Finding Aid to the Purdue University Convocations Records, 1876-2012
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Proposed Cultural Awareness Schedule for 2000
CULTURAL ARTS SERIES 2008– 2009 (Schedule) A Classical Celebration! Oklahoma City Community College Artist Performance Date Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Tues. Sept. 16, 7:00 P.M. The Romeros – Guitar Quartet (Special venue; Westminster Presbyterian Church) Tues. Oct. 7, 7:00 P.M. Jerusalem Lyric Trio – Soprano, Flute, and Piano Tues. Nov. 18, 7:00 P.M. The Four Freshmen – Vocal Quartet Tues. Dec. 2, 7:00 P.M. The Texas Gypsies – Gypsy/Texas Swing Jazz Quintet Tues. Feb. 17, 7:00 P.M. Rosario Andino – Pianist Tues. Mar. 3, 7:00 P.M. Best of Broadway – Vocal Trio Tues. Apr. 14, 7:00 P.M. Brad Richter, Viktor Uzur – Guitar and Cello Thurs. May 7, 7:00 p.m. • Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Ensemble Lecture – TBA Performance – Tuesday, September 16, 2008, 7:00 p.m., Oklahoma City Community College Theatre. A diverse selection of musical delights. (Short) Lark Chamber Artists present a broad range of musical styles, embracing the traditional as well as adventuresome commissions and collaborations. (Medium) Lark Chamber Artists is a uniquely structured ensemble who present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. (Long) As an outgrowth of the world-renowned Lark Quartet, Lark Chamber Artists (LCA) is a uniquely structured ensemble featuring some of today's most active performers who have come together to present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. -
(Ftatmecticut Sail M
lQ&o j^29 Vol.LXXXIIINo.90 Friday. February 29,1980 (ftatmecticut Sail M Huskies knock off BC Advance to Big East Mini-finals, p. 10 UConn's Charging puppetry up the whiz drums p.6 p- < Page 2 The Connecticut Daily Campus, Friday, February 29,1980 WEEKEND CALENDAR Old State House. Hartford. To 5 Shaboo: Room Full of Blues. $4 Mark's Chapel. North Eagleville Friday 29 p.m. Saturday; noon to 5 p.m. advance, $4.50 door. Road. Free. Sunday and 10 a.m. to 5 p.m. Swimming: Big East tournament, "Midwav." Henry Fonda. Monday. Free. Sunday 2 here. Charlton Heston. 8 p.m.. TV Afro-American History Banquet. Wrestling: New Englands. here. channels 4. 30. With Pam Cross. WFSB-TV repor- Corelia Scott King: Speaking at Soccer: Hartford Hellions vs. Buf- "LaCombe, Lucien." French, with ter as keynote speaker. 4:30 p.m.. Jorgensen Auditorium. 7 p.m. falo Stallions, Hartford Civic Cen- subtitles. Von der Mehdcn Recital Putnam Rcfectorv. Semi-formal. Free. ter. 1:35 p.m. Hall. 8 p.m. $2. $4. "Hush, Hush, Sweet Charlotte." Country Silo: Plexus Jazz Quartet. "Bonnie and Clyde." 7:30 p.m. The Beach Boys. On the WHUS Bette Davis. 2 p.m. TV channel 27. Shaboo: The Trod Nossel Revue, and 10 p.m. Life Sciences 154. Unnamed Special. 4 p.m. to 7 p.m. "My Little Chickadee." W.C. with Van Duran. B. Willie Smith. "Apocalypse Now." 7:30 p.m. Hike: Guided, on the Qitinnetukct The Scratch Band and others. $4 Fields. Mae West. -
000000018 1.Pdf
THE BOHUSLAV MARTINŮ FOUNDATION THE BOHUSLAV MARTINŮ INSTITUTE THE INTERNATIONAL MARTINŮ CIRCLE INTERVIEW WITH CONDUCTOR JIŘÍ BĚLOHLÁVEK martinůJANUARY—APRILrevue 2010 VOL.X NO. FESTIVAL IN BASEL 2009 1 MARTINŮ EVENTS IN LONDON MARTINŮ RECORDINGS ķ IN THE GERMAN RADIO ARCHIVES contents 3 Martinů Revisited Highlights 4 news —Anna Fárová Dies —Zdeněk Mácal’s Gift 5 International Martinů Circle 6 festivals —The Fruit of Diligent and Relentless Activity CHRISTINE FIVIAN 8 interview …with Jiří Bělohlávek ALEŠ BŘEZINA 9 Liturgical Mass in Prague MILAN ČERNÝ 10 News from Polička LUCIE JIRGLOVÁ UP 0121-2 11 special series —List of Martinů’s Works VIII 12 research —Martinů Treasures in the German Radio Archives GREGORY TERIAN 13 review —Martinů in Scotland GREGORY TERIAN 14 review —Czech Festival in London UP 0123-2 UP 0126-2 PATRICK LAMBERT 16 festivals —Bohuslav Martinů Days 2009 PETR VEBER 17 news / conference 18 events 19 news UP 0106-2 UP 0122-2 UP 0116-2 —New CDs, Publications ARCODIVA Jaromírova 48, 128 00 Praha 2, Czech Republic tel.: +420 223 006 934, +420 777 687 797 • fax: +420 223 006 935 e-mail: [email protected] ķ highlights IN 2010 TOO WE ARE CELEBRATING a momentous anniversary – 120 years since the birth of Bohuslav Martinů (8 December 1890, Polička). Numerous ensembles and music organisations have included Martinů works in their 2010 repertoire. We will keep you up to date on this page with the most significant events. MORE INFORMATION > www.martinu.cz > www.czechmusic.org ‹vFESTIVALS—› The 65th Prague Spring The 65th PRAGUE SPRING INTERNATIONAL MUSIC FESTIVAL International Music Festival Prague, 12 May—4 June 2010 Prague / 12 May—4 June 2010 www.festival.cz 15 May 2010, 11.00 am > Martinů Hall, Lichtenštejn Palace Scherzo, H. -
The Inventory of the Deborah Voigt Collection #1700
The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89. -
Analysis and Performance Problems of Vítězslava Kaprálová’S
ANALYSIS AND PERFORMANCE PROBLEMS OF VÍTĚZSLAVA KAPRÁLOVÁ’S STRING QUARTET, OP. 8 (1935-1936) by MARTA BLALOCK (Under the direction of Clint Taylor) ABSTRACT Vítězslava Kaprálová might have been forgotten due to her untimely death during the World War II, however her music has resurfaced in the past decades and her name is well known in the Czech Republic. With no published edition of Kaprálová’s String Quartet, currently available instrumental parts and recordings vary from the original autograph. This study focuses on historical and theoretical analysis of the work, editorial suggestions, and performance issues. The original autograph is compared to two copyist manuscripts of individual parts as well as two available sound recordings. INDEX WORDS: Vitezslava Kapralova, Vítězslava Kaprálová, String quartet, Czech, Moravia, Modernism, 1935, 1936, Analysis, Performance, Woman composer, Women in music, String quartet tradition, Folk music ANALYSIS AND PERFORMANCE PROBLEMS OF VÍTĚZSLAVA KAPRÁLOVÁ’S STRING QUARTET, OP. 8 (1935-1936) by MARTA BLALOCK B.Mus., Music Performance, University of Georgia, 2000 M.M., Music Performance, University of Georgia, 2003 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2008 © 2008 Marta Blalock All Rights Reserved ANALYSIS AND PERFORMANCE PROBLEMS OF VÍTĚZSLAVA KAPRÁLOVÁ’S STRING QUARTET, OP. 8 (1935-1936) by MARTA BLALOCK Major Professors: Levon Ambartsumian Clint Taylor Committee: Adrian Childs Stephen Valdez Mark Neumann Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia December 2008 DEDICATION To my mother Ivanka Žaludová, for her encouragement and support. -
Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
DEVELOPING THE YOUNG DRAMATIC SOPRANO VOICE AGES 15-22 By Monica Ariane Williams Bachelor of Arts – Vocal Arts University of Southern California 1993 Master of Music – Vocal Arts University of Southern California 1995 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2020 Copyright 2021 Monica Ariane Williams All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas November 30, 2020 This dissertation prepared by Monica Ariane Williams entitled Developing the Young Dramatic Soprano Voice Ages 15-22 is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts School of Music Alfonse Anderson, DMA. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Linda Lister, DMA. Examination Committee Member David Weiller, MM. Examination Committee Member Dean Gronemeier, DMA, JD. Examination Committee Member Joe Bynum, MFA. Graduate College Faculty Representative ii ABSTRACT This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young dramatic soprano is discussed along with a retracing of breath methodologies relevant to the young dramatic soprano’s development. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
Czech Music Culture in London and Post-1989 Developments in Czechoslovakia at the Time
International Journal of Arts and Commerce ISSN 1929-7106 www.ijac.org.uk CZECH MUSIC CULTURE IN LONDON AND POST-1989 DEVELOPMENTS IN CZECHOSLOVAKIA AT THE TIME Markéta Koutná Univerzita Palackého v Olomouci, Filozofická Fakulta, Katedra muzikologie Czech Republic E-mail: [email protected] Abstract: The study deals with Czech-London musical relations, particularly Czech music culture in London within the context of cultural, social and political change in 1989. An analysis of the opera, chamber music, and symphonic production of Czech music in London between 1984 and 1994 identifies how and whether the Czechoslovak Velvet Revolution affected the firm position that Czech music culture had held in the capital of the United Kingdom. Key words: Czech musical culture, London, emigration, composers, the Velvet Revolution, 1989 The musical relations between the Czechs and London represent an important current issue. As the capital of the United Kingdom, London naturally takes the lead within the British cultural scene. With its population, budget, and institutional capacities, it is one of the world’s major social and cultural centres, and thanks to the high interest of London-based institutions in Czech music, it is also one of the world's top producers of Czech music. The current research examines how, if at all, the events of November 1989 influenced the position of Czech musical culture in London and the relationship between Czech and London musicians. I became interested in this issue while researching data for my dissertation on Czech musical culture in London.1 Using the specific example of interpretations of Czech opera, chamber music and 1 The study is a part of the student grant project IGA_FF_2015_024 Influence of the Velvet Revolution on Czech Musical Culture in London and all the data used in the study draw on the author’s research for her dissertation Czech Musical Culture in London Between 1984 and 1994. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Read Liner Notes
Cover Photo: Paul Winter Consort, 1975 Somewhere in America (Clockwise from left: Ben Carriel, Tigger Benford, David Darling, Paul Winter, Robert Chappell) CONSORTING WITH DAVID A Tribute to David Darling Notes on the Music A Message from Paul: You might consider first listening to this musical journey before you even read the titles of the pieces, or any of these notes. I think it could be interesting to experience how the music alone might con- vey the essence of David’s artistry. It would be ideal if you could find a quiet hour, and avail yourself of your fa- vorite deep-listening mode. For me, it’s flat on the floor, in total darkness. In any case, your listening itself will be a tribute to David. For living music, With gratitude, Paul 2 1. Icarus Ralph Towner (Distant Hills Music, ASCAP) Paul Winter / alto sax Paul McCandless / oboe David Darling / cello Ralph Towner / 12-string guitar Glen Moore / bass Collin Walcott / percussion From the album Road Produced by Phil Ramone Recorded live on summer tour, 1970 This was our first recording of “Icarus” 2. Ode to a Fillmore Dressing Room David Darling (Tasker Music, ASCAP) Paul Winter / soprano sax Paul McCandless / English horn, contrabass sarrusophone David Darling / cello Herb Bushler / Fender bass Collin Walcott / sitar From the album Icarus Produced by George Martin Recorded at Seaweed Studio, Marblehead, Massachusetts, August, 1971 3 In the spring of 1971, the Consort was booked to play at the Fillmore East in New York, opening for Procol Harum. (50 years ago this April.) The dressing rooms in this old theatre were upstairs, and we were warming up our instruments there before the afternoon sound check. -
The Cathedral Gives Back
Winter 2017–18 1047 Amsterdam Avenue Volume 16 Number 75 at 112th Street New York, NY 10025 (212) 316-7540 stjohndivine.org 2017 Winter –18 at the Cathedral The Cathedral Gives Back or where your treasure is, there your the Cathedral. I want to be able to do more than just talk In addition to our own programs, the Cathedral has also long heart will be also.” The Right Reverend about the things we believe in here, but also show our beliefs partnered with other mission-aligned community organizations Dan Daniel quoted Jesus’s Sermon on in action. We do this through our programs—Cathedral to support their work, something Dean Daniel wants to continue the Mount when asked about the Community Cares, Adults and Children in Trust, and the myriad to emphasize in our public programs. Longtime readers of this Cathedral’s commitment to tithing. of events that help underserved populations, but also through newsletter will recall the Cathedral’s collaboration with Broadway Typically seen as a way for people of donating to causes that we believe in.” Cares/Equity Fights AIDS to produce staged readings of Joan faith to give back to the church, Dean Didion’s haunting A Year of Magical Thinking and Blue Nights, The Cathedral has a long tradition of social outreach and Daniel takes the tradition a step further, the proceeds from which benefited UNICEF and The United commitment to community. Cathedral Community Cares (CCC) viewing it as a sacred obligation for the Nations Relief and Works Agency for Palestine Refugees in the works to combat and alleviate poverty through preventive F Cathedral to give back to the community.