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Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult. -
Ankh: Gods of Egypt Rulebook
RULEBOOK TABLE OF CONTENTS OVERVIEW .................................................................................2 INTRODUCTION ..................................................................... 3 COMPONENTS .........................................................................4 BASIC CONCEPTS ................................................................... 7 Adjacency ...............................................................................8 Figures .....................................................................................8 Monuments ............................................................................8 Central Dashboard .............................................................9 God Dashboard .................................................................. 10 Devotion ..................................................................................11 Battle Cards ...........................................................................11 SETUP ..........................................................................................12 WINNING THE GAME ..........................................................13 GAMEPLAY ...............................................................................13 ACTIONS ....................................................................................14 OVERVIEW Move Figures ........................................................................15 Summon Figure ...................................................................16 Gain Followers .....................................................................17 -
The Religious Reforms of Akhenaten and the Cult of the Aten
The Pharaoh’s Sun-Disc : The Religious Reforms of Akhenaten and the Cult of the Aten The 18th Dynasty Pharaoh Akhenaten, known to many as the “Heretic King,” made significant changes to the religious institutions of Ancient Egypt during his reign in the 14th century BCE. The traditional view long maintained that these reforms, focused on the promotion of a single solar god known as the Aten, constituted an early form of monotheism foreshadowing the rise of Western Biblical tradition. However, this simplification ignores the earlier henotheistic tendency of Egyptian polytheism and the role of Atenism in strengthening the Pharaoh’s authority in the face of the powerful Amun-Ra priesthood, as well as distinctions between the monotheism of Moses and Akhenaten’s cult. Instead, the religion of Akhenaten, which developed from earlier ideas surrounding the solar deity motif, can be seen as an instance of monotheistic practice in form but not in function, characterized by a lack of conviction outside the new capital of Akhetaten as well as an ultimate goal of establishing not one god but one ruling power in Egypt: the Pharaoh. This will become clear through an analysis of the background to Akhenaten’s reign, the nature of his reforms and possible motivations, and the reality of Atenism vis-à-vis later Biblical monotheism. The “revolution” of Akhenaten, born Amunhotep IV,1 evidently had significant implications both during and after his reign. The radical nature of his reforms is clearly visible in the later elimination of his name and those of his immediate successors from the official list of rulers.2 However, it is possible to see the roots of these changes, and perhaps of the Pharaoh’s motivations, in earlier developments in the importance and form 1 Greek Amunhopis IV. -
The Secret Name of Ra
Thesecret name of Ra Ra, the SoleCreator was visible to the peopleof Eglat asthe discol the sun,but they knew him in manyother {orms. He could appearas a crownedman. a falconor'a man with a falcon'shead and, as the scarabbeetle pushes a round ball of dungin front of it, the Egyptians picturedRa asa scarabpushing the sun acrossthe sky. In caverns deepbelow the earthwere hidden another seventy-five forms ofRa; mysteriousbeings with mummiEedbodies and heads consisting of birds or snakes,feathers or flowers,The namesof Rawere as numerousas his forms; he wasthe ShiningOne, The Hidden One, The Renewerof the Earth,The lfind in the Souls,The ExaltedOne, but therewas one name ofthe SunGod which hadnot beenspoken sincetime began.To know this secretname ofRa wasto havepower overhim andover the world that he hadcreated. Isislonged for suchapower. Shehad dreamed that oneday she *.ould havea marvellousfalcon-headed son called Horus andshe wantedthe throne of Ra to giveto her child. Isis wasthe Mistressof Magic,wiser than millionsofmen, but sheLrrew that nothingin creationwas powerful enoughto harmits creator.Her only chance vr'as!o turn thepower of Ra againsthimself and atlast Isisthought of a crlel andcunning plan. Everyday the SunGod walkedthrough his kingdom, attendedby a crowd ofspirits andlesser deities, but Rawas growingold. His eyeswere dim, his stepno longerfirm andhe had evenbegun to drivel. One morning Isismingled with a group of minor goddessesand followedbehind the King of the Gods.She watched the faceofRa until shesaw his salivadrip onto a clod o{ eanh.\0hen shewas sure that no-onewas taking any noticeo{ her, shescooped up the earth andcarried it awav.Isis mixed the earthwith the salivaofRa to form clay andmodelled a wickedJookingserpent. -
Ancient Egyptians Believed in an Afterlife
Note To the Teacher This kit is designed to help your students learn more about Ancient Egypt by viewing images from the Walters Art Museum collection. The scope ranges from the Middle Kingdom (Dynasties ca. 2061-1640 BCE) through the Ptolemaic Period (332-30 BCE). You will find ten images of objects from Ancient Egypt. In addition to the images, there is a timeline, essays about the museum objects; lesson plans for elementary, middle grades and high school, and bibliographies with resources to assist you in your class presentation. Resources include: a vocabulary list, books for you and your students, websites, videos and other art tools. TRK Borrowing Policy Please… 1. Return this kit in person or by mail on or by its due date. A valid credit card number is required to borrow Teacher Resource Kits. A $25.00 fee will be charged for kits that are returned up to one month late. Borrowers will be assessed the pur- chase cost of kits borrowed if materials are returned more than one month late. The box the TRK was sent in can be reused for its return. 2. Keep your TRK intact and in working order. You are responsible for the contents of this kit while it is in your possession. If any item is miss- ing or damaged, please contact the Department of School Programs at 410.547.9000, ext. 298, as soon as possible. 3. Fill out the TRK Evaluation so that kits can be improved with your input and student feedback. Please return the Teacher Resource Kit to: Department of School Programs Division of Education and Public Programs The Walters Art Museum 600 North Charles Street Baltimore, MD 21201-5185 Copyright Statement Materials contained in this Education kit are not to be reproduced or transmitted in any format, other than for educational use, without specific advance written permission from the Walters Art Museum. -
Amarna Period Down to the Opening of Sety I's Reign
oi.uchicago.edu STUDIES IN ANCIENT ORIENTAL CIVILIZATION * NO.42 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Thomas A. Holland * Editor with the assistance of Thomas G. Urban oi.uchicago.edu oi.uchicago.edu Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber THE ROAD TO KADESH A HISTORICAL INTERPRETATION OF THE BATTLE RELIEFS OF KING SETY I AT KARNAK SECOND EDITION REVISED WILLIAM J. MURNANE THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION . NO.42 CHICAGO * ILLINOIS oi.uchicago.edu Library of Congress Catalog Card Number: 90-63725 ISBN: 0-918986-67-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 1985, 1990 by The University of Chicago. All rights reserved. Published 1990. Printed in the United States of America. oi.uchicago.edu TABLE OF CONTENTS List of M aps ................................ ................................. ................................. vi Preface to the Second Edition ................................................................................................. vii Preface to the First Edition ................................................................................................. ix List of Bibliographic Abbreviations ..................................... ....................... xi Chapter 1. Egypt's Relations with Hatti From the Amarna Period Down to the Opening of Sety I's Reign ...................................................................... ......................... 1 The Clash of Empires -
The Inventory Stele: More Fact Than Fiction
Archaeological Discovery, 2018, 6, 103-161 http://www.scirp.org/journal/ad ISSN Online: 2331-1967 ISSN Print: 2331-1959 The Inventory Stele: More Fact than Fiction Manu Seyfzadeh1, Robert M. Schoch2 1Independent Researcher, Lake Forest, CA, USA 2Institute for the Study of the Origins of Civilization, College of General Studies, Boston University, Boston, MA, USA How to cite this paper: Seyfzadeh, M., & Abstract Schoch, R. M. (2018). The Inventory Stele: More Fact than Fiction. Archaeological The Inventory Stele tells a story about Khufu and the Great Sphinx which Discovery, 6, 103-161. contradicts the current mainstream narrative of when the Sphinx was carved. https://doi.org/10.4236/ad.2018.62007 The story’s historical relevance has long been challenged based on its mention of names and certain details which are believed to be anachronistic to the time Received: March 6, 2018 Accepted: April 16, 2018 of Khufu. Here, we address the elements commonly cited by the critics one by Published: April 19, 2018 one and find that they are largely based on misconceptions in part due to er- rors and oversights contained in the two commonly referenced translations Copyright © 2018 by authors and and based on a missing context which relates to the economics and symbolism Scientific Research Publishing Inc. of supplying provisions to the royal house. We reconstruct a more plausible This work is licensed under the Creative Commons Attribution International scenario of why and when the text may have been originally composed and License (CC BY 4.0). who its target audience was. From our analysis we conclude that while we http://creativecommons.org/licenses/by/4.0/ cannot rule out a couple of minor modifications of names from the original Open Access th written version we date to the 5 Dynasty, there is no plausible reason to dis- miss the entire account recorded in this Late Period version on those grounds alone and that the events it describes appear more factual than fictitious. -
Goddess Nekhbet Scenes on Royal Monuments During the Fifth and Sixth Dynasties Saraa El-Shamy
International Journal of Heritage, Tourism and Hospitality Vol. (13), No. (1), March, 2019 By: Faculty of Tourism and Hotels, Fayoum University Goddess Nekhbet Scenes on Royal Monuments during the Fifth and Sixth Dynasties Saraa El-Shamy Osama Ibrahim Taher Hassan Walid Shaikh Al Arab Faculty of Tourism and Hotels, Fayoum University Abstract Nekhbet was an early Predynastic local divinity in the Egyptian mythology. Her ancient Egyptian name meant She of Nekheb, she was the patron deity of the city of Nekheb. Ultimately, she became the tutelary deity of Upper Egypt and one of the two patron deities for all of Ancient Egypt when it was unified. Nekhbet and her Lower Egyptian counterpart Wadjet often appeared together as the Nebty name which meant [he/she] of the Two Ladies. It is one of the five titles of each ruler. This study aims to shed more light on the cult of goddess Nekhbet throughout her names, titles and iconographies appeared on royal monuments during the fifth and sixth dynasties. Geographical epithets of Nekhebet were the most common and important ones, especially those that connected with the IIIth Nome of Upper Egypt and its capital, Nekhen. Nekhbet beard several epithets which show her relationship with Upper Egypt and its principal sanctuary. Nekhbet attained epithets that refered to her mighty character «Awt-a:with outstretched wings » and « 8mAt-pD(w)t: Stretcher of Bows ». Keywords: Nekhbet, Old Kingdom, Vulture, Nekhen, El-Kab. Introduction Nekhbet* was the vulture goddess of Upper Egypt. She was a mythical mother of the king. She wasn't associated in any form of family ties with any deities but she was identified as the mother of Horus in the Pyramid Texts†. -
Contents Introduction to the Touch Tour
Contents Introduction to the Touch Tour................................2 Description and plan of Room 4 ............................4 1. Seated statue of Amenhotep III .........................6 2. Lion statue of Amenhotep III ..............................8 3. Sarcophagus ...................................................... 10 4. Statue of King Senwosret III ............................11 5. Left arm from a colossal statue of Amenhotep III .......................................................... 13 6. Seated statue of the goddess Sekhmet ........14 7. Block statue of Amenhotep ............................. 16 8. Boat sculpture of Queen Mutemwia ............. 18 9. Colossal scarab beetle .................................... 20 1 Introduction to the Touch Tour This tour of the Egyptian Sculpture Gallery is a specially designed Touch Tour for visitors with sight difficulties. This guide gives you information about nine highlight objects in Room 4 that you are able to explore by touch. The Touch Tour is also available to download as an audio guide from the Museum’s website: britishmuseum.org/egyptiantouchtour If you require assistance, please ask the staff on the Information Desk in the Great Court to accompany you to the start of the tour. The sculptures are arranged broadly chronologically, and if you follow the tour sequentially, you will work your way gradually from one end of the gallery to the other moving through time. Each sculpture on your tour has a Touch Tour symbol beside it and a number. 2 Some of the sculptures are very large so it may be possible only to feel part of them and/or you may have to move around the sculpture to feel more of it. If you have any questions or problems, do not hesitate to ask a member of staff. -
Edxrf Analysis of the Level of Heavy Metals in Marine Fishes from Rakhine Coastal Regions
EDXRF ANALYSIS OF THE LEVEL OF HEAVY METALS IN MARINE FISHES FROM RAKHINE COASTAL REGIONS PhD DISSERTATION WIN WIN MAW DEPARTMENT OF PHYSICS UNIVERSITY OF YANGON MYANMAR SEPTEMBER 2004 2 CONTENTS Page ACKNOWLEDGEMENT ABSTRACT CHAPTER I INTRODUCTION 1 1.1 General Features of Fishes 1 1.2 Types of Fish 2 1.2.1 Bony Fish and Cartilaginous Fish 3 1.3 Fish Shapes 4 1.4 Shellfish 4 1.5 Seafood 6 1.6 Seafood Quality and How to Check It 8 1.6.1 Smoked Seafood 9 1.6.2 Frozen Seafood 9 1.7 Shellfish and Packaging 10 1.7.1 Live Shellfish 10 1.7.2 Cooked Shellfish 11 1.8 Seafood Production, Consumption and Trade 13 1.9 Reducing Hazards with HACCP 17 1.9.1 Additional Protections 19 1.10 XRF - The Universal Metrology Method 20 CHAPTER II BACKGROUND THEORY OF X-RAYS 23 SPECTROSCOPY 2.1 Introduction of X-Ray 23 2.2 Nature of X-Rays 23 2.3 X-Ray Production 25 2.4 Properties of X-Rays 26 2.4.1 Fluorescence 27 2.4.2 Ionization 27 3 Page 2.4.3 X-Ray Diffraction 27 2.5 Interaction with Matter 28 2.5.1 Photoelectric Effect 28 2.5.2 Compton Effect 28 2.5.3 Pair Production 28 2.6 Application of X-Rays 29 2.6.1 Research Application 29 2.6.2 Industry Application 30 2.6.3 Medicine Application 31 CHAPTER III ANALYSIS OF X-RAY SPECTRA 33 3.1 Introduction 33 3.2 Spectrum Analysis 33 3.2.1 Continuous Spectrum 34 3.2.2 Absorption Spectra 36 3.3 Naming Transitions 37 3.4 Moseley's Law 38 3.5 Line Intensities 41 3.6 Satellite Peaks 42 3.7 Wavelength Shifts 43 3.8 Spectroscopic Analysis 46 3.9 WDS vs. -
Who Was Who at Amarna
1 Who was Who at Amarna Akhenaten’s predecessors Amenhotep III: Akhenaten’s father, who ruled for nearly 40 years during the peak of Egypt’s New Kingdom empire. One of ancient Egypt’s most prolific builders, he is also known for his interest in the solar cult and promotion of divine kingship. He was buried in WV22 at Thebes, his mummy later cached with other royal mummies in the Tomb of Amenhotep II (KV 35) in the Valley of the Kings. Tiye: Amenhotep III’s chief wife and the mother of Akhenaten. Her parents Yuya and Tjuyu were from the region of modern Akhmim in Egypt’s south. She may have lived out her later years at Akhetaten and died in the 14th year of Akhenaten’s reign. Funerary equipment found in the Amarna Royal Tomb suggests she was originally buried there, although her mummy was later moved to Luxor and is perhaps to be identified as the ‘elder lady’ from the KV35 cache. Akhenaten and his family Akhenaten: Son and successor of Amenhotep III, known for his belief in a single solar god, the Aten. He spent most of his reign at Akhetaten (modern Amarna), the sacred city he created for the Aten. Akhenaten died of causes now unknown in the 17th year of his reign and was buried in the Amarna Royal Tomb. His body was probably relocated to Thebes and may be the enigmatic mummy recovered in the early 20th century in tomb KV55 in the Valley of the Kings. Nefertiti: Akhenaten’s principal queen. Little is known of her background, although she may also have come from Akhmim. -
Ancient Egypt: Symbols of the Pharaoh
Ancient Egypt: Symbols of the pharaoh Colossal bust of Ramesses II Thebes, Egypt 1250 BC Visit resource for teachers Key Stage 2 Ancient Egypt: Symbols of the pharaoh Contents Before your visit Background information Resources Gallery information Preliminary activities During your visit Gallery activities: introduction for teachers Gallery activities: briefings for adult helpers Gallery activity: Symbol detective Gallery activity: Sculpture study Gallery activity: Mighty Ramesses After your visit Follow-up activities Ancient Egypt: Symbols of the pharaoh Before your visit Ancient Egypt: Symbols of the pharaoh Before your visit Background information The ancient Egyptians used writing to communicate information about a person shown on a sculpture or relief. They called their writing ‘divine word’ because they believed that Thoth, god of wisdom, had taught them how to write. Our word hieroglyphs derives from a phrase meaning ‘sacred carvings’ used by the ancient Greek visitors to Egypt to describe the symbols that they saw on tomb and temple walls. The number of hieroglyphic signs gradually grew to over 7000 in total, though not all of them were used on a regular basis. The hieroglyphs were chosen from a wide variety of observed images, for example, people, birds, trees, or buildings. Some represent the sounds of the ancient Egyptian language, but consonants only. No vowels were written out. Also, it was not an alphabetic system, since one sign could represent a combination of two or more consonants like the gaming-board hieroglyph which stands for the consonants mn. Egyptologists make the sounds pronounceable by putting an e between the consonants, so mn is read as men.