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Machine Language Sam Pluta

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Machine Language Sam Pluta Machine Language Written for Ian Antonio, TimeTable Percussion, and Wet Ink Ensemble Sam Pluta Machine Language Percussion Setup Percussion list: Perc 1 (soloist) - 3 toms, 2 bongos, 2 temple blocks, China cymbal, 5 pieces of wood, 1 maraca Perc 2 - 3 toms, 2 bongos, 2 temple blocks, China cymbal, 5 Japanese piccolo woodblocks, 1 snare, tam tam, brake drum Perc 3 - 3 toms, 2 bongos, 2 temple blocks, China cymbal, 5 Japanese piccolo woodblocks, 1 snare, tam tam, brake drum temple China bongos blocks cymbal tom toms œ 5 pieces of wood Percussion œ œ œ ¿ ° œ œ œ œ œ Soloist / œ œ œ œ snare temple China bongos blocks cymbal tom toms œ 5 Japanese piccolo woodblaocks œ œ œ ¿ œ Percussion 1 œ œ œ œ œ / œ ¿ ¿ œ œ snare tam brake temple China tam drum tom toms bongos blocks cymbal 5 Japanese piccolo woodblaocks œ œ œ œ ¿ Percussion 2 œ œ œ œ œ / œ ¿ ¿ œ œ œ ¢ snare tam brake tam drum Machine Language Sam Pluta q = 96 Bass Clarinet 1 ° 4 in Bb &4 ∑ ∑ ∑ ∑ ∑ ∑ Bass Clarinet 2 in B 4 ∑ ∑ ∑ ∑ ∑ ∑ b ¢&4 bongos . Percussion j j j j 4 æ æ æ æ æ æ æ j æ æ æ æ æ æ æ æ j Œ æ æ æ æ æ Soloist °/ 4 œæ™ œæ œæ œæ ˙æ œæ œæ œ. ˙æ™ œæ œæ™ œæ œæ œ œæ œæ œæ œ œæ œæ œæ œæ ˙æ ff temple blocks . China cymbal j j Percussion 1 4 + æ æ + æ + Œ æ æ æ æ æ + + æ + Œ æ + æ æ æ / 4 ¿ ‰ ‰ œæ œæ ¿ ‰ ˙æ œ ¿ ˙æ™ œæ œæ™ œæ œæ ¿ ¿ ‰ œæ ¿ œæ ¿ ‰ œæ œæ ˙æ ff J J æ J J temple blocks æ + + + + + + j + + + + Percussion 2 4 œæ ¿ Œ œæ ¿ ‰ Œ ‰ œæ ¿ ¿ ‰ Œ Œ ¿ ‰ Œ™ ¿ Œ ‰ œæ œ ¿ Œ Œ ¿ ‰ æ ¿ ¿ Ó ¢ / 4 ™ J J J J J J J œæ ff China cymbal æ Sine Waves &4 ∑ ∑ ∑ ∑ ∑ ∑ &4 ∑ ∑ ∑ ∑ ∑ ∑ Accordion ? 4 ∑ ∑ ∑ ∑ ∑ ∑ q = 96 Violin 1 ° {&4 ∑ ∑ ∑ ∑ ∑ ∑ Violin 2 4 ∑ ∑ ∑ ∑ ∑ ∑ ¢&4 Copyright © 2012 Signal Flow Publishing 2 7 . j + + Perc. S ° j‰ æ æ æ æ æ æ æ æ æ æ æ æ j æ æ æ Œ™ jŒ ‰ jŒ ‰ j ¿ ¿ Œ / œ. ˙ œ œ œ™ œæ œ œ œæ œæ ˙ œ œ œæ™ œ. œ œ œ œ. œ œ œ œ œ œ œ + + + + + j + j + + + + + + + + Perc. 1 ¿ ‰ ¿ ‰ Œ ¿ ¿ ¿ ‰ ‰ æ œ æ æ ¿ ‰ Œ ‰ æ æ ¿ ¿ ¿ ¿ ‰ Œ™ ¿ Ó ‰ ¿ Œ Œ™ ¿ Œ ¿ ‰ œæ æ æ / J J J œæ œ œæ œæ J œæ œæ™ J J J J J J œ œæ æ æ + j Perc. 2 æ + + + Œ æ + æ æ æ Œ + + Œ + Œ æ æ / ‰ ‰ ˙ ‰ œæ œæ™ ¿ ‰ ¿ ¿ ‰ ˙æ œ ¿ Ó œæœæœæ¿ Ó ¿ ‰ Ó ¿ ‰ ¿ ‰ œæœæœæ ¢ æ J J J æ J J J = 14 + + j + + + j j j j j Perc. S ° ‰ ¿ ‰ ¿ ‰ œæ æ œæ æ˙æ æ æ œæ œæœ ‰ ¿ Œ ¿ ¿ Œ œæ æ æ œæ æ œæ œ æ œæ æ æ œæ æ œæ / J J œæ œ œæ œæ . J œ œæ œæ ™ . œæ™ œ. œæ™ œ œ. œæ j j+ + + + + j + + + + + Perc. 1 æ œæ æ ¿ Œ ¿ ‰ ¿ Œ Œ ¿ ‰ Ó ‰ ¿ ‰ æ æ œæ æ æ ¿ ‰ Ó ‰ ¿ Ó ¿ ‰ Œ ‰ ¿ œæ ¿ ‰ œæ / œæ œæ J J J J J œæ œæ œ œ œ. J ™ J J J J j j j Perc. 2 æ æ æ ‰ +¿ Œ +¿ ‰ +¿ ‰ Œ +¿ ‰ Œ ‰ æ æ æ æ +¿ Œ +¿ ‰ ‰ +¿ Œ +¿ ‰ æ +¿ ‰ ¢ / œæ œ œæ Ó œæ œæ œ œ œ ∑ Ó œæ J J J J æ J J J J = 21 j j j j j Perc. S ° æ æ æ æ Œ ‰ æ æ æ æ æ æ æ æ æ æ æ æ ‰ ‰ æ æ æ æ Œ æ æ æ æ æ æ æ æ æ æ / œæ œ œ œ œæ œ œ œæ œæ œ œæ œ œæ œ œ œ œ. œæ œ œ œæ œ œ œ œ œ œæ œ œæ œæ œ. œ j Perc. 1 + æ æ æ + + Œ æ + æ + æ æ æ + + Œ + æ æ æ æ æ + + Œ æ / ¿ ‰ œæœæœæ ¿ ‰ ‰ œæ ¿ œæ œæ œæ ¿ ‰ œæ ¿ ‰ œæœæœæ ¿ ‰ ‰ œæ ¿ œæ ¿ ‰ œæ œæœæœæœæ œ ¿ ‰ ¿ ‰ œæ J J J J J J J J æ J + + + + j + + + + + + + j + + + + + j + + Perc. 2 æ ¿ ¿ ¿ ‰ Œ ‰ ¿ ‰ œæ œæ ¿ ‰ Œ ¿ ‰ æ ¿ ‰ æ ¿ ¿ ¿ ‰ Œ ‰ ¿ ‰ œæ œæ ¿ ‰ Œ ¿ ‰ ‰ ¿ ¿ ¿ ‰ œæ æ æ ¿ ¿ ¢ / œæ J J J J œæ J œæ J J J J J œæ œæ 3 28 j j j j j j Perc. S ° æ æ æ æ j æ æ j ‰ æ æ æ æ æ æ æ æ æ æ æ æ ‰ æ æ æ æ / œ œ œ œæ™ œ. œ œæ™ œ. œ œ™ œæ œ™ œ. œæ œ œ œ œæ œ. œ œæ ˙ œ. œæ œæ œ œæ + j + + j + + + + + + + + + Perc. 1 æ œæ œæ ¿ Œ ‰ œæ æ ¿ ‰ ¿ ‰ Œ™ æ œæ ¿ ¿ ‰ œæ æ œæ ¿ ‰ ¿ ¿ ¿ ‰ ˙æ ¿ ‰ ¿ ‰ ‰ œæ ¿ / œ J œæ™ J J œæ ™ J J œ J J J J J j j Perc. 2 +¿ +¿ Œ æ +¿ +¿ +¿ Œ Œ æ æ +¿ +¿ ‰ Œ æ +¿ +¿ +¿ ‰ æ ‰ æ æ +¿ ‰ Œ Œ æ +¿ ‰ æ ¢ / œæ™ œ œ™ œæ œæ œ œæ œæ œ œæ J J J J J æ = 34 j j Perc. S æ æ æ æ æ æ æ æ æ æ æ æ ‰ æ æ æ æ æ æ æ æ æ æ °/ œæ œ. œ œ œ œæ œ œ œ ˙æ œæ ˙™ œ œ. œ œ œ œ œ ˙æ œ ˙ œ œæ™ + + + + + + + + Perc. 1 Œ™ ¿ ‰ ¿ Œ ‰ ¿ Œ Ó Œ ¿ ‰ Ó Ó ¿ ‰ ¿ ‰ Œ ¿ ‰ Ó Ó ‰ ¿ Œ / J J J J J J J J + + + + + + + + Perc. 2 æ ¿ ‰ ¿ ‰ ¿ ‰ Ó ¿ ‰ Œ Œ ¿ ‰ ‰ ¿ ‰ ¿ Ó ¿ ‰ ¢ / œæ J J J J ∑ J J J ™ J ∑ = 40 . + + + + + + + + + + + + + Perc. S ° æ æ ‰ ¿ ¿ ¿ ¿ ‰ Œ ¿ ‰ Ó ¿ ‰ Œ Ó Œ™ ¿ ¿ ¿ ¿ ‰ Œ ¿ ‰ Ó ¿ ‰ Œ Ó Œ ¿ ‰ Ó 2 / wæ œ œ J J J J J J J J J ∑ 4 j j Perc. 1 Œ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ 2 / ∑ ‰ œæ œæœæœæ œæ ˙æ™ wæ œæ™ œæ œæœæœæ œæ ˙æ™ wæ œæ ˙æ™ wæ 4 + j j Perc. 2 ‰ ¿ ‰ œæ æœæ æ æ ˙æ æ æ œæ æœæ æ æ ˙æ æ æ ˙æ wæ 2 ¢ / ∑ J œ œæ œæ ™ wæ œæ™ œ œæ œæ ™ wæ œæ ™ 4 4 49 B. Cl. 1 ° &42 1615 42 165 42 165 1615 ff >œ B. Cl. 2 &42 1615 42 165 42 165 1615 ¢ ff œ >œ œ œ™ œ j œ œ œ œ œ œ œ œ œ™ œ j Perc. S 2 œ œ 15 ™ œ™ œ™ æ 2 œ œ 5 œ œ 2 œ œ 5 œ œ 15 ™ œ™ œ™ æ °/ 4 œ 16 æJ æJ æ œæ™ 4 œ 16 æ æ æ œ 4 œ 16 æ æ æ œ 16 æJ æJ æ œæ™ æ æ æ æ æ æ æJ æJ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æJ æJ æ æ 5æ æ æ æ æ 5æ æ æ æ æ æ æ 5æ æ æ æ æ >. full perc setup brake drum Perc. 1 / 42 œ Œ 1615 ∑ 42 ∑ 165 ¿ ≈ 42 ∑ 165 ∑ 1615 ∑ Bass Drum full perc setup tam tam > + Perc. 2 / 42 Œ 1615 ∑ 42 ∑ 165 ≈ 42 ∑ 165 ∑ 1615 ∑ ¢ ff œ ¿ bœ œœ Sines 2 Bœ 15 2 5 2 5 15 &4 mf 16 4 16 4 16 16 œœ ¸™ ™ œ &42 1615 42 165 42 165 1615 Accord. ff ? 42 ∑ 1615 42 165 42 165 1615 3 Just Tuned Partials of a Bb Fundamental 7 bœ { 9 œ Vln. 1 ° &42 1615 42 165 42 165 1615 ff 5 œ 11 œ Vln. 2 &42 B 1615 42 165 42 165 1615 ¢ ff 5 56 1 œ B. Cl. 1 ° &4 ∑ 42 ∑ 1615 ∑ 4 1615 41 pp ff µœ B. Cl. 2 &4 ∑ 42 ∑ 1615 ∑ 4 1615 41 ¢ pp ff œœ œœ œœ œœ œ œ œ™ œ j œ œ œ œ œ œ œ œ œ™ œ j Perc. S ° 4 œœ œœ œœ œœ 2 œ œ 15 æ ™ œ™ œ™ æ 4 œ œ œ œ œ œ œ œ 15 æ ™ œ™ œ™ æ 1 / 4 œ œ œ œ 4 œ 16 æJ æJ æ æ œ™ 4 œ œ œ œ 16 æJ æJ æ æ œ™ 4 5 5 5 5 æ æ æ æ æ æJ æJ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æJ æJ tam tam æ æ 5æ æ æ æ æ 5æ æ æ æ æ 5æ æ æ æ æ 5æ æ æ æ æ 5æ æ æ + Perc. 1 4 Œ Ó 2 ∑ 15 ∑ 4 Œ Ó ∑ 15 ∑ 1 / 4 ¿ 4 16 4 ¿ 16 4 brake drum + Perc. 2 4 Œ Ó 2 ∑ 15 ∑ 4 Œ Ó ∑ 15 ∑ 1 ¢ / 4 ¿ 4 16 4 ¿ 16 4 Sines &4 42 1615 4 1615 41 &4 42 1615 4 ∑ 1615 41 Accord. ? 4 42 1615 4 1615 41 { 1 Vln. 1 ° &4 42 1615 4 1615 41 Vln. 2 4 2 15 4 15 1 ¢&4 4 16 4 16 4 6 62 2 œ B. Cl. 1 ° &41 1615 41 ∑ 1615 ∑ 45 Ó 85 4 1615 pp ff µœ B. Cl. 2 &41 1615 41 ∑ 1615 ∑ 45 Ó 85 4 1615 ¢ pp ff œœ œ™ œ j œœ œ™ œ j œ œ œ œ œ œ œ œ Perc.
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