Boston Symphony Orchestra Concert Programs, Season 101, 1981
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Elizabeth Joy Roe, Piano
The John F. Kennedy Center for the Performing Arts STEPHEN A. SCHWARZMAN , Chairman MICHAEL M. KAISER , President TERRACE THEATER Saturday Evening, October 31, 2009, at 7:30 presents Elizabeth Joy Roe, Piano BACH/SILOTI Prelude in B minor CORIGLIANO Etude Fantasy (1976) For the Left Hand Alone Legato Fifths to Thirds Ornaments Melody CHOPIN Nocturne in C-sharp minor, Op. 27, No. 1 WAGNER/LISZT Isoldens Liebestod RAVEL La Valse Intermission MUSSORGSKY Pictures at an Exhibition Promenade The Gnome Promenade The Old Castle Promenade Tuileries The Ox-Cart Promenade Ballet of the Unhatched Chicks Samuel Goldenberg and Schmuyle Promenade The Market at Limoges (The Great News) The Catacombs With the Dead in a Dead Language Baba-Yaga’s Hut The Great Gate of Kiev Elizabeth Joy Roe is a Steinway Artist Patrons are requested to turn off pagers, cellular phones, and signal watches during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. Notes on the Program By Elizabeth Joy Roe Prelude in B minor Liszt and Debussy. Yet Corigliano’s etudes JOHANN SEBASTIAN BACH ( 1685 –1750) are distinctive in their effective synthesis of trans. ALEXANDER SILOTI (1863 –1945) stark dissonance and an expressive landscape grounded in Romanticism. Alexander Siloti, the legendary Russian pianist, The interval of a second—and its inversion composer, conductor, teacher, and impresario, and expansion to sevenths and ninths—is the was the bearer of an impressive musical lineage. connective thread between the etudes; its per - He studied with Franz Liszt and was the cousin mutations supply the foundation for the work’s and mentor of Sergei Rachmaninoff. -
5Th Annual Classical Meets Pop Concert and Fireworks Display Featuring NPR from the Top Alumni Musicians Mount Vernon Community Center Th Saturday, July 4
5th Annual Classical Meets Pop Concert and Fireworks Display featuring NPR From the Top Alumni Musicians Mount Vernon Community Center th Saturday, July 4 On Saturday, July 4th at 7:30pm, four of America's most exciting musicians will perform a free concert in the Mount Vernon Community Center. Following the concert, there will be a fireworks display over Minnehonk Lake. Seating in the hall is on a first come, first serve basis. Guests are also encouraged to bring blankets or chairs and sit outside on the lawn to listen. Donations will be accepted in support of the 30 Mile River Watershed Association and the Parker Pond Association. FMI: http://www.30mileriver.org/ or http://www.parkerpond.org/ Bassist Michael Thurber, a Julliard graduate and New York City-based composer and performer, has created scores for clients such as Vanity Fair and BBC America and most recently, the music for the Royal Shakespeare Company’s and the Public Theater of New York’s production of Antony and Cleopatra. Michael is a co-founder and music-director of CDZA. http://www.michaelt.org/ Pianist Christopher Staknys from Falmouth, Maine is currently in his first year at Julliard. He has won numerous competitions, including the Bagaduce Young Composers and Music Without Limits Concerto. His original composition, Congo, was premiered by the Portland Symphony Orchestra in 2012. Flutist Emi Ferguson, a faculty member at Julliard, has performed as concerto soloist in concerts and festivals around the world and was a featured performer alongside Yo-Yo Ma, Paul Simon, and James Taylor at the 10th Anniversary Memorial Ceremony of 9/11 at Ground Zero, where her performance of Amazing Grace was televised worldwide. -
TARLEY, Violin Biography
HANNAH TARLEY, violin Biography American violinist Hannah Tarley began playing the violin at age two. A winner of the 2018 Astral National Auditions, Ms. Tarley has soloed with orchestras including the San Francisco Symphony, Detroit Symphony, Academy of Conducting at Aspen Orchestra, Kiev Soloists, Lynn Philharmonia Orchestra, and San Francisco Symphony Youth Orchestra. Ms. Tarley has performed and worked with leading musicians and composers such as Itzhak Perlman, Jake Heggie, Mark Kaplan, Hsin-Yun Huang, Nobuko Imai, Shlomo Mintz, Itamar Zorman, Ralph Kirshbaum, and Shmuel Ashkenasi. She has participated in music festivals including the Perlman Music Program, Music@Menlo, International Musicians Seminar Prussia Cove, Olympic Music Festival, Kronberg Academy Masterclasses, Heifetz International Music Institute (Artist-in Residence), Seiji Ozawa Academy, and Aspen Music Festival and School. As both a soloist and chamber musician, Ms. Tarley has debuted in some of the world’s most acclaimed concert halls, including Davies Symphony Hall, Carnegie Hall, The Kimmel Center, Wigmore Hall, Mozarteum, Royal Festival Hall, Gewandaus, and the Library of Congress. Photo: Ryan Brandenberg Ms. Tarley is the Founder and Artistic Director of Notes By The Bay Music Visit astralartists.org to download hi-res Festival, an exciting children's summer music program in California. Now in images of this artist. its 6th season, it is a one-of-a-kind classical music festival for young musicians that brings together the magic of music, poetry, and theater. Notes By The Bay focuses on cultivating individual creativity, sense of imagination, and the importance of self-expression through words and music. The festival features ensemble chamber music playing, workshops and masterclasses in music and theater, and free concerts for the San Francisco Bay Area community. -
Rehearing Beethoven Festival Program, Complete, November-December 2020
CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
LET's TALK STRINGS an Insight Into the Purcell
CrescendoThe Official Magazine of The Purcell School for Young Musicians January 2019 INSIDE PURCELL: PRIDE & MUSIC THE PURCELL SCHOOL LET’S TALK STRINGS FEBRUARY 2019 OPEN MORNING An insight into The Purcell Showcasing and celebrating A massive thank you to the School’s Strings Department the contributions made by students and parents who led by Charles Sewart LGBT+ composers and artists offered their services! Also new to the department, INSIDE PURCELL: Anna-Liisa Bezrodny (Violin), was born into a distinguished family of musicians in Moscow, LET’S TALK STRINGS and currently in great demand An insight into The Purcell School’s Strings as a soloist, recitalist and Department led by Charles Sewart chamber musician, receiving praise from critics about her The Strings Department at Dvarionaite, Aiste’s aunt, was performances around the Purcell has had success over a famous pianist, especially globe. At the age of two she many years with former in Poland, and her brother began her violin studies with students playing all across Justas is a pianist and the her parents, and at the age the globe following their time current Vice President of of nine she enrolled at the at the School. The past few EMCY (a network of over fifty Sibelius Academy in Helsinki, months have been an exciting international and national Finland, in the class of her time for the department; we European music competitions parents, Prof. Igor Bezrodny have recently seen the addition for young people). Aiste’s and Prof. Mari Tampere- of three new teachers and father Jurgis Dvarionas is a Bezrodny. -
Programme De Salle HECTOROCL.Indd
PROGRAMME Saison 2018 | 2019 DE SALLE HECTOR 100% BERLIOZ Jeudi 17 janvier 2019 20h Théâtre des Champs-Élysées VOTRE CONCERT SYMPHONIQUE LE PROGRAMME L’Orchestre fait son retour dans l’exceptionnel Théâtre des Champs-Élysées avec un programme intégralement dédié au compositeur français Hector Berlioz, qui clôt avec panache notre série 100%. Durée approximative du concert : 1h45 hector Berlioz Nuits d’été Symphonie fantastique op. 14 benjamin levy Direction albane carrère Mezzo-soprano 19H : RENCONTRE DE 30 MIN AVEC LES ARTISTES Avant chaque concert, les musiciens viennent à la rencontre des spectateurs. Ce moment convivial offre la possibilité à chacun de faire connaissance, de discuter des œuvres programmées et de la vie de l’Orchestre. Entrée libre sur présentation du billet. Cet événement s’inscrit dans le cadre de la Célébration du cent cinquantenaire de la disparition de Berlioz, par le Ministère de la Culture. L’ORCHESTRE ET SON HISTOIRE Orchestre Lamoureux est un orchestre symphonique français L’ qui se produit dans les grandes salles de concert parisiennes. L’Orchestre Lamoureux est composé de 83 musiciens titulaires, recrutés sur concours ; il est subventionné par la Ville de Paris et la DRAC Ile-de-France et financé par son cercle de mécènes privés. Fondé en 1881 par Charles Lamoureux sous le nom de « Société des Nouveaux Concerts », il est reconnu d’utilité publique à partir de 1961. Charles Lamoureux était un grand admirateur de la musique de Richard Wagner, ce n’est donc pas un hasard si c’est grâce aux Concerts Lamoureux que l’on a entendu Lohengrin pour la première fois en France en 1891. -
Claude Debussy Ebook
CLAUDE DEBUSSY PDF, EPUB, EBOOK David J. Code | 216 pages | 15 Aug 2010 | Reaktion Books | 9781861897596 | English | London, United Kingdom Claude Debussy PDF Book That version of events is not corroborated by Debussy scholars such as Marcel Dietschy , Eric Frederick Jensen , Roger Nichols , Robert Orledge , Nigel Simeone or Stephen Walsh ; [67] and no mention of the Place de la Concorde appeared in even the most sensational press coverage at the time. London: Collins. See Article History. Jazz Latin New Age. London: Stainer and Bell. Chamber Music. Not a single idea is expressed fully, the form is terribly shriveled, and it lacks unity. Debussy had his piano lesson when he was 7 years old. For many follower composers, Debussy has successfully set up unique paradigm and tonal structure in his piece. String Quartet, L. Collaborated with. Jensen, Eric Frederick Debussy and Emma Bardac eventually married in , their troubled union enduring for the rest of his life. Debussy abandoned Dupont for her friend Marie-Rosalie Texier, known as "Lilly", whom he married in October , after threatening suicide if she refused him. At the Conservatoire, Debussy initially made good progress. Reti, Rudolph Estampes for piano gives impressions of exotic locations, with further echoes of the gamelan in its pentatonic structures. Mineola, US: Dover. Influenced by. Claude Debussy — Biography. Its origins are complex and fascinating, combining influences from poetry, the music of the Baroque period from around to , and Impressionism, a style in music following on from that in visual arts. His distinctive signature lay on the appealing combination of sensuality and modernism within mature composition that made his music known for its real beauty. -
PR 20191210 Hoch Alumni Orch
NEWS RELEASE THE HOCHSTEIN SCHOOL | 50 N. PLYMOUTH AVE., ROCHESTER, NY 14614 585.454.4596 | WWW.HOCHSTEIN.ORG FOR IMMEDIATE RELEASE TUESDAY, DECEMBER 10, 2019 Media Contacts: Janice Hanson, Marketing and Communications Associate, [email protected] Debbie Tretter, Marketing and Communications Manager, [email protected] The Hochstein School’s 100th Anniversary Celebration Kicks Off with Hochstein Alumni Orchestra Concert on January 4 Free concert by former Hochstein students features acclaimed cellist Annie Jacobs-Perkins and a world premiere of a new piece by Cyrus Reynolds ROCHESTER, N.Y.—Former students of The Hochstein School – some traveling from as far away as Los Angeles, Stanford, and Berlin, Germany – return to Rochester to present a free orchestral concert on Saturday, January 4, 2020 at 8:00 pm in the Hochstein Performance Hall. This concert marks the 10th anniversary of the Hochstein Alumni Orchestra and kicks off Hochstein’s yearlong centennial celebration. Founded in 1920 to commemorate the genius of the late David Hochstein – an acclaimed violinist who was killed in action in World War I – the School opened in the Hochstein family home on Joseph Avenue to 250 eager students on January 2, 1920. This is just the first in a series of events to commemorate the School’s 100th anniversary in 2020. Directed by Evan Meccarello, the 50-member Hochstein Alumni Orchestra (HAO) performs Brahms’ Tragic Overture, the dramatic overture to Ferdinand Herold’s opera Zampa, and Haydn’s technically challenging Cello Concerto No. 2 in D Major with Hochstein alum Annie Jacobs-Perkins. A newly commissioned work, Fifteen, by Hochstein alum Cyrus Reynolds, will have its world premiere. -
Boris Allakhverdyan Alin Melik-Adamyan Clarinet P Piano PROGRAM Capriccio Variato on Carnival of Venice,
Boris Allakhverdyan Alin Melik-Adamyan Clarinet P Piano PROGRAM Capriccio variato on Carnival of Venice, ................... Alamiro Giampieri for clarinet and piano (1893-1963) Nocturne for Clarinet and Piano ................................Pyotr Tchaikovsky (arr. S. Rozanov) (1840-1893) Toccata for piano solo ............................................ Aram Khachaturian (1903-1978) Andante et Allegro for Clarinet and Piano ................... Ernest Chausson (1855-1899) Three Preludes for Clarinet and Piano .........................George Gershwin (arr. James Cohn) (1898-1937) Allegro ben ritmato e deciso Andante con moto e poco rubato Allegro ben ritmato e deciso INTERMISSION Première Rhapsodie for Clarinet and Piano .....................Claude Debussy (1862-1918) Elegie Op. 3, No. 1 ..................................................Sergei Rachmaninoff (1873-1943) Moments musicaux Op. 16 No 4 for solo piano .......Sergei Rachmaninoff Viktor’s Tale from “The Terminal” for clarinet and piano .....John Williams (b. 1932) Sholem - alekhem Rov Feidman for Clarinet and Piano ........... Bela Kovacs (b. 1937) P Boris Allakhverdyan and Alin Melik-Adamyan appear by arrangement with Lisa Sapinkopf Artists www.chambermuse.com With grateful thanks to an anonymous friend of Abbey Church Events 9th November 2019 Saint Martin’s Abbey 8:00 p.m. Lacey, Washington About the Artists Boris Allakhverdyan was appointed Principal Clarinet of the Los Angeles Philharmonic in 2016. He previously served as Principal Clarinet of the Metropolitan Opera Orchestra -
Fonds Yvonne Lefébure 2
Fonds Yvonne LEFEBURE Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 Médiathèque Musicale Mahler – Fonds Yvonne Lefébure 2 Fonds Yvonne LEFEBURE Documents personnels 4 Documents biographiques 4 Documents personnels 5 Formation 5 Diplômes et distinctions 7 Distinctions, correspondance officielle 8 Divers 8 Professeur et pédagogue 9 Conservatoire National de Musique 9 Ecole Normale de Musique 9 Concours 9 Devoirs d'élèves annotés par Yvonne Lefébure 10 Ecrits d'Yvonne Lefébure 11 Articles de presse 13 Correspondance 14 Correspondance Yvonne Lefébure / Fred Goldbeck 14 Correspondance personnelle et familiale 14 Correspondance générale 15 Lettres et cartes non identifiées 49 Correspondance d'Yvonne Lefébure à Marthe Morhange-Motchane 50 Partitions 53 Manuscrits musicaux 53 Partitions imprimées et dédicacées 54 Partitions imprimées non dédicacées 55 Copies, reproductions et esquisses 58 Iconographie 59 Iconographie générale 59 Yvonne Lefébure et son entourage 60 Programmes 62 Programmes d'Yvonne Lefébure 62 Programmes divers 68 Affiches 70 Enregistrements 71 Documents divers 72 Livres 72 Documentation musicale 74 Revues 74 Objets 74 Fred Goldbeck 75 Papiers et documents personnels 75 Ecrits : manuscrits, livres, articles 75 Livre d'or de Fred Goldbeck 79 Mise à jour le 11 juin 2019 Médiathèque Musicale Mahler – Fonds Yvonne Lefébure 3 Additif Odile Budan 84 Documents biographiques Correspondance personnelle et familiale Correspondance nécrologique Correspondance générale Iconographie Notes professionnelles -
Memorial Library of Music Collection
http://oac.cdlib.org/findaid/ark:/13030/kt6r29p0pm No online items Partial Guide to the Memorial Library of Music Collection Special Collections staff Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc/ © 2006 The Board of Trustees of Stanford University. All rights reserved. Partial Guide to the Memorial MLM 1 Library of Music Collection Partial Guide to the Memorial Library of Music Collection Collection number: MLM Department of Special Collections and University Archives Stanford University Libraries Stanford, California Processed by: Special Collections staff Date Completed: 2003 Encoded by: Bill O'Hanlon © 2006 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Memorial Library of Music collection Collection number: MLM Collector: Keating, George T. Collection Size: ca. 27 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Abstract: This library is a collection of musical manuscripts and of printed and engraved scores inscribed by great composers, and constitutes a unique addition to Stanford's educational and cultural resources. Languages: Languages represented in the collection: English Access Collection is open for research; materials must be requested at least 24 hours in advance of intended use. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Preferred Citation Memorial Library of Music Collection, MLM. Dept. of Special Collections, Stanford University Libraries, Stanford, Calif.