Pantomime Production Sir Elton John Will Visit the Midlands in 2020 of Dick Whittington This Christmas

Total Page:16

File Type:pdf, Size:1020Kb

Pantomime Production Sir Elton John Will Visit the Midlands in 2020 of Dick Whittington This Christmas Staffordshire Cover December 2018.qxp_Staffordshire Cover 20/11/2018 17:08 Page 1 MARTINE MCCUTCHEON Your FREE essential entertainment guide for the Midlands STARS IN ELF IN THE MIDLANDS STAFFORDSHIRE WHAT’S ON DECEMBER 2018 ON DECEMBER WHAT’S STAFFORDSHIRE Staffordshire ISSUE 396 DECEMBER 2018 ’ FILMWhat I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onstaffordshirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide NATIVITY! hit stage musical pays a festive visit to The Potteries TWITTER: @WHATSONSTAFFS TWITTER: @WHATSONSTAFFS HARRY & CHRIS family-friendly fellas at Stafford Gatehouse FACEBOOK: @STAFFORDSHIREWHATSON FACEBOOK: A CATHEDRAL LIT award-winning illuminations return to Lichfield STAFFORDSHIREWHATSON.CO.UK (IBC) Staffordshire.qxp_Layout 1 21/11/2018 15:54 Page 1 Stafford Gatehouse Theatre, Eastgate Street, Stafford, ST16 2LT CHRISTMAS GOTHIC TUES 4 & WED 5 DECEMBER, 7.30PM ALL TICKETS: £16.50 DICK WHITTINGTON THE ROCK ‘N’ ROLL PANTO FRI 7 DECEMBER - SUN 6 JANUARY 2019 TICKETS: £20.00, £15.50 CONCS HARRY AND CHRIS SAVE THE WORLD THURS 13 DECEMBER, 8PM TICKETS: £13.00, £11.00 CONCS URBAN FOLK QUARTET SAT 15 DECEMBER, 7.30PM ALL TICKETS: £16.00 FAGIN’S LAST HOUR 12+ SAT 22 DECEMBER, 7.30PM TICKETS: £15.50, £13.50 CONCS A CHRISTMAS CAROL AS TOLD BY JACOB MARLEY (DECEASED) 7+ SUN 23 DECEMBER, 7.30PM TICKETS: £15.50, £13.50 CONCS for more information visit: www.staffordgatehousetheatre.co.uk Contents December Wolves/Shrops/Staffs.qxp_Layout 1 20/11/2018 16:18 Page 2 December 2018 Contents Nativity! The Musical - hit West End show visits the Potteries... more on page 28 Izzy Wizzy... Roni Size Victorian Christmas the list Richard and Sooty conjure up Brit Award winner makes his plenty of festive cheer at Your 16-page some festive magic in Wolves Shropshire club debut Blists Hill Victorian Town week-by-week listings guide feature page 8 page 15 page 46 page 51 inside: 4. First Word 11. Food 15. Music 19. Comedy 24. Theatre 37. Film 40. Visual Arts 45. Events @whatsonwolves @whatsonstaffs @whatsonshrops Wolverhampton What’s On Magazine Staffordshire What’s On Magazine Shropshire What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 What’sOn Editorial: Lauren Foster [email protected] 01743 281707 Brian O’Faolain [email protected] 01743 281701 Abi Whitehouse [email protected] 01743 281716 Sue Jones [email protected] 01743 281705 MEDIA GROUP Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Katherine Ewing, Jenny Ell, Steve Adams, Lauren Cole, Nanci Davies, Jack Rolfe, Elly Yates-Roberts, Daisy Sparkle, Steve Taylor, Chris Eldon Lee Publisher and CEO: Martin Monahan Accounts Administrator: Julia Perry [email protected] 01743 281717 This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine. We endorse the recycling of our magazine and would encourage you to pass it on to others to read when you have finished with it. All works appearing in this publication are copyright. It is to be assumed that the copyright for material rests with the magazine unless otherwise stated. No part of this publication may be reproduced, or stored in an electronic system, transmitted in any form or by any means, electronic, mechanical, photocopied, recording or otherwise, without the prior knowledge and consent of the publishers. First Word Wolverhampton December.qxp_Layout 1 21/11/2018 15:31 Page 1 Entertainment news from around the region A grand 2019 line-up at Wolverhampton’s Grand! UK touring versions of Calendar Girls The Musical and The Rocky Horror Show (pictured) will visit Wolverhampton Grand Theatre next year. The productions are part of an impressive line- up of entertainment at the venue that also fea- tures appearances by Brian Blessed, Elkie Brooks, Tony Blackburn and Northern Ballet. Other 2019 highlights at the Grand include a first-ever visit by Birmingham Royal Ballet, who will be performing a double bill compris- ing new dance show Seasons In Our World and Prokofiev’s much-loved Peter And The Wolf. For more information about the Grand’s line- up of shows, visit grandtheatre.co.uk New Vic Theatre seeking Sales & Development Manager, Matt Clay, Bongo’s Bingo takes its said: “We are overjoyed at the generosity of associate artist for 2019 local businesses. The amount of sponsored bow in Wolverhampton The New Vic Theatre has opened applica- tickets we’ve received has exceeded our ex- An ‘insane’ mix of a live show, a rave and a tions for its artistic development programme, pectations.” heads-down game of bingo is debuting in The Kiln, and is now searching for a local Wolverhampton this month. artist, collective or company to become Asso- Bongo’s Bingo takes place at the city’s ciate Artist for 2019. Inviting applications Hangar venue on Friday 7, Saturday 8 & Mon- from local artists based in North Stafford- day 31 December, with the first of the three shire who are working in performance, the shows featuring an appearance by chart-top- New Vic’s artistic development programme ping electronic band N-Trance. offers a 12-month placement of bespoke sup- Other highlights include dance-offs, audi- port, tailored to the needs and ambitions of ence participation, ‘countless’ hands-in-the- the successful Associate Artist. air anthems and the opportunity to win a For more information about The Kiln, visit selection of prizes, among which are a pink newvictheatre.org.uk. Dickens at Mitton Manor unicorn, mobility scooters, boxes of Coco Pops and life-size cardboard cut-outs! Visit Staffordshire’s Mitton Manor Gardens is kick- bongosbingo.co.uk for more information. starting December by hosting a stage adapta- tion of Charles Dickens’ classic ghost story, A Christmas Carol. The highly rated Chapter- house theatre company are the ensemble pre- senting the production, which takes place at the venue on Saturday 1 December. For more information, visit mittonmanor.co.uk Theatre and businesses team up to help families Lichfield Garrick Theatre is working with businesses and charities to help families who are suffering bereavement, illness or trauma Sir Elton back on the road to attend the venue’s pantomime production Sir Elton John will visit the Midlands in 2020 of Dick Whittington this Christmas. with his Farewell Yellow Brick Road tour. The scheme has already been a huge success, The show stops off at Arena Birmingham on 9 with 13 local businesses sponsoring 26 fami- November 2020, and then at Resorts World lies. The sponsored family tickets will be dis- Arena two days later, on the 11th. tributed by local charities. For information about ticket availability, Commenting on the initiative, the Garrick’s visit theticketfactory.com 4 whatsonlive.co.uk First Word Wolverhampton December.qxp_Layout 1 21/11/2018 15:31 Page 2 First Word Ian McKellen turns 80 in the Midlands Sir Ian McKellen is to cele- brate his 80th birthday next year by presenting a new solo show on 80 stages across the UK, including Birmingham Repertory Theatre (on Friday 21 and Saturday 22 June). The Lord Of The Rings star is touring his production to raise money for theatres. Commenting on the news, The REP’s Artistic Director, Rox- ana Silbert, said: “We’re thrilled to be welcoming Ian to Birmingham next year. This will be a special show and a rare and excellent opportunity to celebrate one of the UK’s greatest actors.” Jasmin Vardimon celebrates 20 years of dance creativity Choreographer Jasmin Vardimon makes a welcome return to the Midlands early next year with a show that reflects on the powerful feminine symbol of Medusa, both in terms of the myth itself and its various contemporary connotations. The production celebrates the 20th anniversary of Jasmin’s company and is being presented at Shrewsbury’s Theatre Severn on Monday 18 February. For more information, visit theatresevern.co.uk Steve Punt to Paul Weller to play Forest Live 2019 narrate Rocky Paul Weller will next year take part in Forest Live for the first time A feast of festive Horror in Stoke since 2014. The annual summer concert series, promoted by the Forestry Com- entertainment Comedian Steve Punt will mission, takes place in seven beautiful forests, including Cannock Birmingham’s Symphony Hall star as The Narrator in the Chase in Staffordshire and Westonbirt Arboretum in Gloucestershire. looks to have Christmas cov- UK tour of The Rocky Horror Commenting on his ered this month, presenting a Show when it visits Stoke- participation in the programme of entertainment on-Trent’s Regent Theatre 2019 concerts, Paul for the whole family to enjoy. from Monday 3 to Saturday said: “The Forest The festive celebrations begin 8 June. Commenting on his shows are always with Christmas Spectacular, involvement in the produc- great gigs for us. ‘the ultimate Christmas party tion, Steve said: “Rocky is a It’s been a while with a snow-filled finale’. Fol- show I've known for a long since I last did lowing that, there's Carols By time and always loved, so it them, so I’m really Candlelight - featuring an or- was a lovely thing to be looking forward to chestra in full 18th century asked to do it.” next year.” costume - Christmas Carol Sin- Tickets for The Rocky Horror galong with Jonathan Cohen, Show are now available at White Christmas - comprising the Regent’s box office, on- favourite Christmas songs and line or by calling 0844 871 ESL One returns to the Midlands carols - the big band sound of 7649.
Recommended publications
  • The Performance of Gender with Particular Reference to the Plays of Shakespeare
    Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Dixon, Luke (1998) The performance of gender with particular reference to the plays of Shakespeare. PhD thesis, Middlesex University. [Thesis] This version is available at: https://eprints.mdx.ac.uk/6384/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated.
    [Show full text]
  • THE UNIVERSITY of HULL (Neo-)Victorian
    THE UNIVERSITY OF HULL (Neo-)Victorian Impersonations: 19th Century Transvestism in Contemporary Literature and Culture being a Thesis submitted for the Degree of PhD in the University of Hull by Allison Jayne Neal, BA (Hons), MA September 2012 Contents Contents 1 Acknowledgements 3 List of Illustrations 4 List of Abbreviations 6 Introduction 7 Transvestites in History 19th-21st Century Sexological/Gender Theory Judith Butler, Performativity, and Drag Neo-Victorian Impersonations Thesis Structure Chapter 1: James Barry in Biography and Biofiction 52 ‘I shall have to invent a love affair’: Olga Racster and Jessica Grove’s Dr. James Barry: Her Secret Life ‘Betwixt and Between’: Rachel Holmes’s Scanty Particulars: The Life of Dr James Barry ‘Swaying in the limbo between the safe worlds of either sweet ribbons or breeches’: Patricia Duncker’s James Miranda Barry Conclusion: Biohazards Chapter 2: Class and Race Acts: Dichotomies and Complexities 112 ‘Massa’ and the ‘Drudge’: Hannah Cullwick’s Acts of Class Venus in the Afterlife: Sara Baartman’s Acts of Race Conclusion: (Re)Commodified Similarities Chapter 3: Performing the Performance of Gender 176 ‘Let’s perambulate upon the stage’: Dan Leno and the Limehouse Golem ‘All performers dress to suit their stages’: Tipping the Velvet ‘It’s only human nature after all’: Tipping the Velvet and Adaptation 1 Conclusion: ‘All the world’s a stage and all the men and women merely players’ Chapter 4: Cross-Dressing and the Crisis of Sexuality 239 ‘Your costume does not lend itself to verbal declarations’:
    [Show full text]
  • Wellingtonia Issue 7 : Second Quarter 2010 FREE ISSUE! Newsletter of the Wellington History Group, Rediscovering the Past of Wellington in Shropshire
    Wellingtonia Issue 7 : Second Quarter 2010 FREE ISSUE! Newsletter of the Wellington History Group, rediscovering the past of Wellington in Shropshire EDITORIAL IN THIS ISSUE ****************** elcome to the latest issue Page of Wellingtonia, which 2. Admaston Home Guard (as usual) is packed with W 3. Taking the Plunge items of interest to everyone wanting to know more about the 4. My YM history of the Wellington area. 6. Izzy Whizzy So much has been happening 7. Brief Encounters recently that, at times, it’s difficult 8. John Houlston: to keep up with events. Whenever possible, we try to give Victorian Travel Agent information to the local Press 10. The French Connection without falling into the trap of 11. 14 Market Square creating ‘wishful thinking’ history: Is this Wellington’s Cultural 12. Location, Location it’s very easy to pass odd Icon of the Twentieth Century? 14. Rebuilding Britain comments which can be See page 6. misinterpreted or misconstrued, so 16. Workhouse Woes the best we can do is use these Below: Archaeologists Tim Malim 17. Furniture Adverts pages to set the record straight or (left) and Laurence Hayes resume 18. 100 Years Ago: 1910 give a more reasoned assessment excavations at the rear of Edgbaston 20. Announcements for a variety of features which House in Walker Street. Many more Contact Details have been uncovered. finds have been recovered, including Two areas worth a special these animal bones (bottom right). mention are the further excavations of the garden behind Edgbaston House which continues to yield remarkable finds, and recent refurbishment work at 14 Market Square, where stonework and timber carvings present us with challenges in interpretation.
    [Show full text]
  • An Exploration of Gender, Sexuality and Queerness in Cis- Female Drag Queen Performance
    School of Media, Culture & Creative Arts Faux Queens: an exploration of gender, sexuality and queerness in cis- female drag queen performance. Jamie Lee Coull This thesis is presented for the Degree of Doctor of Philosophy of Curtin University November 2015 DECLARATION To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Human Ethics The research presented and reported in this thesis was conducted in accordance with the National Health and Medical Research Council National Statement on Ethical Conduct in Human Research (2007) – updated March 2014. The proposed research study received human research ethics approval from the Curtin University Human Research Ethics Committee (EC00262), Approval Number #MCCA-12-12. Signature: Date: 20/11/2015 i ABSTRACT This PhD thesis investigates the cultural implications of cis-women performing female drag, with particular focus on cis-female drag queens (aka faux queens) who are straight-identified. The research has been completed as creative production and exegesis, and both products address the central research question. In the introductory chapter I contextualise the theatrical history of male-to-female drag beginning with the Ancient Greek stage, and foreground faux queens as the subject of investigation. I also outline the methodology employed, including practice-led research, autoethnography, and in-depth interview, and provide a summary of each chapter and the creative production Agorafaux-pas! - A drag cabaret. The introduction presents the cultural implications of faux queens that are also explored in the chapters and creative production.
    [Show full text]
  • Cultural Confrontations at Lithuania's National Drama Theatre &L
    Lease_v10.doc 1 <MT>Theatre as Action, Dramaturgy as Streben <MST>Cultural Confrontations at Lithuania’s National Drama Theatre <AU>Bryce Lease <TEXT1>In March 2014, Jonas Vaitkus, the artistic director of the Lietuvos Rusų Dramo s Teatras (Lithuanian Russian Drama Theatre) in Vilnius, declined an invitation to include his recent stage adaptation of Eugene Onegin staring the Ukrainian actor Grigorijus Gladijus at the annual Baltijskij dom (Baltic Home) theatre festival in St. Petersburg, which brings together Russian-language drama from former Soviet states.1 Vaitkus’s decision, which received unanimous support from the theatre’s ensemble, was outlined in an open letter that castigated the organizer of the festival, Sergei Šubo, for signing the Russian Ministry of Culture’s list of artists who support Vladimir Putin’s aggressive political action in Ukraine in the spring of 2014. While Vaitkus makes it clear that Šubo has the right to attach his own name to such a list, he reprimands the organizer’s choice to sign on behalf of Baltijskij dom, which assigns complicity to every artist who participates in the festival. Vaitkus carefully points out his allegiance to the Lithuanian government’s position on the revolutionary developments in Ukraine, which they consider a sovereign state, Lease_v10.doc 2 and their refusal to recognize the legality of the referendum on Crimea and Russia’s subsequent annexation of the region.2 Vaitkus concludes the letter: “We express our respect, our sympathy and our hope that in your country [Russia] a time will
    [Show full text]
  • Appendix 2 Update on Tamworth Assembly Rooms.Pdf
    October 2019 - March 2020 130 ACE logo How to find us Welcome Back! E AP C T H A Railway Station OL E G We are delighted to welcome you back to CORONATION ST R LO N LN R LUD Y D U LU G S Tamworth’s number one entertainment GA T R E TE MARM PROSPECT ST P ALBERT R D P venue and to show you all the exciting HOSPITAL ST RA ST U BARBA LO To Town W I Centre O changes that have taken place. Tamworth T E N D S R SA ST R T S G A L AL X L U I V I OFF R O Assembly Rooms has undergone a multi- E A ST N BI N O N G O T N D TE ATE C ST T A S I R ALFRED ST G T E V R IV million pound refurbishment project to both M E D E P AL E Guy’s Almshouses S Bus M enhance and preserve the historic features T S Philip Dix T A JO ORCHARD Terminus S HN House C R O M T S T C Library HALFORD ST L W I O which make it such an iconic venue - and to EH O R A N P I R LL ATE O ST D Marmion House G R make sure it lives up to the expectations of L (Council offices & A HE E ER T A Tourist Information) D I S Registration T O H T Assembly Post Office N S modern audiences.
    [Show full text]
  • Puss in Boots a Play with Music in the English Pantomime Tradition
    Puss in Boots A Play With Music In the English Pantomime Tradition Book and Lyrics by Greg Palmer Music by Cliff Lenz Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co. Inc. Contact the publisher for additional scripts and further licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangements with Eldridge Publishing Co.” ELDRIDGE PUBLISHING COMPANY www.hiStage.com ©Copyright 1985, 2008 by Greg Palmer & Cliff Lenz Download your complete script from Eldridge Publishing https://histage.com/puss-in-boots Puss in Boots - 2 - STORY OF THE PLAY A musical version of Charles Perrault's story, done in the style of the English Pantomime, and featuring the various pantomime traditions including a "Pantomime Dame" (played by a male), "Principal Boy" (played by a girl), "Principal Girl," fairies who talk in rhyme, and significant audience interaction. This script, with six delightful songs, was commissioned by Seattle Children's Theatre and later televised. A wonderfully antic version of the popular story with enough action for any member of the family. Recipient of the "Ohio State Award Best Children's Program." Perfect for audiences of all ages. About 90 minutes. “The show has everything. Its script is funny/arch/clever; it’s music is a delight. The show keeps its audience happily involved for every one of its 90 minutes. Palmer’s adaptation is almost nonstop hilarious.
    [Show full text]
  • Chapter 1. Changing Sex and Bending Gender: an Introduction
    1 CHANGING SEX AND BENDING GENDER: AN INTRODUCTION Alison Shaw An Indian folk-tale tells the story of two Rajas who agree that if one of them has a son and the other a daughter, their children will marry. When they both have daughters, one Raja disguises his daughter as a boy and raises her as his son. This does not solve the problem of her biological sex, however, and at her marriage the deceit is discovered and the boy’s father declares revenge. Desperate, the girl attempts suicide by throwing herself into the river Juma, but instead emerges from it transformed into a male. Her grateful father builds temples on the river bank in gratitude (Penzer 1927: 229–230). In this story, gender is manipulated through disguise and a sex change is effected by supernatural means, for it would have been impossible to achieve, at that time and place, through human efforts alone. In many other myths and legends, a transformation of biological sex is itself the source of the changed person’s supernatural powers. For example, the Greek myth of Kaineus tells the story of a young, vulnerable woman who is miraculously transformed into an aggressive and superhuman warrior king. In one version, the transformation of Kainis-the-girl to Kaineus-the-man seems to be a form of revenge, for it occurs after Kainis has been raped by Poseidon, while in another version her sex change happens in time for her to outwit the sea god and avoid the rape (Forbes-Irving 1990: 155–62). Stories of ‘changing sex and bending gender’ in folk tales and ancient mythol- ogy can thus be regarded as representations of the power of human imagination, as fantastic transformations that could not possibly happen in real life (Forbes- Irving 1990, Warner 2002).
    [Show full text]
  • The Performance of Gender with Particular Reference to the Plays Of
    The Performance of Gender with particular reference to the plays of Shakespeare A thesis submitted to Middlesex University in partial fulfilment of the requirements for the degree of Doctor of Philosophy Luke Dixon School of Drama and Theatre Arts Middlesex University April 1998 MX 7309012 3 IIIýýWII IIIIIXVýýýwýýllllýý ABSTRACT An analytical history of the representation of gender on the English stage from Shakespeare to modern times is followed by a detailed examination of the National Theatre of Great Britain's production of `As You Like It' in 1967, the first production of a play by Shakespeare for over three hundred years in which the female parts were played by male actors. Subsequent cross-cast productions of Shakespeare's plays by Glasgow Citizen's Theatre, Prospect theatre Company, Lindsay Kemp, Theatre du Soleil and Goodman Theatre Chicago are discussed and the views of directors and critics of those productions analysed. The thesis then presents the results of a series of workshops with actors into the playing of gender and examines, by means of an experiment employing Gender Schema Theory, how actors construct gender in a production of `Twelfth Night'. The final part of the thesis describes a controlled experiment into audience perception of gender using a scene from `Hamlet'. Theories are presented about the nature of the performance of gender on stage and the use of theatrical conventions, the relationship between social conventions and stage conventions, about the way in which an actor builds a character, the influence of biological sex on actors' creativity, and about audience perception. TABLE OF CONTENTS Chapter I Contexts, methodology, terminology.
    [Show full text]
  • Splinters: Cross-Dressing Ex-Servicemen on the Interwar Stage
    Twentieth Century British History, 2018, page 1 of 28 doi:10.1093/tcbh/hwy037 Downloaded from https://academic.oup.com/tcbh/advance-article-abstract/doi/10.1093/tcbh/hwy037/5151194 by University of Exeter user on 24 January 2019 Jacob Bloomfield * The University of Manchester ............................................ Splinters: Cross-Dressing Ex-Servicemen on the Interwar Stage Abstract This article will examine how a series of theatrical shows which starred casts of cross-dressing ex-servicemen achieved critical and commercial popularity in interwar Britain despite increased cultural anxieties about the links between gender variance and transgressive acts, behaviours, and categories of identity. Prior to this study, historians have researched wartime concert parties where servicemen cross-dressed for each other’s entertainment, but scant attention has been given to the popular phenomenon of ex-servicemen who performed cross- dressing revues for the general public. Staging revues on the home front exposed cross-dressing ex-servicemen to new forms of spectatorship: the theatregoing public, arts criticism in the press, and state censorship. This article will analyse these dynamics for the first time through an investigation of the First World War troupe Les Rouges et Noirs, who popularized the subgenre of veterans’ cross- dressing revues with their debut production Splinters (1918). Critics commended the company’s contribution to the war effort while also lauding the troupe for their entertainment value and ‘bewitching’ feminine mimicry. Some observers, like the Lord Chamberlain, found Les Rouges’ cross-dressing troubling, but these views were in the minority and did not seriously hinder the performers’ success. When carried out temporarily in a performative setting by artists who presented a skilful and beguiling representation of femininity, and whose status as ex- servicemen helped to dispel suspicions of immorality, cross-dressing could be a source of great pleasure, even as it constituted a source of cultural anxiety in other contexts.
    [Show full text]
  • Drama Revision Guide Year 7: Pantomime
    Drama revision guide Year 7: Pantomime The History of Pantomime Pantomime literally means “all kinds” of “mime” (panto-mime) . It is generally acknowledged that British pantomime is modelled on the early masques of the Elizabethan and Stuart days. In the 14th century the early masques were musical, mime or spoken dramas, usually performed in grand houses although by the 17th century they were really no more than an excuse for a theme party. The timing of the British pantomime at Christmas and the role reversal of the lead characters (the principal boy being played by a girl and the Dame by a man) may have also evolved from the Tudor “Feast of Fools”, presided over by the Lord of Misrule. The feast was an unruly event, involving much drinking, revelry and role reversal. The Lord of Misrule, normally a commoner with a reputation of knowing how to enjoy himself, was selected to direct the entertainment. The festival is thought to have originated from the benevolent Roman masters who allowed their servants to be the boss for a while. Social Context Pantomimes take place around the Christmas period and are nearly always based on well known children’s stories such as Peter Pan, Aladdin, Cinderella, Sleeping Beauty etc. Pantomimes are performed not only in the best theatres in the land but also in village halls throughout Britain. Whether a lavish professional performance or a hammy local amateur dramatic production, all pantomimes are well attended. Pantomimes are a family show that aim to make both the children and parents laugh. There are recurring characters (stock characters) in Pantomimes.
    [Show full text]
  • The Midlands Ultimate Entertainment Guide
    Wolves & B'Cntry Cover March.qxp_Wolves & B/Country 23/02/2015 20:30 Page 1 WOLVERHAMPTON & BLACK WOLVERHAMPTON COUNTRY ON WHAT’S THE MIDLANDS ULTIMATE ENTERTAINMENT GUIDE WOLVERHAMPTON & BLACK COUNTRY ISSUE 351 ’ Whatwww.whatsonlive.co.uk sOnISSUE 351 MARCH 2015 GINA YASHERE MARCH 2015 SHOWING HER BEST BITS IN WOLVERHAMPTON CLAIRE SWEENEY talks Sex In Suburbia interview inside... PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART POP IN SPACE We Choose To Go To The Moon exhibition in Wolverhampton @WHATSONWOLVES WWW.WHATSONLIVE.CO.UK @WHATSONWOLVES INSIDE: FILM COMEDY THEATRE LIVE MUSIC VISUAL ARTS TUESDAY 17 - SATURDAY 21 MARCH EVENTS FOOD & DRINK Box Office 01902 42 92 12 & MUCH MORE! BOOK ONLINE AT grandtheatre.co.uk Spring NEC A4:Layout 1 26/01/2015 14:59 Page 1 The ultimate stitching, knitting & crafting shows! THURS 19 - SUN 22 MARCH NEC, BIRMINGHAM OPEN 9.30AM - 5.30PM (SUN 5PM) BIGGEST SHOW EVER - OVER 300 EXHIBITORS! MR SELFRIDGE COSTUMES // INTERNATIONAL TEXTILE ARTIST SOPHIE FURBEYRE THE SEWING CLUB // ‘FRACTURED IMAGES’ QUILTING DISPLAY PAPERCRAFTS & CARDMAKING // KNITTING, QUILTING & STITCHING JEWELLERY MAKING & BEADING // CATWALK FASHION SHOWS FREE WORKSHOPS & DEMONSTRATIONS // PROGRAMME OF TALKS Buy tickets on-line www.ichfevents.co.uk SAVE UP TO or phone Ticket Hotline 01425 277988 Tickets: Adults £10.50 in advance, £12.50 on the door £2 OFF! EACH ADULT AND SENIOR TICKET Seniors £9.50 in advance, £11.50 on the door IF ORDERED BY 5PM MON 16 MARCH 2015 Contents March Region
    [Show full text]