We Are Very Excited About Our Upcoming Cello Workshop on Sunday, February 4Th

Total Page:16

File Type:pdf, Size:1020Kb

We Are Very Excited About Our Upcoming Cello Workshop on Sunday, February 4Th We are very excited about our upcoming cello workshop on Sunday, February 4th. We are pleased to announce that this year we have not only one, but two fantastic clinicians coming to provide masterclasses and group class experiences. Please sign up online to make sure you don’t miss out on this opportunity! British born cellist Julia MacGregor began her musical studies with piano lessons at the age of five and started the cello two years later.She was awarded a music scholarship at the age of 10 to study at Watford School of Music with Malka Cossack until she began her studies at the age of 17 at the Royal Northern College of Music in Manchester with Raphael Sommer. After three years of study with Raphael Sommer she began further study with Ralph Kirshbaum and graduated with a first class honours diploma. A further two years of study with Ralph Kirshbaum included two performances as soloist of Elgar's cello concerto with the R.N.C.M. Symphony Orchestra .At this time she was accepted as a member of the European Community Youth Orchestra and its' Chamber Orchestra conducted by Claudio Abbado and Herbert Von Karajan.Julia's final year at the R.N.C.M. was as the principal cellist of the newly formed R.N.C.M.Sinfonia,formed in conjunction with the BBC to give advanced chamber orchestra experience at the highest level .Visiting conductors included Sir Edward Downes,Sir Charles Groves and Rudolph Schwartz. Julia participated in masterclasses with the Vermeer String Quartet and SIr William Glock at the R.N.C.M. Christopher Bunting at Dartington ,Zara Nelsova at International Music Seminar,Prussia Cove as well as performing in Aldeburgh Festival with Hugh Maguire directing .She was awarded the Brodsky and Henry Fielding scholarships by the R.N.C.M. and the Martin Trust Scholarship for two years administered by the Philharmonia Orchestra in London.Throughout this period of time her chamber music mentor was Terence Weil who was the original cellist of the Melos Ensemble of London. Upon completion of graduate studies in Manchester,Julia was offered an assistantship to study with Marc Johnson,cellist of the Vermeer String Quartet and Raya Garbousova at Northern Illinois University ,U.S.A. While studying at NIU,Julia coached chamber groups and taught undergraduate cellists the fundamentals of teaching the cello.She gained a Masters degree in Performance before returning to London ,England where she gained valuable orchestral experience performing with BBC Concert Orchestra,London Soloists Chamber Orchestra,London Sinfonia and Manchester Camerata. Following her marriage to Iain MacGregor in 1983,Julia relocated to South Western Ontario where she has enjoyed a varied and exciting musical career. She has performed the Boccherini B flat major concerto and Rodrigo's second cello concerto ( premier performance in Canada) with Orchestra London Canada,the Elgar and Monn concertos with London Community Orchestra as well as Bruch's "Kol Nidrei" and Dvorak's "Silent Woods" with the London Concert Players .Other solo work includes working with the Gerald Fagan Singers performing "Svyati" by John Tavener and the "Yiddish Suite" by Glick. Julia currently performs with the newly formed London Symphonia, (formerly Orchestra London Canada) and the Stratford Festival as well as being principal cellist of the Bach Festival Orchestra. Teaching the cello has always played an integral part throughout Julia's musical career . She teaches students from beginner to diploma level and many have represented London at the Provincial Finals of Kiwanis Music Festival,been finalists in the Canadian Music Competition as well as members of the National Youth Orchestra of Canada. Julia plays a Carlo Guiseppe Testore cello made in 1703 in northern Italy. Incorporating her extensive Suzuki training with her love of working with young children, Tova Rosenberg has developed innovative teaching ideas for young cellists and exciting programs for early childhood music education in New York City, and now in Toronto. For almost a decade, Tova was the teacher of the Early Childhood Music Program at the School for Strings in Manhattan, where she also taught Suzuki cello lessons and theory classes. She was a member of the cello faculty at the Diller-Quaile School of Music as well as the Third Street Music School Settlement. She has been a cello teacher for the Music Institute of Long Island, the Suzuki program at Brooklyn College and for the summer string festival at the Elisabeth Morrow School in New Jersey. An active performer, Tova was a founding member of the TEA trio. She holds an M.M. from DePaul University and a B.M. from McGill University and is a graduate of the School for Strings 2-year intensive Suzuki Teacher Training Program. She is also certified in the Mark O’Connor Violin Method. Since moving to Toronto, Tova has been appointed to the cello faculty at the Miles Nadal JCC Suzuki Strings Program as well as the Etobicoke Suzuki School of Music, where she also directs and teaches the Suzuki Early Childhood Education program. Tova has been the sole creator and teacher of custom Early Childhood Music Curriculums around Toronto, previously running classes out of the Wychwood Barns' Music in the Barns studio and the Miles Nadal JCC. Currently, Tova runs her one of a kind, music education program, Do Re…ME!, out of the Trinity St. Paul's Centre in the Annex. .
Recommended publications
  • Elizabeth Joy Roe, Piano
    The John F. Kennedy Center for the Performing Arts STEPHEN A. SCHWARZMAN , Chairman MICHAEL M. KAISER , President TERRACE THEATER Saturday Evening, October 31, 2009, at 7:30 presents Elizabeth Joy Roe, Piano BACH/SILOTI Prelude in B minor CORIGLIANO Etude Fantasy (1976) For the Left Hand Alone Legato Fifths to Thirds Ornaments Melody CHOPIN Nocturne in C-sharp minor, Op. 27, No. 1 WAGNER/LISZT Isoldens Liebestod RAVEL La Valse Intermission MUSSORGSKY Pictures at an Exhibition Promenade The Gnome Promenade The Old Castle Promenade Tuileries The Ox-Cart Promenade Ballet of the Unhatched Chicks Samuel Goldenberg and Schmuyle Promenade The Market at Limoges (The Great News) The Catacombs With the Dead in a Dead Language Baba-Yaga’s Hut The Great Gate of Kiev Elizabeth Joy Roe is a Steinway Artist Patrons are requested to turn off pagers, cellular phones, and signal watches during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. Notes on the Program By Elizabeth Joy Roe Prelude in B minor Liszt and Debussy. Yet Corigliano’s etudes JOHANN SEBASTIAN BACH ( 1685 –1750) are distinctive in their effective synthesis of trans. ALEXANDER SILOTI (1863 –1945) stark dissonance and an expressive landscape grounded in Romanticism. Alexander Siloti, the legendary Russian pianist, The interval of a second—and its inversion composer, conductor, teacher, and impresario, and expansion to sevenths and ninths—is the was the bearer of an impressive musical lineage. connective thread between the etudes; its per - He studied with Franz Liszt and was the cousin mutations supply the foundation for the work’s and mentor of Sergei Rachmaninoff.
    [Show full text]
  • 5Th Annual Classical Meets Pop Concert and Fireworks Display Featuring NPR from the Top Alumni Musicians Mount Vernon Community Center Th Saturday, July 4
    5th Annual Classical Meets Pop Concert and Fireworks Display featuring NPR From the Top Alumni Musicians Mount Vernon Community Center th Saturday, July 4 On Saturday, July 4th at 7:30pm, four of America's most exciting musicians will perform a free concert in the Mount Vernon Community Center. Following the concert, there will be a fireworks display over Minnehonk Lake. Seating in the hall is on a first come, first serve basis. Guests are also encouraged to bring blankets or chairs and sit outside on the lawn to listen. Donations will be accepted in support of the 30 Mile River Watershed Association and the Parker Pond Association. FMI: http://www.30mileriver.org/ or http://www.parkerpond.org/ Bassist Michael Thurber, a Julliard graduate and New York City-based composer and performer, has created scores for clients such as Vanity Fair and BBC America and most recently, the music for the Royal Shakespeare Company’s and the Public Theater of New York’s production of Antony and Cleopatra. Michael is a co-founder and music-director of CDZA. http://www.michaelt.org/ Pianist Christopher Staknys from Falmouth, Maine is currently in his first year at Julliard. He has won numerous competitions, including the Bagaduce Young Composers and Music Without Limits Concerto. His original composition, Congo, was premiered by the Portland Symphony Orchestra in 2012. Flutist Emi Ferguson, a faculty member at Julliard, has performed as concerto soloist in concerts and festivals around the world and was a featured performer alongside Yo-Yo Ma, Paul Simon, and James Taylor at the 10th Anniversary Memorial Ceremony of 9/11 at Ground Zero, where her performance of Amazing Grace was televised worldwide.
    [Show full text]
  • TARLEY, Violin Biography
    HANNAH TARLEY, violin Biography American violinist Hannah Tarley began playing the violin at age two. A winner of the 2018 Astral National Auditions, Ms. Tarley has soloed with orchestras including the San Francisco Symphony, Detroit Symphony, Academy of Conducting at Aspen Orchestra, Kiev Soloists, Lynn Philharmonia Orchestra, and San Francisco Symphony Youth Orchestra. Ms. Tarley has performed and worked with leading musicians and composers such as Itzhak Perlman, Jake Heggie, Mark Kaplan, Hsin-Yun Huang, Nobuko Imai, Shlomo Mintz, Itamar Zorman, Ralph Kirshbaum, and Shmuel Ashkenasi. She has participated in music festivals including the Perlman Music Program, Music@Menlo, International Musicians Seminar Prussia Cove, Olympic Music Festival, Kronberg Academy Masterclasses, Heifetz International Music Institute (Artist-in Residence), Seiji Ozawa Academy, and Aspen Music Festival and School. As both a soloist and chamber musician, Ms. Tarley has debuted in some of the world’s most acclaimed concert halls, including Davies Symphony Hall, Carnegie Hall, The Kimmel Center, Wigmore Hall, Mozarteum, Royal Festival Hall, Gewandaus, and the Library of Congress. Photo: Ryan Brandenberg Ms. Tarley is the Founder and Artistic Director of Notes By The Bay Music Visit astralartists.org to download hi-res Festival, an exciting children's summer music program in California. Now in images of this artist. its 6th season, it is a one-of-a-kind classical music festival for young musicians that brings together the magic of music, poetry, and theater. Notes By The Bay focuses on cultivating individual creativity, sense of imagination, and the importance of self-expression through words and music. The festival features ensemble chamber music playing, workshops and masterclasses in music and theater, and free concerts for the San Francisco Bay Area community.
    [Show full text]
  • Rehearing Beethoven Festival Program, Complete, November-December 2020
    CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time.
    [Show full text]
  • Walton - a List of Works & Discography
    SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG
    [Show full text]
  • LET's TALK STRINGS an Insight Into the Purcell
    CrescendoThe Official Magazine of The Purcell School for Young Musicians January 2019 INSIDE PURCELL: PRIDE & MUSIC THE PURCELL SCHOOL LET’S TALK STRINGS FEBRUARY 2019 OPEN MORNING An insight into The Purcell Showcasing and celebrating A massive thank you to the School’s Strings Department the contributions made by students and parents who led by Charles Sewart LGBT+ composers and artists offered their services! Also new to the department, INSIDE PURCELL: Anna-Liisa Bezrodny (Violin), was born into a distinguished family of musicians in Moscow, LET’S TALK STRINGS and currently in great demand An insight into The Purcell School’s Strings as a soloist, recitalist and Department led by Charles Sewart chamber musician, receiving praise from critics about her The Strings Department at Dvarionaite, Aiste’s aunt, was performances around the Purcell has had success over a famous pianist, especially globe. At the age of two she many years with former in Poland, and her brother began her violin studies with students playing all across Justas is a pianist and the her parents, and at the age the globe following their time current Vice President of of nine she enrolled at the at the School. The past few EMCY (a network of over fifty Sibelius Academy in Helsinki, months have been an exciting international and national Finland, in the class of her time for the department; we European music competitions parents, Prof. Igor Bezrodny have recently seen the addition for young people). Aiste’s and Prof. Mari Tampere- of three new teachers and father Jurgis Dvarionas is a Bezrodny.
    [Show full text]
  • RCM and Its Community, Part 2: the Hair-Raising Exploits of RCM Staff
    The Magazine for the Royal College of MusicI Autumn 2010 RCM and its community, part 2: The hair-raising exploits of RCM staff What’s inside... Welcome to upbeat… Welcome to the second of two special bumper issues of Upbeat, celebrating the extraordinary RCM community. Contents Following a summer issue devoted to RCM students, we now turn our 4 In the news attention to RCM staff. When they’re not here in Prince Consort Road, RCM Latest news from the RCM professors and administrative staff can be found running festivals, working with charities, collaborating with composers, producing CDs and DVDs, and 9 Hello and goodbye! performing in the widest possible variety of locations. They also perform under We welcome our new arrivals this the widest possible variety of names, so if you want to know the meaning of academic year and bid farewell to curious phrases such as My Gosh Marvellous, The G Project and Colombus three key members of staff Giant, then read on! 10 Staff stories Huge thanks to the many staff who submitted their stories, including those Upbeat meets with a variety of we sadly couldn’t quite fit in: we would love to have had the space to tell you RCM staff to explore ways they are contributing to music today about a dramatic year at Kathron Sturrock’s Fibonacci Festival, and Catherine Jack’s appearance on Centre Court at Wimbledon, but that would have blown 18 The big give the budget! With thanks to… As usual, the rest of Upbeat is packed with news from around the RCM.
    [Show full text]
  • PR 20191210 Hoch Alumni Orch
    NEWS RELEASE THE HOCHSTEIN SCHOOL | 50 N. PLYMOUTH AVE., ROCHESTER, NY 14614 585.454.4596 | WWW.HOCHSTEIN.ORG FOR IMMEDIATE RELEASE TUESDAY, DECEMBER 10, 2019 Media Contacts: Janice Hanson, Marketing and Communications Associate, [email protected] Debbie Tretter, Marketing and Communications Manager, [email protected] The Hochstein School’s 100th Anniversary Celebration Kicks Off with Hochstein Alumni Orchestra Concert on January 4 Free concert by former Hochstein students features acclaimed cellist Annie Jacobs-Perkins and a world premiere of a new piece by Cyrus Reynolds ROCHESTER, N.Y.—Former students of The Hochstein School – some traveling from as far away as Los Angeles, Stanford, and Berlin, Germany – return to Rochester to present a free orchestral concert on Saturday, January 4, 2020 at 8:00 pm in the Hochstein Performance Hall. This concert marks the 10th anniversary of the Hochstein Alumni Orchestra and kicks off Hochstein’s yearlong centennial celebration. Founded in 1920 to commemorate the genius of the late David Hochstein – an acclaimed violinist who was killed in action in World War I – the School opened in the Hochstein family home on Joseph Avenue to 250 eager students on January 2, 1920. This is just the first in a series of events to commemorate the School’s 100th anniversary in 2020. Directed by Evan Meccarello, the 50-member Hochstein Alumni Orchestra (HAO) performs Brahms’ Tragic Overture, the dramatic overture to Ferdinand Herold’s opera Zampa, and Haydn’s technically challenging Cello Concerto No. 2 in D Major with Hochstein alum Annie Jacobs-Perkins. A newly commissioned work, Fifteen, by Hochstein alum Cyrus Reynolds, will have its world premiere.
    [Show full text]
  • JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION
    JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms.
    [Show full text]
  • Wireless-World-1959
    EtT111133 7trlldll ELECTRONICS, RADIO, TELEVISION NOVEMBER 1959 Managing Editor: 475 Editorial Comment 476 Travelling-Wave Valves - By C. H. Dix HUGH S. POCOCK, M.I.E.E. 482 " Words, Words, Words " By P. P. Eckersley Editor: 485 Short -Wave Conditions 486 World of Wireless F. L. DEVEREUX, B.Se. 488 Personalities 489 News from the Industry Assistant Editors: 491 Russian TV Production 492 F.M. Receiver By J. G. Spencer H. W. BARNARD 499 Automatic Pattern Recognition By R. L. Grimsdale T. E. IVALL 502 Voltage -Tuned Oscillator By G. W. Short 505 Transistor A.F. Oscillator By H. B. Dent 507 Letters to the Editor 508 Technical Notebook 509 Simplified Transformer Testing By J. Skinner 510 Elements of Electronic Circuits -7 By J. M. Peters 512 Reception of Space Diversity Transmitters By J. W. Koch 514 Stereophony in the Open Air 515 Missing Signposts By " Cathode Ray" VOLUME 65 NO. 10 518 Manufacturers' Products PRICE: TWO SHILLINGS 521 Transistor Stopwatch By D. E. O'N. Waddington 525 November Meetings FORTY -NINTH YEAR 526 Unbiased By " Free Grid" OF PUBLICATION 528 Random Radiations By " Diallist " Offices: Dorset House, Stamford Street, London, S.E.1 Please address to Editor, Advertisement Manager. or Publisher, as appropriate & Sons Ltd. 1959. Permission in writing from the Editor must first be obtained before letterpress or illustrations ©lliffeare reproduced from this journal. Brief abstracts or comments are allowed provided acknowledgment to the journal is given. PUBLISHED MONTHLY (4th Monday of preceding month) by ILIFFE & SONS LTD., Dorset House. Stamford Street, London, S.E.1. Waterloo 3383 (65 lines).
    [Show full text]
  • Boris Allakhverdyan Alin Melik-Adamyan Clarinet P Piano PROGRAM Capriccio Variato on Carnival of Venice,
    Boris Allakhverdyan Alin Melik-Adamyan Clarinet P Piano PROGRAM Capriccio variato on Carnival of Venice, ................... Alamiro Giampieri for clarinet and piano (1893-1963) Nocturne for Clarinet and Piano ................................Pyotr Tchaikovsky (arr. S. Rozanov) (1840-1893) Toccata for piano solo ............................................ Aram Khachaturian (1903-1978) Andante et Allegro for Clarinet and Piano ................... Ernest Chausson (1855-1899) Three Preludes for Clarinet and Piano .........................George Gershwin (arr. James Cohn) (1898-1937) Allegro ben ritmato e deciso Andante con moto e poco rubato Allegro ben ritmato e deciso INTERMISSION Première Rhapsodie for Clarinet and Piano .....................Claude Debussy (1862-1918) Elegie Op. 3, No. 1 ..................................................Sergei Rachmaninoff (1873-1943) Moments musicaux Op. 16 No 4 for solo piano .......Sergei Rachmaninoff Viktor’s Tale from “The Terminal” for clarinet and piano .....John Williams (b. 1932) Sholem - alekhem Rov Feidman for Clarinet and Piano ........... Bela Kovacs (b. 1937) P Boris Allakhverdyan and Alin Melik-Adamyan appear by arrangement with Lisa Sapinkopf Artists www.chambermuse.com With grateful thanks to an anonymous friend of Abbey Church Events 9th November 2019 Saint Martin’s Abbey 8:00 p.m. Lacey, Washington About the Artists Boris Allakhverdyan was appointed Principal Clarinet of the Los Angeles Philharmonic in 2016. He previously served as Principal Clarinet of the Metropolitan Opera Orchestra
    [Show full text]
  • Liner Notes From
    u Quartet Alexander Goehr (6. 7932) The majority of composers, it seems, have yet to get over the impact of the Modern Movement of sixty years ago. Reactionaries continue to regard the innovations of Schoenberg and Stravinsky as tending to undermine the good old tradition while the avant-garde views the same advances as an obligation to perpetual revolution. How- ever, a third group of composers, as yet regretably small, sees the most hopeful way forward out of the resulting confusion as that of the modest progressive. Alexander Goehr, for instance, holds that, properly understood, the new resources of twentieth century composition offer means not of supplanting but of enriching the grammar and syntax of musical understanding as it has evolved beneath the surface of the varying musical styles of the last few centuries. Thus the harmonic distinction of all his works since the Two Choruses op. 14 arises from a syn- thesis of Schoenberg's serial principle with the modality of Messiaen to create a 'transformational grammar' for pitch relationships in some ways analagous with tonality in the days of its potency. That Goehr has absorbed many of the most radical developments of this century will be clear from this disc. Yet at the same time, and without a hint of neo-classicism, these works attain an intimacy and depth reminiscent of some of the great chamber works of the eighteenth and nineteenth centuries. The Second String Quartet was commissioned by Lord Dynevor and first performed complete by the Allegri String Quartet in October 1967. The first movement is an extended set of double variations.
    [Show full text]