The City of Prague Philharmonic Orchestra and Chorus
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Closing Credits
CLOSING CREDITS The Tennessee Arts Academy gratefully acknowledges the generous support of the following individuals, businesses, and organizations whose contributions have helped make the 2011 Academy possible. MAJOR FUNDING SUPPORT ADVERTISERS Tennessee Department of Education Beacon Financial Group, LLC Tennessee Arts Commission Center of Excellence for the Creative Arts Tennessee Arts Academy Foundation at Austin Peay State University Belmont University Crystal Productions Earl Swensson Associates, Inc. MAJOR SPONSORSHIP SUPPORT Eldridge Plays & Musicals Delores Kinsolving Frist Center for the Visual Arts Milton T. Schaeffer Memphis College of Art Pat and Thane Smith Memphis Music Foundation Mid South Business Furniture, Inc. Nashville Symphony BREAK SPONSORS Scott Schrecker Photography Belmont University College of Visual and Performing Arts Steinway Piano Gallery of Nashville Cumberland University School of Music and Art Tennesseans For The Arts Macmillan/McGraw-Hill Tennessee Art Education Association Mayfield Dairy Farms Tennessee Arts Academy Foundation Tennessee Educational Theatre Association Tennessee Music Education Association Theatrical Rights Worldwide Tennessee Shakespeare Company Thomas Tours Vanderbilt University Blair School of Music QuaverMusic.com Watkins College of Art, Design & Film Yamaha Corporation of America GOODS AND SERVICES Alliance Music Publications TENNESSEE ARTS ACADEMY PROGRAM BOOK Barfield Elementary School (Rutherford County) Graphic Designer: Ron Watson Hinshaw Music Photographer: Michael Krouskop ImageQuest Proofreaders: Lori Anne Parker, Susan Ramsay MorningStar Music Publishers Printer: Douglas Printing, Inc. ORNL Federal Credit Union Production Coordinator: Frank Bluestein Jack Parnell Peripole Bergerault Pilot Oil SunTrust Bank Tennessee Art Education Association A Program of the Tennessee Department of Education Additional support for the Tennessee Arts Academy is provided by the Tennessee Arts Commission, the Tennessee Arts Academy Foundation, and Belmont University. -
2012 Golden Globes Ballot
Golden Globes Ballot ........................................................... 2012 ........................................................... Best Motion Picture, Drama Best Actor, Comedy or Musical The Descendants Brendan Gleeson, The Guard Hooray, it’s Golden The Help Jean Dujardin, The Artist Globes time! Hugo Joseph Gordon-Levitt, 50/50 The Ides of March Owen Wilson, Midnight in Paris Fill out our annual ballot with Moneyball Ryan Gosling, Crazy, Stupid, Love your predictions on who will War Horse take home the statuettes. Best Actress, Comedy or Musical Best Motion Picture, Comedy Charlize Theron, Young Adult or Musical Jodie Foster, Carnage Throwing a Golden 50/50 Michelle Williams, My Week The Artist With Marilyn Globes bash? Bridesmaids Kate Winslet, Carnage Midnight in Paris Kristen Wiig, Bridesmaids Pass out the ballot to friends My Week With Marilyn and tune into PopSugar Best Supporting Actor Network on awards day to see Best Director Albert Brooks, Drive all the winners, Golden Globes Alexander Payne, The Descendants Christopher Plummer, Beginners fashion, and more. George Clooney, The Ides of March Jonah Hill, Moneyball Michel Hazanavicius, The Artist Kenneth Branagh, My Week Good Luck! Martin Scorsese, Hugo With Marilyn Woody Allen, Midnight in Paris Viggo Mortensen, A Dangerous Method Best Actor, Drama Brad Pitt, Moneyball Best Supporting Actress George Clooney, The Descendants Bérénice Bejo, The Artist Leonardo DiCaprio, J. Edgar Janet McTeer, Albert Nobbs Michael Fassbender, Shame Jessica Chastain, The Help Ryan -
Film As Text: Reading Hamlet Breen O’Reilly
Film as Text: Reading Hamlet Breen O’Reilly First published on Academia.org An analysis of how different film directors use the language of film to create different interpretations of the same material is a great way to build the skills required for your DP Film Textual Analysis and Comparative Study. Students of DP Language and Literature can apply these ideas to their Visual Literacy comparative analysis. View this on Academia.org: https://www.academia.edu/37576209/Film_as_Text_HAMLET_Breen_OReilly_201 1 One of the great ways to hone your film analysis skills is to examine how different directors handle the same scene, either as an interpretation of a scene from literature or as a re-make of an earlier film. Re-makes often allow you to examine an updating of the original socio-cultural context – something you need to include in your textual analysis and comparative study. William Shakespeare’s Hamlet has been adapted for the screen over 40 times, and each interpretation allows film directors, art directors and screenwriters to bring their own creative touches to this classic tragedy. By examining the filmic presentation of a single soliloquy from the play, we can see how different directors use the language of film to bring different meaning to Shakespeare’s text. The iconic “To be or not to be” soliloquy contains the lines with which a movie audience is probably most familiar. As a student examining these three adaptations by Lawrence Olivier (1948), Franco Zeffirelli (1990), and Kenneth Brannagh (1996), you should focus on “the usual suspects” of film language analysis: camera movement, camera angles, setting, sound design, script, costume and composition. -
The Art of David Lynch
The Art of David Lynch weil das Kino heute wieder anders funktioniert; für ei- nen wie ihn ist da kein Platz. Aber deswegen hat Lynch ja nicht seine Kunst aufgegeben, und nicht einmal das Filmen. Es ist nur so, dass das Mainstream-Kino den Kaperversuch durch die Kunst ziemlich fundamental abgeschlagen hat. Jetzt den Filmen von David Lynch noch einmal wieder zu begegnen, ist ein Glücksfall. Danach muss man sich zum Fernsehapparat oder ins Museum bemühen. (Und grimmig die Propaganda des Künstlers für den Unfug transzendentaler Meditation herunterschlucken; »nobody is perfect.«) Was also ist das Besondere an David Lynch? Seine Arbeit geschah und geschieht nach den »Spielregeln der Kunst«, die bekanntlich in ihrer eigenen Schöpfung und zugleich in ihrem eigenen Bruch bestehen. Man er- kennt einen David-Lynch-Film auf Anhieb, aber niemals David Lynch hat David Lynch einen »David-Lynch-Film« gedreht. Be- 21 stimmte Motive (sagen wir: Stehlampen, Hotelflure, die Farbe Rot, Hauchgesänge von Frauen, das industrielle Rauschen, visuelle Americana), bestimmte Figuren (die Frau im Mehrfachleben, der Kobold, Kyle MacLachlan als Stellvertreter in einer magischen Biographie - weni- ger, was ein Leben als vielmehr, was das Suchen und Was ist das Besondere an David Lynch? Abgesehen Erkennen anbelangt, Väter und Polizisten), bestimmte davon, dass er ein paar veritable Kultfilme geschaffen Plot-Fragmente (die nie auflösbare Intrige, die Suche hat, Filme, wie ERASERHEAD, BLUE VELVET oder die als Sturz in den Abgrund, die Verbindung von Gewalt TV-Serie TWIN PEAKS, die aus merkwürdigen Gründen und Design) kehren in wechselnden Kompositionen (denn im klassischen Sinn zu »verstehen« hat sie ja nie wieder, ganz zu schweigen von Techniken wie dem jemand gewagt) die genau richtigen Bilder zur genau nicht-linearen Erzählen, dem Eindringen in die ver- richtigen Zeit zu den genau richtigen Menschen brach- borgenen Innenwelten von Milieus und Menschen, der ten, und abgesehen davon, dass er in einer bestimmten Grenzüberschreitung von Traum und Realität. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Ennio Morricone*****
Recensie: Ennio Morricone***** Sportpaleis Merksem zaterdag 22 december 2012 foto © Jan Garrevoet Recensie: 84 Is hij, maestro Ennio Morricone. Precies 25 jaar geleden brachten Jan Van Esbroeck en Jan Vereecke de grootste en misschien wel meest veelzijdige (film)componist uit de twintigste eeuw naar het Sportpaleis. Toen was dat om hem centraal te stellen tijdens het evenement The World of Movies & Music dat vooraf ging op de derde reeks van de Night of the Proms. Ook nu geraakte het Sportpaleis uitverkocht voor een adembenemende avond waar op het scherpst van de snee werd gemusiceerd. De stilte van het publiek, en het oorverdovend applaus, met voetgestamp en meer dan verdiende staande ovatie heeft zelden zo mooi geproefd. Dit is waar muziek om draait: om mensen te vervoeren, iets los te weken bij hen. Want ook zonder beelden emotioneert het werk van Morricone. De Italiaan leek wat nerveus toen hij onder een daverend applaus en staande ovatie het podium opkwam. 16 000 Man voor een instrumentaal, eigenlijk klassiek optreden, dat ook zo opgevat werd: het is niet niks. Komt daarbij dat de productietijd eerder kort was. Dinsdag waren de eerste repetities zodat de maestro zelf kon volgen hoe het Orkest der Lage Landen en het koor Fine Fleur zijn orkestraties hadden gelezen. Dat zijn eigen muzikanten met Gilda Buttà aan piano onder andere niet helemaal vertrouwd was met het orkest, was te merken aan kleine details. Zo opende Buttà het verder prachtige en sober gehouden Poverty niet volledig samen met de klarinet. Gedurende de avond vielen links en rechts nog wel wat onvolmaaktheden op die wezen op de korte productie- en repetitietijd, met onder andere een krakende microfoon op het einde van deel één. -
David Cronenberg Et Howard Shore. Bref Portrait D'une Longue
Document généré le 1 oct. 2021 00:20 Revue musicale OICRM David Cronenberg et Howard Shore. Bref portrait d’une longue collaboration Solenn Hellégouarch Une relève Résumé de l'article Volume 2, numéro 2, 2015 Après 45 ans de carrière, la filmographie de David Cronenberg compte 22 films, dont 15 ont été musicalisés par Howard Shore, qui a rejoint l’équipe du URI : https://id.erudit.org/iderudit/1060132ar cinéaste en 1979. Si l’univers cronenbergien est aujourd’hui bien connu, DOI : https://doi.org/10.7202/1060132ar l’apport de son compositeur demeure peu exploré. Or, la musique semble y jouer un rôle de toute première importance, le compositeur étant impliqué très Aller au sommaire du numéro tôt dans le processus cinématographique. Cette implication précoce est indicatrice du rôle central qu’occupent Shore et sa musique : comment le définir ? Plutôt que de recourir à une analyse des fonctions de la musique au cinéma, cet article explore les processus de création qui lui donnent naissance. Éditeur(s) Cronenberg et Shore, qui ont « tout appris en commun », présentent ainsi des OICRM processus créateurs aux traits similaires, ou plus exactement des figures artistiques communes, ici exposées, les regroupant sous une seule vision artistique : l’autodidacte, l’expérimentateur, l’improvisateur, le ISSN peintre/sculpteur et l’artiste-artisan. 2368-7061 (numérique) Découvrir la revue Citer cet article Hellégouarch, S. (2015). David Cronenberg et Howard Shore. Bref portrait d’une longue collaboration. Revue musicale OICRM, 2(2), 96–114. https://doi.org/10.7202/1060132ar Tous droits réservés © Revue musicale OICRM, 2015 Ce document est protégé par la loi sur le droit d’auteur. -
Compositori Da Oscar
COMPOSITORI DA OSCAR Proposte di ascolto di compositori che con la loro musica hanno fatto la storia del cinema e consigli di visone di film premi Oscar per la colonna sonora CD AUDIO Anne Dudley, The full monty. Music from the motion picture soundtrack (1997), RCA Victor: FOX searchlight [CD] MUSICA COLONNE-SONORE FUL Max Goberman, West side story (1998), nell'interpretazione di New York Philarmonic, Leonard Bernstein, Sony Classical: Columbia: Legacy [CD] MUSICA COLONNE-SONORE WES Ennio Morricone, Per un pugno di dollari. Colonna sonora originale (1964), BMG [CD] MUSICA COLONNE-SONORE PER Ennio Morricone, Il buono, il brutto, il cattivo. Original motion picture soundtrack (1966), GMD [CD] MUSICHE COLONNE-SONORE BUO Nicola Piovani, Musiche per i film di Nanni Moretti. Caro diario, Palombella rossa, La messa è finita (1999), Emergency Music Italy: Virgin [CD] MUSICA COLONNE-SONORE MUS Steven Price, Gravity. Original motion picture soundtrack (2013), Silva Screen Records [CD] MUSICA COLONNE-SONORE GRA Nino Rota, La strada, Le notti di Cabiria. Original soundtracks (1992), Intermezzo, Biem, Siae, [CD] MUSICA COLONNE-SONORE STR Rota, Nino (et al), The Godfather. Trilogy 1- 2- 3 (1990), Silva Screen Records [CD] MUSICA COLONNE-SONORE GOD Ryuichi Sakamoto, The sheltering sky. Music from the original motion picture soundtrack (1990), Virgin [DVD] MUSICA COLONNE-SONORE SHE Ryuichi Sakamoto, The Last Emperor (1987), Virgin Records [CD] MUSICA COLONNE-SONORE LAS Vangelis, Blade runner (1982), WEA [CD] MUSICA COLONNE-SONORE BLA John Williams, The -
AXS TV Schedule for Mon. January 5, 2015 to Sun. January 11, 2015 Monday January 5, 2015 Tuesday January 6, 2015
AXS TV Schedule for Mon. January 5, 2015 to Sun. January 11, 2015 Monday January 5, 2015 5:30 PM ET / 2:30 PM PT 8:00 AM ET / 5:00 AM PT Gene Simmons Family Jewels Baltic Coasts Face Your Demons - While on tour in Amsterdam, Gene and Shannon spend some quality time The Bird Route - Every spring and autumn, thousands of migrating birds over the Western with a young fan writing a school report. Pomeranian bodden landscape deliver one of the most breathtaking nature spectacles. 6:30 PM ET / 3:30 PM PT 9:00 AM ET / 6:00 AM PT Gene Simmons Family Jewels Smart Travels Europe What Happens In Vegas... - Gene and Shannon get invited to the premiere of the new Cirque du Out of Rome - We leave the eternal city behind by way of the famous Apian Way to explore the Soleil show “Viva Elvis” in Las Vegas. environs of Rome. First it’s the majesty of Emperor Hadrian’s villa and lakes of the Alban Hills. Next, it’s south to the ancient seaport of Ostia, Rome’s Pompeii. Along the way we sample olive 7:30 PM ET / 4:30 PM PT oil, stop at the ancient’s favorite beach and visit a medieval hilltop town. Our own five star villa Gene Simmons Family Jewels is a retreat fit for an emperor. God Of Thund - An exhausted Shannon reaches her limit with Gene’s snoring and sends him packing to a sleep doctor. 9:30 AM ET / 6:30 AM PT The Big Interview Premiere Alan Alda - Hollywood’s Mr. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Une Sélection Discographique (1955-1985) François Vallerand
Document generated on 09/28/2021 6:06 a.m. Séquences La revue de cinéma 30 ans de musique de film Une sélection discographique (1955-1985) François Vallerand Le cinéma au Québec Number 120, April 1985 URI: https://id.erudit.org/iderudit/50865ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Vallerand, F. (1985). 30 ans de musique de film : une sélection discographique (1955-1985). Séquences, (120), 108–111. Tous droits réservés © La revue Séquences Inc., 1985 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ SÉQUENCES N" 120 30 ANS DE MUSIQUE DE FILM UNE SELECTION DISCOGRAPHIQUE (1955 — 1985) Les trente ans d'une revue de cinéma québécoise, cela se fête; et pourquoi pas en musique? Le cinéma, pendant ces trente années, a fait entendre des oeuvres musicales remarquables composées expressément pour lui. Un recensement discographique s'imposait donc, dans le cadre de cet anniversaire; il procurera, je l'espère, aux amateurs ou aux collectionneurs, une base de recherche utile. Un mot d'avertissement cependant: cette discographie est volontairement sélective, et donc partiale, avec tout ce que cela pourra comporter d'arbitraire aux yeux de certains. -
Film Theme Music Calendar for May 2020
ListeningMA CalendarY 2020 May 2020 SUN MON TUE WED THU FRI SAT A Gift of a Thistle Anakin's Theme 1 From Braveheart 2 from By John by James Horner Williams Elevator to the Interstellar Main Theme from Schindler's List The Heart Asks The Mask of Kiss the Girl 3 Gallows by Miles 4 Theme by Hans 5 James Bond by 6 by John Williams 7 Pleasure From 8 Zorro by James 9 from The Little Davis Zimmer David Arnold The Piano by Horner Mermaid by Michael Nyman Samuel Wright Hymn to the Fallen Married Life Apollo 13 by Gabriel's Oboe Thor: The Dark Friend Like Me Jake's First Flight From from Saving Private from Up by James Horner from The Mission World from from Aladdin by 10 Ryan by John 11 12 13 14 15 16 Avatar by Michael by Enrico Thor by Brian Alan Menken Williams James Horner Giacchino Morricone Tyler Theme from The Shallow from A Main Theme from Moon River from Axel Foley from Feather Theme Black Hills of Godfather by Star is Born by The Man From Breakfast at Beverly Hills Cop from Forrest Dakota from 17 18 19 20 Tiffany's by 21 by Harold 22 23 Nino Rota Lady Gaga Snowy River by Gump by Alan Calamity Jame by Henry Mancini Faltermeyer Bruce Rowland Silvestri from Sammy Fain Somewhere over Ben Hur by The Hanging Tree Welcome to The Exorcist Psycho by The Lonley the Rainbow from Miklos Rozsa from The Hunger Jurrasic Park by Theme by Mike Shepherd from Kill 24 25 26 27 The Wizard of Oz 28 29 Bernard 30 Games by James John Williams Bill by Gheorghe by Harold Arlen Oldfield Herrmann Newton Howard Zamfir End Theme from Dances with 31 Wolves by John Barry Holidays and Observances: 5: Cinco de Mayo, 10: Mother's Day, 25: Memorial Day www.wiki-calendar.com.