GOLD from CRETE Short Stories by CS FORESTER

Total Page:16

File Type:pdf, Size:1020Kb

GOLD from CRETE Short Stories by CS FORESTER GOLD FROM CRETE Short Stories by C. S. FORESTER ISBN 0 330 23662 8 © Dorothy E. Forester 1971 Cecil Scott Forester was born in Cairo in 1899 and educated at Alleyn’s School and Dulwich College, afterwards studying medicine at Guy’s Hospital. His first book, a crime novel entitled Payment Deferred (1926), was very successful and was dramatized. With his first wife he went inland voyaging in a dinghy through England, France and Germany, the log being published as The Voyage of the ‘Annie Marble’, followed by The ‘Annie Marble’ in Germany (1930). In 1936-7 he was war correspondent for The Times in Spain. Others of his novels include Brown on Resolution (1929), The Gun (1933), and The Ship (1943). In The Happy Return (1937) he introduced one of the most popular heroes of modem fiction, Captain Hornblower, who appeared also in Flying Colours (1938), and A Ship of the Line (1939), which was awarded the James Tait Black Memorial Prize. Later stories in the same series are The Commodore (1944), Lord Hornblower (1946), Mr Midshipman Hornblower (1950), and Hornblower and the ‘Atropos’ (1953). Long Before Forty (1967) is auotobiographical. C. S. Forester died in 1966. Gold from Crete The officers of HMS Apache were sizing up the Captain D. at the same time that he was doing the same to them. A Captain D. - captain commanding destroyers - was a horrible nuisance on board if, as in this case, the ship in which he elected - or was compelled by circumstances - to hoist his distinguishing pendant was not fitted as a flotilla leader. The captain needed cabin space himself, and he brought with him a quartet of staff officers who also needed cabin space. Physically, that meant that four out of the seven officers already on board the Apache would be more uncomfortable than usual, and in a destroyer that meant a great deal. More than that; morally, the effect was still more profound. It meant that with a captain on board, even if he tried not to interfere with the working of the ship, the commander and the other officers, and the lower deck ratings as well, for the matter of that, felt themselves under the scrutiny of higher authority. The captain’s presence would introduce something of the atmosphere of a big ship, and it would undoubtedly cut short the commander’s pleasure in his independent command. So Commander Hammett and his officers eyed Captain Crowe and his staff, when they met on the scorching iron deck of the Apache in Alexandria Harbour, without any appearance of hospitality. They saw a big man, tall and a little inclined to bulk, who moved with a freedom and ease that hinted at a concealed athleticism. His face was tanned so deeply that it was impossible to guess at his complexion, but under the thick black brows there were a pair of grey eyes that twinkled irrepressibly. They knew his record, of course - much of it was to be read in the rows of coloured ribbon on his chest. There was the DSO he had won as a midshipman at Zeebrugge in 1918 - before Sub-lieutenant Chesterfield had been born - and they knew that they had only to look up the official account of that action to find exactly what Crowe had done there; but everyone knew that midshipmen do not receive DSOs for nothing. The spot of silver that twinkled on the red-and-blue ribbon told of the bar he had received for the part he had played at Narvik last year - not to many men is it given to be decorated for distinguished services twenty-two years apart and still to be hardly entering on middle age. There was the red ribbon that one or two of them recognized as the Bath, and a string of other gay colours that ended in the Victory and General Service ribbons of the last war. The introductions were brief - most of the officers had at least a nodding acquaintance with one another already. Commander Hammett presented his first lieutenant, Garland, and the other officers down to Sub-lieutenants Chesterfield and Lord Edward Mortimer, RNVR - this last was a fattish and untidy man in the late thirties whose yachting experience had miraculously brought him out of Mayfair drawing-rooms and dropped him on the hard steel deck of the Apache - and Crowe indicated his flotilla gunnery officer and navigating officer and signals officer and secretary. ‘We will proceed as soon as convenient, Commander,’ said Crowe, issuing his first order. ‘Aye, aye, sir,’ said Hammett, as twenty generations of seamen had answered before him. But at least the age of consideration given to omens had passed; it did not occur to Hammett to ponder on the significance of the fact that Crowe’s first order had been one of action. ‘Get yourselves below and sort yourselves out,’ said Crowe to his staff, and as they disappeared he walked forward and ran lightly up to the bridge. Hammett gave his orders - Crowe was glad to note that he did so without even a side glance out of the tail of his eye at the captain at the end of the bridge - and the ship broke into activity. In response to one order, the yeoman of signals on the bridge bellowed an incomprehensible string of words down to the signal bridge. It passed through Crowe’s mind that yeomen of signals were always as incomprehensible as railway porters calling out the names of stations in England, but the signal rating below understood what was said to him, which was all that mattered. A string of coloured flags ran up the halyards, and a moment later yeoman of signals was bellowing the replies received. The flagship gave permission to proceed; the fussy tug out there by the anti-submarine net began to pull open the gate. The bow was pulled in, the warps cast off. The telegraph rang, the propeller began to turn, and the Apache trembled a little as she moved away. Everything was done as competently as possible; the simple operation was a faint indication that Crowe would not have to worry about the Apache in action, but could confine his attention to the handling of his whole flotilla of twelve destroyers, if and when he should ever succeed in gathering them all together. A movement just below him caught his attention. The antiaircraft lookouts were being relieved. At the .50-calibre gun here on the starboard side a burly seaman was taking over the earphones and the glasses. He was a huge man, but all Crowe could see of him, besides his huge bulk and the top of his cap, was his cropped red hair and a wide expanse of neck and ear, burned a solid brick-red from the Mediterranean sun. Then there were a pair of thick wrists covered with dense red hair, and two vast hands that held the glasses as they swept back and forth, back and forth, over the sky from horizon to zenith in ceaseless search for hostile planes. At that moment there were six seamen employed on that task in different parts of the deck, and so exacting was the work that a quarter of an hour every hour was all that could be asked of any man. Commander Hammett turned at that moment and caught the captain’s eye. ‘Sorry to intrude on you like this, Hammett,’ said Crowe. ‘No intrusion at all, sir. Glad to have you, of course.’ Hammett could hardly say anything else, poor devil, thought Crowe, before he went on: ‘Must be a devilish nuisance being turned out of your cabin, all the same.’ ‘Not nearly as much nuisance as to the other officers, sir,’ said Hammett. ‘When we’re at sea I never get aft to my sleeping cabin at all. Turn in always in my sea cabin.’ Perfectly true, thought Crowe. No destroyer captain would think of ever going more than one jump from the bridge at sea. ‘Nice of you to spare my feelings,’ said Crowe, with a grin. It had to be said in just the right way - Crowe could guess perfectly well at Hammett’s resentment at his presence. ‘Not at all, sir,’ said Hammett briefly. Sub-lieutenant Chesterfield gave a fresh course to the quarter-master at this moment and changed the conversation. They were clear of the minefields now and almost out of sight of the low shore. The myriad Levantine spies would have a hard time to guess whither they were bound. ‘We’ll be in visual touch with the flotilla at dawn, sir,’ said Hammett. ‘Thank you. I’ll let you know if there’s any change of plan,’ replied Crowe. He ran down the naked steel ladder to the deck, and walked aft, past the quadruple torpedo tubes and the two pairs of 4.7’s towering above him. On the blast screen a monkey sat and gibbered at him, gesticulating with withered little hands. Crowe hated monkeys; he liked dogs and could tolerate cats; he had been shipmates with pets of all species from goats to baby hippopotamuses, but monkeys were his abomination. He hated the filthy little things, their manners and their habits. He ignored this one stolidly as he walked past it to the accompaniment of screamed monkey obscenities. If he were in command of this destroyer he would have seen to it that the little beast did not remain long on board to plague him; as it was, he thought ruefully to himself, as he was in the immeasurably higher position of commanding a flotilla, he would have to endure its presence for fear of hurting the feelings of those under his command.
Recommended publications
  • Thomas Carlyle by John Nichol
    Thomas Carlyle by John Nichol CHAPTER I INTRODUCTORY SUMMARY Four Scotchmen, born within the limits of the same hundred years, all in the first rank of writers, if not of thinkers, represent much of the spirit of four successive generations. They are leading links in an intellectual chain. DAVID HUME (1711-1776) remains the most salient type in our island of the scepticism, half conservative, half destructive, but never revolutionary, which marked the third quarter of the eighteenth century. He had some points of intellectual contact with Voltaire, though substituting a staid temper and passionless logic for the incisive brilliancy of a mocking Mercury; he had no relation, save an unhappy personal one, to Rousseau. ROBERT BURNS (1759-1796), last of great lyrists inspired by a local genius, keenest of popular satirists, narrative poet of the people, spokesman of their higher as of their lower natures, stood on the verge between two eras. Half Jacobite, nursling of old minstrelsy, he was also half Jacobin, an early-born child of the upheaval that closed the century; as essentially a foe of Calvinism as Hume himself. Master musician of his race, he was, as Thomas Campbell notes, severed, for good and ill, from his fellow Scots, by an utter want of their protecting or paralysing caution. WALTER SCOTT (1771-1832), broadest and most generous, if not loftiest of the group—"no sounder piece of British manhood," says Carlyle himself in his inadequate review, "was put together in that century"—the great revivalist of the mediaeval past, lighting up its scenes with a magic glamour, the wizard of northern tradition, was also, like Burns, the humorist of contemporary life.
    [Show full text]
  • The Ultimate Listening-Retrospect
    PRINCE June 7, 1958 — Third Thursday in April The Ultimate Listening-Retrospect 70s 2000s 1. For You (1978) 24. The Rainbow Children (2001) 2. Prince (1979) 25. One Nite Alone... (2002) 26. Xpectation (2003) 80s 27. N.E.W.S. (2003) 3. Dirty Mind (1980) 28. Musicology (2004) 4. Controversy (1981) 29. The Chocolate Invasion (2004) 5. 1999 (1982) 30. The Slaughterhouse (2004) 6. Purple Rain (1984) 31. 3121 (2006) 7. Around the World in a Day (1985) 32. Planet Earth (2007) 8. Parade (1986) 33. Lotusflow3r (2009) 9. Sign o’ the Times (1987) 34. MPLSound (2009) 10. Lovesexy (1988) 11. Batman (1989) 10s 35. 20Ten (2010) I’VE BEEN 90s 36. Plectrumelectrum (2014) REFERRING TO 12. Graffiti Bridge (1990) 37. Art Official Age (2014) P’S SONGS AS: 13. Diamonds and Pearls (1991) 38. HITnRUN, Phase One (2015) ALBUM : SONG 14. (Love Symbol Album) (1992) 39. HITnRUN, Phase Two (2015) P 28:11 15. Come (1994) IS MY SONG OF 16. The Black Album (1994) THE MOMENT: 17. The Gold Experience (1995) “DEAR MR. MAN” 18. Chaos and Disorder (1996) 19. Emancipation (1996) 20. Crystal Ball (1998) 21. The Truth (1998) 22. The Vault: Old Friends 4 Sale (1999) 23. Rave Un2 the Joy Fantastic (1999) DONATE TO MUSIC EDUCATION #HonorPRN PRINCE JUNE 7, 1958 — THIRD THURSDAY IN APRIL THE ULTIMATE LISTENING-RETROSPECT 051916-031617 1 1 FOR YOU You’re breakin’ my heart and takin’ me away 1 For You 2. In Love (In love) April 7, 1978 Ever since I met you, baby I’m fallin’ baby, girl, what can I do? I’ve been wantin’ to lay you down I just can’t be without you But it’s so hard to get ytou Baby, when you never come I’m fallin’ in love around I’m fallin’ baby, deeper everyday Every day that you keep it away (In love) It only makes me want it more You’re breakin’ my heart and takin’ Ooh baby, just say the word me away And I’ll be at your door (In love) And I’m fallin’ baby.
    [Show full text]
  • Bonnie Tyler Til Danmark -Og Spiller Tinghallen Viborg
    Pressemeddelelse Viborg, mandag 2. dec. 2019 Bonnie Tyler til Danmark -og spiller Tinghallen Viborg Glæd dig til en aften med masser af hits, når Bonnie Tyler gæster Viborg på sin kommende Europatourné. Den 68 årige sangerinde gæster Danmark og spiller den eneste koncert i Jylland i 2020 i Tinghallen Viborg torsdag 26. november. -Det bliver en sand hitparade – og det bliver en super nostalgisk aften. Bonnie Tyler har skrevet masser af hits og har et fantastisk bagkatalog, fortæller direktør i Tinghallen Claus Donslund. Bonnie Tyler fik sit gennembrud i 1977 med albummet ”The World Starts Tonight” med singlehits som "Lost in France" og "More Than a Lover". Senere har Bonnie Tyler udgivet stærke singler som ”Total Eclipse of the Heart”, ”Holding Out for a Hero”, ”It’s A Heartache” og mangle flere. -Koncerten bliver for et siddende publikum, og der bliver dermed sat 2.167 billetter til salg. Vi har investeret i et af Danmarks største og bedste lydanlæg, og med den nye flotte koncertsal som ramme, bliver dette en helt intim oplevelse, fortæller Claus Donslund. Bonnie Tylers mange solgte albums og singler taler for sig selv – og "Total Eclipse of the Heart" og "It's a Heartache" er blandt de bedst sælgende singler gennem tiden med mere end seks millioner kopier af hver. Planlægningen af det kommende program i den nye Tinghal er i fuld gang, og Tinghallen sikrer at der bliver noget for enhver smag. -Vi vil skabe så bredt og varieret program som overhovedet muligt – så vi er hele tiden i tæt dialog med agenter, bookere, promotore og managements, så vi sikrer at vi får de rigtige artister forbi Viborg, fortæller Claus Donslund.
    [Show full text]
  • Nr. Titel Solist
    Nr. Titel Solist 99 (Do) The Hucklebuck / Telephone Baby Coast To Coast 2.654 (I Just) Died In Your Arms / For The Longest Time Cutting Crew 26 (I Wanna) Make Love To You / Cry For You Hanne Boel 43 (It's Gonna Be a) Cold Cold Christmas / Waiting Darleens 3.659 (Let's) Rock 'n' Roll / Gimme Your Lovin' Atlantic Star 3.879 (Sitin' On) The Dock Of The Bay / Call My Name Michael Bolton 1.692 (We Want) The Same Thing / Shades Of Michaelangelo Belinda Carlisle 3.974 ? (Fragezeichen) / Ich Lieb' Dich Nena 1.988 0059 / Når Bøgen Springer Ud Bjarne Liller 2.716 10 O'clock Postman / She Wants Me Secret Service 757 10.000 Miles / Amorado Svend Asmussen 1.560 100 Gange Til / En Sommerdag Lis Sørensen 3.136 100% / Bang En Eksplosion Birthe Kjær 755 12 Flaser Whisky / Farmand Simon Rosenbaum 1.755 1-2-3-4……Fire / The Wizard Bump Penny McLean 1.712 18 And Life / Midnight Tornado Skid Row 1.154 1910 / Lille Pige Kim Larsen 1.842 1999 / How Come You Don't Call Me Anymore Prince 4.331 21st Century Girls / If Your Mad Enough 21st Century Girls 2.799 2-4-6-8 Motorway / I Shall Be Released Tom Robinson Band 4.236 29 Nights / Touch Me Danni Leigh 797 4 År På Vand Og Brød / Lørdag I Tokyo Ole Nielsen 2.465 5.7.0.5. / Bad For Business City Boy 4.433 500 Miles away from home / It all depends on Linda Bobby Bare 3.424 5000 Meilen Von Su Haus' / Adios Mexico Freddy 341 60' Portpori Royton Music 2.874 6-dages Valsen / Kom Til 6-dages Fest Johnny Reimar 1.626 99 Luftballons / Ich Bleib' Im Bett Nena 811 A Big Hunk O' Love / My Wish Came True / Money HoneY / Ready …Elvis Presley 2.410 A Boy From Nowhere / I'll Dress You In The Morning Tom Jones 4.220 A Boy Named Sue / San Quentin Johnny Cash 4.424 A boy named Sue / San Quentin Johnny Cash 3.983 A Change Of Heart / My Domain Bernard Butler 1.314 A Church Is Burning / Take A Look Inside Cy, Maia & Robert 1.892 A Different Corner / Instrumental George Michael 4.279 A Glass Of Champagne / Panama Sailor 1.035 A Groovy Kind Of Love / Big Noise - instr.
    [Show full text]
  • Reflections-19
    Reflections The Magazine of the C S FORESTER SOCIETY ISSN 2042-1389 Number 19 – July 2011 http://csforester.eu In this issue: Book-of-the-year Brown on Resolution (part 2) by John Roberts, Brown, the Mysterious Dustjacket and U97 (part 2) by Jetse Reijenga, Aspects of Peacemaker by Adrian Taylor and programme of AGM 2011 by Ludwig Heuse, Correspondence and New Members. BROWN ON RESOLUTION by John Roberts Part II - The Naval Background 1899 -1914 “…CS Forester clearly displays the depth of his knowledge of naval matters as well as his inventiveness and creativity by drawing skilful parallels to reflect real events…” CS Forester was an acknowledged expert in naval ed in the passionate interest of Brown’s mother Agatha in matters, tactics, strategy and naval history. He wrote only all matters pertaining to the Royal Navy. two books concerning naval engagements in the First World War, Brown on Resolution and The African Queen, Early on, as Brown and Forester were growing up, Britain but later he wrote an excellent, lengthy introduction to and Germany enjoyed close, friendly relations, with Richard Hough’s classic book Dreadnought: A History of Victoria’s grandson, the Kaiser Wilhelm II of Germany, the Modern Battleship . It was an authoritative piece setting having been made an admiral of the fleet in the Royal out his ideas on the impact of the Dreadnought battleship Navy, an honour of which he was intensely proud. Britain, on naval warfare and the flawed deployment of the with the biggest navy in the world, and Germany, with the Dreadnought battlecruiser.
    [Show full text]
  • Redalyc.C.S Forester E a Criação Do Herói Horatio Hornblower: UMA
    Antíteses ISSN: 1984-3356 [email protected] Universidade Estadual de Londrina Brasil Alves de Almeida, Francisco Eduardo C.S Forester e a criação do herói Horatio Hornblower: UMA INCURSÃO NA LITERATURA NAVAL BRITÂNICA Antíteses, vol. 7, núm. 13, enero-junio, 2014, pp. 60-83 Universidade Estadual de Londrina Londrina, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=193331342005 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto DOI: 10.5433/1984-3356.2014v7n13p60 C.S Forester e a criação do herói Horatio Hornblower: UMA INCURSÃO NA LITERATURA NAVAL BRITÂNICA C.S Forester and the creation of the hero Horatio Hornblower: an incursion on the british naval literature Francisco Eduardo Alves de Almeida 1 RESUMO Em 1899 C.S Forester nasceu no Cairo, Egito. Sua carreira na literatura incluiu livros sobre história, biografias e romances históricos, a maioria com temas voltados para a guerra no mar. Dentre seus romances navais mais conhecidos inclui-se a vida do personagem Horatio Hornblower. Forester foi um estudioso do período napoleônico e Hornblower nasceu de sua imaginação como um oficial de marinha britânico na Armada de Nelson. Em uma série de dez livros acabados e um por terminar Forester percorreu a vida de Hornblower e suas aventuras em luta constante contra Napoleão Bonaparte. Dotado de uma fértil imaginação, Forester baseou seu personagem em Horatio Lord Nelson e em Thomas Cochrane, ambos heróis britânicos desse período.
    [Show full text]
  • Bonnie Tyler the Hits of Bonnie Tyler Mp3, Flac, Wma
    Bonnie Tyler The Hits Of Bonnie Tyler mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Hits Of Bonnie Tyler Country: Germany Style: Pop Rock MP3 version RAR size: 1383 mb FLAC version RAR size: 1779 mb WMA version RAR size: 1489 mb Rating: 4.8 Votes: 228 Other Formats: WMA AC3 VOX DTS AU MP2 WAV Tracklist Hide Credits A1 It's A Heartache 3:31 A2 Got So Used To Loving You 3:13 A3 More Than A Lover 4:11 Piece Of My Heart A4 3:42 Written-By – B. Berns*, J. Ragovoy* A5 Baby I Remember You 3:19 B1 Lost In France 4:03 B2 Love Tangle 3:11 B3 Heaven 3:07 B4 Here's Monday 3:42 B5 Give Me Your Love 3:13 Companies, etc. Made By – RCA Schallplatten GmbH Lacquer Cut At – Tonstudio Pfanz Credits Producer – David Mackay, Ronnie Scott, Steve Wolfe* Written-By – R. Scott, S. Wolfe* (tracks: A1 to A3, A5 to B5) Notes (P)1978 --- Later Reissue without "DEUTSCHE PRESSUNG" on rear sleeve upper right corner Barcode and Other Identifiers Matrix / Runout ((Variants 1 & 2) Runout stamped both Sides): Manufactured in Germany Matrix / Runout ((Variant 1) Runout etched Side A): RCA PL- 25139 - A³ PF Matrix / Runout ((Variant 1) Runout etched Side B): RCA PL- 25139–B² PF Matrix / Runout ((Variant 2) Runout etched Side A): RCA PL- 25139 - A² PF Matrix / Runout ((Variant 2) Runout etched Side B): RCA PL- 25139–B² PF Rights Society: GEMA Label Code: LC 0316 Other versions Category Artist Title (Format) Label Category Country Year German Bonnie The Hits Of Bonnie RCA PL 25139 PL 25139 Democratic 1978 Tyler Tyler (LP, Comp) Victor Republic (GDR) Bonnie
    [Show full text]
  • JOKE: a Preacher, Who Shall We Say Was “Humor Inspired”, Attended a Conference to Help Encourage and Better Equip Pastors for Their Ministry
    JOKE: A preacher, who shall we say was “humor inspired”, attended a conference to help encourage and better equip pastors for their ministry. Among the speakers were many well-known and dynamic speakers. One such speaker, boldly approached the pulpit, gathered the entire crowd’s attention, and said, “the best years of my life were spent in the arms of a woman that wasn’t my wife!” The crowd was shocked! He followed up by saying, “And that woman was my mother!” The crowd burst into laughter and delivered the rest of his speech, which went quite well. The next week, the pastor decided he’d give this humor thing a try, and used that joke in his sermon. As he approached the pulpit that sunny Sunday morning, he tried to rehearse this joke in his head. It suddenly seemed a bit foggy to him. Getting to the microphone, he said loudly, “The greatest years of my life were spend in the arms of another woman that was not my wife!” The congregation inhaled half the air in the room! After standing there for almost 10 seconds in stunned silence, trying to recall the second half of the joke, the pastor finally blurred out, “…and I can’t remember who she was!” ————————————————————————- The Second Word from the Cross: The Rich Young Ruler It is likely that the man who had a sad and disheartening encounter with Jesus known as the Rich Young Ruler was in Jerusalem for Passover on the same weekend that Jesus ended up on the cross next to two thieves.
    [Show full text]
  • 2Pac Greatest Hits 01 Keep Ya Head up 02 2 of Amerikaz Most Wanted
    Downloaded from: justpaste.it/yp43 2Pac Greatest Hits 01 Keep ya head up 02 2 Of amerikaz most wanted 03 Temptations 04 God bless the dead 05 Hail Mary 06 Me against the world 07 How do u want it 08 So many tears 09 Unconditional love 10 Trapped 11 Life goes on 12 Hit 'em up 13 Troublesome 96' 14 Brenda's got a baby 15 I ain't mad at cha 16 I get around 17 Changes 18 California love (original version) 19 Picture me rollin' 20 How long will they mourn me 21 Toss it up 22 Dear mama 23 All about you 24 To live & die in L.A. 25 Heartz of men A Teens Greatest Hits (2004) 01 Mamma Mia 02 Upside down 03 Gimme gimme gimme 04 Floorfiller 05 Dancing queen 06 A perfect match 07 To the music 08 Halfway around the world 09 Sugar rush 10 Super trouper 11 Heartbreak lullaby 12 Can't help falling in love 13 Let your heart do all the talking 14 The final cut 15 With or without you 16 I promised myself A Teens Greatest Hits Back A Teens Greatest Hits CD A Teens Greatest Hits A ha Greatest Hits (Ltd.Ed (2CD) 2009 101 a ha foot of the mountain atrium 102 a ha celice atrium 103 a ha summer moved on atrium 104 a ha lifelines atrium 105 a ha the bandstand atrium 106 a ha dont do me any favours atrium 107 a ha minor earth major sky atrium 108 a ha analogue atrium 109 a ha velvet atrium 110 a ha mother nature goes to heaven atrium 111 a ha the sun never shone that day atrium 112 a ha forever not yours atrium 113 a ha you wanted more atrium 114 a ha cosy prisons atrium 115 a ha shadowside atrium 116 a ha thought that it was you atrium 117 a ha little black heart
    [Show full text]
  • The Continuing Presence of Walt Whitman
    The Continuing Presence of Walt Whitman The Continuing Presence of Walt The Life after the Life Edited by Robert K. Martin University of Iowa Press 1m Iowa City University of Iowa Press, Iowa City 52242 Copyright © 1992 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, without permission in writing from the publisher. The following essays have been previously published, in somewhat different form, and are reprinted here with permission: Thorn Gunn, "Freedom for All," Times Literary Supplement, January 5-11, 1990, pp. 3-4; Maurice Kenny, "Whitman's Indifference to Indians," Greenfield Review 14 (Summer/Fall1987): 99-113; Michael Lynch, "The Lover of His Fellows and the Hot Little Prophets: Walt Whitman in Ontario," Body Politic 67 (October 1980): 29-31; Ned Rorem, "A Postscript on Whitman," © 1969 by Ned Rorem, published in Rorem, Settling the Score (New York: Harcourt Brace, 1988), pp. 311-313. Ronald Johnson's poems first appeared in Valley of the Many-Colored Grasses (New York: Norton, 1969), pp. 89-98. Library of Congress Cataloging-in-Publication Data The Continuing presence of Walt Whitman: the life after the life I edited by Robert K. Martin.-1st ed. p. em. Includes bibliographical references and index. ISBN o-87745-366-7 (cloth: alk. paper) 1. Whitman, Walt, 1819-1892-Criticism and interpretation. 2. Authors and readers-United States. 3· Reader-response criticism.
    [Show full text]
  • The Women Characters in Maurice Baring's Novels
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 The Women Characters in Maurice Baring's Novels M. Raymond Kornely Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Kornely, M. Raymond, "The Women Characters in Maurice Baring's Novels" (1949). Master's Theses. 770. https://ecommons.luc.edu/luc_theses/770 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 M. Raymond Kornely , i ! THE WOMEN CHARACTERS IN Y.AURICE BARING I S NOVELS I: I I ; I I: ' I I II II " I II ! I I I , i BY SISTER :M. R.A.n!OND KORNELY, O. S. F • I I I A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY NOVEMBER 1949 il TABLE OF CONTENl'S Page I. TABLE OF CONTENTS • • . · . · . · . · . i TI. INTRODUCTION • • • • • · . • iii TIl. CHAPTER I -- BARING'S TECHNIQUE OF CHARACTERIZATION AND PHILOSOPHY OF LIFE • • • • • • • • • • • • • • · . 1 A. Baring t s Technique of Characterization • • • • • 1 B. Baring t s Philosophy of Life •••••• • • • • 6 IV. II -- THE MAJOR WOMEN IN THE NOVELS: THEIR STRUGGLES AND THE OUTCOME • • • • • • • • • • • • • • • • • • 11 Women Novels A. Blanche Roccapalumba • • • · • .Cat's Cradle 12 B.
    [Show full text]
  • The Historical Thought of Film: Terrence Malick and Philosophical Cinema
    The Historical Thought of Film: Terrence Malick and Philosophical Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Steven M. Rybin June 2009 © 2009 Steven M. Rybin. All Rights Reserved. 2 This dissertation titled The Historical Thought of Film: Terrence Malick and Philosophical Cinema by STEVEN M. RYBIN has been approved for the School of Interdisciplinary Arts and the College of Fine Arts by Vladimir L. Marchenkov Associate Professor of Interdisciplinary Arts Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT RYBIN, STEVEN M., Ph.D., June 2009, Interdisciplinary Arts The Historical Thought of Film: Terrence Malick and Philosophical Cinema (484 pp.) Director of Dissertation: Vladimir L. Marchenkov Previous scholarly work on the director Terrence Malick has argued that his films – Badlands (1973), Days of Heaven (1978), The Thin Red Line (1998) and The New World (2005) – are, in varying ways, philosophical. This assessment is usually made via an analysis of the films in relation to a single philosophical metatext (frequently the work of Martin Heidegger) that transcends the concrete historical situation of both the given film and the historically existing viewer. This study seeks to intervene in this critical literature by theorizing an approach for understanding Malick’s films as works that do not merely illustrate already articulated philosophical themes but that rather function, in dialogue with the spectator, as an invitation to generate creative and historically situated meaning. The film medium, this study argues, is uniquely philosophical in that it exists in time (via the gradual entropy of the celluloid film print) as does the finite, historically embodied spectator.
    [Show full text]