DOCSLIB.ORG

Wrigley-Cross Books Book Fair Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Welcome to Wrigley-Cross Books catalogue of science fiction, fantasy, horror and mystery specially put together for the Western States Virtual Book & Paper Fair hosted on the Getsman platform from April 29th to May 1st. Please phone ((503) 667-0807) or email ([email protected]) to check on the availability of any book listed either on the Fair site or in this catalogue. For books bought from this catalogue, special reduced shipping costs will apply. Domestic postage, packing and insurance is: $4 for the first book, $1.00 for subse- quent books, shipped USPS media rate. Orders between $200 & $400 will be upgraded to priority. Orders over $400 will be shipped priority at no cost to the buyer. PMB 455 International orders will be shipped air-mail at cost. 2870 NE Hogan Rd., Ste E. We accept all major credit cards and PayPal. Gresham OR 97030 Paul & Debbie PHONE (503) 667-0807 www.wrigleycrossbooks.com Email: [email protected] SPECIAL CATALOGUE SCIENCE FICTION, FANTASY, MYSTERY & HORROR Page 2: Horror – Items 1 - 88 Page 24: Science Fiction & Fantasy – Items 89 - 192 Page 50: Mystery – Items 193 - 215 1 1. Aickman, Robert. The Attempted Rescue Leyburn, Tartarus, 2001. 1st Tartarus Press edition, with new foreword by Jeremy Dyson, limited to 500 cloth copies, Fine in Fine DJ. An autobiography. $95.00 2. Armstrong, Kelley. Becoming Burton, Subterranean, 2011. Limited edition, of an edition of 1026 copies, 1/1000 (# 495) numbered cloth copies signed by the author & Angilram (artist), Fine in Fine DJ. A graphic novel with 16 pages of material in no other editions. An Otherword story. $375.00 3. Barker, Clive. Chiliad: A Meditation Burton, Subterranean, 2014. 1st edition, 1/350 (# 310) signed numbered leatherbound copies, Fine in Fine DJ. $500.00 4. Barker, Clive. Clive Barker's Books of Blood Lancaster, Stealth Press, 2001. 1st Stealth Press edition with new introduction by Peter Atkins, 1/500 (# 25) signed numbered slipcased leatherbound copies, Fine in Fine slipcase, No DJ as issued. Penultimate book from the press which had poor distribution. $595.00 2 5. Bloch, Robert. The Lost Bloch, Volume One Burton, Subterranean, 1999. 1st edition, of an edition of 750 copies, 1/724 (# 178) numbered cloth copies signed by the editors, small ink mark to bottom edge, Near Fine in Fine DJ. "The Devil with You!" $250.00 6. Burke, Kealan Patrick (Editor). Taverns of the Dead Baltimore, CD Publications, 2005. 1st edition, 1/400 (# 117) numbered slipcased cloth copies signed by all living contributors who include Thomas Ligotti, Peter Straub, Neil Gaiman, Charles De Lint, David Morrell, Edward Lee & Jeff Vandermeer. Fine in Fine DJ & slipcase. $150.00 7. Burke, Kealan Patrick. The Turtle Boy Gladstone, Necessary Evil Press, 2004. 1st edition, of an edition of 476 copies, 1/450 (# 285) signed numbered copies, Fine in Fine DJ. $95.00 8. Cannon, Peter. Forever Azathoth and Other Horrors (Horam), Tartarus, 1999. 1st edition, limited to 250 signed and numbered cloth copies, Fine in Fine DJ. Lovecraftian and Wodehousian parodies and pastiches. $195.00 3 9. Carter, Margaret L. (Editor). Dracula: The Vampire and the Critics Ann Arbor, UMI Research Press, 1988. 1st edition, Fine in slightly rubbed Near Fine DJ. "Studies in Speculative Fiction, No. 19". $125.00 10. Charlton, William. Undesirable Guests and Other Stories Leyburn, Tartarus, 2002. 1st edition, limited to 300 signed cloth copies, Fine in Fine DJ. $95.00 11. Coppard, A.E. Father Raven and Other Tales Leyburn, Tartarus, 2006. 1st edition, limited to 300 cloth copies, introduced and SIGNED by Mark Valentine, Fine in Fine DJ. $200.00 12. Copper, Basil. Cold Hand on My Shoulder Mountain Ash, Sarob, 2002. 1st edition, of an edition of 352 copies, 1/52 ("MM") signed lettered slipcase copies, Fine in Fine DJ & slipcase. "Tales of Terror & Suspense". $95.00 4 13. Crisp, Quentin S. Morbid Tales Leyburn, Tartarus, 2004. 1st edition, limited to 300 cloth copies, Fine in Fine DJ. $170.00 14. Croker, B.M. "Number Ninety" and Other Ghost Stories Mountain Ash, Sarob, 2000. 1st edition, limited to 250 numbered cloth copies, Fine in Fine DJ. "Richard Dalby's Mistresses of the Macabre Volume 3." $170.00 15, de Bernieres, Louis. Gunter Weber's Confession N.P., Tartarus, 2001. 1st edition, of an edition of 300 copies, 1/100 (# 91) signed numbered copies in wraps (trade paper) printed on Zerkall paper, Fine. Hand printed at the Tragara Press. The final chapter of "Captain's Corelli's Mandolin". Associational. $160.00 16. Doherty, P.C. Drakulya Hassocks, Post Mortem, 1997. 1st edition, limited to 350 signed numbered cloth copies, Fine, No DJ as issued. Omnibus of "The Prince Drakulya" & "The Lord Count Drakulya" now issued in one volume as originally written and proposed by the author. "Being an account of the life of Drakulya, Prince of Wallachia and the bloody deeds that shaped the legend". $95.00 5 17. Dowling, Terry. Basic Black Baltimore, CD Publications, 2006. 1st edition, limited to 750 signed cloth copies, Fine in Fine DJ. "Tales of Appropriate Fear." $95.00 18. Evenson, Brian. Last Days Portland, Underland, 2009. 1st edition, of an edition of 75 copies, 1/48 (# 48) signed numbered cloth copies, Fine in Fine DJ. The cover of the jacket has lines from the book hand written by the author, so each is unique. At the time of cataloging, there were no copies of this edition of the book for sale on-line. $600.00 19. Falkner, John Meade. The Lost Stradivarius Leyburn, Tartarus, 2000. 1st edition, limited to 300 numbered cloth copies, Fine in Fine DJ. The title novel and two previously uncollected stories "A Midsummer's Night Marriage" & "Charalampia". $250.00 20. Finch, Paul. Darker Ages Kidwelly, Sarob, 2004. 1st edition, 1/40 cloth copies with marbled endpapers signed by the author, Richard Gray (artist) & Mike Ashley (Introducer), Fine in Fine DJ. $108.00 6 21. Garton, Ray (et al). Looking Glass Baltimore, CD Publications, 2006. 1st edition, 1/550 (# 450) numbered cloth copies signed by Alex McVey (illustrator) & the authors who include Ray Garton, Brian Keene & Joe Hill, Fine in Fine DJ. CD Signature Series #1. $250.00 22. Garton, Ray. 411 Baltimore, CD Publications, 1998. 1st edition, 1/450 (# 244) signed numbered cloth copies, Fine in Fine DJ. Novella Series Book 3. $120.00 23. Garton, Ray. Windows Baltimore, CD Publications, 2006. 1st edition, 1/550 (# 384) numbered cloth copies signed by the author and Glenn Chadbourne (artist), Fine in Fine DJ. CD Signature Series #2. $95.00 24. Gaskin, John. The Long Retreating Day Leyburn, Tartarus, 2006. 1st edition, limited to 450 signed cloth copies, Fine in Near Fine DJ with slightly faded spine. "Tales of Twilight and Borderlands". $195.00 7 25. Glasby, John. The Substance of a Shade Kidwelly, Sarob, 2003. 1st edition, 1/35 (# 13) numbered slipcased copies signed by the author, Richard Dalby (introduction) & Paul Lowe (artist), Fine in Fine slipcase, No DJ as issued. At the time of cataloging, there were no copies of this state of the book for sale on-line. $150.00 26. Golden, Christopher (Editor). The New Dead Burton, Subterranean, 2010. 1st edition, limited to 250 numbered cloth copies signed by all the authors who include John Connolly, David Liss, Joe R. Lansdale, Joe Hill, Kelley Armstrong & Brian Keene, Fine in Fine DJ. "Tales of Death & Resurrection". $500.00 27. Hartley, L.P. The Collected Macabre Stories Leyburn, Tartarus, 2001. 1st edition, limited to 350 cloth copies, Fine in Fine DJ. $120.00 28. Heron-Allen, Edward. The Collected Strange Papers of Christopher Blayre N.P., Tartarus, 1998. 1st edition, (limited to 250 cloth copies), Fine in Fine DJ. $325.00 8 29. Heron-Allen, Edward. The Princess Daphne Leyburn, Tartarus, 2001. 1st edition, limited to 150 numbered cloth copies (per publisher - "Although it was intended to print 300 copies of this book, there were problems with the blocking of the boards, the printing and the binding which caused one half of the run to be rejected. Therefore copies were only numbered up to 150," this is # 140), slightly bumped, Very Good in Very Good DJ with slightly faded spine & slight edgewear. Contains the novel, Introduction - "The Determined Dilettante" & Bibliography by R.B. Russell and Rosalie Parker & Notes on Heron-Allen. $160.00 30. Hill, Joe. Horns Hornsea, PS Publishing, 2010. 1st expanded edition, of an edition of 700 copies, 1/500 (# 295) signed numbered slipcased cloth copies, Fine in Fine DJ & slipcase. Contains a deleted chapter & four color plates. $200.00 31. Hodge, Brian. The Convulsion Factory Seattle, Silver Salamander, 1996. 1st edition, 1/300 (# 77) numbered cloth copies signed by the author, introducer & photographer, Fine in Near Fine DJ with faded spine. Uncommon. $200.00 32. Howard, John (& Mark Valentine). Secret Europe Leyburn, Tartarus, 2014. 1st expanded and revised edition, limited to 300 cloth copies signed by both authors, Fine in Fine DJ. $140.00 9 33. Hughes, Rhys. Journeys Beyond Advice Kidwelly, Sarob, 2002. 1st edition, of an edition of 302 copies, 1/52 ("HH") signed lettered slipcase copies, Fine in Fine DJ & slipcase. Short Story Collection. At the time of cataloging, there were no copies of this state of the book for sale on-line. $300.00 34. Irving, Washington. The Legend of Sleepy Hollow and Other Stories Leyburn, Tartarus, 2009. 1st edition, limited to 300 cloth copies, Fine in Fine DJ. $195.00 35. James, Henry. The Sense of the Past Leyburn, Tartarus , 2006. 1st edition, (limited to 300 cloth copies), Fine in Fine DJ. "The Ghostly Stories of Henry James". $350.00 36. Jones, Stephen. Don't Turn Out the Light Hornsea, PS Publishing, 2005.
Recommended publications
  • Freedom.” One Could Certainly Quarrel with Wallace’S Characterization of 1960S Postmodernism

    Freedom.” One Could Certainly Quarrel with Wallace’S Characterization of 1960S Postmodernism

    Daniel Green Table of Contents Definitions (1) Postmodern Confusions David Foster Wallace (5) Jonathan Lethem (14) George Saunders (17) Sergio de la Pava (23) Evan Dara (26) Sources of the New—Sentences Gary Lutz (33) Diane Williams (37) Dawn Raffel (41) Melanie Rae Thon (45) Blind Alleys Perils of the Apocalypse Ben Marcus (49) Conceptual Schemes Davis Schneiderman, Mark Danielewski (53) Postmodernism on Steroids Daniel James (60) Supersize It Joshua Cohen (63) Jim Gauer (68) Twice-Told Tales John Keene (71) Gabriel Blackwell (76) Dynamics of the Page Steve Tomasula (79) Zachary Thomas Dodson (84) Shelley Jackson (87) Michael Joyce (91) 1 DEFINITIONS In Art as Experience, the philosopher John Dewey describes a cycle in art and literary history whereby works initially thought to be too radically experimental ultimately are accepted as “classics” that themselves become objects of imitation: [T]he fruits of the new procedure are absorbed; they are naturalized and effect certain modifications of the old tradition. This period establishes the new aims and hence the new techniques as having “classic” validity, and is accompanied with a prestige that holds over into subsequent periods. Dewey’s notion that “new procedures” create “certain modifications of the old tradition” is strongly reminiscent of T.S. Eliot’s argument in “Tradition and the Individual Talent” that “existing monuments” form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.
  • Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories

    Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories

    Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories PAUL A. CRUTCHER DAPTATIONS OF GRAPHIC NOVELS AND COMICS FOR MAJOR MOTION pictures, TV programs, and video games in just the last five Ayears are certainly compelling, and include the X-Men, Wol- verine, Hulk, Punisher, Iron Man, Spiderman, Batman, Superman, Watchmen, 300, 30 Days of Night, Wanted, The Surrogates, Kick-Ass, The Losers, Scott Pilgrim vs. the World, and more. Nevertheless, how many of the people consuming those products would visit a comic book shop, understand comics and graphic novels as sophisticated, see them as valid and significant for serious criticism and scholarship, or prefer or appreciate the medium over these film, TV, and game adaptations? Similarly, in what ways is the medium complex according to its ad- vocates, and in what ways do we see that complexity in Batman graphic novels? Recent and seminal work done to validate the comics and graphic novel medium includes Rocco Versaci’s This Book Contains Graphic Language, Scott McCloud’s Understanding Comics, and Douglas Wolk’s Reading Comics. Arguments from these and other scholars and writers suggest that significant graphic novels about the Batman, one of the most popular and iconic characters ever produced—including Frank Miller, Klaus Janson, and Lynn Varley’s Dark Knight Returns, Grant Morrison and Dave McKean’s Arkham Asylum, and Alan Moore and Brian Bolland’s Killing Joke—can provide unique complexity not found in prose-based novels and traditional films. The Journal of Popular Culture, Vol. 44, No. 1, 2011 r 2011, Wiley Periodicals, Inc.
  • To Sunday 31St August 2003

    To Sunday 31St August 2003

    The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made.
  • Carleton University Winter 2017 Department of English ENGL 2906

    Carleton University Winter 2017 Department of English ENGL 2906

    Carleton University Winter 2017 Department of English ENGL 2906 B Culture and Society: Gothic and Horror Prerequisite(s): 1.0 credit in ENGL at the 1000 level or permission of the Department Tuesdays 6:05 – 8:55 pm 182 Unicentre Instructor: Aalya Ahmad, Ph.D. Email: [email protected] Office: 1422 Dunton Tower Office Hours: please email me for an appointment Course Description: This course is an overview of Gothic and Horror fiction as literary genres or fictional modes that reflect and play with prevalent cultural fears and anxieties. Reading short stories that range from excerpts from the eighteenth-century Gothic novels to mid-century weird fiction to contemporary splatterpunk stories, students will also draw upon a wide range of literary and cultural studies theories that analyze and interpret Gothic and horror texts. By the end of this course, students should have a good grasp of the Gothic and Horror field, of its principal theoretical concepts, and be able to apply those concepts to texts more generally. Trigger Warning: This course examines graphic and potentially disturbing material. If you are triggered by anything you experience during this course and require assistance, please see me. Texts: All readings are available through the library or on ARES. Please note: where excerpts are indicated, students are also encouraged to read the entire text. Evaluation: 15% Journal (4 pages plus works cited list) due January 31 This assignment is designed to provide you with early feedback. In a short journal, please reflect on what you personally have found compelling about Gothic or horror fiction, including a short discussion of a favourite or memorable text(s).
  • Book Reviews.6

    Book Reviews.6

    Page 85 BOOK REVIEWS Tartarus Press Strange Tales, ed. Rosalie Parker (North Yorkshire: Tartarus, 2003) & Wormwood: Literature of the Fantastic, Supernatural & Decadent, 1­6, 2003­2006 Dara Downey the horror genre is extremely limber, extremely adaptable, extremely useful; the author or filmmaker can use it as a crowbar to lever open locked doors or a small, slim pick to tease the tumblers into giving. The genre can thus be used to open almost any lock on the fears which lie behind the door […]. (Stephen King, Danse Macabre (1982), 163) When King is at his best, he can be remarkably adept at cutting to the core of the genre of which he is the self­proclaimed “King”. Nevertheless, however astute such isolated observations as the above comment might be, it is always possible to find another, equally astute observation, that both contradicts what he is saying and undermines whatever favourable impression of his analytical skills we may have. Elsewhere in Danse Macabre, for example, King states confidently that Henry James’ “The Turn of the Screw, with its elegant drawing­room prose and its tightly woven psychological logic, has had very little influence on the American masscult” of mainstream horror (Danse Macabre, 66). What this suggests is that the flexibility which he sees as the defining characteristic of horror has (for him at any rate) a breaking point, a suggestion well in line with his near­hysterical insistence that aesthetic values and intellectual rigour are antithetical to the aims and effects of the genre. It is precisely this sort of inverted snobbery that Tartarus Press are striving to overthrow.
  • SFRA Newsletter 259/260

    SFRA Newsletter 259/260

    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con­ tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis­ 30 sions or queries to both coeditors.
  • FANTASY SUPER LEAD Brandon Sanderson

    FANTASY SUPER LEAD Brandon Sanderson

    TOR FANTASY JANUARY 2017 FANTASY SUPER LEAD Brandon Sanderson The Bands of Mourning #1 New York Times bestselling author continues the saga of Mistborn With The Alloy of Law and Shadows of Self, Brandon Sanderson surprised readers with a New York Times bestselling spinoff of his Mistborn books, set after the action of the trilogy, in a period corresponding to late 19th-century America. Now, with The Bands of Mourning, Sanderson continues the story. The Bands of Mourning are the mythical metalminds owned by the Lord Ruler, said to grant anyone who wears them the powers that the Lord Ruler had at his command. Hardly anyone thinks they really exist. A kandra researcher has returned to Elendel with images that seem to depict the Bands, as well as writings in a language that no one can read. Waxillium Ladrian is recruited ON-SALE DATE: 1/3/2017 to travel south to the city of New Seran to investigate. Along the way he ISBN-13: 9780765378583 discovers hints that point to the true goals of his uncle Edwarn and the EBOOK ISBN: 9781466862678 shadowy organization known as The Set. PRICE: $8.99 / $12.99 CAN. PAGES: 536 KEY SELLING POINTS: SPINE: 1.281 IN * LATEST INSTALLMENT OF THE MISTBORN SERIES: The Bands of CTN COUNT: 24 Mourning is the sequel to Shadows of Self and part of the Mistborn series, CPDA/CAT: 32/FANTASY but can be read as a stand-alone ORIGIN: TOR HC (1/16, * SANDERSON IS AN SF/F ROCK STAR: Sanderson is one of fantasy's 978-0-7653-7857-6) biggest stars and a constant fixture on the New York Times bestseller list, with a rapidly growing audience and dedicated fanbase AUTHOR HOME: UTAH For the Mistborn series and Brandon Sanderson MARKETING * Digital outreach through Twitter, Facebook, and the "Sanderson is an evil genius.
  • 30Th ANNIVERSARY 30Th ANNIVERSARY

    30Th ANNIVERSARY 30Th ANNIVERSARY

    July 2019 No.113 COMICS’ BRONZE AGE AND BEYOND! $8.95 ™ Movie 30th ANNIVERSARY ISSUE 7 with special guests MICHAEL USLAN • 7 7 3 SAM HAMM • BILLY DEE WILLIAMS 0 0 8 5 6 1989: DC Comics’ Year of the Bat • DENNY O’NEIL & JERRY ORDWAY’s Batman Adaptation • 2 8 MINDY NEWELL’s Catwoman • GRANT MORRISON & DAVE McKEAN’s Arkham Asylum • 1 Batman TM & © DC Comics. All Rights Reserved. JOEY CAVALIERI & JOE STATON’S Huntress • MAX ALLAN COLLINS’ Batman Newspaper Strip Volume 1, Number 113 July 2019 EDITOR-IN-CHIEF Comics’ Bronze Age and Beyond! Michael Eury TM PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST José Luis García-López COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek IN MEMORIAM: Norm Breyfogle . 2 SPECIAL THANKS BACK SEAT DRIVER: Editorial by Michael Eury . 3 Karen Berger Arthur Nowrot Keith Birdsong Dennis O’Neil OFF MY CHEST: Guest column by Michael Uslan . 4 Brian Bolland Jerry Ordway It’s the 40th anniversary of the Batman movie that’s turning 30?? Dr. Uslan explains Marc Buxton Jon Pinto Greg Carpenter Janina Scarlet INTERVIEW: Michael Uslan, The Boy Who Loved Batman . 6 Dewey Cassell Jim Starlin A look back at Batman’s path to a multiplex near you Michał Chudolinski Joe Staton Max Allan Collins Joe Stuber INTERVIEW: Sam Hamm, The Man Who Made Bruce Wayne Sane . 11 DC Comics John Trumbull A candid conversation with the Batman screenwriter-turned-comic scribe Kevin Dooley Michael Uslan Mike Gold Warner Bros. INTERVIEW: Billy Dee Williams, The Man Who Would be Two-Face .
  • The SKIN Project by Shelley Jackson. the Tattooed Text As a Mortal Work of Art

    The SKIN Project by Shelley Jackson. the Tattooed Text As a Mortal Work of Art

    The SKIN Project by Shelley Jackson. The Tattooed Text as a Mortal Work of Art. Marie Bouchet To cite this version: Marie Bouchet. The SKIN Project by Shelley Jackson. The Tattooed Text as a Mortal Work of Art.. La Peaulogie - Revue de sciences sociales et humaines sur les peaux, La Peaulogie 2020, La littérature dans la peau : tatouages et imaginaires., pp.145-169. halshs-02567841 HAL Id: halshs-02567841 https://halshs.archives-ouvertes.fr/halshs-02567841 Submitted on 28 Sep 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License | 2020 La Peaulogie 4 La littérature dans le peau Tatouages et imaginaires PRINTEMPS 2020 NUMÉRO 4 Lignes, tracés graphiques, surfaces encrées, impressions, parchemins et vélins sont autant de termes que le tatouage partage avec l’écriture. Entre les objets scripteurs, les gestes de l’écriture ou du dessin et l’aiguille du tatoueur se noue une relation sensible et palpable. Le littéraire fait retour sur la peau qui elle-même se transforme en archive et devient l’objet d’une mise en fiction des corps. Ce numéro interdisciplinaire consacré à la littérature dans la peau aborde le tatouage, non plus comme un motif graphique uniquement visuel, mais comme un support narratif propre à la fiction.
  • Of Monsters and Men: Absent Mothers and Unnatural Children in the Gothic ‘Family Romance’

    Of Monsters and Men: Absent Mothers and Unnatural Children in the Gothic ‘Family Romance’

    Of Monsters and Men: Absent Mothers and Unnatural Children in the Gothic ‘Family Romance’ Donna Mitchell Introduction This article explores how the conventional parent-child relationship is challenged and subsequently subverted in both traditional and modern Gothic literature. Traversing the texts of Mary Shelley’s Frankenstein (1818), Shelley Jackson’s Patchwork Girl (1995), Charlotte Perkins Gilman’s The Yellow Wallpaper (1892), and Anne Rice’s Vampire Chronicles (1976), it traces the genre’s formation of absent mothers and unnatural children and their position within the Gothic family unit. Specifically, it analyses how these texts illustrate feminist concerns regarding the objectification of women and gender inequality within the domestic sphere, and in particular, how they present juxtaposing issues associated with motherhood, such as the effects of postnatal trauma and the challenges associated with the woman’s inability to fulfil her maternal potential. The repercussions of replacing the natural mother and child with monstrous creations are considered through existing scholarship on the Gothic as well as various aspects of psychoanalysis and feminist theory. These approaches are applied to the four texts, which vary in their historical and socio-cultural contexts, but collectively they demonstrate the various struggles that are encompassed within the woman’s familial role. Shelley and Perkins’s texts examine the psychological and Otherness: Essays and Studies Volume 4 · Number 2 · April 2014 © The Author 2014. All rights reserved Otherness: Essays and Studies 4.2 emotional effects of motherhood, and consider how postnatal trauma can result in a temporary or permanent maternal absence in the child’s life. Additionally, Shelley, Jackson and Rice’s texts present versions of children whose very existence challenges the law of nature.
  • Janny Wurts ______Supporting Membership(S) at US$35 Each = US$______

    Janny Wurts ______Supporting Membership(S) at US$35 Each = US$______

    Address Correction Requested Address CorrectionRequested Convention 2004 2004 Convention World Fantasy Tempe, AZ 85285-6665Tempe, USA C/O LepreconInc. P.O. Box26665 The 30th Annual World Fantasy Convention October 28-31, 2004 Tempe Mission Palms Hotel Tempe, Arizona USA Progress Report #2 P 12 P 1 Leprecon Inc. presents World Fantasy Con 2004 Registration Form NAME(S) _____________________________________________________________ The 30th Annual ADDRESS ____________________________________________________________ World Fantasy Convention CITY _________________________________________________________________ October 28-31, 2004 STATE/PROVINCE _____________________________________________________ Tempe Mission Palms Hotel ZIP/POSTAL CODE _____________________________________________________ Tempe, Arizona USA COUNTRY ____________________________________________________________ EMAIL _______________________________________________________________ Author Guest of Honour PHONE _______________________________________________________________ Gwyneth Jones FAX __________________________________________________________________ Artist Guest of Honor PROFESSION (Writer, Artist, Editor, Fan, etc.) ______________________________________________________________________ Janny Wurts _______ Supporting Membership(s) at US$35 each = US$_________ Editor Guest of Honor _______ Attending Membership(s) at US$_______ each = US$_________ Ellen Datlow _______ Banquet Tickets at US$53 each = US$ _________ Total US$___________ Publisher Guest of Honor _______ Check:
  • Alter Ego #78 Trial Cover

    Alter Ego #78 Trial Cover

    TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.