Boston Symphony Orchestra Concert Programs, Season 124, 2004-2005
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Lynn Harrell 59 Olivier Latry
Table of Contents | Week 19 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 completing the circle: wagner’s brave new world in the concert hall by thomas may 25 this week’s program Notes on the Program 26 The Program in Brief… 27 Wolfgang Amadè Mozart 35 Augusta Read Thomas 43 Camille Saint-Saëns 51 To Read and Hear More… Guest Artists 55 Christoph Eschenbach 57 Lynn Harrell 59 Olivier Latry 62 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information program copyright ©2013 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO cellist Alexandre Lecarme by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 132nd season, 2012–2013 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. -
NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum
Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
PAUL PARAY the Israel Philharmonic Orchestra
PAUL PARAY The Israel Philharmonic Orchestra Schumann - Symphonies 2 & 3 "Rhenish" PAUL PARAY Robert Schumann (1810-1856) The Israel Philharmonic Orchestra Symphony no.2 in C major, op.61 1. І. Sostenuto assai - Allegro ma non troppo 10:45 2. ІІ. Scherzo. Allegro vivace 6:32 Schumann 3. ІІІ. Adagio espressivo 8:26 Symphonies 2 & 3 "Rhenish" 4. ІV. Allegro molto vivace 7:54 Symphony no.3 in E flat major, op.97 "Rhenish" Recorded at the Mann Auditorium, Tel-Aviv 5. І. Lebhaft 10:34 18.11.1976 (Symphony 2) 6. ІІ. Scherzo: Sehr mäßig 5:55 29.11.1971 (Symphony 3) 7. ІІІ. Nicht Schnell 4:56 8. ІV. Feierlich - (quasi attacca:) 5:48 9. V. Lebhaft 5:57 2 From: The history of the Israel Philharmonic Orchestra Researched and Remembered by Uri Toeplitz Paul Paray joined the orchestra at the right time and immediately enjoyed tremendous success with both the Orchestra and the audience. At his first concert, he conducted Berlioz’ “Symphonie Fantastique” and “Pictures at an Exhibition” by Mussorgsky- Ravel. For the second series, he brought in the French pianist Eliane Richepin who played Ravel’s Concerto and impressed with her performances of Schumann’s 4th Symphony and the “Sorcerer’s Apprentice”, by Paul Dukas. Paray was not Jewish. In 1940, when Jewish players were forced to leave the “Concerts Colonne” in Paris, he too left. He uprooted and joined the Free French Forces (Forces Françaises Libres) only returning to Paris after its liberation in 1944. Paray’s wife came from a Jewish family in the Alsace region. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre -
Debussy Orchestrations Caplet Ansermet Stokowski Ravel Busser Orchestre Symphonique De Québec Yoav Talmi
Children’s Corner Debussy orchestrations Caplet Ansermet Stokowski Ravel Busser Orchestre symphonique de Québec Yoav Talmi ACD2 2671 ATM A Classique Debussy orchestrations Caplet Ansermet Stokowski Ravel Busser Orchestre symphonique de Québec Yoav Talmi Claude Debussy 1862-1918 Children’s Corner [ 17:06 ] 14 • Sarabande [ 4:43 ] ORCHESTRATION ANDRÉ CAPLET ORCHESTRATION MAURICE RAVEL 1 • Doctor Gradus ad Parnassum [ 2:33 ] 2 • Jimbo’s Lullaby [ 3:24 ] 15 • Danse [ 5:41 ] 3 • Serenade of the Doll [ 2:50 ] (T ARENTELLE STYRIENNE ) 4 • The Snow is Dancing [ 2:35 ] ORCHESTRATION MAURICE RAVEL 5 • The Little Shepherd [ 2:48 ] 6 • Golliwogg’s Cake Walk [ 2:56 ] 16 • La Soirée dans Grenade [ 5:12 ] EXTRAIT DES ESTAMPES Six Épigraphes antiques [ 15:56 ] ORCHESTRATION HENRI BUSSER ORCHESTRATION ERNEST ANSERMET Petite Suite [ 14:46 ] 7 • I Pour évoquer Pan, dieu du vent d’été [ 2:38 ] ORCHESTRATION HENRI BUSSER 8 • II Pour un tombeau sans nom [ 3:27 ] 9 • III Pour que la nuit soit propice [ 2:06 ] 17 • I En bateau [ 4:12 ] 10 • IV Pour la danseuse aux crotales [ 2:37 ] 18 • II Cortège [ 3:42 ] 11 • V Pour l’Égyptienne* [ 2:57 ] 19 • III Menuet [ 3:35 ] 12 • VI Pour remercier la pluie au matin [ 2:11 ] 20 • IV Ballet [ 3:17 ] *PHILIPPE MAGNAN – HAUTBOIS SOLO | SOLO OBOE 21 • Clair de lune [ 4:57 ] EXTRAIT DE LA SUITE BERGAMASQUE 13 • [ 5:09 ] Clair de lune ORCHESTRATION ANDRÉ CAPLET EXTRAIT DE LA SUITE BERGAMASQUE ORCHESTRATION LEOPOLD STOKOWSKI Avec l’aimable autorisation de la Leopold Stokowski Orchestre symphonique Collection, bibliothèque de la University of Pennsylvania de Québec By arrangement with the Leopold Stokowski Collection, University of Pennsylvania Library Yoav Talmi Children’s corner ORCHESTRATION ANDRÉ CAPLET La suite Children’s corner porte la dédicace « À ma chère petite Chouchou, avec les tendres excuses de son père pour ce qui va suivr e ». -
Orchestra" Hall (Paradise Theatre) H&BS No
■Orchestra" Hall (Paradise Theatre) H&BS No. - MICH-271 3Tli.;'Woodward Avenue . Detroit WaynS.'-County; ' •Michigan .■/■•'"•■ O'^i PHOTOGRAPHS WRITTEN HISTORICAL AMD DESCRIPTIVE DATA Historic American Buildings Survey Office of Archeology and Historic Preservation Department of the Interior Washington, D. C. 2O2U0 5, MICH ,*7-~ \y ^m HISTORIC AMERICAN BUILDINGS SURVEY HABS No. MICH-271 ORCHESTRA EALL (Now Orchestra Hall - Paradise Theatre) Location: 3711 Woodward Avenue, at the northwest corner of Parsons Street, Detroit, Wayne County, Michigan. USGS Detroit Quadrangle, Universal Transverse Mercator Coordinates: If. 330360.1*690 3^0 Present Owner: The Save Orchestra Hall Committee, Inc., 3711 Wood- ward Avenue, Detroit, Michigan. Present Use: Performing arts and concert hall, now called Orchestra Hall - Paradise Theatre. Restoration is in progress. Statement of Orchestra Hall resembles the typical theatre of its Significance: day, with a restrained and elegant adaptation of Renaissance style that preceded the exhuberant eclecticism of the next decade. It was designed with emphasis on concert requirements, but was fully equipped also for use as a motion-picture theatre. Its appearance and superb acoustics re- 1% flect the ability of C. Howard Crane, a Detroit architect who became one of the most notable national and international architects of the "Movie Palace." Crane's Orchestra Hall, Detroit's first true concert hall, was considered to be one of the finest in the country. Built originally to obtain the services of Ossip Gabrilowitsch as permanent conductor of the Detroit Symphony Orchestra, during his tenure the hall was the scene of performances by many renowned artists. Later, as the Paradise Theatre, it offered outstanding concert jazz. -
FRENCH CONCERTOS from the 19Th Century to the Present
FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers L-Z ÉDOUARD LALO - see separate page SERGE LANCEN (1922-2005) Born in Paris. After some initial training, he studied the piano with Marguerite Long and Lazare Lévy as well as composition with Noël Gallon and Tony Aubin at the Paris Conservatory. In 1950 he was awarded the "Prix de Rome." He composed various genres of music including chamber music, works for piano, ballet music, a chamber opera and symphonic compositions. He excelled in music for band. Among his unrecorded concertante works are his Piano Concerto (1947-51), Piano Concertino (1949), Harmonica Concerto (1954), Violin Concerto (1966), Concerto Rhapsodie for Piano and Orchestra (1974), Concerto for Violin, Double Bass and Orchestra (1985) and Harp Concerto (1988). Concerto for Double Bass and String Orchestra (1962) Yoan Goilav (double bass)/Clemens Dahinden/Winterthur String Ensemble ( + Cooqui, Montag: Extrême, Bloch: Prayer, Mortari: Duettini Concertati, Schubert: Arpeggione Sonata and Sperger: Sonata à Due) TUXEDO MUSIC TUXCD 1205 (2001) (original LP release: CLASSIC PIC (70-121) (1976) Concerto Champêtre for Harp and Wind Orchestra (1968) Joke Brethouwer (harp)/Jan Cober/Brabant Conservatory Wind Orchestra ( + Trombone Concerto and Parade Concerto) MBCD 31.1016.72 (1990) Hélène Silvie (harp)/Désiré Dondeyne/Orchestra ( + Damase: Harp Concerto, Grandjany: Aria in Classic Style and Dondeyne Quintet for Harp ad String Quartet) QUANTUM QM 7030 (2004) Concerto da Camera for Flute and Orchestra (1962) Pedro Eustache (flute)/Daniel Chabrun/Orchestre de Chambre de l'ORTF ( + Printanieres, Leclair: Violin Concerto, and Boismortier: Flute Sonata) FRENCH BROADCASTING SYSTEM IN NORTH AMERICA, Programs 619-20 (2 non-commercial LPs) (c. -
Musiciennes:Women Musicians in France During the Interwar Years
Musiciennes: Women Musicians in France during the Interwar Years, 1919-1939 Laura Ann Hamer Submitted for the Degree of Doctor of Philosophy Cardiff University, 2009 UMI Number: U584377 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584377 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The musical life of interwar France (1919-39) has fascinated many writers; however, the part played by women musicians has been much neglected. This thesis seeks to rectify this situation by presenting a study of the activities and reception of the musiciennes of interwar France. The thesis is divided into three parts: part one provides a contextual framework within which to situate the pursuits of women musicians by considering both their contemporary social position and the gender- specific conditions which affect the lives, careers, and reception of musiciennes. Part two focuses on conductors and composers. Jane Evrard and her Orchestre feminin de Paris are discussed within the context of the contemporaneous development of the all woman orchestra and rise of the first professional female conductors. -
Classical by Composer
Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No. -
Boston Symphony Orchestra Concert Programs, Summer, 1990
Tangtewqpd . urlake erform miracles They dissolve the stresses and strains of everyday living. The Berkshires' most successful 4-seasons hideaway, a gated private enclave with V^-mile lake frontage, golf and olympic pool, tennis, Fitness Center, lake lodge —all on the lake. Carefree 3 -and 4- Your bedroom country condominiums with luxury amenities and great skylights, fireplaces, decks. Minutes from Jiminy Peak, Brodie Berkshire Mountain, Tanglewood, Jacob's Pillow, Canyon Ranch. In the $200s. escape SEE FURNISHED MODELS, SALES CENTER TODAY. (413) 499-0900 or Tollfree (800) 937-0404 LAKECREST Dir: Rte. 7 to Lake Pontoosuc. Turn left at Lakecrest sign 7 DIRECTLY ON LAKE PONTOOSUC on Hancock Rd. /10 -mile to Ridge Ave. Right turn to Lakecrest gated entry. Ct££ h\> Prncfw Seiji Ozawa (TMC '60), Music Director Carl St. Clair (TMC '85) and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus President J. P. Barger, Chairman George H. Kidder, Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Cleary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W Hatch, Jr. Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T Zervas Trustees Emeriti Vernon R. -
Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961, Trip
^ ''^ U7 '^V!- \ /JL X ON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON THE BROOKLYN li^/^. ACADEMY OF MUSIC X y\ V ;--<^*>-~ r --^-t^TT:^ H ^^ EIGHTIETH SEASON 1960-1961 1960-1961 THE WOMEN'S COMMITTEE FOR The Boston Symphony Orchestra Concerts IN BROOKLYN Mrs. Albert C. Magee, Chairman Mrs. Andrew L. Gomory Mrs. Edwin P. Maynard, Jr. *Mrs. H. Haughton Bell Vice-Chairman Vice-Chairman Vice-Chairman Mrs. John F. Thompson, Jr. Mrs. Abbott Lippman Mrs. William T. Daily Treasurer Secretary Membership Chairman Mrs. Irving G. Idler Mrs. Robert F. Warren Box Chairman Subscription Chairman Mrs. Alexander Aldrich Mrs. Lewis W. Francis Mrs. Alfred L. Megill Mrs. Elias J. Audi Mrs. Laurance E. Frost Miss Emma Jessie Ogg Mrs. C. Rankin Barnes Mrs. Edwin L. Garvin Mrs. Harold L. Ostergren Mrs. Bernard S. Barr Mrs. Silas M. R. Giddings Mrs. William M. Parke Mrs. John R. Bartels Mrs. R. Whitney Gosnell Mrs. William B. Parker Mrs. Milton S. Berman Mrs. D. Frank Guarini Mrs. Raymond King Pendleton Mrs. George M. Billings Mrs. Warren L. Hafely Mrs. Franklyn H. Peper Mrs. John R. H. Blum Mrs. Arthur C. Hallan Mrs. Edward T. Reilly Mrs. Robert E. Blum Mrs. J. Victor Herd Mrs. Allan G. Richtmyer Mrs. Lawrence J. Bolvig Mrs. William B. Hewson Mrs. Abraham M. Sands Mrs. Hills Irving Mrs. Walter Bruchhausen James M. Mrs. J. Sands Mrs. Otis Swan Carroll Mrs. David S. Hunter Mrs. Martin Segal Mrs. Francis T. Christy Mrs. Raymond V. Ingersoll Mrs. Eliot Sharp Mrs. Benjamin J. Conroy Mrs. Henry A. Ingraham Mrs.