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In the High Court of New Zealand Wellington Registry
IN THE HIGH COURT OF NEW ZEALAND WELLINGTON REGISTRY I TE KŌTI MATUA O AOTEAROA TE WHANGANUI-Ā-TARA ROHE CIV-2014-485-11220 [2017] NZHC 2603 UNDER The Copyright Act 1994 EIGHT MILE STYLE, LLC BETWEEN First Plaintiff MARTIN AFFILIATED, LLC Second Plaintiff NEW ZEALAND NATIONAL PARTY AND First Defendant GREG HAMILTON Second Defendant STAN 3 LIMITED AND First Third Party SALE STREET STUDIOS LIMITED Second Third Party Continued Hearing: 1–8 May 2017 and 11–12 May 2017 Appearances: G C Williams, A M Simpson and C M Young for plaintiffs G F Arthur, G M Richards and P T Kiely for defendants A J Holmes for second third party T P Mullins and C I Hadlee for third and fourth third parties L M Kelly for fifth third party R K P Stewart for fourth party No appearance for fifth party Judgment: 25 October 2017 JUDGMENT OF CULL J EIGHT MILE STYLE v NEW ZEALAND NATIONAL PARTY [2017] NZHC 2603 [25 October 2017] AND AMCOS NEW ZEALAND LIMITED Third Third Party AUSTRALASIAN MECHANICAL COPYRIGHT OWNERS SOCIETY LIMITED Fourth Third Party BEATBOX MUSIC PTY LIMITED Fifth Third Party AND LABRADOR ENTERTAINMENT INC Fourth Party AND MICHAEL ALAN COHEN Fifth Party INDEX The musical works ............................................................................................................................. [8] Lose Yourself .................................................................................................................................. [9] Eminem Esque ............................................................................................................................. -
5 Ferndale Studios at Epicenter of Detroit's Music Recording Industry
5 Ferndale studios at epicenter of Detroit’s music recording indu... http://www.freep.com/article/20140119/ENT04/301190085/fern... CLASSIFIEDS: CARS JOBS HOMES APARTMENTS CLASSIFIEDS SHOPPING E-CIRCULARS DAILY DEALS ADVERTISE SUBSCRIBE News Sports Michigan Business Entertainment Life Better Michigan Obits Help MORE: MitchAlbom.com e-Edition Health care reform Detroit bankruptcy High School Sports Find what you are looking for ... SEARCH 5 Ferndale studios at epicenter of Detroit's music recording industry 2,507 people recommend this. Sign Up to see what your friends 10:10 AM, January 19, 2014 | 10 Comments Recommend recommend. Recommend 2.5k 4 A A Recommend Most Popular Most Commented More Headlines 1 Ex-Chrysler engineer cleared in sex case sues defense attorney after 7 years in prison 2 New Yorker article quotes L. Brooks Patterson with choice words about Detroit 3 Detroit Lions headquarters will be quieter with Jim Caldwell in charge 4 Freep 5: Great restaurants for Polish food 5 Dave Birkett: 5 Senior Bowl players who could interest the Detroit Lions Most Viewed Vintage King Audio technician Jeff Spatafora looks over a refurbished Neve 8078 audio mixer at its warehouse in Ferndale. Vintage King specializes in providing vintage equipment to studios across the country. / Jarrad Henderson/Detroit Free Press By Brian McCollum Nestled along a half-mile stretch in Ferndale, among the rugged Detroit Free industrial shops and gray warehouses, is the bustling epicenter of Press Pop Music Writer Detroitʼs music recording scene. FILED UNDER Most of the thousands who drive every day through this area by 9 Where in the world is Jessica Biel? | DailyDish Entertainment Mile and Hilton probably donʼt even realize itʼs there: a Jan. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Journal of the Society for American Music Eminem's “My Name
Journal of the Society for American Music http://journals.cambridge.org/SAM Additional services for Journal of the Society for American Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Journal of the Society for American Music / Volume 3 / Issue 03 / August 2009, pp 341 - 363 DOI: 10.1017/S1752196309990459, Published online: 14 July 2009 Link to this article: http://journals.cambridge.org/abstract_S1752196309990459 How to cite this article: LOREN KAJIKAWA (2009). Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race. Journal of the Society for American Music, 3, pp 341-363 doi:10.1017/S1752196309990459 Request Permissions : Click here Downloaded from http://journals.cambridge.org/SAM, IP address: 140.233.51.181 on 06 Feb 2013 Journal of the Society for American Music (2009) Volume 3, Number 3, pp. 341–363. C 2009 The Society for American Music doi:10.1017/S1752196309990459 ⃝ Eminem’s “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Abstract Eminem’s emergence as one of the most popular rap stars of 2000 raised numerous questions about the evolving meaning of whiteness in U.S. society. Comparing The Slim Shady LP (1999) with his relatively unknown and commercially unsuccessful first album, Infinite (1996), reveals that instead of transcending racial boundaries as some critics have suggested, Eminem negotiated them in ways that made sense to his target audiences. In particular, Eminem’s influential single “My Name Is,” which helped launch his mainstream career, parodied various representations of whiteness to help counter charges that the white rapper lacked authenticity or was simply stealing black culture. -
EIGHT MILE STYLE V NEW ZEALAND NATIONAL PARTY [2017] NZHC 2603 [25 October 2017]
IN THE HIGH COURT OF NEW ZEALAND WELLINGTON REGISTRY I TE KŌTI MATUA O AOTEAROA TE WHANGANUI-Ā-TARA ROHE CIV-2014-485-11220 [2017] NZHC 2603 UNDER The Copyright Act 1994 EIGHT MILE STYLE, LLC BETWEEN First Plaintiff MARTIN AFFILIATED, LLC Second Plaintiff NEW ZEALAND NATIONAL PARTY AND First Defendant GREG HAMILTON Second Defendant STAN 3 LIMITED AND First Third Party SALE STREET STUDIOS LIMITED Second Third Party Continued Hearing: 1–8 May 2017 and 11–12 May 2017 Appearances: G C Williams, A M Simpson and C M Young for plaintiffs G F Arthur, G M Richards and P T Kiely for defendants A J Holmes for second third party T P Mullins and C I Hadlee for third and fourth third parties L M Kelly for fifth third party R K P Stewart for fourth party No appearance for fifth party Judgment: 25 October 2017 JUDGMENT OF CULL J EIGHT MILE STYLE v NEW ZEALAND NATIONAL PARTY [2017] NZHC 2603 [25 October 2017] AND AMCOS NEW ZEALAND LIMITED Third Third Party AUSTRALASIAN MECHANICAL COPYRIGHT OWNERS SOCIETY LIMITED Fourth Third Party BEATBOX MUSIC PTY LIMITED Fifth Third Party AND LABRADOR ENTERTAINMENT INC Fourth Party AND MICHAEL ALAN COHEN Fifth Party INDEX The musical works ............................................................................................................................. [8] Lose Yourself .................................................................................................................................. [9] Eminem Esque ............................................................................................................................. -
Eminem the Complete Guide
Eminem The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 01 Feb 2012 13:41:34 UTC Contents Articles Overview 1 Eminem 1 Eminem discography 28 Eminem production discography 57 List of awards and nominations received by Eminem 70 Studio albums 87 Infinite 87 The Slim Shady LP 89 The Marshall Mathers LP 94 The Eminem Show 107 Encore 118 Relapse 127 Recovery 145 Compilation albums 162 Music from and Inspired by the Motion Picture 8 Mile 162 Curtain Call: The Hits 167 Eminem Presents: The Re-Up 174 Miscellaneous releases 180 The Slim Shady EP 180 Straight from the Lab 182 The Singles 184 Hell: The Sequel 188 Singles 197 "Just Don't Give a Fuck" 197 "My Name Is" 199 "Guilty Conscience" 203 "Nuttin' to Do" 207 "The Real Slim Shady" 209 "The Way I Am" 217 "Stan" 221 "Without Me" 228 "Cleanin' Out My Closet" 234 "Lose Yourself" 239 "Superman" 248 "Sing for the Moment" 250 "Business" 253 "Just Lose It" 256 "Encore" 261 "Like Toy Soldiers" 264 "Mockingbird" 268 "Ass Like That" 271 "When I'm Gone" 273 "Shake That" 277 "You Don't Know" 280 "Crack a Bottle" 283 "We Made You" 288 "3 a.m." 293 "Old Time's Sake" 297 "Beautiful" 299 "Hell Breaks Loose" 304 "Elevator" 306 "Not Afraid" 308 "Love the Way You Lie" 324 "No Love" 348 "Fast Lane" 356 "Lighters" 361 Collaborative songs 371 "Dead Wrong" 371 "Forgot About Dre" 373 "Renegade" 376 "One Day at a Time (Em's Version)" 377 "Welcome 2 Detroit" 379 "Smack That" 381 "Touchdown" 386 "Forever" 388 "Drop the World" -
NFL HONORS Continued from Page 1
THE HARBINGER HARPER COMMUNITY COLLEGE MONDAY, FEBRUARY 9, 2015 48TH YEAR » ISSUE SEVEN NEW ENGLAND PATRIOTS SUPERBOWL 49 CHAMPIONS 02.01.15 FEMINISM AT HARPER BY ANA SERNA H O N O R S MUSIC EDITOR FEATURES BY MICHAEL LEON SPORTS EDITOR SPORTS Through viral videos, news articles, and hashtags, social media has had a hand in making feminism a topic NFL Every year, the night before the min is a walking highlight reel. The rookie wide that’s caught a lot of attention lately. With all the informa- big game on Sunday, the League hands receiver from Florida State has given Carolina tion in the world readily accessible to us, we still have Harp- out their most prestigious awards: Offen- hope and optimism that he and superman er College students who would rather use their iPhones sive Rookie of the Year, Defensive Rookie of Cam Newton can head in the right direction. to post on Yik Yak about the hot girl with the big booty the Year, Coach of the Year, Walter Pay- The Defensive Player of the Year who walked through Avante than find out what this po- ton Man of the Year Award, Comeback Award has been unanimous since week one. tentially large-scale feminism movement is about. Good Player of the Year Award, Defensive Play- J.J Watt has not only been a double digit sack news, though! You won’t have to be ignorant forever. er of the Year and, last but not least, the machine, but he’s also elevated his game by The Harper Feminist Society has recently started League’s Most Valuable Player Award. -
Improvised Dance As Dissenting Mobility in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA RIVERSIDE Footwork! Improvised Dance as Dissenting Mobility in the New Orleans Second Line A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Rachel Carrico June 2015 Dissertation Committee: Dr. Priya Srinivasan, Chairperson Dr. Anthea Kraut Dr. Marta Savigliano Copyright by Rachel Carrico 2015 The Dissertation of Rachel Carrico is approved: _________________________________________________ _________________________________________________ _________________________________________________ Committee Chairperson University of California, Riverside Acknowledgments The completion of this dissertation would not have been possible without the support, guidance, and generosity of numerous individuals and organizations. Financial support from several sources facilitated the research and writing process, including a Graduate Student Mentorship Program fellowship and a Dissertation Research Grant from the University of California, Riverside (UCR); a Humanities Graduate Student Research Grant from UCR’s Center for Ideas and Society; a grant from the University of California Center for New Racial Studies; a Global South Fellowship from the New Orleans Center for the Gulf South at Tulane University; and the University of California’s President’s Dissertation Year Fellowship. Awards from the Society of Dance History Scholars, the Popular Culture Association / American Culture Association, and the UCR Graduate Student Association facilitated travel to national conferences, where I was able to develop many of the ideas presented in these pages. I also owe significant thanks to the Department of Dance and the Gluck Fellows Program in the Arts at UCR, both of which provided valuable support, financial and otherwise, during my graduate work. Many of the stories, ideas, and points of view presented in the following chapters belong to the incredible people who generously agreed to share their time and knowledge with me. -
Howard Hertz
Attorney Spotlight: Howard Hertz Home About Us Events & Calendar ArtServe Programs Press Room Advocacy Education Initiatives Service Programs Cultural Marketing Network Membership Attorney Spotlight: Howard Hertz If it’s a nationally recognized music act from the Detroit area, chances are, Howard ● ArtServe Michigan Hertz is or has been its lawyer. His clients include Eminem, the Bass Brothers, Services George Clinton, and Jack White. “I work in the whole range of the business, from artists to songwriters to producers to managers to agents,” Hertz said in a June ● MAD – Michigan 2004 interview with Music Connection magazine. “I represent them in negotiating Artist Directory and drafting contracts. I also represent artists in civil cases.” Currently, he’s representing the publishing company that administers Eminem’s publishing in a ● Volunteer Lawyers for the Arts copyright infringement case against Apple and MTV for having used “Lose Yourself” Program by Eminem in an i-Tunes commercial without permission. ❍ Volunteer Lawyers for the Arts Hertz is a cum laude graduate of Wayne State University’s law school in 1976. He ❍ VLAC Program described himself in a March 9, 1997 Oakland Press interview as a “frustrated rock ❍ Referral Guidelines ‘n’ roll artist” who turned his love of music into the focus of his work as an attorney. He’s said in a Jewish News interview that from ages 6-18 he knew every word of every song in the top 40. Out of law school, we ❍ Attorney Spotlight: Howard Hertz worked in a juvenile defenders office when a friend referred a musician’s contract to him for review. -
Eminem Infinite Download Full Album Eminem's First Album, Infinite, Now Available for Download
eminem infinite download full album Eminem's First Album, Infinite, Now Available For Download. Rare first LP can now be found on 50 Cent's Web site. Back in 1997, [artist ]Eminem[/artist] recorded The Slim Shady EP, the collection of songs that Dr. Dre first heard before signing him to Aftermath, and that would later serve as the basis for the Detroit rapper's debut, The Slim Shady LP. But prior to Slim Shady 's twisted, demented shock rap, Eminem was a battle-rapper at heart who was still searching for his lyrical voice. His first album, 1996's Infinite, showcases the Shady one with a more measured flow and lower vocal register. The hard-to-find indie album was made available for free download on Wednesday (May 13) on ThisIs50.com, the Web site founded by Em's protégé [artist ]50 Cent[/artist]. "I recorded Infinite in 1995, my first album," Em said in his 2008 autobiography, "The Way I Am." "It sold maybe 70 copies and didn't get great feedback. A lot of people said it sounded like Nas, and he was a heavy influence at the time. But I had an album out, and I could say that. With The Slim Shady EP, it was a different story. That sh-- got some buzz in the underground, and online sites couldn't keep it in stock. I started getting calls about shows." The 11-track album features a handful of guests, most notably Denaun Porter, who was also a member of Eminem's D12 crew under the name Kon Artis.