Hartmann, Lital Henig, Noga Stiassny) Contributor(s) DFF (Kerstin Herlt, David Kleingers, Bianca Sedmak) HUJI (Talia Litvinov, Shir Ventura, Julia Marie Wittorf) LBI/HUJI (Fabian Schmidt) LBI (Ingo Zechner) Reviewer(s) LBI (Ingo Zechner, Sema Colpan) OFM (Anna Högner, Michael Loebenstein) Dissemination Level Public Due Date M24 (2020-12) Version (No., Date) V1.9, 2021-01-11 This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 822670. www.vhh-project.eu Database of Films, Artworks and other Visual Culture Content Table of Contents 1. INTRODUCTION .............................................................................................................. 3 2. THE VHH POPULAR CULTURE COLLECTION ................................................................ 4 2.1. Migrating images ........................................................................................................ 5 2.2. Representations of the Holocaust in popular culture ............................................... 7 2.3. VHH Premium Content ........................................................................................... -
The American Society for Yad Vashem Annual Spring Luncheon
AMERICAN & INTERNATIONAL SOCIETIES FOR YAD VASHEM Vol. 41-No.5 ISSN 0892-1571 May/June 2015-Iyyar/Sivan 5775 THE AMERICAN SOCIETY FOR YAD VASHEM ANNUAL SPRING LUNCHEON his year’s sold-out Annual T Spring Luncheon was held on May 13th at the Jewish Museum on 92nd Street. Over 200 people attended the event, which honored Danielle Karten for her contributions to Holocaust remembrance and education. Our guest speaker was Alyson Richman, an accomplished author, who spoke about her new book The Garden of Letters. Also featured on the program were Co- Chair Daniella Pomeranc and fea- tured speaker Rachel Shnay, who are active members of our Young Leadership Associates. Danielle Karten was presented with the American Society for Yad Vashem Achievement Award by Chairman of the American Society for Yad Vashem Leonard Wilf along with American Society Executive Director Ron Meier. She was recognized for her com- mitment to Holocaust commemo- ration and remembrance, which are central to the Karten family. She continues a longstanding family tradition of being actively involved in the American Society for Yad Vashem, which is being passed on to her children — Jonathan, Sharone and Izzy. Rachel Shnay delivered a Ron B. Meier, executive director of the American Society for Yad Vashem; Danielle Karten, honoree; and Leonard A. Wilf, chairman of the American description of the emotional trip Society for Yad Vashem. she took to Poland with her ted her grandfather’s picture her family’s amazing story of sur- Chairman of the American grandfather, in which they visited among those on exhibit in the vival in the Holocaust. -
MCHE Completes Web Access to Survivor Archive
MIDWEST CENTER FOR HOLOCAUST EDUCATION FREE FILM SERIES MAKING CHANGES FOR HUMANITY THROUGH E DUCATION SEE PAGE 8 FALL/WINTER | 2015/2016 MCHE Completes Web Access to Survivor Archive Over the last two years, MCHE • In addition to online holdings, full-length, staff has worked to preserve audio and original versions of the video testimonies videotaped testimonies of local Holocaust are available for onsite viewing by survivors and to make them accessible researchers and other patrons. to the public on the MCHE website. “Creating an online archive not only These testimonies cover the geographic serves our mission locally and regionally range of European Jewish experiences in the but also allows us to reach students Holocaust as well as a variety of circumstances, and classroom teachers nationally and including forced labor, hiding, death camps internationally,” said Jessica Rockhold, and emigration in the 1930s. MCHE director of education. “We know This collection, now fully available at that students and teachers utilize these www.mchekc/survivors, includes testimonies in their classroom studies, • 40 condensed versions of video and we hope to become a destination for testimonies gathered in 1994 during researchers as well. An added benefit is that MCHE’s Witness to the Holocaust project our website provides families of survivors (transcripts will be available in 2016) with access to these personal histories no • 49 audio interviews conducted as part • 73 individual survivor profiles, complete matter where they are in the world.” of MCHE’s Portrait 2000 exhibit, as well with supplemental resources to enhance For an onsite viewing appointment, as transcripts of the interviews, which understanding of each survivor’s please contact Shelly Cline at 913-327-8194 focus on pre- and postwar experiences unique experience or [email protected]. -
Universidad De Buenos Aires Facultad De Filosofía Y Letras
UNIVERSIDAD DE BUENOS AIRES FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO: HISTORIA SEMINARIO DE INVESTIGACIÓN: EL HOLOCAUSTO Y LA PROSECUCIÓN DE JUSTICIA POR CRÍMENES DE LESA HUMANIDAD PROFESOR/A: RAS, MARCIA INÉS CUATRIMESTRE: 2º AÑO: 2019 CÓDIGO Nº: 1 UNIVERSIDAD DE BUENOS AIRES FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA SEMINARIO: EL HOLOCAUSTO Y LA PROSECUCIÓN DE JUSTICIA POR CRÍMENES DE LESA HUMANIDAD CUATRIMESTRE Y AÑO: 2º CUATRIMESTRE DE 2019 CÓDIGO Nº: PROFESOR/A: RAS, MARCIA INÉS EQUIPO DOCENTE COLABORADOR:1 ALBARRACÍN, ANDREA MORRESI, CATALINA PERELLÓ, CAROLINA a. Fundamentación y descripción Entre 1933 y 1945 el Tercer Reich perpetró un crimen sin precedentes históricos compuesto por robos, arianizaciones, encarcelamientos ilegales, torturas, violaciones, deportaciones, trabajos forzados, destrucción y homicidios individuales y en masa. En su inicio fue un “crimen sin nombre” (Winston Churchill, 1941). En 1944 se inventó la palabra “genocidio” (Raphael Lemkin) para designarlo. Los juristas convinieron en tipificarlo como “crimen de lesa humanidad”. Para los fiscales de la inmediata posguerra, por abarcar los acontecimientos de una década, de todo un continente, y a innumerables individuos y eventos (Robert H Kackson, 1945) fue “el crimen más espantoso que el mundo haya conocido” (Hartley Shawcross, 1945). La administración de justicia a los “criminales de guerra”, luego “criminales nazis”, comenzó en Núremberg con un Tribunal Militar Internacional, que juzgó a los así llamados “principales”. Los “menores” fueron juzgados por tribunales militares no internacionales en los juicios “subsiguientes” y “zonales”. A pesar de la expandida percepción en sentido contrario, el (o los) genocidio(s) del Holocausto perpetrados por el Tercer Reich, sus aliados y colaboradores quedaron subordinados a muchos otros, dentro de la masa de “crímenes de lesa humanidad”. -
In the District Court of Jerusalem
IN THE DISTRICT COURT OF JERUSALEM Criminal Case No. 40/61 Before His Honour JUDGE MOSHE LANDAU (Presiding) His Honour JUDGE BENJAMIN HALEVI His Honour JUDGE YITZCHAK RAVEH For the Prosecution: THE ATTORNEY GENERAL The Accused: ADOLF, son of Karl Adolf, EICHMANN J U D G M E N T The references in the Judgment are to the official record in Hebrew. Adolf Eichmann has been brought to trial in this Court on charges of unsurpassed gravity - charges of crimes against the Jewish People, crimes against humanity, and war crimes. The period of the crimes ascribed to him, and their historical background, is that of the Hitler regime in Germany and in Europe, and the counts of the indictment encompass the catastrophe which befell the Jewish People during that period - a story of bloodshed and suffering which will be remembered to the end of time. This is not the first time that the Holocaust has been discussed in court proceedings. It was dealt with extensively at the International Military Tribunal at Nuremberg during the Trial of the Major War Criminals, and also at several of the trials which followed; but this time it has occupied the central place in the Court proceedings, and it is this fact which has distinguished this trial from those which preceded it. Hence also the trend noticed during and around the trial, to widen its range. The desire was felt - understandable in itself - to give, within the trial, a comprehensive and exhaustive historical description of events which occurred during the Holocaust, and in so doing, to emphasize also the inconceivable feats of heroism performed by ghetto-fighters, by those who mutinied in the camps, and by Jewish partisans.